Dictionaries Tantrashastra

Author(s): Ramkumar Rai
Publisher: Prachya Prakashan
Catalog link: https://jainqq.org/explore/020799/1

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* DICTIONARIES OF TANTRASASTRA RAM KUMAR RAI For Private and Personal Use Only

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Indological Reference Series No. 2 Acharya Shri Kailassagarsuri Gyanmandir Dictionaries of TANTRA SASTRA or THE TANTRABHIDHANA Containing: Texts and English Translations of Mantrabhidhanam, Prakarantara Mantrabhidhana, Ekaksarakosa, Bijanighantu, Matrkanighantu, Prakarantara Matrkanighantu I and II, Prakarantara Varnanighantu, Bijabhidhana, Mantrarthabhidhana of Varada Tantra, Mudranighantu and Varnabijakosa. Text Edited and Translated into English by RAM KUMAR RAI PRACHYA PRAKASHAN VARANASI-221 002 For Private and Personal Use Only

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Second Edition : 1984 PRACHYA PRAKASHAN 74-A, Jagatganj VARANASI--221002 (INDIA) Phone : 53252 All Rights Reserved No part of this book inay be translated or reproduced iu any form, by print, photoprint, microfil or any other means without written permission from the publishers. Price Rs. 50.00 Printed by P. K. Rai at the Anoop Printing Works, Varanasi, nda Published by Rakesh Rai for Prachya Prakashan, Varanasi, For Private and Personal Use Only

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PREFACE The Tantra literature of India, though in most cases almost lost, is still the only source whence a knowledge of Sadhana in all its aspects--theoretical, practical and ritualistic-may be derived and understood, because it is a Practical ( Pratyksa ) Science. However, the Sastra in its literature is not a plain exposition which would reveal its intricacies to anyone who lays a hand on it. The Initiation from a Guru is therefore essential. In fact it has been repeatedly emphasised in the Sastra that it can be fully understood only by such an Initiation - Srinatha vaktrat. However, if the subsequent tools which unravel the mysteries of Texts and also assist the process of docoding the Mantras concealed in the Text, are available, a Sadhaka can achieve some practical result. Today when worthy Teachers ( Sadgurus ) are getting scarce such tools become all the more essential. The various Abhidhanas or Dictionaries come under this category. These Abhidbanas and Kosas contain some of those methods which help deciphering the relationships of Sabda and Artha as they are put forward in the Sastras. Therefore, when a true knowledge of this relationship is acquired, the significance of Sabda and Artha is fully realised. As Abhidhana is essentially necessary for the understanding of other Sastras, likewise Sabdartha-jnana is essential for the understanding of Tantrasastra. The Upasana as denoted in the Agamasastra is absolutely impossible without a complete understanding of the significance of Mantras. The particular Upasana of a particular Deyata by means of a definite Mantra as laid down in the Tantras, is not possible to be gone through unless and until the significance of that Mantra is at the very For Private and Personal Use Only

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Preface beginning realised. No fruit is derived from a Mantra if it is used without being understood. This understanding of a Bija or a Mantra is never possible without the help of a Alhidhana. As for example, the Ekaksara Mantra of Kali is Krim (#). This is derived from the unification et Wherever this Bijaksara has been referred to in the Agamasastra no mention is made of this simple unification of which the Bijaksara is constituted. Only a few apparently unintelligible Sabdas are given there. If the meaning of these Sabdas are not understood this Ekaksara-bija of Kali cannot be comprehended in its fullest significance. A few other examples would further clarify this point. In the Triput stotra it is said : "Such as recite the first of thy golden Bija Bakam placed on Vahni accompanied by Trimurti combined with Sasanka, attain all prosperity." ( Bakam vahnisamsthilan trimureya prajustam sasaukena yuktam). This statement in itself may be completely unintelligible; but if all the technical words are substituted loy the Bijaksaras then everything would become clear : Bakam, which ordinarily means a crane, is Sa (FT) in its special Bija-sense; Vahni or fire is Ra (7), Trimurti or the Trinity is I (f), and Sasanka or the Moon is the Candrabindu (). The Bija-mantra, therefore; denoted by the Sloka is combination of all these Aksaras, viz., Sa + Ra +1+ Candrabindu ( 7+-+*+) which becomes Srim ( 1deg ). This Srim is the Bija-mantra of Laksmi the Goddess of Prosperity. Therefore, Japa of this Mantra brings to the Sadhaka Prosperity, as said in the Sloka. A reference to tke Kosas under the Devanagari letters would show that one letter connotes several Deities. For example, I () stands for Trinity, Rati, Govinda, Vamaksi, Kamala, Kala, Maya, Laksmi, santi, and Vaisnavi. These examples are enough to emphasize the necessity of consultation of various Kosas or the Dictionaries of Tantra. For Private and Personal Use Only

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Preface It was customary with Acaryas of the past to make excerpts from Tantras of such portions as might be of general importance and current use. The various Mantrabhidhanas and Nighankus are such excerpts which were originally parts of bigger Tantrika works. Besides, there are certain other works of Dictionary class which were written exclusively to facillitate deciphering of the Mantras which are usually given in the Texts in a covert form. Most of these Kosas are, however, either lost or not available. Long back Sir John Woodroffe collected and published them, but only in their Textual form. His edition also is not available, although its necessity was always being felt. Therefore, when the Publishers proposed to bring it out not only in its original form but with an English translation, I readily agreed to it although fully conscious of my limitations. The works of Dictionary class included in the present collection can be placed under different categories. The Prakarantara Mantribhidhana is reputed to be a part of the Rudrayamala Tantra. The Matskanighantu and the Bijanighantu by Bhairava are Dictionaries of the single vowels and consonants of Devanagari alphabet. The Ekaksara-kosa and Dvayaksara-kosa are also of similar character. The Ekaksara-kosa gives the meanings of one lettered words and Dvayaksara-kosa of two-lettered words. Both are ancient Dictionaries, but differ from Matskanighantu and Bijanighantu in as much as the Ekaksara and Dvayaksara state the general literary meaning of the words. While the latter give their technical meaning according to Tantras. Thus, whereas the letter Ka (**) in its general sense means 'water', in special or technical sense in the Sastras denotes Krodhisa who is one of the Bhairavas. The Bijanighantu, Matrkanighantu, and Mudranighantu are divisions of Mantra-kosa. For Private and Personal Use Only

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Preface The modes of Bijoddhara have been illustrated in Bijanighanku and Bijabhidhana and in some places the Vacaka Sabdas of these have been mentioned. A Sadhaka's duty does not end with the recital of these Bijas only; he should also know the mcaning of the Bija. For this very reason, it is useless to perform the Upasana of a Bija without knowing its import in full. For the purpose of easily understanding the significance of the Bijas, the Mantrarthabhidhana of the Varada Tantra, as presented here, may be found useful. Although all the Bijas have not been mentioned in it, yet with a little insight the Sadhaka will be able to glean out the mcaning of other Bijas by working along the line shown in the stock examples of the Text. At the end a Varnabijakosa has been given which contains meanings of nearly five thousand Tantrika words. How far I have succecded in bringing out the subtlities of meanings contained in the obscure and difficult Slokasi concealing the meanings in a mystified form, I am not certain; but I am sure about the earnestness of my efforts. I hope the work will prove considerably helpful to the Sadhakas in the determination of Mantra and Deity for their Sadhana. RKR For Private and Personal Use Only

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TABLE OF CONTENTS Preface Mantrabhidhana Prakarantara Mantrabhidhana Ekaksarakosa Bijanighanku Matrkanighantu Prakarantara Matrkanighantu I Prakarantara Matskanighantu II Prakarantara Varnanighangu Bijabhidhana of Bhutalamara Tantra Mantrarthabhidhana of Varada Tantra Mudranighantu Varnabijakosa For Private and Personal Use Only

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SAKTI GODDESS

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DICTIONARIES OF TANTRASASTRA OR Acharya Shri Kailassagarsuri Gyanmandir THE TANTRABHIDHANAM For Private and Personal Use Only

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OM namaH atha mantrAbhidhAnam zrIbhairava uvAcaa-kAra: kezavo viSNuH zrIkaNTho'pi svarAdikaH / mastakaJca lalATaca hrasvazva varavaNini ! // 1 // mA pratiSThA mukhaM dIrgha nArAyaNo'pyanantakaH / i-kAro mAdhava: sUkSmo dakSanetrazca locanam // 2 / / I-goMvindastrimUrtiH syAdvAmAkSi kamalA klaa| mAyA lakSmI ratiH zAntivaSNavI bindumaalinii||3|| u: ziva: praNavaM viSNurdakSakarNo'marezvaraH !: U-ra/zo vAmakarNa: kathito madhusUdanaH // 4 // R- sA dakSanAsA ca bhAva(ra)bhUtistrivikramaH / R-kAro vAmanAsA ca vAmanodyadadhIzvaraH // 5 // la: sthANuiMkSagulphastho gaNDAkhyaH zrIdharo'pi ca / la-kAro'pi hRSIkezo haro'sau vAma gnnddk:||6|| e-kAro vijayA zaktibhaMgasaMjJAbhidhAyakaH / padmanAbho mahezAni ! prokto jhiNTIzanAyaka: // 7 // ai-kAro bhautikazcaiva dAmodaro'dharAhvayaH / aSTasvaro'pi vijJeyo himaparvatakanyake ! // 8 // o-kArazcordhvadantazca sadyojAtazca satyakaH / vAsudevo mahezAni ! danto me parikIttitaH // 9 // au-kAro manurAkhyAto dantAnto'dhoradAhvayaH / saGkarSaNo'ti devezi ! kathito'nugrahezvaraH // 10 // anusvArazca binduzca daNDo daNDo viyad viduH / pradyumnazcAkrarazcApi zIrSazca maraNaM priye ! // 11 // visarga: sarga AkhyAto viSa(pa)dviSamamAnasaH / aniruddho mahAsenaH kalAjJA'pi ramApi ca / / 12 // 24 For Private and Personal Use Only

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Aun Namah Mantrabhidhanam 1 Sri Bhairava said : A-kara, O Varavarnini! expresses Kesava, Visnu, Srikan. tha, Svara, Mastaka, Lalata, and Hrasva. A-kara denotes Pratistha, Mukha, Dirgha (matra), Nara. yana, Ananta; and I-kara is Madhava, Suksma, Daksanetra and Locana. 2 I-kara denotes Govinda, Trimurti, perhaps Vamaksi, Kam. ala, Kala, Maya, Lak mi, Rati, santi, Vaisnavi and Vindumalini. 3 W-kara denotes Siva, Pranava, Visnu, Daksakarna, and Amaresvara; and U-kara stands for Arghisa, Vamakarna and Madhusudana. R-kara lcnotes Nasa, Daksanasa, Bhava, Bhuti and Trivikrama; and R-kara stands for Vamanasa and Vamanodyadadhisvara. 5 L-kara denotes Sthanu, Daksagulpha, Gancla and Sridhara. T, indicates Hssikesa, Hara and Vamaganda. 6 E-kara, O Mahesani ! is indicative of Vijaya,Sakti, Bhaga, Padmanabha, Mahesa and Jhintisanayaka. 7 Ai-kara, O Himaparvata-kanya! is Bhautika, Damodara, Adharahvaya, Astasvara. 8 O-kara, O Mahesani ! indicates Urdhvadanta, Sadyojata, Satyaka, Vasudeva, Mahesa and Danta. 9 Au-kara, O Devesi ! denotes Manu, Dantanta, Adhorada, Sankarana and Anugrahesvara. 10 Anusvara (M), O my Beloved ! is Bindu, Danda, Dandli, Viyat, l'radyumna, Akrura, Sirsa and Marana, 11 Visarga (11) stands for Sarga, Visadvisama, Manas, Aniruddha Mahasena, Kalojna and Karl, 12 For Private and Personal Use Only

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mantrAbhidhAnam kaH krodhIzo mukhaM cakrI vratadevaH suro raviH / khazcaNDo devi ! caNDeza Rddhizcava tathA gadI / / 13 // ga-kAro devi ! zAraGgI smRti: paJcAntako'pi ca / gha-kArazca mahezAni ! khaDgI caiva zivottamaH // 14 // Da-kArazcaiva rudrazca zaGkhI caiva varAnane ! / pa-kAraH kUrcasaMjJaH syAt kathitazca priye ! halI // 15 / / cha-kAro muSalI jJeya ekanetrazca zailaje ! / jaH zivo'cimahezAni ! zUlI ca caturAnanaH // 16 // jhaH pAzI syAdajezazca ja-kAraH sarvako'GkuthI / Ta-kAro devi ! somezo mukundazca prakIrtitaH / / 17 // Tha-kAro lAGgalI candro nandayonigAtmaje ! / Da-kArazca mahezAni ! khaDgArdhAkArasaMjJakaH // 18 // Dha-kArazcArdhanArIzo navazca paramezvari ! / nakArazcApyumAkAnto vijJeyo narajit priye ! // 16 // ta-kAro harirAkhyAta ApaTI ca varAnane ! / tha-kAro devadevezi ! kuSTho daNDI ca kIttitaH // 20 // da-kAraH patyasaMjJaH syAdadrizca paramezvariH / dha-kArazca mahezAni ! mInaH sAnuga eva ca // 21 // na-kAro meSasaMjJaH syAddI/ saurizca kottitaH / pa-kAro lohita: pAvaM zUrazca paramezvari ! // 22 // pha-kArazca mahezAni ! zikhI cava janArdanaH / ba-kAro bhUdharazcava daza gaNDo varAnane ! // 23 / / bha-kArazca dvivacano vizvamUttizca kIrtitaH / ma-Adityo mahAkAlo vaikuNTho'pi viSaM priye ! // 24 // ya-kAraH pavanaH kAlo puruSottama eva ca / ro'suH paJcakasIzo'gniraMkuzaM paraguviNI // 25 // la-kArazca pinAkIza indrAMzI svarbalAnujaH / / va.kAro varuNo bAlo meda: khaDnIzvaro'jaraH // 26 / / za-kArazca mahezAni ! vRSadhna: kathito vakaH / Sa-kAraH zveta AkhyAto mUrddhanyo vRSasaMjJakaH // 27 // saH kulI zaktirAkhyAto haMso du:khIzasaMjJakaH / / bhRgurdevo ca paramA candro'pi paramezvari ! // 28 // 20 25 30 For Private and Personal Use Only

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Mantrabhidhanam 5 15 Ka is Krodhisa, Mukh, Cakri, Vratadeva, Sura and Ravi. Kha, O Devi ! is Canda, Canclesa, Rddhi and Gadi. 13 Ga-kara, o Devi ! denotes sarangi, Smsti and Pancantaka. Gha-kara, O Mahesani ! expresses Khadgi and Sivottama. 14 Na-kara, o Varanane ! denotes Rudra and Sankhi and Cakara, O Beloved ! is Kurca-samjnah and Hali. Cha-kara, o Sailaje! denotes Musali and Ekanetra. Ja-kara. O Mahesani ! indicates Siva, Arci. Suli, and Caturanana. 16 Jha denotes Pasi and Ajesa; and Na-kara, Sarvaka and Ankusi. O Devi ! Ta-kara indicates Somesa and Mukunda. 17 Tha-kara, o Nagatmaje ! denotes Langali, Candra and Nandayoni. Da-kara, O Mahesani ! is Khadgardhakara. 18 Dha-kara, O Paramesvari ! expresses Ardhana risa and Nava. Na-kara, My Beloved ! is Umakanta and Narajit. 19 Ta-kara, o Varanane! represents Hari and Apati. Thakara, O Deva-devesi ! indicates Kustha and Danci. 20 Da-kara, O Paramesvari ! is Satyasamjnah and Adri. Dhakara, O Mahesani ! expresses Mina and Sanuga. 21 Na-kara denotes Mesa, Dirghi and Sauri. O Paramesyari! Pa-kara expresses Lohita, Parsva and Sura. 22 O Mahesani ! Pha-kara dcnotes Sikhi and Janardana, and O Varanane ! Ba-kara expresses Bhudhara, Dasa and Ganda. Bh-kara denotes Dvivacana and Visvamurti; and O My Beloved ! Ma is Aditya, Mahakala, Vaikuntha and Visa. 24 Ya-kara denotes Payana, Kali and Purusottama, and Ra indicates Pancakasisa, Agni, Ankusa and Paragurvini. 25 La-kara denotes Pinakisa, Indramsamsa, Balanuja. Vakara is Varuna, Bala, Meda, Khadgisvara and Ajara. 26 Sa-kara, O Mahesani ! indicates Vrsaghna, and Vaka, and Sa-kara is Sveta, Murdhanya and Vnsa. Sa, O Paramesvari ! is Kuli, Sakti, Hansa, Puhkhasa, Bhrgu, Devi, Parama and Candra. 27 28 For Private and Personal Use Only

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mantrAbhidhAnam ha-kAro nakulIzo'pi haMsa: prANo'gulaM priye ! / mahezo nakulI va barAho gaganaM raviH // 26 // la-kAro vimalo jIvaH zivo bhUginane ! / kSa-kAro narasiMhazca mesa: saMvatako'pi ca / / 30 / / tava snehAnmahAdevi ! kathitaM mAtRkAkSaram / paryAyairapi vijJeyaM na prakAzyaM kadAcana / / 31 / / oGkAraH praNavo dhruvazca girije ! tArazca vedAdiko hrIM lajjA girijA gha zaktirapi hullekhA ca mAyA parA / zrIkAraH kamalA ca viSNunitA kroGkArabIjaM zRNi: svAhA vahnivadhUH ziro'pi ThayugaM phaTakAramastrAkSaram // 32 // hUM kUrca paramezi ! dIrghakavacaM huM varmabIjaM namaH svAntaM hRcca ratistuSAragirije ! strI kAravIjaM vadhU. / aiGkAro'pi ca vAgbhavo'tha sutarAM AMbIjakaM pAzaka saudevI ca parA ca zaktiratha vaM tat toyabIjaM priye ! / / 33 / / klIM kAmo glauJca bhUbIjaM zrauM vizvaH kSoM nRkezarI / hauM prAsAdaM zivo gava vighnarAja udAhRtam // 34 / / I-kAro vedamAtA ca klIbaM R R la la ca vai / etat sarva mahezAni ! paThanIyaM prayatnataH // 35 // 15 18 For Private and Personal Use Only

