Book Title: Kavyanushasana Part 2
Author(s): Hemchandracharya, Rasiklal C Parikh, Ramchandra B Athvale
Publisher: Mahavir Jain Vidyalay

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Page 617
________________ P. 432. A. 8. S. 3. ) 260 because all the tests of the roy kind of a poem are applicable to it as well. In the following fear, all the varieties of a 9169 poem are defined. In #12% the plot must be well-known. The hero must be a celebrated person of a noble character. Sage-like kings may figure as heroes in the art. Association with heavenly beings is permissible in #124. Acts and scenes ( starte) are an indispensable feature of a नाटक. A cut differs from a 71% in that in the former the plot is not adopted from any celebrated historical event, but is purely imaginary or conceived by the poet ( Bataaf ). It is not a rigid rule, however, that in 9cut the plot must be throughly an independent and a new one. The only thing that is most essential is that the plot must not be wholly historical; at least the main plot must be either purely imaginary or taken from works of pure fiction such as referre and others. Sometimes, however in a stop the plot is taken and enlarged or developed from the works of ancient poets. At any rate the plot in a प्रकरण must not be taken from any पुराण, In almost all other respects a प्रकरण resembles a नाटक. As a rule, the lives of Brahmins, merchants, ministers, and priests are painted in a प्रकरण. नोदात्तनायककृतम् etc. in a to the hero, of course, must be not a king of a heavenly being. The paraphernalia of a king or his luxurious life must not be delineated in a 4 TOT (T HA: ) DIETFÉNYT: a 9 TOT should have characters of low persons or servants other than the servants in a royal harem. Jain Education International For Private & Personal Use Only www.jainelibrary.org

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