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255
[P. 427. A. 7. S. 44
Verse 730 describes the outward pain but the inward joy which the woman feels during love-sports. however, defines as the showing of outward joy when inwardly there is pain.
a is the graceful and delicate movements of the limbs.
Verse 731, 4th line:-She was, as it were, made to dance (without the accompaniment of music) by her budding youth. Every movement of her limbs appeared as if it were a particular pose in dancing-it was so lovely.
ललित, as हेमचन्द्र explains, is the aimless or unconsciously beautiful movements of the limbs.
When, however, there is a purposeful movement of the limbs and it appears graceful, then it is fare. This, according to is the difference between ललित and विलास.
Others, however, think that are gathering strength culminates in a. g, to have grace, is the root common both to and fare and hence the explain ation seems to be the right one.
fa is assuming silence even when there is an occasion of speaking.
is pretext. When the woman keeps silent owing to her bashfulness or simple-mindedness or even sometimes owing to her dissimulation, there is faga. , deliberate pretext, is not admitted as the cause of faga by any author except. All the instances of fa cited by the rhetoricians militate against the word व्याज of हेमचन्द्र.
* Verse 732: Even this verse attributes faga to the bashfulnesss of Parvati.
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