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95
[P. 126. A. 2. S. 19.
towards siar, not being reciprocated, never attains the height of स्थायिभाव, but remains a व्यभिचारिभाव. Similarly the love we cherish towards our elders or servants is only a hra. Anger in #17 and ate is only a 19.
The thirty-three zzfarftulas are enumerated and defined by are in the 19th Sutra and the following paragraph.
These has sometimes seem to be steady (not as much as the स्थायिभावs of course). This is called भावस्थिति.
For instance the feeling of faas (conjecture) in the verse 117 has remained steady to the end of the verse, for the verse contains a series of conjectures. gerai, mad with the grief of seperation says about saft:
Can it be that she has concealed herself with anger ? No; it can not be, for she is never angry for a long period. Has she gone to heaven? No, for she loves me sincerely. Has she been abducted by demons ? It can not be in my presence. What can be the reason, then, of her complete disappearance ?
Here the main sentiment is farger, but the beauty of the poem lies in a series of conjectures-Hrafezfa.
Sometimes a feeling appears very prominently in a poem. This is called Hatch which is illustrated in the verse 118.
“ When the woman heard the mention of another woman's name from the mouth of her lover (this is called गोत्रविपर्यय or गोत्रस्खलन in Sanskrit-~the mention of another lady is of course a slip of the tongue on the part of the lover ) she, being on the same bed with her husband, made a semblance of amorous gestures, but did not embrace him with her breasts. This is Artice (appearance of anger ).” Similarly, 1997A is the
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