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Mantrabhidhanam Ha-kara, My Beloved ! is Nakulisa, Hamsa, Prana, Angula, Mahesa, Nakuli, Varaha, Gagana and Ravi. 29 La-kara, o Varanane! denotes Vimala, Jiva, Siva, and Bhumi, and Ksa-kara is Narasiniha, Meru and Sanvartaka. 30 O Mabadevi ! with love for You I have described the Matrka Aksaras, synonyms of which even after having known them, should not be disclosed to all. 31 O Girija ! Aumkara is Pranaya, Dhruva, Tara and Vedas; Hriin is Lajja, Girija, Sakti, Hollekha, Maya and Para; Srimkara is Kamala and Vispuvanita; Krom-kara is Bija Krom and srnih; Svaha is Vahnivadhu, sira and Thayugam; Phat-kara is Astraksara. 32 Hrim, O Paramesi ! is Kurca and Dirghakavaca; Hum is Varmabija. O Daughter of the Snows! Svanta is Rati. Bija Strii is Vadhu; Aim is Vagbhava; Am is Pasaka; Sauh is Devi, Para, and Sakti; and Vam is Toya. 33 Klim is Kama; Glau is Bhu-bija; sraum is Visva; Ksraun is NTsimha; Haun is Prasada and Siva; Gan is Vighnaraja. 34 I-kara is Vedamata and the Klibas K, R, L. E. O Mahesani ! these are all worth effortful study. 35 For Private and Personal Use Only

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prakArAntara mantrAbhidhAnam OM // 35 // oGkAro vartulastAro vAmazca haMsakAraNam / mantrAdyaH praNavaH satyaM binduzaktistridevatam // 1 // sarvabIjotpAdakazca paJcadevo dhruvastrikaH / sAvitrI vizikho brahma triguNo guNajIvakaH // 2 // AdibIjaM vedasAro vedavIjamata: param / paJcarazmistrikUTe ca tri(tAra)bhavo bhavanAzana: / / 3 / / gAyatrI-bIjapaJcAMzI mantravidyAprasUH prabhuH / / akSaraM mAtRkAsUzcAnAdiradvata mokSadau // 4 // a||42|| maH zrIkaNThaH sureza lalATazcakamAtra(1)kaH / pUrNodarI sRSTimedhI sArasvataH priyaMvadaH // 5 // mahAbrAhmI vAsudevo dhanezaH kezavo'mRtam / / kottinivRttirvAgIzo narakAriharo marut // 6 // brahmA vAmA''dhajo hrasvaH karasUH praNavAdyakaH / brahmANI kAmarUpazca kAmezI vAsinI viyat // 7 / / vizveza: zrIviSNukaNThau pratipatti: sthira zino' / arkamaNDalavarNAdyo brAhmaNaH kaamkrssinnii||8|| AkAro vijayA'nantau dIrghacchAyo vinAyaka: / kSIrodadhiH payodazca pAzo dIrghAsyavRttako // 9 // pracaNDa ekajo rudro nArAyaNa ibhezvaraH / pratiSThA mAnadA kAnto vizvAntaka-gajAntako // 10 // pitAmaho dviThAnto bhUH kriyA kAntizca sambhavaH / 1 pratipattithirazvinIti pAThAntaram / For Private and Personal Use Only

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PRAKARANTARA Mantrabhidhanam Aum 35. Aum-kara denotes: Vartula, Tarah, Vama, Hamsakarana, Mantradya, Pranava, Satya, Vindusakti, Tridaivata, Sarvabijotpadaka, Pancadeva, Dhruva, Trika, Savitri, Trisikha, Brahma, Triguna, Gunajivaka, Adibija, Vedasara, Vedabija, Paramah, Pancarasmi, Trikuta, Tritara, Bhava, Bhavanasana, Gayatri, Bija, Pancamsa, Mantravidyaprasu, Prabhu, Aksara, Matrkasu, Anadi, Advaita, and Moksada. A 42. A denotes Srikantha, Suresa, Lalata, Eka-matraka, Purnodari, Srsti, Medha, Sarasvata,Priyamvada, Mahabrahmi, Vasudeva, Dhanesa, Kesava, Amrta, Kirti, Nivrtti, Vagisa, Narakari, Hara, Marut, Brahma, Vama, Adyaja, Hrasva, Karasu, Pranavadyaka, Brahmani, Kamarupa, Kamesi, Vasini, Viyat, Visvesa, Srivisnukantha, Pratipatti, Sthira, Sini, Arkamandala, Varnadya, Brahmana, Kamakarsini. A 36. A-kara denotes Vijaya, Ananta, Dirghaechaya, Vinayaka, Ksirodadhi, Payoda, Pasa, Dirghasya, Vrttaka, Pracanda, Ekaja, Rudra, Narayana, Ibhesvara, Pratistha, Manada, Kanta, Visvantaka, Gajantaka, Pitamaha, Dvithanta, Bhuh, Kriya, Kanti, Sambhava, Dvitiya, Manada, Kasi, Vighnaraja, Kuja, Viyat, Svarantaka, Hrdaya, Angustha, Bhagamalini. For Private and Personal Use Only

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prakArAntara mantrAbhidhAnam 10 dvitIyA mAnadA kAzI vighnarAja: kujo viyat / svarAntakazca hRdayamaGguSTo bhagamAlinI // 11 // i||26|| 6: sUkSmA zAlmalI vidyA candraH pUSA suguhyakaH / sumitraM sundaro vIraH koTara: kATaraH paya: / / 12 / / bhramadhyo mAdhavastuSTidakSanetrazca nAsikA / zAntaH kAntaH kAmino ca kAmo vighnavinAyakaH / nepAlo bharaNI rudro nityA klinA ca pAvakaH // 13 // I // 38 // ItrimUttimahAmAyA lAlAkSI vAmalAcAm / govinda: zekhara: puSTiH subhadrA ratnasaMjJakaH // 14 // viSNulakSmI: prahAsazca vAgvizuddha: parAparaH / kAlottarIyo bheruNDA ratizca pauNDa varddhana: // 15 // zivottama: zivA tuSTizcaturthI bindumAlinI / vaiSNavI bandavI jihvA kAmakalA sanAdakA // 16 // pAvaka: koTaraH kIttirmohinI kaalkaarikaa| kucadvandraM tarjanI ca zAntistripurasundarI / / 17 / / // 32 / / u: zaGkaro vartulAkSI bhUta: kalyANavAcakaH / amarezo dakSakarNaH SaDvaktro mohana: ziva: // 18 // ugraprabhudhRtiviSNurvizvakarmA mahezvaraH / zatrughnazceTi(ndhi)kA puSTiH paJcamI vahnivAsinI // 19 // kAmadhnaH kAmanA cezo mohinI vighnahanmahI / uTasUH kuTilA zrotraM pAradvIpo vRSo hara: // 20 // U // 25 // UH kaNTako ratiH zAntiH krodhano madhusUdanaH / kAmarAjaH kujezazca mahezo vAmakarNakaH // 21 // ardhIzo bhairavaH sUkSmo dIrghaghoNA srsvtii| vilAsinI vighnakartA lakSmaNo ruupkrssinnii| mahAvidyezvarI SaSThI SaNDo bhUH kAnyakubjakA // 22 // For Private and Personal Use Only

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Prakarantara Mantrabhidhanam 1 I 29. I-kara denotes: Suk ma, Salmali, Vidya, Candra, Pusa, Suguhyaka, Sumitra, Sundara, Vira, Kotara, Katara, Paya, Bhrumadhya, Madhava. Tusti, Daksanetra, Nasika, Santa, Kanta, Kamini, Kama, Vighna vinayaka, Nepala, Bharani, Rudra, Nitya, Klinna, Pavaka. I 38. 11 I-kara denotes: Trimurti, Mahamaya, Lolaksi, Vamalocana, Govinda, Sekhara, Pusti, Subhadra, Ratnasamjnaka, Visnu, Laksmi, Prahasa, Vagvisuddha, Paraparah,Kalottariya, Bherunda, Rati, Paundravardhana, Sivottama, Siva, Tusti, Caturthi, Vindumalini, Vaisnavi, Baindavi, Jihva, Kamakala, Sanadaka, Pavaka, Kotara, Kirti, Mohini, Kalakarika, Kucadvandva, Tarjani, Santi, and Tripura-sundari. U 32. U-kara denotes: Sankara, Vartulaksi, Bhuta, Kalyana, Amaresa, Dak akarna, Sadvaktra, Mohana, Siva, Ugra, Prabhu, Dhrti, Visnu, Visvakarma, Mahesvara, Satrughna, Indhika, Pusti, Pancami, Vahnivasini, Kamaghna, Kamana, Isa, Mohini, Vighnahrt, Mahi, Utasuh, Kutila, Srotra, Paradvipa, Vrsa, and Hara. U 25. U-kara denotes: Kantaka, Rati, Santi, Krodhana, Madhusudana, Kamaraja, Kujeka, Mahesa, Vamakarnaka, Arghisa, Bhairava, Suksma, Dirghaghona, Sarasvati, Vilasini, Vighnakarta, Laksmana, Rupakarsini, Mahavidyesvari, Sasthi, Sanda, Bhuh, Kanyakubjaka. For Private and Personal Use Only R 27. R denotes Puh, Dirghamukhi, Rudra, Devamata, Trivikrama, Bhavah, Bhutih, Kriya, Krura, Recika, Nasika, Dhrta, Ekapada, Sira, Mala, Mandala, Santini, Jala, Karna, Kamalabha (ta), Meda, Nivrtti, Gananayaka, Rohini, Sivaduti, Purnagiri, Saptami.

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Shri Mahavir Jain Aradhana Kendra 12 5 10 15 20 prakArAntara mantrAbhidhAnam R // 27 // RH purdoSamukhI rudro devamAtA trivikramaH bhAva (ra) bhUti: kriyA krUrA redhikA nAsikA dhRtaH // 23 // ekapAda: ziro mAlA maNDalA zAntinI jalam / karNa: kAmalabhA (1) medo nivRttirgaNanAyakaH // 24 // rohiNI zivadUtI ca pUrNAgirizca saptamI || 25 // R // 31 // RH krodho'tithIzo vANI vAmanA zrIzca goghRtI (2) / UrdhvamukhI nizAnAthaH padmamAlA vinaSTadhIH // 26 // zazinI mocikA zreSThA detyamAtA pratiSThitA / ekadantAyo mAtA haritA mithunodayA // 27 // komala : zyAmalA medhI pratiSThA pa (ra) tiraSTamI / brahmaNyamapi kIlAla pAvako gandhakarSiNI // 28 // lR // 31 // la: sthANuH zrIdharaH zuddho medhA dhUmro vako viyat / devayonirdakSagaNDo vaheza : ( 3 ) kaunta - rudrako // 29 // vizvezvaro dIrghajihvA mahendro lAGgaliH parA / candrikA pArthivo dhUmrA dvidantaH kAmavarddhanaH // 30 // zucismitAca navamI kAntirAvA (dhA) takezvaraH / cittA (ntA) kapiNI kAzaca tRtIyaH kulasundarI // 31 // T la // 34 // lRkAraH kamalA harSA hRSIkezo madhuvrataH / sUkSmA kAntirvAmagaNDo rudraH kAmodarI surA // 32 // kA (zAntikRt svastikA zakro mAyAvI lolupo viyat / dazamI susthiro mAtA nIlapIto gajAnanaH // 33 // kAminI vizvA kAlo nityA zuddhA zuciH kRtI / sUryA dhairyA karSaNIca ekAkI danujaprasUH // 34 // e // 33 // e-kAro vAgbha (sta) vaH zaktibhiNDIzoSTho bhago marut / 1 " kAmalatA meSa : " iti pAThAntaram / 2 vAmanAgo'tha zrIrdhRtiH 3 vAhagaH kumbha: For Private and Personal Use Only

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Prakarantara Mantrabhidhanam 13 R 31. R denotes: Krodha, Atithisa, Vani, Vamana, Sri, Godhrti, Urdhvmukhi, Nisanatha, Padmamala, Vinastadhih, Sasini, Mocika, Srestha, Daityamata, Pratisthita, Ekadantahvayah, Mata, Harita, Mithunodaya, Komala, Syamala, Medhi, Pratistha, Pati, Astami, Brahmanya, Kilala, Pavaka, Gandhakarsini. I. 31. I denotes: Sthanu, Sridhara, Suddha, Medha, Dhumra, Vaka, Viyat, Devayoni, Daksaganda, Vehesa, Kaunta, Rudra, Visvesvara, Dirghajihva, Mahendra, Langali, Para, Candrika, Parthiva, Dhumra, Dvidanta, Kamavardhana, Sucismita, Navami, Kanti, Ava(dha)takesvara, Citta(nta)karsini, Kasah, Trtiya, Kulasundari. 34. L-kara denotes: Kamala, Harsa, Hrsikesa, Madhuvrata, Suksma, Kanti, Vamaganda, Rudra, Kamodari, Sura, Kantikrt, Svastika, Sakra, Mayavi, Lolupa, Viyat, Dasami, Susthira, Mata, Nilapita, Gajanana, Kamini, Visvapa, Kala, Nitya, Suddha, Suci, Krti, Surya, Dhairya, Karsini, Ekaki, Danujaprasuli. E 33. E-kara denotes: Vagbhavah, Sakti, Jhintisa, Osthah,Bhaga, Marut, Suksmabhuta, Urdhvakesi, Jyotsna, Sraddha, Pramardana, Bhaya, Jnana, Krsa, Dhira, Jangha, Sarvasamudbhava, Vahni, Visnu, Bhagavati, Kundali, Mohini, Rasa, Yosit, Adharasakti, Trikona, Isasamjnaka, Sandhi, Ekadasi, Bhad: a, Padmanabha, Kulacala. For Private and Personal Use Only Ai 36. Ai-kara denotes: Lajja, Bhautikah, Kanta, Vayavi,Mohini, Vibhuh, Daksa, Damodara, Prajna, Adhara, Vikrtamukhi, Ksamatmaka, Jagadyoni, Parah, Paranibodhakrt, Jnanamrta, Kapardi, Sri, Pithcsa, Agni, Samatrkah, Tripura, Lohita, Rajni, Vagh wi, Bhautik is ini, Mahcsvara, Dvadasi, Vimala,

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prakArAntara mantrAbhidhAnam sUkSmabhUtorvakezyo' ca jyotsnA zraddhA pramardanaH / / 35 / / bhayaM jJAnaM kRSA(zA) dhIrA jaGghA sarvasamudbhavaH / vahniviSNurbhagavatI kuNDalI mohinI rasaH / / 36 // yoSidAdhArazaktizca trikoNA IzasaMjJaka: / sandhirekAdazI bhadrA padmanAbha: kulAcala: // 37 / / ai||3 // ai-lajjA bhautikaH kAntA vAyavI mohinI vibhuH / dakSA dAmodaraH prajJA'dharo vikRtamukhyapi // 38 // kSamAtmako jagadyoniH paraH paranibodhakRt / jJAnAmRtA kapardI zrIH pIThezo'gniH samAtRka: // 36 // tripurA lohitA rAjJo vAgbhavo bhautikAsanaH / mahezvaro dvAdazI ca vimalazca sarasvatI / / 40 / / kAmakoTo(TI) vAmajAnuraMzumAna vijayA jaTA // 41 // o|| 32 // o-kAraH satyapIyUSo pazcimAsya: zratiH sthirA / sadyojAto vAsudevo gAyatrI dIrghajaGghaka: // 42 // ApyAyanI cordhvadanto lakSmIrvANI su(mu)khI dvijaH / uddezyadarzakastIvra: kailAso vsudhaakssr:||43 // praNavAMzo brahmasUtramajezaH srvmngglaa| trayodazo dIrghanAsA ratinAtho digambarA // 44 // trailokyavijayA prakSA protirbIjAdikaSiNI // 45 // au // 30 // au kAraH vaktiko nAdastai(te)jaso vAmajaGghakaH / maNibandho nahezazca zaMkukarNa.3 sadAziva: // 46 // adhodantazca kaNThoSThau saGkarSaNaH srsvtii| AjJA cordhvamukhI zAnto vyApinI prakRtaH payaH // 47 // anantA vAlinI vyomA caturdazI ratipriya: / netramAtmAkarSiNI ca jvAlA mAlinikA bhRguH // 48 // 1 sUkSmA'mRtordhvakezIca 2 kailAsazca sudhAkara iti pAThAntaram 3 zaMkuvarNaH 4 romA 5 ratiH priyaH 25 For Private and Personal Use Only

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Prakarantara Mantralhidhanam 15 Sarasvati, Kamakota(ti), Vamajanu, Ansuman, Vijaya, Jata. O 32. O-kara denotes : Satya, Piyusa, Pascimasya, Sruti, Sthira, Sadyojata, Vasudeva, Gayatri, Dirghajanghaka, Apyayani, Urdhvadanta, Laksmi, Vani, Sumukhi, Dvija, Uddesyadarsaka, Tivra, Kailasa, Vasudhaksara, Pranavamsa, Brahmasutra, Ajesa, Sarvamangala, Trayodasi, Dirghanasa, Ratinatha, Digainbara, Trailokyavijaya, Prajna, Priti, Bijadikarsini. Au 30. Au-kara denotes : Saktika, Nada, Tai(Te)jasa, Vamajanghaka, Manibandha, Grahesa, Sankukarna, Sadasiva, Adhodanta, Kantha, Ostha, Sankarsana, Sarasvati, Ajtia, Urdhvamukhi, Santa, Vyapini, Praksta, Paya, Ananta, Jvalini, Vyoma, Caturdasi, Ratipriya, Netra, Atmakarsini, Jvala, Malinika, Bhrgu. N 39. M-kara denotes : Caksusi, Danta, Ghatika, Samaguhyaka, Pradyumna, srimukhi, Priti, Bijayoni, Vgsadhvaja, Para, Sasi, Pramanisa, Soma, Bindu, Kalanidhi, Akrura. Cetana, Nada, Purna, Duhkha hara, Siva, Sira, Sambhu, Naresa, Sukhaduhkhaprvartaka, Puruima, Revati, Suddha, Kanyacara, Ravi, Viyat, Amrtakarsini, Sunya, Vicitra, Vyomarupini, Kedara, Ratrinatha, Kubjiku, Budbuda. Ah 30. Ah denotes : Kanthaka, Mahasena, Kala, Purnamota, Hari, Iccha, Bhadra, Ganesa, Rati, Vidya, Sukha, Mukha, Dvivindu, Rasana, Soma, Aniruddha, Duhkhasucaka, Dvijihvah, Kundala, Vaktra, Sarga, Sakti, Nisakara, Sundari, Suyasa, Ananta, Gananatha, Mahesvara. Ka 42. Ka denotes : Krodhisa, Mahakali, Kamadeva, Prakasaka, Kapali, Taijasa, santi, Vasudeva, Jaya, Anala, Cakri, Prajapati, Ststi, Daksaskandha, Visampati, Ananta, Parthiva, Bindu, For Private and Personal Use Only

