________________
462
VAJJĀLAGGAM
279) Here the word FETUJH1a1-magnanimous--is used as a qualification of the gras.
280) For 4615693 fait cf. st 61. fuã qe3-comes or falls under the influence of, agrituala according to the commentator. fys stands for fios according to Laber.fqas means food given by a supe. rior person to some one who depends upon him and is at his mercy for his subsistence. The PSM equates fus with foc (box or basket) and explains it as Fll, 341aat. The PSM quotes the following line from 491aaf (176): at ara aur ufuzi 10 पिडे पडिओ.Cf. गोयरे पडसि in st. 281.
281) 3044 = 959717--shrewd, clever ones. See Dr. Upadhye's article on Chappaņņaya- gāhão, mentioned in the notes on st. 270. The exact sense of TTTARCIBHEAT is obscure. This is rendered as उत्कष्वृषभदाहैकमण्डिता by Laber. The Ms.C reads थोरवसणCERAT, which yields some sense at least : adorned i.e., branded exclusively with the burns (212, cf. Marathi 922451) of great calamities. The commentator paraphrases : riequ Hathfocar, where उत्सृष्ट appears,to be a corruption for उत्कृष्ट,which renders थोर ( = महत्). G&i=*+CH with very great difficulty. Cf. st. 437.
202) Cf, Weber (1881) 883 : #1 gfet faforei 198 gaat GÅ F3ETİ | razgo a ufuai a fu pantat aquifà ll. We must obviously read gets for Act (Laber's reading), which offends against the metre.
283) Toatott even by a passing, cursory, casual glance. कारिमउवयार artificial, empty formalities or courtesies. कारिम = कृत्रिम. For the krt suffix H, cf. Pischel, Grammatik d. Prākrit Sprachen, p. 407, $ 60.
284) Cf. Weber (1881) 720 where the reading is egzie 7 दिट्ठो सरलसहावाइ जं न आलत्तो।
285) 197 is the fifth note of the Indian musical scale, the others being Tez, TH, TFT, #47,897 and fagia. It is supposed to be produced by the cuckoo. (Cf. Nārada : yesi tifa aurea alfacat ia
H1). This can note when produced by the cuckoo and heard by persons in separation from their beloved consorts, makes them restless, fills their minds with deep longing and even kills them. 4qh also means GTAT, a particular kind of musical melody sung in the fifth note or based on the fifth note as its dominant note.
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