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135 (P. 214. A. 3. S. 5. In the verse 253, the metre is alwa light jolly dancing metre, always used for describing merry things. But here the verse contains a description of the lamentation of the relatives of a dead prince, hence the fault.
The next fault is संकीर्णत्वम्
It occurs when the words of two or more sentences are so mixed up together that nothing but hopeless nonsense is made out of the words as they stand.
For instance in the verse 254 __ काकं खादति क्षुधितः कूरं क्षिपति निर्भर रुष्टः।
शुनकं गृहाति कण्ठे भीषयति च नप्तारं स्थविरः॥ Here the proper arrangement is : fafie EE: Ferrar: *1* fefa; at (boiled rice) arafa, yaai affeafa (frightens) Fri 2607 Toeifa 1 (embraces.)
fe is different from hof in that in the former, absence of proper sense, owing to the position of words in it, is seen in one sentence.
But when sentences come in a string, as in dialogues there is no fault of siznican as in the famous verse बाले नाथ etc.
fara is the next fault which occurs when in one sentence, another is inserted paranthetically. This may be a grace of style in English but is regarded as a fault in Sanskrit. For instance in the verse 256, the sentence aciA H20 FA7a' thrusts itself unnecessarily in the main sentence 97197572 etc.
But when the speaker is in the flurry of some emotion, such interpolations render a grace to the style. For instance in the verse 257 : which means :-“ The whole earth was conquered by TUTTA! (even while we describe his exploits, we are thrilled with wonder ).
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