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prakArAntara mantrAbhidhAnam aN|| 39 // a-GkArazcakSuSaNa danto ghaTikA samaguhmakaH / pradyumnaH zrImukhI prIti:jayonivRSadhvajaH // 49 // paraM zazI pramANIza: somo binduH kalAnidhiH / akrarazcetanA nAdaH pUrNA duHkhahara: zivaH // 50 // ziraH zambhunarezazca sukhaduHkhapravartakaH / pUrNimA revatI zuddhaH kanyAcara(ro)raviviyat // 51 // amRtAkarSiNI zUnyaM vicitrA vyomarUpiNI / kedAro rAtrinAthazca kubjikA cava bubudaH / / 52 / / aH // 30 // a: kaNThako mahAsenaH kalA pUrNAmRtA hariH / icchA bhadrA gaNezazca ratividyA sukhaM mukham // 53 // dvivindU rasanA somo'niruddho duHkhasUcakaH / dvijihvaH kuNDalaM vaktraM sargaH zaktinizAkaraH // 54 // sundarI suyazAnantA(ndA) gaNanAtho mahezvaraH / / 55 / / - ka // 42 // kaH krodhIzo mahAkAlI kAmadeva: prakAzaka: / kapAlI ta(te)jasaH zAntirvAsudevo jayA'nalaH // 56 // cakrI prajApati: sRSTiIkSaskandho vizAmpatiH / anantaH pAthivo bindustApinI paramArthakaH / / 57 // vargAdyazca mu(su)khaM brahmA sakhAmbhodhi: ziro(vo) jalam / mAhezvarI tulA puSpaM (pA) maGgalazcaraNaM kara: / / 58 / / nityA kAmezvarI mukhya: kAmarUpo gajendrakA / zrIpuraM ramaNI vaGgakusumA paramAtmakaH / / 59 // kh|| 26 // kha: pracaNDa: kAmarUpI RddhirvahniH sarasvatI / AkAzamindriyaM durgA caNDIzastApinI guruH // 6 // zikhaNDo dantajAtIzaH kaphoNirgaruDo yatiH / zUnyaM kapAlI kalyANI sUrpakarNo'jarAmaraH // 61 // 1 kanyA carA viyadravi: 2 vidyAmukhI 3 duHkhasUcakau 4 dakSakakSo nizApatiH 5 sakhAdyo'mbhaH 6 anaGgakusumA, raMga: kusumiti vA pADhaH 25 m For Private and Personal Use Only

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Prakarantara Mantrabhidhanam 17 Tapini, Paramarthaka, Vargadi, Mu(su)kha, Brahma, Sakha, Ambhodhi, sira(va), Jala, Mahesvari, Tula, Puspa(a), Mangala, Carana, Kara, Nitya, Kamesvari, Mukhya, Kamarupa, Gajendra, Sripura, Ramana, Vangakusuma, Parainatma. Kha 26. Kha denotes : Pracanda, Kamarupi, Kddhi, Vahni, Sarasvati, Akasa, Indriya, Durga, Candisa, Tapina, Guru, Sikha. nci, Dantajatisa, Kaphoni, Garuda, Yati, Sunya, Kapali, Kalyani, Surpakarra, Ajaramarah, su(sva)bhra, Agneya, Candalinga, Janavyahara, Khadgakah. Ga 33. Ga denotes. Gauri, Gaurava, Ganga, Ganesa, Gokhulesvara, Sarngi, Pancantaka, Gatha, Gandharva, Sarvagah, Smoti. Sarvasiddhi, Prabha, Dhumra, Dvijakhya, Sivadarsana, Visvatma, Gau, Pithagrupa, Balabaddha, Trilocana, Gita, Sarasvati, Vidya, Bhogini, Nandana, Dhara, Bhogavali, Hsdaya, Jnana, Jalandhara, Lava. Gha 25. Gha denotes : Khadgi, Ghurghura, Ghanti, Ghantisa, Tripurantaka, Vayu, Sivottama, Satya, Kinkini, Ghoranadaka, Marsei, Varuna, Medha, Kalarupi, Dambhika, Lambodara, Jvalamula, Nandesa, Hanana, Dhvani, Trailokyavidya, San. harta, Kamakhyam, Anaghamaya. Na 30. Na dcnotes : Sankhi, Bhairava, Canda, Bindultamsa, Sisupriya, Ekarudra, Daksanakha, Kharpara, Visayaspsha, Kanti, Svetahvaya, Dhira, Dvijatma, Jvalini, Viyat, Mantrasakti, Madava, Vighnesi, Atmanayaka, Ekanetra, Mahananda, Durdhara, Candrama, Yati, Sivayosi, Nilakantha, Kamesi, Maya, Ansuka. For Private and Personal Use Only

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10 prakArAntara mantrAbhidhAnam zu(zva)bhrAgneyA ghaNDaliGgo janavyAhArakhaGgako / / 62 // ga // 33 // go gaurI gauravo gaGgA gaNezo gokulezvaraH / / zAGgo pazcAntako gAthA gandharvaH sarvagaH smRtiH // 63 // sarvasiddhiH prabhA dhUmrA dvijAkhyaH zivadarzanaH / vizvAtmA gau: pRthanapA bAlabaddhakhilocanaH // 64 // gItaM sarasvatI vidyAbhoginI nandano dharA / bhogavatI ca hRdayaM jJAnaM jAlandharo lavaH // 65 / / gh|| 25 // ghaH khaGgI ghughuro ghaNTI ghaNTIzastripurAntakaH / vAyuH zivottamaH satyaM kiGkiNI ghoranAdakaH / / 66 / / marIcirvaruNo medhA kAlarUpI ca dAmbhikaH / lambodarA jvAlamUlaM nandezo hanana dhvaniH // 67 / / trailokyavidyA saMhartA kAmAkhyamanaghAmaya: // 68 // Ga // 30 // Ga! zaGkhI bharavazvaNDo bindUttaMsa zizupriyaH / ekarudro dakSanakha: kharparo viSayaspRhA // 69 / / kAntiHzvetAhvayo dhIro dvijAtmA jvAlinI viyat / mantrazaktizca madano vighnezI cAtmanAyakaH / / 70 // ekanetro mahAnando durddharazcandramA yatiH / zivayoSA nIlakaNThaH kAmezI ca mayAMzuko / / 71 // c|| 37 // ca: puSkaro halI vANI pAtmazaktiH sudarzanaH / caturmuNDadharo momo mahiSAcArasambinI / / 72 // ekarUpo ruciH kUrmazcAmuNDA dIrghabAhu(lu)kaH / vAmabAhumalamAyA caturmUttisvarUpiNI / / 72 // dayitazca dvinetrazca lakSmIstritayalocanaH / candanaM candramA daivatazcetanA vRzciko budhaH // 74 // devI kITamukhIcchAtmA kaumArI puurvphlgunnii| anaGgamekhalA vAyumaMdinI ca mUlAvatI // 75 // 1 naraH / 2 satyA 3 ghoranAyakaH 4 kulAvatI 25 For Private and Personal Use Only

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Prakarantara Mantrabhidhanam 19 Ca 37. Ca denotes : Puskara, Ilali, Vani, Atmasakti, Sudarsana, Catnrmundadhara, Bhauma, Mahisacarasambini, Ekarupa, Ruci, Kurma, Camunda, Darghabahuka, Vamabahu, Mulamaya, Caturmurti, Dayita, Dvinetra, Laksmi, Tritayalocana, Candana, Candrama, Daiva, Cetana, Vrscika, Budha, Devi, Kitamukhi, atma, Kaumari, Purvaphalguni, Anangamekhala, Vayu, Medini, Malavati. Cha 25. Cha denotes : Chandana, Susumna, Pasu, Pasupati, Nirmala, Tarala, Vahni, Bhutamatra, Vilasini, Ekamatra, Vrsali, Dvisira, Vamakurpara, Gokarna, Langali, Vamah, Kama. karta, Sadasiva, Mata, Nisacara, Payu, Viksata, Sthitisabdaka. Ja 35. Ja is : Sava, Vanara, Suli, Bhogada, Vijaya, Sthira, Laladeva, Jaya, Jeta, Dhataki, Sumukhi, Vibhu, Lambodari, Smsti, sakha, Suprabha, Kartlka, Dhara, Dirghabahu, Ruci, Hamsa, Nandi, Teja, Suradhipa, Javana, Vegita, Vama, Manavaksa, Sadatmaka, Hst, Marute'svara, Vegi, Amoda, Madavihvala. Jha 37. Jha denotes : Jhankari, Guha, Jhanjhavayu, Satya, Saclunnata, Ajesa, Dravi, Nada, Pasi, Jihva, Jala, Sthiti, Virajendra, Dhanurhasta, Karkasa, Nadaja, Kuja, Dirghabahu, Bala, Rupa, Akandita, Sucancala, Durmukha, Nasta, Atma, Vikata, Kucamandala, Kalahamsapriya, Vama, Angulimadhyaparvaka, Daksahasa, Aytahasa, Papatma, Vyanjana, Svara. Na 24. Na-kara denotes : Bodhini, Visva, Kundali, Ma(su)khada, Viyat, Kaumari, Nagavijnani, Savyangulanakha, Vaka, Sar. vesa, Curnita, Buddhi, Svargatma, Ghargharadhvani, Dharma, For Private and Personal Use Only

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prakArAntara mantrAbhidhAnam ch|| 25 // cha-zchandanaM suSumNa ca pazuH pazupatirmatiH / nirmalaM taralaM vahnirbhUtamAtrA vilAsinI / / 76 // ekamAtrA ca vRSalI dvizirA vAmakuparaH / gokarNA lAGgalI vAmaH kAmakartA sadAzivaH / / 77 // mAtA nizAcara: pAyuvikSataH sthitizabdakaH / / 78 / / j||35|| ja: zavo vAnaraH zUlI bhogadA vijayA sthirA / laladevo jayo jetA dhAtakI sumukhI vibhuH // 79 / / lambodarI smRti: zAkhA suprabhA kartRkA dharA / dIrghabAhU rucihaso nandI teja: surAdhipaH // 80 // javano vegito cAmo mAnavAkSa: sadAtmakaH / hRnmArutezvaro vegI cAmodo madavihvalaH // 81 // jha // 37 // jho jhaGkArI guho jhanjhAvAyu: satyaH SaDDannataH / ajezo drAviNI nAdaH pAzI jihvA jalaM sthitiH / / 82 // virAjendro dhanuhaMsta: karkazo nAdajaH kujaH / 15 dIrghabAhurbalo rUpamAkanditaH sucaJcalaH // 83 // durmukho naSTa AtmA ca vikaTA kucamaNDalam / kalahaMsapriyA vAmA cAMgulImadhyaparvakaH / / 84 // dakSahAsATTahAsau ca pApA(thA)tmA vyaJjanaM svaraH // 85 // // 24 // a-kAro bodhinI vizvA kuNDalI ma(su)khado viyat / komArI nAgavijJAnI savyAMgulanakho vakaH / / 86 // sarvezazcUrNitA buddhiH svargAtmA ghagharadhvaniH / dharmekapAdau sumukhI virajA candanezvarI / / 87 // gAyana: puSpadhanvA ca rAgAtmA ca varAkSiNI / / 88 // Ta / / 28 // 25 Ta-STaGkAraH kapAlI ca somajo' khecaro dhvaniH / 1 ekanetrazca 2 hAsa: 3 vegitA 4 siddhiH 5 sargAtmA 6 vAgAtmA 7 someza:+somavA: For Private and Personal Use Only

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Prakarautara Mantrabhidhanam 21 Ekapada, Sumukhi, Viraja, Candanesvari, Gayana, Puspadhanva, Ragatma, Varaksini. Ta 28. Ta denotes Tankara, Kapali, Somaja, Khecara, Dhvani, Mukunda, Vinada, Prthvi, Vaisnavi, Varuni, Nava, Daksangaka, Ardhacandra, Jara, Bhuti, Punarbhava, Vrhaspati, Dhanu, Citra, Pramada, Vimala, Kati, Raja, Giri, Mahadhanu, Ghranatma, Sumukha, Marut. Tha 28. Tha denotes: Sunya, Manjari, Bija, Panini, Langali, Ksaya, Vanaja, Nandana, Jihva, Sumanju, Ghurnana, Sudha, Vartula, Kundala, Vahni, Amrta, Candramandala, Daksajanu, Urubhava, Devabhaksa, Vrhaddhani, Ekapada, Vibhuti, Lalata, Sarvamitraka, Vrsaghna, Nalini, Visnu, Mahesa, Gramani, Sasi. Da 24. Da denotes: Smrti, Daruka, Nandirupini, Yoginipriya, Kaumari, Sankara, Trasa, Trivaktra, Nadaka, Dhvani, Duruha, Jatila, Bhima, Dvijihva, Prthivi, Sati, Kolagiri, Ksama, Santi, Nabhi, Svati, Locana. Dha 32. Dha denotes: Dhakka, Nirnaya, Purva, Yajnesa, Nadesvara, Ardhanarisvara, Toya, Isvari, Trisikhi, Nava, Daksapadangulimula, Siddhidanda, Vinayaka, Prahasa, Tribhava, Rddhi, Nirguna, Nidhana, Dhvani, Vighnesa, Palini, Tvak, Kadharini, Krodapucchaka, Elapura, Tvagatma, Visakha, Sri, Mana, Rati. For Private and Personal Use Only Na 26. Na denotes: Nirguna, Rati, Jnana, Jrmbhana, Paksivahana, Jaya, Sambhu, Narakajit, Niskala, Yoginipriya, Dvimukha, Kotavi, Srotra, Samrddhi, Bodhini, Mata, Trinetra, Manusi, Vyoma, Daksapadangulina(mu)kha, Raghava, Sankhini, Vira, Narayana, Nirnaya.

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prakArAntara mukundo vinadA pRthvI vaiSNavI vAruNI navaH // 86 // dakSAGgakArddhacandrau ca jarA bhUtiH punarbhavaH / bRhaspatirdhanucitrA pramadA' vimalA kaTi: // 90 // rAja(jA)girimahAdhanurmANAtmA sumukho marut / / 91 / / ThaH zUnyaM maJjarI bIjaM pANinI lAGgalI kSayaH / vanajo nandano jihvA sumaMjuSarNana * sudhA / / 92 // vartula: kuNDalaM vahniramRtaM candramaNDalaH / dakSajAnUrubhAvau ca devabhakSo vRhaddhani: / / 93 // ekapAdo vibhUtizca lalATaM sarvamitrakaH / vRSadhno nalinI viSNumahezo grAmaNo: zazo // 94 // dd|| 24 // Da: smRtiruko nandirUpiNI yoginI priya: / kaumArI zaGkarasvAsadhibaktro(kro) nadako dhvaniH // 95 / / durUho jaTilo(lI) bhImA dvijihvaH pRthivI stii| kolagiri:3 kSamA zAnti bhi: svAtI ca locanam // 96 // Dha // 32 // Dho DhakkA nirNayaH pUrvo yajJezazca nadezvara: / arddhanArIzvarastoyamIzvarI vizikhI navaH // 97 // dakSapAdAGgulermUlaM siddhidaNDo vinAyakaH / prahAsastribhavA RddhiniguNo nidhanaM dhvaniH / / 98 // vighnezaH pAlinI tvak kadhAriNI kror3apucchakaH / elApuraM tvagAtmA ca vizAkhA zrImano ratiH // 99 / / Na // 26 // 20 No nirguNo ratirjJAnaM ja(ja)mbhaNaH pakSivAhanaH / jayA zambhunarakajit niSkalA yoginI priyaH / / 100 // dvimukhaM koTavI zrotraM samRddhirbodhi(dha)nI mtaa| trinetro mAnuSI vyoma dakSapAdAMgulena (mu)kham / 25 rAghava: zaGkhinI vIro nArAyaNazca nirNayaH / / 101 // 1 pramodA 2 sunaJjodharNakaH 3 koragiriH 4 kAnti bhi: 5 yajJezo danadezvarA meansar -- - For Private and Personal Use Only

