Book Title: Kavyanushasana Part 2
Author(s): Hemchandracharya, Rasiklal C Parikh, Ramchandra B Athvale
Publisher: Mahavir Jain Vidyalay

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Page 587
________________ P.400. A. 6. S. 31.) 230 Here the context is not given; naturally, therefore, one feels a doubt as to whether पाटल tree is अप्रस्तुत and qizi (a virago ) is the subject in hand - and thus the figure is अप्रस्तुतप्रशंसा or the पाटल tree is प्रस्तुत and thus the figure is paratif (suggesting the episode of a bad woman ). The figure is finally left undecided giving place to both and hence the r. Similarly in the verse pararearet etc. (667 ). If (1) इदं इन्दोबिम्बम् stands for मुख, the figure is 971faritieto or sifarreiffti. If (2) 444 stands for yeh, then the figure is 696 gan = sifat If (3) the context is that of describing the brightness of the face and the moon is 1960, the figure will be segager. If (4) the word 54 stands for go and the verb प्रसीदति is common to मुख and बिम्ब, then the figure is दीपक ( one verb for प्रस्तुत and अप्रस्तुत). If again (5) the verse describes an evening, then the words 79919-cgift and others suggest the beautiful face of a woman and the figure would then be समासोक्ति. And lastly if (6) the verse means to say: This is the time, when the feeling of love is stimulated, then the figure is cuften. Thus, six different figures are possible in this verse and the figure is संशयसङ्कर. Similarly in thiagar' etc. ( verse 668 ). All the epithets ( tagal etc. ) are such as can be regarded as favourable both to 3941 and to 59% and hence the figure is सङ्कर. But when there is, at least, one word that is definitely more in favour of a particular figure, than Jain Education International For Private & Personal Use Only www.jainelibrary.org

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