Book Title: Kavyanushasana Part 2
Author(s): Hemchandracharya, Rasiklal C Parikh, Ramchandra B Athvale
Publisher: Mahavir Jain Vidyalay

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Page 626
________________ 269 (P. 454. A. 8. S. ős गर्भनिभिन्नबीजार्थः गर्भान्निभिन्नम् इति गर्भनिभिन्नम् (बीजम् ) बीज coming out of all i. e. the seed when likely to fructify. 878: its return to the former place. mjafiratet 878: Jff#: where the seed loses its progress and seems to return to its original state. In tho last निर्वहण संधि, all the different currents of the story converge into one main current which ends in the final consummation. Thus in every HE14127 there must be these five sifats in order to show the systematic beginning, development and the end of the story. In a hit the poet must present quite a wealth of variety as regards the manner of composition. For instance: (1) The poem should not be too ( sterreg careen) short. (2) Its style should not be uneven; it should present a harmony among all its parts. (3) It should not be tediously lengthy. The arts should never be unconnected or loose. The logical chain of the story should not be lost. (4) The beginning of the story should be made either with a blessing given to the readers ( as in the first verse of gafasie quoted in the commentary) or with the direct mention of the story itself (as in the first verse 'आसीइत्यो हयग्रीवः' of the poem हयग्रीववध ) or with a salutation to one's favourite God (as in artefachgit, the first verse of रघुवंश). Besides this, in the introductory part of the poem, mention should be made of the aim of the story or the object of the poet in writing the poem. (See the introductory verses from सेतुबन्धमहाकाव्य as quoted in the commentary ). Jain Education International For Private & Personal Use Only www.jainelibrary.org

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