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Prakarantara Mantrabhidhanam 23 Ta 31. Ta is : Putana, Hari(vi), Suddhi, Sakti, Sakti, Jati, Dhvaja, Vamasphik, Vamakali, Kamini, Madhyakarnaka, Asadhi, Tandatusna, Kamika, Plsthapucchaka, Ratnaka(ntha), Syamamukhi, Varahi, Makara, Aruna(na), Sugata, Ardhamukhi(kha), Buddhajanu, Krodapucchaka, Gandha, Vimba(sva), Marut, Chatra, Anuradha, Sauraka, Jayanti, Pulaka, Bhranti, Anangamadanatura. Tha 27. Tha denotes : Sthira, Mahagranthi, Granthigraha, Bhayanaka, Sili, Sirasija, Dandi, Bhadrakali, Siloccaya, Krsna, Buddhi, Vikarma(rna), Daksanasadbipa, Amara, Varada, Bhogada, Kesa, Vamajanu, Rasa, Apah, Anala, Lola, Ujjayini, Guhya, Saraccandra, Divakara. Da 40. Da denotes : Adriba, Dhata(na)ki, Dhata, Data, Dala, Kalatraka, Dina, Jnana, Dana, Bhakti, Ahavani, Dhara, Susum na, Yogini, Sadyah, Kunglala, Vamagulphaka, Katyayani, siva, Durga, Langhana, Na, Trikantaki, Svastika, Kutila, Rupa, Ktsna, Uma, Jitendriya, Dharmabot, Vamadeva, Brahmi, Bahu, Sueancala, Haridra, Puram, Adri, Daksapani, Trirekha. Dha 35. Dha denotes : Dhanartha(khya), Ruci, Sthanu, sasvata, Yoginipriya, Minesa, Sankhini, Toya, Nagesa, Visvapavani, Dhisana, Dharana, Cinta(tra), Netrayuma, Priya, Mati, Pitavasa, Trivarna, Dhata, Dharmaplavangama, Sandarsa, Mohana, Lajja, Vajratuncladhara, Dhara, Vamapadangulimula, Jyestha, Surapura, Bhava, Sparsatma, Dirghajangha, Dhanesa, Dhanasancaya. Na 36. Na denotes : Garjini, Ksama, Sauri, Varuni, Visvapavani, Mesa, Savita, Netra, Dantura, Narada, Anjana, Urdhyavasi, Dviranda, Vamapadangulina(mukha, Vainateya, Stuti, Var For Private and Personal Use Only

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prakArAntara mantrAbhidhAnam taH pUtanA hariH(vi:) zuddhiH zaktI zaktirjaTI dhvjaa| vAmasphigvAmakaTyau ca kAminI madhyakarNakaH // 102 / / ASAr3hI taNDatusnazca kAmikA pRSThapucchakaH / ratnakaca(NThaH) zyAmamukhI vArAhI makaro'ruNa:(NA) // 103 / / sugato'rddhamukhI(khA) buddha(cha)jAnuzca kror3apucchakaH / gandho vimba (zvA) marucchatrazcAnurAdhA ca saurakaH // 104 // jayantI pulako bhrAntiranaGgamadanAturA / / 105 // tha // 27 // thaH sthirAmo mahAgranthinthigrAho bhayAnakaH / zilI zirasijo daNDI bhadrakAlI ziloccayaH // 106 // kRSNo buddhirvikarmA() ca dakSanAsAdhipo'maraH / varadA bhogadA kezo vAmajAnU raso(po'nala: // 107 // lolApyu(lo)jjayinI(pU:) guhyaH zaraccandro divAkaraH / / 108 // do'drIzo dhAta(na)kirdhAtA dAtA dalaM kalatrakam / dInaM jJAnaJca dAnazca bhaktirAhavanI dharA / / 109 // suSumNa yoginI sadya: kuNDalaM vAmagulphakaH / kAtyAyanI zivA durgA laGghanA nA trikaNTakI // 110 // svastikaH kuTilA rUpaM kRSNazvomA jitendriyaH / dharmahadvAmadevazca bhramihi: gumAJcalA / / 111 / / haridrA pUramadrizca dakSapANistrirekhakaH / / 112 / / dha // 35 // dho dhanArtho(khyo) ruciH sthANu: zAvatA yoginIpriyaH / mInezaH zaGkhinI toyaM nAgezo vizvapAvanI / / 113 // dhiSaNA dhA(dha)raNA(1) cintA(trA) netrayugmaM priyo matiH / pItavAsAstrivarNA ca dhAtA dharmaplavaGgamaH // 114 / / sandarzo mohanI lajjA vAtuNDAdharo(2) dhraa| vAmapAdAMgulemalaM jyeSThA surapuraM bhava: / / 115 / / sparzAtmA dIrghajaghA ca dhanezo dhanasaJcayaH // 116 // 1 ASAptaDhAntakSudrazca 2 jAnuH krIDazca For Private and Personal Use Only

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Prakacantara Mantrabhidhanam Acharya Shri Kailassagarsuri Gyanmandir tma, Tarani, Bali, Agama, Vamana, Jvalini, Dirgha, Niriha, Sugati, Viyat, Sabdatma, Dirghaghona, Hastinapura, Mecaka, Girinayaka, Nila, Siva, Anadi, Mahamati. Pa 38. 25 Pa denotes: Pu(s)rapriyati, Tiksna, Lohita, Pancami, Rama, Guhyakarta, Nidhi, Sesa, Kalaratri, Suvahita, Tapana, Palana, Pata, Padmarenu, Niranjana, Savitri, Patini, Pana, Viratattva, Dhanurdhara, Daksaparsva, Senani, Marici, Pavana, Sani, Uddisa, Jayini, Kumbha, Alasa, Rekha, Mohaka, Mula, Dvitiya, Indrani, Lokaksi, Manatatmaka(na)h. Pha 34. Pha denotes: Sakhi, Durgini, Dhumra, Vamaparsva, Janardana, Jaya, Pada, Sikha, Raudri, Phetkara, Sakhinipriya, Uma, Vihangama, Kala, Kubjini, Priya, Pavaka, Pralayagni, Nilapada, Aksara, Pasupati, Sasi, Phutkara, Yamini, Vyakta, Pavana, Mohavardhana, Nisphala, Vak, Ahamkara, Prayoga, Gramani, Phala. Bha 33. Ba 44. Ba denotes: Avani, Bhudhara, Marga, Gharghari, Locana, Praceta, Kalasa, Paksi, Chagalanda, Kapardini, Prsthavamsa, Abhaya, Mata, Sikhivaha, Yugandhara, Mukhavindu, Bali, Ghanta, Yoddha, Trilocanapriya, Kledini, Tapini, Bhumi, Sugama, Indra, Bali, Priya, Surabhi, Mukha, Visnu, Samhara, Vasudhadhipah, Sasthi, Pura, Peta, Modaka, Gagana, Prati, Parvasadha, Madhyalinga, Sani, Kumbha, Truyaka. For Private and Personal Use Only Bha denotes: Klinna, Bhramara, Bhima, Visvamurti, Nisahvaya, Dviranda, Bhusana, Mula, Yajnasutra, Vacaka, Naksatra, Bhramana, Dipti, Vaya, Bhumi, Paya, Nabha, Nabhi, Bhadra, Mahabahu, Visvamurti, Vibhandaka, Pranatma, Tapini, Vajra, Visvarupi, Candrika, Bhimasena, Sudhasena, Sukha, Maya, Pura, Hara.

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5 prakArAntara mantrAbhidhAnam na // 36 // no gajinI kSamA saurirvAruNo' vizvapAvanI / meSazca savitA netraM danturo nArado'JjanaH // 117 // UrdhvavAsI dviraNDazca vAmapAdAMgulermu(na)kham / vainateyaH stutirvama taraNilirAgamaH // 118 / / vAmano jvAlinI dIrghA nirIhA sugativiyat / __zabdAtmA dIrghaghoNA ca hastinApura-mecako // 119 // girinAyaka-nIlI ca zivo'nAdimahAmatiH // 120 // p|| 38 // pa: pU(zU)rapriyatA tIkSNA lohitaH paJcamI ramA / guhyakartA nidhiH zeSA kAlarAtriH suvAhitA! // 121 // tapana: pAlana: pAtA padmareNuniraMjanaH / sAvitrI pAtinI pAnaM vIratatvaM dhanurddharaH // 122 // dakSapArzvazca senAnIrmarIci: pacanaH zaniH / uDDIza jayinI kumbho'laso rekhAca mohakaH // 123 // mUlA dvitIyamindrANI lokAkSI mana AtmakaH // 124 / / ph|| 34 // pha: sakhI durgiNI dhumrA vAmapArtho janAInaH / jayA pAdaH zikhA raudrI phetkAraH zAkhinIpriyaH // 125 / / umA vihaGgamaH kAlaH kubjinI priy-paavko| pralayAgnirnIlapAdo'kSara: pazupati: zazI / / 126 / / phutkAro yAminI vyaktA pAvano mohavarddhanaH / niSphalA vAgahaGkAraH prayogoM grAmaNI: phalam // 127 // va // 44 // bo'vanI bhUdharo mArgA gharSarI locana prayaH / pracetA: kalasa: pakSI chagalaNDa: kapaddinI // 128 / / pRSThavaMzo'bhayA mAtA zikhivAho yugandharaH / mu(su)khabindurbalI ghaNTA yoddhA trilocanapriyaH // 129 / / kledinI tApinI bhUmi: sugamindro'deg bali: priya: / 1 varuNA 2 danturA 3 UrdhvacAmI 4 vIratantra: 5 uDDInaM 6 kAntA'vasaM reSA 7 manatAtmana:(ka) 8 jhanjhA 9 niSphalo rAgazRGgAro prayANo 10 sugandhizca " pa 25 For Private and Personal Use Only

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Prakarantara Mantrabhidhanam 27 Ma 38. Ma denotes : Kali, Klesita, Kala, Mahakala, Mahantaka, Vaikuntha, Vasudha, Candra, Ravi, Purusavacaka, Kalabhadra, Jaya, Medha, Visvada, Diptasamjnaka, Jathara, Bhrama, Mana, Laksami, Mata, Ugra, Bandhana, Visa, Siva, Maha. vira, Sasiputra, Janesvara, Pramatta, Priyasu, Rudra, Saryanga, Vahnimandala, Matangamalini, Vindu, Sravanabha, Ratha, Viyat. Ya 50. Ya denotes : Vani, Vasudha, Vayu, Viksti, Purusottama, Yuganta, Svasana, Sighra, Dhumra, Arci, Pranisevaka, Sankha, Bhrama, Jati, Lola, Vayuvegi, Yasaskara, Sankarsana, Ksapa, Bala, Hsdaya, Kapila, Prabha, Agneya, Vyapaka, Tyaga, Homa, Yana, Prama, Sukha, Carda, Sarvesvari, Dhuma, Camunda, Sumukhesvari, Tvagatma, Malaya, Mata, Hamsini, Bhlnganayaka, Cetana, Sosaka, Mina; Dhanistha, Anangavedini, Mesa, Soma, Panktinama, Papaha, Pranasamjaaka. Ra 44. Ra denotes : Rakta, Krodhini, Repha, Pavaka, Taijasa, Mata, Prakasa, Darsana, Dipa, Vata, Krsna, Para, Bali, Bhujangesa, Mati, Surya, Dhaturakta, Prakasaka, Vyapaka, Revati, Dama, Kraunca, Ana, Vahnimandala, Ugrarekha, Sthuladarda, Vedakasztha, Kala, Pura, Praksti, Sugata, Brahmasabda, Gayaka, Dhana, Srikantha, Usma, Hgdaya, Mundi, Tripurasundari, Yonija (Sabidnu) Jvala, Srisaila, Visvatomukhi. La 35. La denotes : Candra, Putana, Plthvi, Madhava, Sakra, Balanuja, Pinakasa, Vyapaka, Mamsasanjnaka, Khadgi, Nada, Amsta, Devi, Lavana, Varuni, Pati, Sikha, Vani, Kriya, Mata, Bhamini, Kaminipriya, Jnanini, Vegini, Natha, Pra. dyumna, Sosana, Hari, Visvatma, Manda, Balavana, Meru, Giri, Kalasasa. For Private and Personal Use Only

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Shri Mahavir Jain Aradhana Kendra 28 1 15 20 25 prakArAntaramantrAbhidhAnam 1 surabhirmukha-viSNu ca saMhAro vasudhAdhipaH // 130 // SaSThI puraM ca peTA ca modako gaganaM prati / pUrvASADhA madhyaliGge zaniH kumbha-tRtIyako // 131 // bha / / 33 / bha: klinnA bhramaro bhomo vizvamUrtinizAhvayaH / dviraNDo bhUSaNaM mUlaM yajJasUtrasya vAcakaH // 132 // nakSatraM bhramaNA dIptirva (bhU) payo bhUmiH yo namaH / nAbhidraM mahAbAhuvizvamUtivimA (tu) NDaka. 2 // 133 // prANAtmA tApinI vajrAra vizvarUpI ca candrikA | bhImasena: sudhAsena: su (mu) khaM mAyA puraM haraH // 134 // ma // 38 // maH kAlI klezitaH kAlo mahAkAlA mahAntakaH / vaikuNTho vasudhA * candro raviH puruSavAcakaH // 135 // lAlabhadrA jayA medhA vizvadA dIptasaMjJakaH / jaTharazca bhramA mAnaM lakSmIrmAto bandhane // 136 // viSaM zivo mahAvIraH zaziputro janezvaraH / pramattaH priyasu rudraH sarvAGgaM vahnimaNDalam // 137 // mAtaGgamAlinI binduH zravaNAbhaM ratho viyat // 138 // ya // 50 // yo vANI vasudhA vAyuvikRti: puruSottamaH / 7 yugAnta: zvasanaH zIghraM dhUmrAci prANisevakaH // 139 // zaGkhA bhramo jaTo lolA vAyuvegI yazaskaraH / saGkarSaNaH kSapA bAlo hRdayaM kapilA prabhA // 140 // Agneyo vyApakastyAgo homo yAnaM pramA sukham / aNDaH sarvezvarI dhUma cAmuNDA sumukhezvarI // 141 // tva (ve ) grAtmA malayo mAtA haMsinI bhRGganAyakaH / cetanA zoSako mIno dhaniSThA'naGgavedinI // 142 // meSa : ' somaH paMktinAmA pApahA prANasaMjJakaH // 143 // ra / / 44 / / ro rakta: krodhitI rephaH pAvakasta (stavo) jaso mataH / 1 bhayam + tavaH 2 vimUtrtika: 5 zaziprabhA 6 makho 3 rudrA 7 yagAmaH For Private and Personal Use Only 4 vastudA meSTha + seSTaH

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Prakarantara Mantrabhidhanam 29 Va 22. Va denotes: Bala, Varuni, Suksma, Varuna, Meda, Khadgisa, Jvalini, Vaksa, Kalasa, Dhvanivacaka, Utkari, Nivika, Vajra, Sphik, Sagara, Suci, Tridhatu, Sankara, Srestha, Visesa, Yamasadana. Sa 30. Sa denotes: Savyam, Kamarupi, Kamarupa, Mahamati, Saukhyanama, Kumara, Asthi, Srikantha, Vrsaketana, Vrsaghna, Sayana, Santa, Subhaga, Visphulingini, Mrtyudeva, Mahalaksmi, Mahendra, Kulakaulini, Bahu, Hamsa, Viyat, Vaktra, Hrt, Anangankusa, Khala, Vamoru, Pundarikatma, Kanti, Kalyana. Sa 32. Sa denotes: Sveta, Vasudeva, Pita, Prajna, Vinayaka, Paramesthi, Vamabahu, Srestha, Garbhavimocana, Lambo dara, Yama, Ajesa, Kamadhuk, Kama, Dhumaka, Susri, Usma, Vrsa, Lajja, Marudbhaksya, Priya, Siva, Suryatma, Jathara, Kosa, Matta, Vaksovidarini, Kalakantha, Madhyabhinna, Yuddhatma, Khalapu, Siva. Sa 38. Sa denotes: Hamsa, Suyasa, Visnu, Bhrgvisa, Candra, Jagadbija, Saktinama, So'ham, Vega(sa)vati, Bhrgu, Prakrti, Isvara, Suddha, Prabha, Sveta, Kulojjvala, Daksapada, Amrta, Brahmi, Paramatma, Parah, Aksara, Surupa, Gunesa, Gauh, Kalakantha, Vrkodara, Pranadya, Tripuradevi, Laksmi, Soma, Hiranyabhu, Durgottarini, Sammoha, Jiva, Murti, Manohara. For Private and Personal Use Only Ha 51. Ha denotes : Siva, Gagana, Hamsa, Nagaloka, Ambikapati, Nakulisa, Jagatprana, Pranesa, Kapila, Amala, Paramatma, Atmaja, jiva, Yavaka, Santidah, Angana. Mrga, Abhaya, Aruna, Sthanu, Krostu, Kupaviravana, Laksmi, Brahma,

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30 prakArAntara mantrAbhidhAnam prakAzo darzano dIpo vata kRSNaH paraM balI // 144 // bhujaGgezo matiH sUryo dhAturakta:2 prakAzakaH / / vyApako revatI dAma krauJcAMzI vahnimaNDalam // 145 / / ugrarekhA sthUladaNDo vedakaNThaka(pa)lA purA / prakRtiH sugato brahmazabdazca gAyako dhanam // 146 // zrIkaNTha uSmA hRdayaM muNDI tripurasundarI / sabinduryonijo jvAlA zrIzalo vizvatomukhI // 147 // la // 35 // la-zcanda: pUtanA pRthvI mAdhavaH zakravAcakaH / balAnuja: pinAkIzo vyApako mAMsasaMjJakaH / / 148 / / khaDnI nAdo'mRtaM devI lavaNaM vAruNI patiH / zikhA vANI kriyA mAtA bhAminI kAminIpriyA // 146 // jJAninI veginI nAtha:10 pradyamna: zoSaNo hriH| vizvAtma mandI balavAn merugiriH kalArasa: // 15 // va // 22 // vo bAlo vAruNI sUkSmA varuNo medasaMjJakaH / khaDnIzo jvAlinI vakSa:12 kalasaM dhvanivAcakaH // 151 / / utkArIzastu nIvIko 3 vajrasphika sAgaraH zuci: / tridhAtuH zaGkaraH zreSTho vizeSo yamasAdanam // 152 / / sh||30|| za: savya kAmarUpI kAmarUpo mahAmatiH / saukhyanAmA kumAro'sthi zrIkaNTho vRSaketanaH / / 153 / / vRSaghna: zayanaM zAntaH subhagA visphlingginii| 20 mRtyudevo5 mahAlakSmImahendraH kulakolinI / / 154 // bAhuhaMso viyad vaktraM hRdanaGgAGkazaH khalaH / vAmoru: puNDarIkAtmA kAnti: kalyANavAcakaH // 155 / / 1 rattakRSNa:--rajastRSNA 2 dhAturAjaH 3 dAnaM kukSyaMzI / dAso dakSAMzaH 4 vedakazcapalA 5 sugaNo-+-chagalo 6 mAdhavI 7 mRDaM 8 maraNaM jvAlinI 10 nAdaH tma 11 mantrI+mandrI balo ceta: 12 saGka-+-raka kalasaM ravi 13 nA vIto 14 zAntA 15 mRtyudaMvo For Private and Personal Use Only

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Prakarantara Mantrabhidhanam Hari, Sambhu, Pranasakti, Lalanaja, Sva(Sa)kopavarana, Suli, Caitanya, Padapurana, Mahalaksmi, Param, Nada, Meghanada, Hari, Manah, Bindu, Durga, Priya, Devi, Megha, Syamesvara, Puman, Daksapada, Sada, Sambhu, Sakhota, Somamandala. 31 La 23. La denotes Prthvi, Vimala, Megha, Ananta, Havyavaha, Sita, Vyapini, Sivada, Ketu, Jagat, Saratara, Hatha, Glau, Mrdani, Vedarthasara, Narayana, Svayam, Jathara, Nakuli, Pita, Sivesa, Anangamalini. For Private and Personal Use Only Ksa 35. Ksa indicates: Kopa, Tumburu, Kala, Ruksa, Samvartaka, Para, Nrsimha, Vidyuta, Maya, Mahateja, Yugantaka, Paratma, Krodha, Samhara, Vananta, Meru, Sarvanga, Sagara, Kama, Samyoganta, Tripuraka, Ksetrapala, Mahaksobha, Matrkanta, Anala, Ksaya, Mukha, Kavya, Mahananta, Kalajihva, Ganesvara, Chayaputra, Samghata, Malayasri, Lalataka.

