Book Title: Panchastikay Sangraha With Authentic Explanatory Notes in English
Author(s): Vijay K Jain
Publisher: Vikalp Printers

View full book text
Previous | Next

Page 229
________________ Verse 79 sound (sabda). It is fine (suksma) and encompasses the whole of the universe (loka). Two, the molecular-matter (skandha) which is the external cause of the sound (sabda). Speech through the lipmovement, ringing of the bell, thundering of the clouds, etc., are its examples. When both, the internal and the external, causes come together the molecular-matter (skandha) that is fit to turn into the sound - bhasa-vargana - produces the sound (sabda). Thus the sound (sabda), certainly, is the product of the molecular-matter (skandha) that is fit to turn into the sound -bhasa-vargana. Sound is of two kinds. One that is of the nature of languages - bhasatmaka - and the other that is not of the nature of languages - abhasatmaka. The first, again, is of two kinds, sounds which are expressed (indicated) by letters - with the script, and sounds which are not expressed by letters - without the script. Languages having the script are rich in literature. The well-developed languages serve as the means of intercourse among civilized persons, and other languages among primitive peoples. The latter kind of sounds (i.e. sounds not having the script) is the means of ascertainment of the nature of superior knowledge amongst creatures with two or more senses. Both these kinds of sounds are produced by the efforts of the living beings, not by nature. Sounds not of the nature of languages are of two kinds, causal - prayogika - and natural - vaisrasika. Natural sounds are produced by the clouds, and so on. The causal sound is of four kinds - tata, vitata, ghana, and sausira. Sound produced by musical instruments covered with leather, namely the drum, the kettle-drum, etc., is 'tata'. Sound produced by stringed instruments such as the lute, the lyre, the violin, and so on, is 'vitata'. Sound produced by metallic instruments, such as the cymbal, the bell, etc. is 'ghana'. Sound produced by windinstruments such as the flute, the conch, etc., is 'sausira'.1 1- See also Vijay K. Jain (2018), Acarya Umasvami's Tattvarthasutra, p. 207-208; also Pt. Phoolcandra Sastri (2010), Acarya Pujyapada's Sarvarthasiddhi, p. 224-225. . . . . . . .. . . . . . . 157

Loading...

Page Navigation
1 ... 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436