________________ 98 (Ojas) and looseness (Prasada) can co-exist in the same way as pleasure and pain do in pathetic plays. (p. 92, 1. 10) The proportion of these two, Ojas and Prasada, is prescribed thus: Looseness and Floridity may either be equipollent, or the one or the other may preponderate. The ill. of samya of the two is (p. 92, 1 11): 2 atha sa visaya-vyavyttalma yatha-vidhi sunave / ng pati-kakudam dattva yune sitatapa-varanam // &c where nipati-kakudam, sitatapa &c, contain looseness and dattva, yune, . varanam contain Floridity. The ill. of the preponderance of Floridity is (p. 92, 1. 12): vrajati gaganam bhallatakyah phalena saho pamam / Dandi's view on Prasada guna is given at (p. 92, 1. 13). The defipition and ill. of Prasada given by Dandi are not traceable. The Gaudas prefer even what is not conventional, thinking it to be an enlightened or learned way. The ill. is; "unaty.arjuna' bjanma.sadyksanko valaksaguh 41 (p. 92, 1. 17) Bharata defines Prasada thus: When the sense is comprehended from word by the wise without its being specified, on account of the happy relation of sound and sense, it is called Prasada." (p. 92, 1. 17) According to Mammata some of the several gunas admitted by others, are included in these three mentioned above viz. Prasada, Ojas and Madhurya; others are achieved by mere avoidance of blemish and the rest actually become blemishes in certain cases, hence gunas are only three and not ten. 6 1. Fourt untag gesa: yag:aat: 1 99Ha: facrae : HICHT: 11 K. L. S. V. III, i. 9. The words 'ननु &e' and 'साम्योत्कर्षों च' &c. are borrowed from वामन (III. 10&c.). 2. Borrowed from Vamana's vitti on K, L. S. III, i. 10. 3 K. D. I. 46 : The words aa39&c are borrowed from Dandi,"orena sitstaaffaachisu i 79 &c." (ibid) I. 46. 5. 37913#gera 7o7.ct: gaitzat Teaterdeira para: qfFfaa: 11 ar. ill. XV. 95, 6. केचिदन्तर्भवन्त्येषु दोषत्यागात्परे श्रिताः। 37= wataa alor garan aat TT II K. P. VII, 7. Thus **T, alfa and Jaltal are included in 34deg34 ; 3rgsyfti in 1919; agar and कान्ति can be achieved respy., by the avoidance of the dosas कष्टत्व and प्राम्यत्व. And hat which is nothing but uniformity of style (ATTHET) is some time a dosa e.g. in hial&c it would be a dosa.