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prakArAntara mantrAbhidhAnam ss||32|| Sa: zveto vAsudevazca pota prajJA vinAyakaH / parameSThi vAmabAhuH zreSTho garbhavimocanaH / / 156 // lambodaro yamo'jeza: kAmadhuka kAma(la)dhUmakaH / suzrIruSmA vRSo lajjA marudbhakSyaH priyaH zivaH / / 157 // sUryAtmA jaThara: koSo mattA vkssovidaarinnii| kalaSa NThI madhyabhinnA yuddhAtmA khalapU: shirH||158 / / sa // 28 // so haMsa: suyazA viSNubhRgvIzazcandrasaMjJakaH / jagadboja zaktinAmA so'haM' vega(za)vatI bhRguH / / 139 / / prakRtirIzvaraH zuddhaH prabhA zveta: kulojjvala: / dakSapAdo'mRtaM brAhmo paramAtmA paro'kSaraH // 160 / / surupazca guNezo gau: kalakaNTho vRkodaraH / prANAdyastripurAdevI lakSmIH somo hiraNya bhUH // 161 / / durgottAriNI sammohA jovo mUttimanohara:" / / 162 // 10 haH zivo gaganaM haMso nAgaloko'mbikApatiH / nakUlIzo jagatprANa: prANeza: kapilA'mala:10 // 13 // paramAtmAtmajo jIvo yavAka: zAntidoGganam 12 / mRgo'bhayA'ruNA sthANu: kroSTuH kUpavirAvaNa:15 / / 154 // lakSmIbrahmA hari: 14 zambhuH prANazaktilalATa na:15 / sva(sa)kopavAraNa: zUlI caitanyaM pAdapUraNa: // 165 / / mahAlakSmI: paraM nAdo meghanAdo harimanaH / vindurdurgA priyA devI megha: zyAmezvaraH pumAn // 166 // dakSapAda: sadA zambhu: sAkhoTa: somamaNDalam // 167 // l||23|| la: pRthvI vimalA megho'nanto havyavahaH sitaa| 1 bAhuhinA 2 pItA+prItA zradvA 3 malapu: 4 sujanI 5 mAho 6 zvetA 7 surUpA ca 8 zca purAdevI ha hiraNyapuH 10 manoja va: 11 mala:-+mata: 12 varAka: 13 aMgala: 14 aTakArivAraNa / kUTakoparivAraNaH 15 maMviharaH hariharaH For Private and Personal Use Only

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prakArAntara mantrAbhidhAnam vyApinI zivadA keturjagat sArataraM haThaH / / 168 / / glormuDAnI ca vedasAro' nArAyaNaH svayam / jaTharo nakuli: pItaH zivezo'naGgamAlinI // 169 // kss|| 35 // kSa: kopastumburu: kAlo rukSa: saMvartakaH paraH / nRsiMho vidyutA mAyA mahAtejA yugAntakaH / / 170 // parAtmA krodha-saMhArau vanAnto meruvAcakaH / sarvAGgaM sAgaraH kAmaH saMyogAntastripUrakaH // 171 // kSetrapAlo mahAkSobho mAtRkAnto'nala-kSayau / mukhaM kavyaM mahAnantA kAlajihvA gaNezvaraH // 172 / / chAyAputrazca saMghAto malayazrIlalATaka:* // 173 / / 1 prANazaMkirlalATajaH 2 vedArthaH sAro 3 pItA 4 stambuka:--stughukaH 5 vyakSa: 6 paya: 7 balAnto+nalAnta: 8 sarvAga: 9 kavyavahA'nantA: * lalATaka ityanantaram etat padyapaMcakaM kvacidadhikaM dRzyate arkamAtA kalA vANI nAdo binduH sadAzivaH / anuccAryA turoyA ca vizvamAtRkalA parA // nAdaH // namo hRt pUjanaM nyAsaH sannativinatirnatiH / bhaktistathA mantrarUpaM vandanantvabhivAdanam // namaH // svAhA parA devabhojyaM ThadvayaM candrayugmakam / zuvo haridevamAtA devAsyaM vahnisundarI // svAhA // zikhA vaSaT zirAmadhyaM zakramAtA harapriyA / / vaSaT / / krodhAkhyohaM tanutrazca zastrAdau ripusaMjJaka: / / hu~ // netrayugmaM tathA vauSaT zakradaivatameva ca / vauSaT // astrAdau phaT choTikA syAdaGgAnta: suravAcakaH / / phaT // For Private and Personal Use Only

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Shri Mahavir Jain Aradhana Kendra ' 5 15 25 ekAkSarakoSaH a-kAro vAsudevaH syAdAkArazca pitAmahaH / pUjAyAmapi mAGgalye A-kAraH parikIttitaH // 1 // i-kAro ucyate kAmo lakSmI-ro-kAra ucyate / u-kAraH zaGkaraH prokta U-kArazcApi rakSaNe // 2 // RkAro devamAtA syAd RkAro danujaprasUH / la-kAro devayoniH syAl lu-rmAtA sadbhirucyate // 3 // e-kAra: kathito viSNu-rekArazca mahezvaraH / o-kArastu bhavedbrahmA mau-kAro rudra ucyate // 4 // aM syAzca paramaM brahma aH syAddevo mahezvaraH / kaH prajApatiruddiSTo ko vAyuriti zabditaH // 5 // ka-zvAtmA ca samAkhyAtaH kaH prakAza udAhRtaH / kaM ziro jalamAkhyAtaM kaM sukhazca prakIrtitam // 6 // pRthivyAM kuH samAkhyAtA kutsAyAM kuH prakIrtitaH / kha - mindriyaM samAkhyAtaM khamAkAzamudAhRtam // 7 // khaM svarge va samAkhyAtaM khaM sarve ca prakIrtitaM / tathA zvabhre ca khaM prAhuH khaM zUnye ca prakIrtitam // 8 // go gaNapatiruddiSTa go gandharvaH prakIrtitaH / gaM gItaM gAca gAthA syAd gauMdhenugaH sarasvatI // 9 // gormAtApi samuddiSTA pRthivyAM goH prakIrtitA / For Private and Personal Use Only * gho ghaNTAyAM samAkhyAtaH kiGkiNI vA prakIrtitA // 10 // upamA ghA samAkhyAtA kusvare ghuH prakIrtitaH / hanane ghA samAkhyAtA gandhane ghaH prakIrtitaH // 11 // Ga-kAro bhairavaH khyAto GakAro viSaye smRtaH / ca-kArazcandramAH khyAtastaskarazca prakIrtitaH / / 12 / / nirmalaM chaM samAkhyAtaM taraNI chaH prakIrtitaH / chedane chaH samAkhyAto vidvadbhiH zabdakovidaiH // 13 // vegite jaH samAkhyAto jaghane jaH prakIrtitaH /

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Ekaksarakosa 2 . 3 A-kara denotes Vagudeva, A-kara expresses Pitamaha. Akara has been considered auspicious in worship. 1 I-kara is Kama; 1-kara is Laksmi; U-kara is said to be sankara, and U-kara is Raksana. R-kara is Devamata; R-kara is Danujaprasu; L-kara is Devayoni, and L-kara is Mata. E-kara is Visnu; Ai is Mahesvara; O is Brahma, and Au expresses Rudra. M is Param-Brahina; Y is Mahesvara; Ka is Prajapati and Vayu. 5 Ka is Atma; Kah is Prakasa, Kan is Sira, Jala and Sukha. 6 Ku denotes Psthyi and Kutsa. Kha expresses Indriya and Akasa. Khan denotes Svarga, Sarpa, Svabhra and Sunya. Ga is meant for Ganapati and Gandharva; Gam is Gita; Ga is Gatha; Gau is Dhenu and Sarasvati. 9 Go is Mata and Pethivi. Gha denotes Ghanta and Gha is Kinkini. 10 Gha is Upama; Ghu is Kusvara; Gha is Hanana, and Ghah is Gandhana. 11 Na-kara is Bhairava and Visaya. Ca is Candrama and Taskara. 2 Cha is famous among the erudites as Nirmala, Tarani and Chedana, 131 For Private and Personal Use Only

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ekAkSarakoSa 'jetA ca jaH samAkhyAtaH prasiddhaH zabdakovidaH // 14 // bhaMjhAvAte jha-kAraH syAnnaSTe jhaH samudAhRtaH / a-kAro gAyane prokto akAro ghargharadhvanI // 15 // TakAre Ta: pRthivyAM TA To dhvanau ca prakIrtitaH / Tho mahezvara AkhyAtaH zUnyai ca ThaH prakIttitaH / / 16 / / vRhaddhvanI ca ThaH proktastathA candrasya maNDale / Da-kAra: zaGkaraH proktastrAsadhvanyoH prakIttita: // 17 // Dha kAraH kIttitA DhakkA nirguNe ca dhvanAvapi / Na-kAraH kattito jJAne nirNaye'pi prakIttita: // 18 // ta-kAraH kathitazvIraH kror3e pucche prakIttitaH / zilocaye tha-kAra: syAt thakAro bhayarakSaNe // 19 // daM kalatre samAkhyAtaM do dAna-ccheda-dhAtuSu / dhaM dhane ca dhaneze dho dhA dhAtari nidarzita: / / 20 // dhiSaNA dhI: samAkhyAtA dhUzca syAd bhAra-cintayoH / na-kAra: sugate bandhe nuH stutI ca prakIttitaH // 21 // netA nIzca samAkhyAtastaraNI nau: prkiititaa| ( nakAraH saugate buddho stuto sUrye ca kIttitaH // 22 // na-zabda: svAgate bandhI vRkSe sUrya va kIttitaH / ) pa: kuveraH samAkhyAta: pazcime ca prakIttitaH // 23 // pavane paH samAkhyAta: pA: pAne pAzca pAtari / kaphe vAte phakAraH syAttathAhvAne prakIrtitaH // 24 // jhaMjhAvAte pha-kAra: syAdakSare ca prkiirtitH| kope phizca samAkhyAtastathA niSphalabhASaNe // 25 / / vakSaHsthale ca ba: prokto gadAyAM samudAhRtaH / nakSatra meM budhaiH prokta bhramare bhaH prakIrtitaH // 26 // bhA dItirapi bhUrbhUmirmIyaM kathitA budhaiH / maH zivazcandramA vedhA mA ca lakSmIH prakIttitA // 27 // mA ca mAtari mAne ca vandhane mUH prakIrtitA / yazo ya: kathitaH ziSTayoM vAyuriti zabditta: // 28 // yAne yAtari yastyAge kathita: zabdavedibhiH / raH syAt kAmenile vahnau zabde ruH parikottitaH // 26 // For Private and Personal Use Only

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14 15 16 18 Ekaksara-kosa 37 Ja is famous among the masters of words to denote Vegita, Jaghana and Jeta. Jha denotes Jhanjhavata and Nasta, while Na' expresses Gayana and Gharghara-dhyani. Ta is famous for Psthivi and the sound Ta-Ta, and Tha for Mahesvara and Sunya. Tha is used to mean Vihaddhvani and Candramangala, and Da is used for the sound of Trasa. 17 Dha denotes Dhakka, Nirguna and Dhvani. Na expresses Jnana and Nirnaya. Ta means Caura, Kroda and Puccha. Tha is used to mean Siloccaya and Bhayaraksana. 19 Da mcans Kalatra, Dana, Cheda and Dhatu. Dha expresses Dhana and Dhanesa, and Dha is Dhata. 20 Dhi expresses Dhisana. Dhu is Bhara and Cinta. Na is used for Sugata and Bandha, and Nu for Stuti. 21 Ni is Neta and Nau is Tarani. (Na expresses Sugata, Buddha, Stuti and Surya. 22 Na indicates Svagata, Bandha, Voksa and Surya ). Pa is Kuvera and Pascima. 23 Pa is Pavana, Pa is Pana and Pata. Pha indicates Kapha, Vata and Ahvana. 24 Pha is also used to mean Jhanjhavata and Aksara; and Phi is used for Kopa and Nisphala-bhasana. 25 Ba is Vaksa-sthala and Gada, while Bha denotes Naksatra and Bhramara. 26 Bha is Dipti, Bhu is Bhumi, and Bhi is Bhaya. Ma is Siva, Candrama and Vedha. Ma denotes Laksmi. Ma is Mata and Mana; Mu is Bandhana. Ya is used by the gentlemen for Yasa and Vayu. . 28 Ya is Yana, Yata and Tyaga. Ra denotes Kama, Anila and Vahni. 29 Ra, Riare Dhana; Ra is Dhanya, and Ru is Bhaya. La is Indra, Lavana, and Dana. Li is Slesana. 30 La denotes Slesa, Asaya, :Pralaya, Sadhana, Manas, Varuna and Santvana. 31 27 For Private and Personal Use Only

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ekAkSarakoSa dhane rA rIzca ro dhAnye rubhaye ca prkiirtitH| la indre lavaNe la: syAllAdAne zleSaNe'pi lI: // 30 // la: zleSa cAzaye caiva pralaye sAdhane'pi la: / mAnase varuNe caiva lakAraH sAntvane'pi ca // 31 // pracetA va: samAkhyAtaH kalase va prakIrtitaH / pakSI ca vinigadito gamane vi: prakIrtitaH // 32 // vadanti zaM budhAH zreyaH zazca zAstA nigadyate / zI: zasaM zayanaM cAhuhiMsA zUzca nigadyate // 33 // Sa-kAraH kIrtyate zreSThe khUzca garbhavimocane / upasarga parokSe ca SakAraparikIttitaH // 34 // so'pasargaH samAkhyAtaH sA tu lakSmInigadyate / sa: kope karaNe sa: syAttathA zUlini kIrtitaH // 35 // sakAro vAnaraH proktaH sakAraH sabai ucyate / sA caiva go: samAkhyAtA saMsarga sa prakIttitaH / / 36 // haH kope dhAraNe'pi syAd haH zUlini samIritaH / hiH padyapUraNe prokto hiH syAd hetvavadhAraNe / / 37 / / kSaH kSetre rakSasi prokto niyataM zabdavedibhiH / kSiH kSetre kSatrarakSe ca nRsiMhe ca prakIttitaH // 3 // iti zrIpuruSottamadevaviracita.. ekAkSarakoSaH samApta: / 10 . For Private and Personal Use Only

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Ekaksara-kosa Va is Praceta, Kalasa and Paksi. Vi denotes Gamana. 32 Sa is Sreya and sastra. Si is Sasar and Sayana. Su is Himsa. 33 Sa is Srestha; Su is Garbhavimocana. Sa denotes Upasarga and Paroksa. 34 Sa is Apasarga; Sa is Laksmi and Suli; Sa is Kopa and Karana. Sa is Vanara, Sarva and Sansarga. Sa is Gau. 36 Ha is used to mean Kopa, Dharana and Suli. Hi is Padmapurana, Heta and Avadharana. Ksa is specified by the erudites to mean Ksetra and Raksa. Ksi denotes Ksetra, Ksatra, Raksa and Nosinha. 35 37 38 End of Ekaksara-kosa written by Sri Purusottamadeva. For Private and Personal Use Only

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bIjanighaNTuH atha vakSye mantrakoSaM yaduktaM bhUtaDAmare / kramAd bIjavidhAnazca zrutyarthajJAnasambhavam / / 1 zrIziva uvAcaa vidyujjihvA, A kAlavajrI, i gajinI, I dhUmrabhairavI, u kAlarAtriH, U vidArI, R mahAraudrI, R bhayaGkarI, la saMhAriNI, lu karAlino, e UrdhvakezI, .ai ugrabhairavI, o bhImAkSI, au DAkinI, aM rudrarAkiNI, a: caNDikA, ka krodhIzaH, kha vAmanaH, ga caNDaH, gha vikArI, Ga unmattabhairavaH, ca jvAlAmukhaH, cha raktadaMSTra: ja asitAGgaH, jha bar3avAmukhaH, Ja vidyunmukhaH, Ta mahAjvAlaH, Tha kapAlI, Da bhoSaNa:, Dha ruruH, Na saMhArI, ta bhairavaH, tha daNDI, da balibhuka, dha ugrazUladhRka, na siMhanAdI, pa kapardI, pha karAlAgniH, ba bhayaGkaraH, bha bahurUpI, ma mahAkAla:, ya jIvAtmA, ra kSatajokSitaH, la balabhedI, va raktapaTaH, za caNDIzaH, Sa jvalanadhvajaH, sa dhumadhvajaH, ha vyomavaktraH, kSa tryailokyanasanAtmakaH // ( nayanazrotrAsyanAsAhRtsu jyAse daza svarAH / ) vidyujjihvA kAlavaktrA mahAkAlaralaGkRtA / AUM|| vizabIjaM zrutimukhaM dhruvaM hAlAhalaM priye ( ca tat ) // 10 For Private and Personal Use Only

