________________
81
(P. 104. A. 2. S. 26.
context is perfectly clear. In that case even a fanta coming alone may suggest a definite Ta.
For instance in the verse 93 which means:
“Your body is the seat of all graceful movements; your dancing eye-brows are love-exciting; your face is maddeningly beautiful. You are the orly beautiful figure in the three worlds."
The body, the eye-brows and the face are all उद्दीपनविभावs. There is no mention of any अनुभाव or afhqif919. In spite of this, the context is so clear that one can easily detect yria in the verse. Similarly, in the verse 94, there are only #las of the young ladies when they happen to see youthful AUT. The eyes of these young ladies are languid ; their limbs are wasting day by day; their cheeks are getting paler and paler. Thus though there are only gulas in this poem the context is clear and hence the विप्रलम्भशृङ्गार is easily suggested inerely by the 349717s.
Again in the verse 95 there are only zfuqif Has mentioned of an offended women with reference to her guilty lover: her eyes became eager when she saw him coming (siege); when he came near, her eyes became nervous (asi); when he began to speak, her eyes dilated with joy ( o ); when he began to embrace, they became red (679); when he caught her garment, her eyes became full of anger (Bal); but when he fell at her feet her eyes brimmed with tears (9817).
The readers can easily detect f92773XIT in the verse though there are only afraifiuras mentioned.
But these are exceptions. The general rule is that only the combination of fahra, 31419 and faftara clearly suggests a रस.
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