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25
(P. 37. A. 1. S. 14.
to her feet are doubly jingling. The necklace of pearls, tossed in disorder owing to repeated palpitations of her heart, is striking ceaselessly against her breast.
Here the word fiera (through sheer pain as it were ) gives rise to gihe. This ch is rendered more beautiful by its auxiliary figure of 8127143 which gives in addition to its first sense a second sense to the words आकुल:( bewildered) क्रन्दतः( crying) व्यस्तः( distorted) Ef ( strikes mercilessly ) and HF (breaking of the waste. )
No doubt these two figures are excellently worked out, but they are out of place here. The predominant sentiment here is it as the graceful sporting of Talaat inspires a feeling of love in the mind of the hero. But the 37eft along with the chall through pain, as it were ) creates an atmosphere of pathos ( EOT) and as such is highly detrimental to the present sentiment (761) of love.
The following verse means:---
“Who is this (girl) painted in a picture that enters my mind like a female swan entering the lake had? This girl is eclipsing the Goddess of beauty with her grace and is showing a great regard for me. ( The female swan also shakes gracefully the lotuses in the manasa lake and flutters her wings excessively.)"
This is said by the king JETTE---( the hero in paraat) who had the feeling of love created in his mind by the sight of the picture of a painted on a picture-board. Evidently the sentiment of love does not seem to be predominantly expressed in this verse. The king seems to be more desirous of describing
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