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Bijanighantu Now I shall describe the Mantra Kosa as it is told in the Bhutadamara (Tantra ); and out of my knowledge of the meaning of Srutis, I shall also declare the order of the Bijavidhana. Sri Siva Said A is Vidyujjihva; A is Kalavajri; I is Garjini; I is Dhumrabhairavi; U is Kalaratri; U is Vidari; R is Maharaudri; R is Bhayankari; Lis Samharini; L is Karalini; E is Urdhvakesi; Ai is Ugrabhairavi; O is Bhimaksi; Au is Dakini; M is Rudrarakini; H is Candika; Ka is Krodhisa; Kha is Vamana; Ga is Canda; Gha is Vikari; N is Unmattabhairava; Ca is Jvalamukha; Cha is Raktadamstra; Ja is Asitanga; Jha is Badavamukha; N is Vidyunmukha; Ta is Mahajvala; Tha is Kapali; Da is Bhisana; Dha is Ruru; N is Samhari; Ta is Bhairava; Tha is Dandi; Da is Balibhuk; Dha is Ugrasuladhrka; Na is Simhanadi; Pa is Kapardi; Pha is Karalagni; Ba is Bhayankara; Bha is Bahurupi; Ma is Mahakala; Ya is Jivatma; Ra is Ksatajoksita; La is Balabhedi; Va is Raktapatah; Sa is Candisa; S is Jvalanadhvajah; Sa is Dhumadhvaja; Ha is Vyomavaktra; Ksa is Trailokyagrasanatmaka. (For the Nyasa of Eyes, Ears, Mouth, Nose and Heart Ten Saaras are used.) Note:-For the process of Bijoddhara (derivation of a Bija) refer to the Translator's Introduction at the beginning of the work and also the above Table ). Consisting of Vidyujjihva (A), Kalavaktra (U) and aborned with Mahakala (M) is the Bija Aum for Visabija, Srutimukha, Dhruva and Halahala. For Private and Personal Use Only

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bojanighaNTu: caNDIza: kSatajArUr3ho dhramrabhairavyalaMkRtaH / nAdabindusamAyukto bIjaM viSNupriyA matam // zrI // kSatajastho vyomavaktro dhUmrabhairavyalaMkRtaH / nAdabindusamAyukto bIjaM prArthAmakaM smRtam / / hrIM // krAdhIzaH kSatajArUr3ho dhramrabhairavyalaMkRtaH / nAdabindusamAyukta: pitRbhUvAsinI smRtaH / / krIM // vidArIyuktaM vyomAsyaM rudrarAkiNyalaMkRtam / kacaM kAlaM krodhabIjaM jAnIhi vIravandite // hU~ / nAdabindusamAyuktAM samAdAyograbhairavIm / bhautika vAgbhavaM bIjaM viddhi sArasvataM priye // 8 // pralayAgnirmahAjvAla: khyAtazcAstramanuH priye // phaT / / krodhIzaraktabhImAkSyo'Gakuzo'yaM nAdabindumAn // kro|| viThaH ziro vahvijAyA svAhA jvalanavallabhA / / svAhA // krodhIzo balabhid dhramrabhairavInAdabindubhiH / trimUttirmanmathaH kAmaH bIjaM vyailokyamohanam // klii'| vyomAsyaH kAlarAtryAnyoM varma bindIndusaMyutaH / kathitaM kavacaM bIja kulAcArapriye'male // huN|| vyomAsyaH kSatajArUDho DAkinInAdabindubhiH / jyotirmantraH samAkhyAto mahApAtakanAzana: / / hrIM / saMyukto dhUmrabharavyA raktastho balimojanaH / nAdabindusamAyuktaH kiGkiNIbIjamuttamam // dii| vahurUpiNamAdAya kSatajokSitasaMsthitam / / vidAryAliGgitaM tadvad vizeSArtho mahAmanuH ||dhr| dhamadhvajAdhaH kAlAgniH sordhvakezIndubindubhiH / yugAntakArakaM bIjaM bhairaveNa prakAzitam // sphe| saMhArinyAzritazcordhvakezinI tu kapaddinam / nAdabindusamAyuktaM bIjaM vaitAlikaM smRtam // ple // sanAdabindu krodhIzaM gRhyasaMhAriNIsthitam / kampinIbIjamityuktaM dviThenoktA manoharI / / klI' svAhA / / 25 26 For Private and Personal Use Only

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Bijanighantu 43 Adorned with Candisa Ksatajarudha and Dhumrabhairavi and containing Nada and Bindu is the Bija Srin of the Beloved of Visnu (i. e. Laksmi). Adorned with Ksatajasya, Vyomavaktra and Dhumrabhairavi, and containing Nada and Bindu is the primal Bija Hrim. Adorned with Krodhisa, Ksatajarudha, Dhumrabhairavi and with Nada and Bindu is the Pitsbhuvasini Bija Krin. Containing Vidari and Vyomasya and adorned with Rudrarakini, is the Kurca, Kala and Krodha Bija Hum. Containing Nada and Bindu and Ugrabhairavi is Bhautika, Vagbhava and Sarasvati Bija Ai. Depicted by Pralayagni and Mahajvala and famous in Sastras is the Bija Phat. Depicted by Krodhisa, Rakta-bhimaksya and with Nada and Bindu is the Ankusa Bija Kron. Dvitha, Sira, wise of Agni, Jvalanavallabha Svaha Bija is Syaha. Depicted by Krodhisa, Balabhid, Dhumrabhairavi, Nada and Bindu is Trimarti, Manmatha, Kama and Trailokyamohana Bija Klin. Depicted by Vyomasya, Kalaratri and with Bindu is the Varma, and Kavaca Bija Hum. Vyomasya, Ksatajarudha, Dakini and with Nada and Bindu is the Jyotirmantra Hraum, destroyer of biggest of the sins, Raktastha, Balibhojana, Dhumrabhairavi with Nada-Bindu is the fine Kinkini Bija Drim. Bahurupi, Ksatajoksita and indicated by Bidari is the Bija Bhrun of the special meaning of Mahamanu. Dhumradhyaja, Kalagni, Urdhvakesi and with Bindu is Yugantakaraka Bija brought to light by Bhairava. Urdhvakesi, Sambarini, Kaparddi, and united with NadaBindu is to be known as the Vaitalika Bija Plem.. Krodhasa with Nada-Bindu, Samharini is the beautiful Kampini Bija Klim Svaba, so said by the Devatas. For Private and Personal Use Only

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bojanighaNTuH kapaddinaM samAdAya kSata jokSitasaMsthitam / saMyuktaM dhramrabhairavyA dhvAMkSo'yaM nAdabindumAn // prii|| kapAlidvayamAdAya mahAkAlena maNDitam / samAsanamiti proktaM caNDikADhyaM manoharam / / ThaMThaM ThAThaH / / pralayAgnisthito dhUmadhvajo guhye sabindumAn / saMyukto dhUmrabharavyA smRtA phetkAriNI priye // sphI // kSatajastho vyomavaktro bindukhaNDendvalaMkRta: / khadyotamiti vikhyAtaM grAsinI kAlarAtriyuka / h|| kSatajasthaM vyomavaktraM nAdabindusamanvitam / / vidArIbhUSaNaM kRtvA bIjaM vaivasvatAtma(nta)kam // h|| vyomavaktro dhUmadhvajo vAraNa: pralayAgnikaH / UrdhvakezI kSatArUr3hA binducndraarddhsNgtaa|| bIjamAnandabhairavyA mUkAnandakaraM param // hskhphreN| a-kAre bhISaNA kItividyujihveti kiirtitaa| A-kAre tAmasI kAlavanI (jihvA) ca kAlabhairavI / / i.kAre gajinI caNDA vijJayA rudrabhairavI / I-kAre zUlinI khyAtA caNDogrA dhUmrabhairavI // u-kAre kAlakUTA(vaktrAkhyA pracaNDA caNDavallabhA / vidAeM-kArake proktA tA(nA)lajaGghA kapAlinI / / R-kAre syAnmahAraudro jyAlinI yAginItyapi / RkAre kAlikA prAktA pitRkAlI bhayaGkarI // saMhAriNI la-kAre syaanmeghnaadogrbhaassinnii| rudracaNDA kAlarAtri: lu-kAre ca karAlinI / / UrdhvakezI ca cAmuNDA nAdinye-kArake smRtA / ai-kAre koTarAkSI ca mAlinyunmattabhairavI // jvAlinyo-kAragA jJeyA bhImAkSI caNDamAlinI / au-kAre DAkinI siMhanAdinI caNDabhairavI // akrarAkhyA vidArI ca aM-kAre rudrarA(DA)kiNI / zeSe kapAlinI yAmyA caNDikA kuNDaladvayam // visoM nAdaH sakalA: SaGdazoktAH svarA matAH / / krodhIzo vAraNazcaNDa: zaGkA tUnmattabhairavaH / jvAlAmukho raktadaSTrI'sitAGgo balayAmukhaH / / For Private and Personal Use Only

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Bijanighanku 45 Kaparddi, Ksatajoksita, united with Dhumrabhairavi, with Nada-Bindu is the Dhvanksa Bija Prim. Two Kapalis, imposed with Mahakala is the beautiful Candika and Samasan Bija Tham Tham Thah-?hah. Embedded in Pralayagni, Dhumadhvaja with Bindu united with Dhumrabhairavi is the Phetkarini Bija Sphim. - Ksatajastha, Vyomavaktra, adorned with Candravindu and Kalaratri is the famous Khadyota and Grasini Bija Hrum. Ksatajastha, Vyomavaktra with Nada-Bindu and Bidari is Vaivasvata ntaka Bija Hrum. Vyomavaktra, Dhumadhvaja, Varana, Pralayagni, Urdhva. kesi, Ksatajarudha with Candravindu is the Ananda Bhairavi Bija HSaKhaPhren which gives pleasure even to the Dumb. A is Bhisana, Kirti and Vidyujjihva. A is Tamasi Kalavajri, Kalajihva, and Kalabhairavi. - I is Garjins known in the form of Canda and Rudrabhairavi; I is Dhumrabhairavi famous in the form of Sulini and Candogra.. U is Kalakuta ( vaktra ) famous in the form of Pracanga and Candavallabha. U is Vidari said as Talajangha and Kapalipi. Ris Maharaudri famous in the form of Yogini and Jvalini. R is Bhayamkari known as Kalika and 'Pitlkali. I is Sambarini who is Ugrabhasini like Meghanada. L is Rudracanda, Kalaratri, and Karalini. E is Kamunda, Urdhvakesi and Nadini. Ai is Kotaraksi, and Unmattabhairavi. O is Jvalini, Candamalini and Bhimaksi. Au is Samhanadini, Candabhairavi, Dakini. M is Akrura, Vidari, Rudrarakini. I is Kapalina, Yamya, Candika and Kundaladvayam. It is said that in Visarga are inherent the Nada, Kala and the sixteen Svaras. Ka is Krodhisa, Kha is Varana, Ga is Canda, Gha is Sanka, Nis Unmattabhairava. Ca is Jvalamukha, Cha is Raktadamstra, Ja is Asitanga. Jha is Balayamukha. For Private and Personal Use Only

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bojanighaNTuH 1 . vidyummukho mahAjvAlI kapAlI bhoSaNo guruA / prahArI rauravo daNDI balito'tyugrazUladhRk / siMhanAdI kapardI ca pralayAgnirbhayaGkaraH / bahurUpI mahAkAla: sthirAtmA kSatajokSitaH // balabhedI raktapaTazcaNDIzo jvalanadhvajaH / dhumadhvajo vyomavaktrastralokyagrasanAtmakaH // (nayanazrotrAsyanAsAhRtsu nyAse daza svarAH / / dhvajinIdhUmrabharavyAvabhAve ca dRzoH smRte / mUlArNamukhamAdiSTaM hRdayaM svarazaktayaH / / AdimadhyAvasAneSu pUrvAbhAve yathottaram / ) . kaNThAsyaH kAlavaktreNa mahAkAlena bhUSitaH / tadAdi: paJcarazmizca sRSTisthitilayaM viSam / / OM // zUliyA sahito'gnisthazcaNDIza indubindumAn / etadviSNupriyAbIjaM yammAnyaM jagata: priyam ||shrii // __ kSatajastho vyomavaktrazcaNDogrAbindubhUSitaH / AMdrajA rodrI dhUtezI bIjam prAthamika priyam / / hriiN'| krodhIzo raktasaMsthazca dhUmrabharavyalaMkRtaH / vindvindusaMyuto bIjam drAvaNaM kledanaM smRtam / / krii|| vyomAsyo bindusaMyuktastAlajaGghAvibhUSitaH / kUrca kAlo mahAkAla: krodhabIjam niraJjanam / / haiN|| unmattabhairavI rudra DAkinyA ca vibhUSitA / nAdenA'laMkRtA bIjam vAgbhavaM buddhivarddhanam / / ai|| phaDityastra prasiddha syAj // phaT // jvAlAgniApakAMkuzaH // kroM // ziraH svAhA viTho vahnijAyA jvalanavallabhA / / dakSajAnudvayaM senduH devAsyaM vahnisundarI / / svAhA / indrAsanagato brahmA trimUrtInduzca manmatha: / / kloM / / gajinI-dhUmrabharavyo dkssvaampyodhrii| 28 vyomAsyaH kAmavaktrAbyo varmabindIndusaMyutaH // hu~ / / 25 For Private and Personal Use Only

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Bijanighantu Na is Vidyunmukha; Ta is Kapali, Da is Bhisana, Dha is Guru, Na is Prahari; Ta is Raurava, Tha is Dandi, Da is Balita, Dha is Ugrasuladh;k. Na is Simhanadi; Pa is Kapardi, Pha is Pralayagni, Ba is Bhayankara, Bha is Bahurupi, Ma is Mahakala; Ya is Sthlratma, Ra is Ksatajoksita. La is Balabhedi, Va is Raktapata, Sa is Candisa, $a is Jvalanadhvaja, Sa is Dhumadhvaja, Ha is Vyomavaktra, Ksa is Trailokyagrasanatmaka. (For the Nyasa of Eyes, Ears, Mouth, Nose, and Heart ten Svaras are used. Dhvajini and Dhumrabhairavi are omitted. Mouth is the place of Mulavarna and Heart of the Svarasaktis. In the beginning, middle and end, the order is just as one letter comes after the other.) Ornamented with Kanthastha, Kalavaktra and Mahakala is the Pancarasmi Bija Aum, the cause of Srsti, Sthiti and Pralaya. Sulini, Agnistha, and Candasa with Nada-Bindu is the Visnupriya (Laksmi) Bija Srim, so accepted in the world. Ksatajastha, Vyomavaktra and Candogra, and ornamented with Bindu is thc Primal and loved Bija Hris of Adrija, Raudri, and Bhutesi. Krodhisa, Raktasamstha and embclished with Dhumrabhairavi, with Candrabindu is the Bija Kri known as Dravana and Kledana. Vyomasya, adorned with Talajangha and with Bindu is Kurca, Kala, Mahakala, Niranjana and Krodha Bija Hum. Adorned with Unmattabhairavi, Rudi adakini, and Nada, is Buddhivardhana and Vagbhava Bija Aim. l'amous Phadityastra Bija is Phat. Jvalagni, Vyapaka, Ankusa Bija is Krom. Sira, Svaba, Dvitha, Vahnijaya, Jvalanavallabha, Daksajanudvaya, Devasya Vahnisundari Bija is Svaha. Indrasanagata Brahma, Trimurti and with Bindu is Manmatha Bija Klim. Garjini, Dhumrabhairavi, Daksavamapayodhara, Vyoma For Private and Personal Use Only

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bIjanighaNTu zUnya kSatajamArUr3ha caNDabhairavyalaMkRtam / nAdabinduyutaM mUni jyotirmantra udAhRtaH // hrauM / Adidevena nidiSTaM mantrakoSamanuttamam / yadathibhya: purA guptaM tanmayA'dya prakAzitam / / yakSaDAmaratantrasya mantrakozavivecanam / krodhIzena tu yatproktaM bhairavAya mahAtmane / vidyuccaNDAzinI gaurI krozinI nAginI jyaa| kinnarI yoginI yakSI bhUtinI pretinI nArI // yAmi(grAsi)nI trAsinI caNDI kaletyevaM prakIrtitA / kAlabhairavemarasarvAsu bhUtalAGgalavarAsu ca (?) // ebhagA sumukhI caNDI pArvatI suratapriyA / urvazI cendri(citriNI lIlA kaGkAlI mekhalA zacI / / mAninI haMsinI caulA kalanA bhU(dhU)minIti ca / Adidevena nidiza: prathamAdhipazaktayaH / / vibhramo bAhulo daNDI bhairavo naTaka: zukaH / vRkodaro jaTo bhISmaH kSobhaka: khe(kha)caro naTaH / / nizAcaro dhvajI bhImo vicitra: koSiko yamaH / liGgI vatsAdhiko bhRGgI maNibhadro ghaTotkacaH / / mahAnando zuko daNDI sugrIvaH kalaho bhavaH / daNDo bhASAntako'jezo (goM) haMsa: pakSazcaro halI // caNDIbIjamiti khyAtaM vidyannAgAGganAMzukaH / aurasAdhike zukAdyA ca dhUminyasau kinnara: smRta: (?) // urvazyAlaMkRto haMso hsendumstkoddhtH|| huuN|| vidyucaNDA ca haMsI ca keturnAginyalaMkRtA / ha (?) DiNDibhena saraktena kAminI bindubhiH zazI ||shrii'| haMsasugrIvapArvatyA kapardIndvAdyalaMkRtA // hrIM // vigrhklhkaaminiindvaadipraannhaarinnii||krii / / vibhramo raktapArvatyai svAhA ulkAmukhI smRtA / jvAlaparIti vikhyAtA sabindvindukalA naTI ||tthN / / For Private and Personal Use Only

