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Shri Mahavir Jain Aradhana Kendra
www.kobatirth.org
Acharya Shri Kailassagarsuri Gyanmandir
462
VAJJĀLAGGAM
279) Here the word watjujal--magnanimous is used as a qualification of the admis.
280) For बहुकडकवडभरियाण cf. st 61. पिडे पड:.--comes or falls under the influence of, Teilha according to the commentator, füs stands for five according to Laber.fque means food given by a supe. rior person to some one who depends upon him and is at his mercy for his subsistence. The PSM equates fos with fua (hox or basket) and explains it as pogl, laat. The PSM quotes the following line from 941#(176): at ar dur th 17 HE पिडे पडिओ. Cf. गोयरे पडसि in st. 281.
251) 73474M = TEHA --shrewd, clever ones. See Dr. Upadhye's article on Chappaņņaya- gāhāo, mentioned in the notes on st. 270. The exact sense of 172 gr.#AT is obscure. This is rendered as उत्फ वृषभदाहैकमण्डिता by Laber. The Ms.C reads थोरवसण
rell, which yields some sense at least: adorned i.e., branded exclusively with the burns (F12, cf. Marathi 92%) of great calamities. The commentator paraphrases: ayat AliEat, where उत्सृट appears,to be a corruption for उत्कष्ट,which renders थोर ( = महत्), **= *£# with very great difficulty. Cf. st. 437.
202) Cf. Weber (1881) 883: #1 gra acufunt 793 gra 33 STUTI Fanu a fujai af oral stuifà 1). We must obviously read al for all! (Laber's reading), which offends against the metre.
283) stajaotatuto even by a passing, cursory, casual glance. कारिमउवयार artificial, empty formalities or courtesies. कारिम = कृत्रिम. For the krt suffix z7, cf. Pischel, Grammatik d. Prākrit Sprachen, p. 407, $ 60.
284) Cf. Weber (1881) 720 where the reading is Razzle ga दिट्ठो सरलसहावाद जं न आलत्तो।
285) TH is the fifth note of the Indian musical scale, the others being 757, 7TH, Tratt, 4774, 497 and foryla. It is supposed to be produced by the cuckoo. (Cf. Nārada : qez aia airea alfacit fifa
HI). This fan note when produced by the cuckoo and heard by persons in separation from their beloved consorts, makes them restless, fills their minds with deep longing and even kills them. Ý A also means 1971, a particular kind of musical melody sung in the fifth note or based on the fifth note as its dominant note.
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