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Bijanighantu 49 sya, Kalavaktra, Adhya and with Nada-Bindu is Varma Bija Hum. Sunya, Ksatajamarudha, adorned with Candabhairavi, with Nada-Bindu is Murdhni Jyoti Mantra Bija Hraum. The great Mantrakoga described by Adideva, which hither to remained a secret, has now been brought to light by me. The Mantrakosa of the Yaksadamara Tantra was discribed by Krodhisa for Mahatma Bhairava. Vidyuccandasini, Gauri, Krosini, Nagini, Jaya, Kinnari, Yogini, Yaksi, Bhutini, Pretini, Nari, Yami (Grasi)ni, Trasini, Candi, Kala, Kalabhairava, Amara, Sarva, Bhuta, Langali, Vara, Subhaga, Sumukhi, Candi, Parvati, Suratapriya, Urvasi, Caindrini (Citrini). Lila, Kankali, Mekhala, Saci, Manini. Hamsini, Caula. Kalana, Bhumi (Dhumi), Niti, etc. are the Saktis whose first reigning Deities are as follows: Vibhrama, Bahula, Dandi, Bhairava, Nataka, Suka. Vrkodara, Jata, Bhisma, Ksobhaka, Khecara, Nata, Nisacara, Dhyaji, Bhima, Vicitra. Kausika, Yama, Lingi, Vatsadhika, Bhrngi, Manibhadra, Ghatotkaca, Mahanandi, Suka, Dandi, Bhasantaka. Ajesa, Hamsa, Paksesa, Cara, and Hali. Candi Bija is remembered for Vidyadhara, Naga, Yaksa, Carana and Kinnari (?) and Suka; Dhumini, etc. remembered as Sadhikas of Candi Bija. are also Embellished with Urvasi and with Nada-Bindu is Hamsa Bija Hum. Embellished by Vidyuccanda, and Ketunagini is Bija H (?). Dindibha, Sarakta, and with Nada-Bindu is Kamini Bija Srim. Hamsa, Sugriva, Parvati and with Nada-Bindu is Kaparddi Bija Hrim. Vigraha, Kalahakamini, Ninda, Vada, Pranaharini (Perhaps Krodha) Bija is Krim. Known as Vibhrama, Rakta Parvati, Svaha and Ulkamukhi, and famous as Jvalandhari with Nada-Bindu is Kala Nati Bija Tham. 4 For Private and Personal Use Only

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bojanighaNTuH sa: sugrIvaH SaNDAdyaH khadyotaH parikIrtitA / / huuN| zyAmAliGgitadeho'so khadyoto jyotirIritaH // hrauM / yamaH sugrIvaH kAminIndrendrAdha: kinnarIti ca // hR|| sugrIvo'pi yamazcaNDo nIlAdyarvANa IritaH // draa|| yamaH sugrIvabindvIndujapAdyaH pizitAzanaH ||du|| tyAginaM maNibhadrasthaM pretinIndvAdyalaMkRtam / yugAntakArakaM bIjam bhairaveNa prakAzitam // sphreN| bhRGgiNa mekhalAyuktaM pretinIndvAdyalaMkRtam / bIja vaitAlikaM provataM dviThenoktA manoharI // ple svAhA / / vibhramo dhUminI vidhuzcaNDikAdyastu kAkinI / dhvAGkSabIjamiti khyAtaM sarvatantreSu gopitam / / prIM // naTadvayena dhUminyA urdhvakezyA hyalaMkRtam (?) // - // naTo dhavAnasaMyukto naTotIkSNapayodharaiH (?) / / ttNttN|| pArvatyAliGgitaM maNibhadrasthaM yoginIpriye / pheTakAriNIti vikhyAtA vidyuJcaNDavibhUSitA / / sphI // sugrIvAsthilayaH zrotre hRdyatvAvikalAdRza: (?) / vikalAyAH SvabhAve ca syAdgaurIti ca pArvatI / / mUlArNamAsamAkhyAtaM hRdayaM svarazaktayaH / bhavasthityavasAneSu vijJAtavyaM yathottaram / / Adidevena nidiSTaM jambudvIpe kalau yuge / mantrakoSamidaM bhUtayakSaDAmaratantrayoH / / mAnAmupakArAya triSu lokeSu durlabham // iti zrI bhairavaviracito bIjanighaNTumantrakoSaH samApta: For Private and Personal Use Only

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Bijanighantu 51 Hamsa, Sugriva, Candadya and Khadyota Bija is Hram. Known as Syama Sarira Khadyota Jyoti is the Bija Hraum. Yama, Sugriva, Kamini, Indra, Indu, Adya and Kinnara Bija is Hru. Sugriva, Yama, Canda, Niladi are said Arnava and their Bija is Dran. Yama, Suriva, with Candravindu and Japadi is Pisitasana Bija Drun. Adorned hy Tyagini, Manibhadrastha, Pretini, Indu, etc., and told by Bhairava is Yugantakaraka Bija Sphem. Adorned by Bhsngi, Mekhalayukta, Pretini, and Indu etc., and told as Manohari by the Devtas is Vaitalika Bija Plen Svaha. Consisting of Vibhrama, Dhumini, Vidyuccannika, Kakini etc., and secret in all the Tantras is Dhvanksa Bija Prim. Natadvaya, Dhumini and with Urdhvakesi is the Bija Phrem. Consisting of conical breasted Nati and Nata sound is Bija Tam-Tham. Inherent in Manibhadra embracing Parvati, Yoginipriya, and like the restlessness of Ears and Heart, are Gauri and Parvati of restless nature. The Svarasaktis situated in the Heart are described as Mulavarna, Creation, Existence and Destruction come after one another in their sequence. In Kaliyuga, this Mantrakosa of Bhutadamara Tantra, scarce in all the three worlds, was described by Adideva for the benefaction of mankind. End of the Bijanighantu Mantrakosa written by Sri Bhairava. For Private and Personal Use Only

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atha mAtRkAnighaNTuH zrIgaNezaM nRsiMha taM bhAratImIzvaraM gurum / natvA vakSye mAtRkANAM nighaNTu bAlabuddhaye // 1 // dhruvastArastrivRd brahma vedAdya(di)stArako'vyayaH / praNavazva trimAtro'pi oGkAro jyotirAdima: // 2 // zrIkaNTha: kezavaH kaNTho nivRttizca svarAdikaH / / a-kAro mAtRkAdyazca vAta ityapi kItitaH // 3 // nArAyaNastathA'nanto mukhavRttaM gurustathA / viSNuzayyA tathA zeSo dIrgha A-kAra eva ca // 4 // mAdhavaH sUkSmasaMjJazca vidyA dakSiNalocanam / gandharvaH pAJcajanyazca i-kArazca makhAMkuraH (ntaka:) // 5 // govindazca trimUrtIza: zAnti: syAdvAmalocanam / nRsiMhAstraM tathA mAyA I-kAro'pi surezvaraH // 6 // amarezastathA viSNurindhikA ca gajAMkuzaH / dakSakarNazca vija(na)ya u-kAro manmathAbhidhaH // 7 // ardhIzo dIpikA vAmazravaNo madhusUdanaH / indrazcApaH SaNmukhazca U-kAro rakSaNAbhidhaH / / 8 / / recikA dakSanAsA ca bhArabhUtistrivikramaH / / devamAtA ripunazca R-kArastapana: smRtaH // 9 // atithIzo vAmanazca mocikA vaamnaasikaa| daityamAtA ca daivajJa R-kArastripurAntakaH // 10 // zrIdharacAmaraH(parA) sthANurdakSagaNDastriveda(deva)kaH / ekAMghrirvajradaNDazca vyomAddha la-svaraH smRtaH // 11 // hRSIkezo haraH sUkSmo vAmagaNDaH kuveradRk / arddhaccauM nIlacaraNa la.kArazca trikaNTha(kUTa)kaH / / 12 / / jhiNTIzaH padmanAbhazca zakti IkSaH kSamA'mRtam / bhaga Urdhva kAmarUpa ekArazca trikoNaka: // 13 // 25 For Private and Personal Use Only

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Matrkanighantu Bowing to my Isvara-like Guru Nrsimha, Bharati and Sri Ganesa, I describe the Matrkanighantu for the common I man. 2 Dhruva, Tara, Trivrt, Brahmi, Vedas, Taraka, Pranava, Trimatra and Aumkara etc., Jyotis are depicted by Aum. Srikantha, Kesava, Kantha, Nivrtti, Svaras, Matrkas, and Vata are denoted by A-kara. 3 A-kara is the name of Narayana, Ananta, Mukhavrtta, Guru, Visnusayya Sesa and Dirghi. 4 I-kara denotes Madhava, Suksmasamjna, Dakssinalocana, Gandharva, Pancajanya and Makhankura. I-kara denotes Govinda, Trimurtisa, Santi, Vamalocana, Nrsimhastra, Maya, and Suresvara. 5 6 U denotes Amaresa, Visnu, Indhika, Gajankusa, Daksakarna, Vijaya ( Vinaya) and Manmatha. 7 U is the name of Arghisa, Dipika, Vamasravana, Madhusudana, Indra, Capa, Sanmukha, and Raksana. For Private and Personal Use Only 8 R is the name of Recika, Daksanasa, Bharabhuti, Trivikrama, Devamata, Ripughna, and Tapana. 9 R denotes Atithisa, Vamana, Mocika, Vamanasika, Daityamata, Daivajna and Tripurantaka. 10 L denotes Sridhara, Amara, (Para), Sthanu, Daksaganda, Trivedakah (Tridevakah ), Ekanghri, Vajradanda and Vyomardha. 11 L denotes Hrsikesa, Hara, Suksma, Vamaganda, Kuveradrk, Ardharca, Nilacarana, Trikanthak (Trikutaka ). 12 E denotes Jhintisa, Padmanabha, Sakti, Daksa, Ksama, Amrta, Bhaga, Urdhva, Kamarupa, and Trikonaka. 13

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5 10 mAtRkAnighaNTu jJAnAmRtA bhautikazca dharA dAmodarastathA / vAgIzo va(dha)ma bhayada ai kArastripurastathA // 14 / / sadyojAto vAsudevo rudro dantastrimAtR(tra)kaH / ApyAyanI mantranAtha o-kAro na(nA)gasaMjJakaH / / 15 / / saGkarSaNo'nugrahezo murAriyApinI tathA / adhodantagato mAyI nRsiMhAGga tthii-svrH|| 16 // akraro vyomarUpazca pradyumnazcandrasaMjJakaH / anusvArastathA binduraM-kArazca zirogataH // 17 // anantazca mahAseno'niruddho rasava(nA)rNakaH / kanyAstananimaH sargo visargazcAntimasvaraH // 18 // (etAni svaranAmAni / mAtRkAvyaJjananAmani vacmi // ) krodhIzo dhAtRsajJazca cakrI sRSTi: kraadigH|| vargAdirmAyA devezaH ka-kAraH kAmagaH smRtaH / / 19 / / RddhigadI ca caNDeza: kheTo dkssinnkuuprH| . . kaiTabhazcaiva mAtaGgaH saMhAraH khArNakaH smRtaH // 20 // smRtiH paJcAntaka: zAnoM gaNezo maNibandhama: / gomukho gajakumbhazca ga-kAraH siMhasaMjJakaH / / 21 / / khaDgI zivotta(na)mo medhA dakSiNAMgulimUlakam (gH)| ghano dhanasvarazcaMva gha-kAro GAdimaH smRtaH // 22 // zaGkhako rudrakAntizca dakSAMgulyanasaMsthita: / klIbavaktrazca mA(ma)drezo Ga-kArazcAnunAsikaH // 23 / / halI kurmezvaro lakSmomabA(hvAdiga)huddithastathA / ci(ttAcA)tra-vArI caJcalazca ca-kAraH saMsmRto budhaiH // 24 // ekanetrazca muSalI vAmakUparago dyutiH / tribindukastathAcArI cha-kAraH prekSa(zleSma)kAbhidhaH // 25 // sthiro jayanto jayaja: zUlI ca caturAnanaH / maNibandhagato vAmo ja-kAro japa(na)ko mataH // 26 // sthiti: pAzI tathA'je(he)zo vAmAMgulitalasthitaH / svastikaH khaNDasaMjJazca jha-kAro jAntasaMjJakaH // 27 // vAmAMgulyagrata:(ga.) siddhiraMkuza: sarvasaMjJakaH / jJapriyo(higo)hyanunAsana ma-kAraNa nirakhanaH // 28 // 15 For Private and Personal Use Only

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Matrkanighianku 15 Ai denotes Bhautika, Dbara, Joanamsta, Damodara, Vagasa, Varma ( Dharma), Phayada and Tripura. 14 O is the name of Sadyojata, Vasudeva, Rudra, Danta, Trimateka ( Trimatraka), Apyayani, Mantranatha, Naga (Naga). Au denotes Sankarsana, Anugrahesa, Murari, Vyapini, Adhodanta, Mayi, Nssinhanga, and Svara. 16 N is the name of Akrura, Vyomarupa, Pradyumna, Candra, Anusvara, Vindu, and Sirogata. 17 " is the name of Ananta, Mahasena, Aniruddha, Rasavarna, ( Rasanarnaka ), Kanyastananibhah, Sarga, Visarga, Antima-svara. 18 These are the names of the Svaras ( Vowels). Now I describe the names denoted by the Vyanjanas (Cansonants). Ka denotes Krodhisa, Dhatssamjnaka, Cakri, Ststi, Karadiga, Vargadi, Maya, Devesa, and Kamaga. 19 Kha denotes Rddhi, Gadi, Gandesa, Kheta, Daksinakurpara, Kaitabha, Matanga and Samhara. Ga stands for Smrti, Pancantaka, saragi, Ganesa, Manibandhaga, Gomukha, Gajakumbha and Simha. Gha denotes Khadgi, sivottama, Medha, Daksinangulimulaka, Ghana, Ghanasvara, Nadima. N denotes Sarkhaka, Sankranti, Daksangulyagra, Sansthita, Klibavaktra, Bhadresa, Anunasika. 23 Ca denotes Hali, Kuimesvara, Laksmi, Vamabahu, Disa, Citra and Cancala. Cha denotes Ekanetra, Musali, Vamakurpara, Dyuti, Trivinduka, Acari, and Preksaka. 25 Ja denotes Sthira, Jayant, Suli, Caturanana, Manibandhagata, Vawa, and Japana(ka). Jha denotes Sthiti, Pasi, Ajesa (Ahesa), Vamangulitalasthita, Svastika, Khanda, and Janta. Na denotes Vamangulyagratah, Siddhi, Amkusa, Sarva, Juapriya, Anunasa and Niranjana. 20 22 24 26 27 28 For Private and Personal Use Only

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x mAtRkAnighaNTu jarA mukunda: somezo dakSapAdAdigo mukhm(k:)| gajAMkuzazca bAlenduramRtAdhaSTa-kArakaH / / 29 // lAgalIzo nadajJa(ndaja)zva pAlinI ca kamaNDaluH / dakSajAnura(ga)taH sthAyI Tha-kAraH sthaviraH smRtaH // 30 // nandI kSAntirdhA(dI) rakazca cA(DA)maro dakSagulphagaH / vyAghrapAdaH zubhAMghrizca Da-kAro bhaumajaH smRtaH // 31 // IzvarazcArddhanArIzo naraH shngkhaantraakRt:(ti)| dAyAdo'GgulimUlaJca Dha-zva saGkocakArakaH // 32 // umAkAnto narakajid ratirdakSapadAgragaH / nirvANastriguNAkArastrirekho Na: samIritaH / / 33 / / vAmorIna(mUla)nilaya ASAr3hI kAmiko hriH| tIvazca taralo nIlasta-kAraH kItito budhaiH / / 34 // daNDIzo varadaH kRSNo vAmajAnugata: sthiraH / saurizcApi vizAlAkSI tha-kAra: parikIttitaH // 35 // satyo'trI(zasaH zrI)zo hlAdinI ca vAmagulphatastathA / zUlaH kuvero dAtA ca da-kAro dhAdimaH smRtaH // 36 // mInezaH sAtvata: prItirvAmapAdAMgulIgataH / dharma(na)zo dharaNIzazca dha-kAro dAntimo mataH // 37 // zaryo mantrezvaro dI? vAmapAdAMgulAgragaH / naro nadI ca nAdI ca na-kArazcAnunAsikaH // 38 // tIkSNA ca lohitaH zUro dakSapANi(ca)zca pArthivaH / padmazo nAntima: phAdiH pa-kAro'pi prakIttita: // 39 // janAIna: zikhI raudrI vAmapArzvakRtAlayaH / phaTakAraH procyate sadbhiH pha-kAra: pAntimastathA // 40 / / chagalaNDo bhUdharazvAmayA pRsstth(sstthN)gtstthaa| suraso vajramuSTizca ba-kAro bhAdimo'pi ca // 41 // vizvamUrtiddhiraNDezo nidrA nAbhigatastathA / bhRkuTI ca bharadvAjo bha-kArazca bhayAvahaH // 42 // vaikuNThazca mahAkAlastandrI(ntrI) jaTharasaMsthitaH / mantrezo maNDalo mAnI viSaM sUryo ma-kArakA // 43 / / kSudhA bAlI ca vAyustvaga hRdgataH puruSottamaH / / yamunA yAmuneyaJca ya-kAro mAntimaH smRtaH / / 44 / / 15 25. For Private and Personal Use Only

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Matrkanighantu Ta denotes Jara, Mukunda, Somesa, Daksapadadiga, Mukha, Gajaikusa, Balendu and Amstadya. 29 Tha denotes Langalisa, Nadajna, Palini, Kamandalu, Daksajanurata, and Sthavira. 30 Da cienotes Nandi, Ksanti, Dharaka, Daraka, Ca(Da)mara, Daksagulphagah, Vyaghrapada, subhanghri, and Bhaumaja. 31 Dha denotes isvara, Ardhanarisa, Nara, Sankhantaraksti, Dayada, Angulimula and Samkocakaraka. 32 Na denotes Umakanta, Narakajit, Rati, Daksapadagragah, Nirvana, Trigunakara, Trirekha and Samirita. 33 Ta denotes Vamoru, Minanilaya, Asadhi, Kamika, Hari, Tivra, Tarala, and Nila. 34 Tha denotes Daudisa, Varada, Kisna, Vamajanugata, Sthira, Sauri, and Visalaksi. 35 Da denotes Satya, Atrisa, Srisa, Hladini, Vamagulphagata, Sala, Kubera, Data, Dhadima. Dha denotes Minesa, satvata, Priti, Vamapadanguligata, Dharmesa (Dhanesa ), Dharani and Dantima. 37 Na denotes Sarva, Mantresvara, Dirgha, Vamapadangulagraga, Nara, Nadi, Nadi and Anunasika. 38 Pa denotes Tiksna, Lohita, Sura, Daksapani, Parthiva, Padmesa, Nantima and Phadi. 39 Pha denotes Janardana, Sikh7, Raudri, Vamaparsvakstalaya, Phatkara, Sadbhih and Pantima. 40 Ba denotes Chagalanda, Abhaya, Ipsshagata, Surasa, Vajramusti, and Bhadima. Bha denotes Visvamurti, Dviranglesa, Nidra, Nabhigata, Bhoikuti, Bharadvaja, and Bhayavaha. 42 Ma denotes Vaikuntha, Mahakala, Tandri (Tantri ), Jatharasamsthita, Mantresa, Mandala, Mani, Visa and Surya. 43 Ya denotes Ksudha, Bali, Vayu, Tvak, Hsdgata, Purusottama, Yamuna, Vamuneya, and Mantima. 36 31 44 For Private and Personal Use Only

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mAtRkAnighaNTu krodhinI ca bhujaGgezo bAlI rudhira-pAvako / rociSmAn dakSiNAMzazca ruciro repha IritaH // 45 // kriyA kakudo mAMsazca pinAkI bhUrbalAnujaH / lampaTaH zakrasaMjJazca vAyavIyo la-kArakaH // 46 // bAlI vAmAMsanilayo medo paarid-vaarunnii| ha(u)tkArI jalasaMjJazca caNDIzo'pi va-kArakaH // 47 // mRtyurvako vR(viSaghnazca hRdo dakSakarasthitaH / zaha(ka)karNo'sthisaMjJazca za kAro vidbhirIritaH // 48 // vRSaH zvatezvara: pItA majjA tRD vAmabAhugaH / SaDAnanaH SaDAkAra: Sa-kAraH kItito badhaH // 46 / / bhRguH zvetastathA haMso hRdo dkssinnpaadgH| ' samayaH sAmagaH zukraH saGgatiH sArNakaH zazI // 50 // nabho varAho nakulI hRdo vAmapadaH sthita: (ti:)| sadAzivo'ruNaH prANo hayagrIvo ha-kArakaH // 51 // hRdayAtrAbhisaMsthAnaH ziveza: ka(vi)malo'sitaH / khaghuprayatnazvopAntyo(tyo) la-kAraH procyate budhaH // 52 // saMvartako nRsiMhazca hRdayAnmukhasaMsthitaH / ananta: paramAtmA ca vajrakAyo'ntima: kSa-kaH // 53 // atha kAdimate proktAH zaGkareNa zivAM prati / akArAdikSakArAntA varNasaMjJA: kramAd ave / / 54 // vAto maruJcAgnirvAhnadharA kSamA jl-vaarinnii| bibhuH khaJca caraH zucirbhUvanaM svaJja zaktiyuk // 55 // prANastejaH sthirA vAyu vAyuzcApi prabhA jayA / kamabhraM nAda-dAvI ca ku: pAtho vyoma tArakaH // 56 / / zikhI gotrA toya-zUnye javA dhuti raviH smRtH| bhUmI raso nabhazcaiva vyAptaM dAho rasambadhiH // 57 // viyat spazazca ruddhaMsa ilA tAsAM kramA: smRtAH / mAtRkAvarNasaMjJAstu tA jJAtvA coddharammanUn / / 58 / / grasthAnanekAnAlokya mahIdAsena dhiimtaa| mAtRkAkSarasaMjJeyaM batA svaparabuddhaye // 59 // iti zrImanmahIdAsaviracitamAtRkA-nighaNThaH samAsaH / 5 . For Private and Personal Use Only

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Matrkanighantu Ra denotes Krodhini, Bhujangesa, Bali, Rudhira, Pavaka, Rocisma, Daksina, Rucira, and Repha. 45 La denotes Kriya, Kakuda, Mamsa, Pinaki, Bhuh, Balanuja, Lampata, Sakrasamjna, and Vayaviya. 46 Va denotes Bali, Vamamsanilaya, Meda, Varida, Varuna, Hrtkari (Utkari ), Jala, and Candisa. 47 Sa denotes Mrtyu, Vaka, Vrsaghna (Visaghna), Hrda, Daksakarasthita, Sankhakarna, ( Sankukarna), Asthi. 48 Sa denotes Vrsa, Svetesvara, Pita, Majja, Vamabahuga, Sadanana, and Sadakara. Sa denotes Bhrgu, Sveta, Hamsa, Hrd, Daksinapadagah, Samaya, Samagah, Sukra, Sangati, and Sasi. Ha denotes Nabha, Varaha, Nakuli, Hrt, Vamapada, Sthita, Sadasiva, Aruna, Prana, and Hayagriva. 59 49 51 La denotes Hrdaya-Nabhi-samsthana, Sivesa, Kamala, Vimala, Asita, Laghuprayatna, Upantya ( Upatya). 52 Ksa denotes Samvartaka, Nrsimha, Hrday-samsthita, Ananta, Paramatma, Vajrakaya and Antima. 53 After this, Lord Samkara described to Parvati the names of different letters from A to Ksa and their meanings in their order according to the Kadi-mata. 54 End of the Matrkanighantu written by Sri Mahidas. For Private and Personal Use Only 50 Vata, Marut, Agni, Vahni, Dhara, Ksama, Jala, Vari, Vibhu, Kham ( Akasa ), Cara, Suci, Bhuh, Vana, Sva, Sakti, Praia, Teja, Sthira, Varyu, Vayu, Prabha, Jaya, Kam, Abhra, Nada, Rava, Kuh, Patha, Vyoma, Taraka, Sikhi, Gotra, Toya, Sunya, Dyuti, Ravi, Bhumi, Rasa, Nabba, Vyapta, Daha, Rasa, Ambudhi, Viyat, Sparsa, Rut, Hamsa, Ila, are in their order the names of Matrka Varnas (Letters of the Alphabet). One who knows them gets emancipated. 55-58 After a study of numerous works the erudite Mahidasa has, for the enhancement of his and others' knowledge, created this nomenclature of the Matrkas. 59

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prakArAntara mAtRkAniMghaNTuH dhruvastArastathoGkAro mUlajyoti: zivo'vyayaH / vedAdhastArako'vyakta: zAkhAdiH praNavaH smRtaH // 1 // mAtRkAdyaH svarAdyazca zrIkaNThaH kezavo laghuH / kalAdya: kezavaH kRSNo bhUtezaH prathamo bhavet // 2 // hRta tArako gururdI? nArAyaNa caturmukhI / ananto vAsudevazca vedAntaH kArakaH smRtaH // 3 // dakSAkSo mAdhavaH sUkSmaH pAJcajanyo makhAMkuraH / viDa binduH paramezazca gandharvaH paramaH smRtaH // 4 // vAmAkSizca trimUttizca mahAmAyA surezvaraH / indramUtirnRsiMhAstraM smRto govinda I-svaraH // 5 // yAmyakarNo'ma rezazca manmatho'tha gajAMkuzaH / vijayo vighnahartA ca viSNurukArakaH smRtaH // 6 // vAmakarNo'tha vAmAMso dIrghazca mdhusuudn:|| indracApo'tha sUkSmaJca SaNmukhaH paT svaraH smRtaH // 7 // dakSanAsA trivikrAnto bhAramavi(timra)grahAdhipaH / RmUttistu yatI dharma(rmo)ripughna R-svaraH smRtaH // 8 // vAmanAsA(s)tithIzazca zrIkaNThastripurAntakaH / amRteza: svaraH sthANudevaju(kos)svara: smRtaH // 9 // yAmyagaNDasthitaH sthANuhUMzIkezastridevakaH / 'ekAMghrirvajradaNDazca vyomAdrI la-svaraH smRtaH // 10 // vAmagaNDodarArddha ca padmanAbhaH kuberahaka / gaNezazca trikaNThazca nIlAMghrirdazama : svaraH // 11 // Urdhvahasto gajajyotirdAmodara strikoNakaH / jhiNTIzaH kAmarUpazca zaktirekArakaH smRtaH // 12 // adho dharendra-vAgIzA vAsudevo'tha bhautikaH / puraH praNato varma-marutau dvAdazasvaraH // 13 // For Private and Personal Use Only

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PRAKARANTARA Matrkanighantu 6 Aum is the name of Dhruya, Tara, Mulajyoti, Siva, Avyaya, Vedadya, Taraka, Avyakta, Sakhadi and Pranava. I A is the name of Matnkadya, Svaradya, Srikantha, Kesava, Laghu, Kaladya, Kesava, Krsna, Bhutesa, and Prathama. 2 A is the name of Hst, Taraka, Guru, Dirghi, Narayana, Caturmukha, Ananta, Vasudeva, Vedanta and Karaka. 3 I is the name of Daksaksa, Suksma, Pancajanya, Makhankura, Vida, Vindu, Paramesa, Gandharva and Parama. 4 I denotes 'Vamaksi, Trimarti, Mahamaya, Suresvara, Indramurti, Ntsimhastra, Govinda and I'svara. U denotes Yamyakarna, Amaresa, Manmatha, Gajankusa, Vijaya, Vigknaharta, and Visnu. U is the name of Vamakarna, Vamasa, Dirgha, Madhusudana, Indracapa, Suksma, Sanmukha and Satsvara. 7 R is the name of Daksanasa, Trivikranta, Bharabhuti, Grahadhipa, Rumurti, Yati, Dharma and Dharmaripughna. 8 is the name of Vamanasa, Atithisa, Srikantha, Tripurantaka, Amstesa, Svara, Sthanu, Devajustasvara, 9 L stands for Yamyagandasthita, Sthanu, Hnsikesa, Tridevaka, Ekanghri, Vyoma and Adri. 10 I stands for Vamaganda, Udarardha, Padmanabha, Kuberadeka, Ganesa, Trikantha, and Nilanghri. 11 E denotes Urdhvahasta, Gajajyoti, Damodara, Trikonaka, Jhinkisa, Kamarupa, and Sakti. Ai denotes Adhah, Dharendra, Vagisa, Vasudeva, Bhautika, Traipura, Prana, Varma and Marut, 12 13 For Private and Personal Use Only

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prakArAntaramAtRkAnighaNTA UrdhadaptAlija: sadyaH saGkarSaNastrimAtrakaH / mantrezo nagasaMjJazca mAtrezaratvosvaraH smRtaH // 14 // adhodantAnilo mitraH pradyumno:nugrahezvaraH / nRsihAkhyo murArizca mAyAviccIsvaraH smRtaH // 15 // UdhvadantazcAniruddho haro bhAnuH svaraH zazI / manazcAnaGga-kavacI nigUr3ha aM-svaraH smRtaH // 16 // kAttikeyo'niruddhazca zilpAbhijJo ramApi ca / sRSTiH saMhArakartA ca viSaM ca aH svaraH smRtaH / / 17 / / yAmyakarNAdikaH krodhI vAyurvadvirgadI rajA / yAdavezo murArizca kAmAGgaH kArNakaH smRtaH // 18 / / dakSiNakUparaH kheTa: zAI caNDIzakaH khagaH / kaiTabhArizca mAtaGgaH saMhAraH khArNakaH smRtaH // 16 // maNibandhasthita: siMhaH paJcAntaka-gaNezvarI / gaumukho gajakumbhazca halIzazca gajAnanaH // 20 // . aMgulImUlago megho muSalI ca zivottamaH / barAho dhanakAmazca zivA'dho ghArNakaH smRtaH // 21 // dakSAMgulyagraga: zUlI klIvAkhyazcaiva rudrakaH / DAmarezo hariH zrImAn rudrezo GArNakaH smRtaH // 22 // nA cAmarAdikaH kurmaH zUlI candraka sAyako / bhabhettA citracArI ca caJcalazcArNako mataH / / 23 // vAmakRparaga: pAzI paripUrNakanetrako / tribinduko jvarI vAmA zleSakarachArNakaH smRtaH // 24 // vAmamaNibandhagatazcaturmukho jayantakaH / japajyotiranAkAro janaka uta jArNakaH // 25 // aMgulImUlagaH khaNDaH kumudaH svastikaH smRtaH / vikhyAtaka: sthirAkAro jhaGkAro jhArNako mataH // 26 // vAsAMgulyagragaH somo nando vidiD niraJjanaH / sudharmo hyanunAsazca jJaptigo ANaka: smRtaH / / 27 / / dakSapAdAdigo nandI lAGgalI cArddhacandrakaH / gajAMkuzo mRgAdyazca bAlenduSTArNakaH smRtaH // 28 // yAmyagulpho'rddhanArIzo bhaumajo divyanAyakaH / sudhAbindurghaTAkAraH plAvakaSThANako mataH / / 29 / / 25 For Private and Personal Use Only

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Prakarantara Matykanighantu 63 17 19 O is the name of Urdhyadantalijah, Sadyah, Samkarsana, Trimatraka, Mantresa, Naga, and Matresa. Au denotes Adhodanta, Anila, Mitra, Pradyumna, Anu. grahesvara, Nssimha, and Mayavit. 15 N denotes Urdhvadanta, Hara, Bhanu, Svara, Sasi, Mana, Ananga, and Kavaca.. 16 " denotes Kartikeya, Aniruddha, silpabhijna, Rama, Sesti, Sanharakarta, and Visa. Ka denotes Yamyakarnadika, Krodhi, Vayu, Vahni, Gadi, Ruja, Yadavesa, Murari, Kamanga and Karnaka. 18 Kha stands for Daksinakurpara, Kheta, sarngi, Candisa, Khaga, Kaitabhadi, Matanga, Samharnaka. Ga denotes Manibandhasthita, Simha, Pancantaka, Ganesvara, Gomukha, Gajakumbha, Halisa, Gajanana. 20 Cha is the name of Angulimulaga, Megha, Musali, sivottama, Varaha, Dhanakama, Siva and Agha. 21 Na stands for Daksangulyagraga, suli, Kliba, Rudraka, Damaresa, Hari, Sriman, Rudresa. 22 Ca is the name of Na, Camaradika, Kurma, Suli, Candraka, Sayaka, Bhubhetta, Citrakari and Cancala. 23 Cha denotes Vamakurparaga, Pasi, Paripurna, Ekanetra, Trivinduka, Jvari, Vama and Slesaka. Ja denotes Vamamanibandhagata, Caturmukha, Jayantaka, Japajyoti, Anakara, Janaka and Uta. 25 Jha denotes Angulimulaga, Khangla, Kumuda, Svastika, Vikhyataka, Sthirakara and Jhankara. 26 Na denotes Vamangulyagraga, Soma, Nanda, Vidvid, Niranjana, Sudbarma, Anunasa, Juraptiga. 27 Ta is the name of Daksapadadiga, Nandi, Langali, Ardhacandra, Gajankusa, Mpgadya, and Balendu. 28 Tha denotes Yamyagulpha, Ardhanarisa, Bhaumaja, Divyanayaka, Sudhavindu, Ghatakara, Plavaka. 24 29 For Private and Personal Use Only

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C prakArAntaramAtRkAnighaNTuH yaumyajAnusthito daNDo dAruko vatsalo naraH / DAmaro vyAghrapAdazca zUlI strI DArNakaH smRtaH // 30 / / yAmyapAdAMgulI pUrNo'pyumAkAntastathA hariH / zaGkhanAbhidRr3ha loho dAhako DhANakaH smRtaH 31 // yAmyapAdAMgulAgrastha ASAr3hIzastrivikramaH / trirekhastriguNAkAro nirvANo NArNako mataH // 32 // vAmapAdAdikastotro hastyazvataralo'nrikaH / nIlako'pyarthako dhAtA taDit tu tANako mataH / / 33 // vAmajAnuvizAlAkSI zaurI ig vai kamaNDaluH / sUnIpUrasthirasthAyI sthavirasthANako mataH / / 34 // vAmagulphasthitaH zUlI dAtrI dAtA kuberakaH / candrakazca haridrAnto devezo dArNakaH smRtaH // 35 // vAmAMgulyAdiko mIno janArdana-ziraH karAH / dharmazo dharaNIzazca sthANuH prItizca dhArNakaH // 36 // vAmAMgulyagrago meSo bhUdharo'tha vizAmpatiH / naro'ntaraM dinaM dIno nadIno nArNakaH smRtaH // 37 // yAmyapAzcoM dakSakukSivizvAttizcaiva lohitaH / pArthiva: padmanAmazca padmazaH pArNakaH smRtaH // 38 / / vAmapAzrvo'tha vaikuNThaH zivo'nalasnipatrakaH / kAntoragau sarita phulaH phaTakAraH phArgako mataH // 39 // pRSThavaMzo gaNezazchagalaNDaH puruSottamaH / balavAn vajramuSTizca suraso vArNakaH smRtaH // 40 // nAbhijazca dviraNDezo bhAravAhI jayA balaH / zubhado'tha bharadvAjo bhRkuTo mArNakaH smRtaH // 41 / / jaTharo bhAvavIrazca mahAbAlo balAnujaH / mAdhavo maraNaM mAyI mantrezo mArNako mata: // 42 // yamo varuNa-vAgIzI svazano yAmuneyakaH / mRgendro vAyusaMjJazca vacanaM yANakaH smRtaH / / 43 // asRga yAtuSa ISaghno bhujaGgazo hutAzanaH / tIvrajyotiH paraM cihna suciro rArNako mtH||44|| medhA dhiyo jalAntasthaH khaDgItho haMsa-vAridau / varuNazca zivo rodro mRtezo vArNakaH smRtaH // 45 // 3 For Private and Personal Use Only

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Prakarantara Matrkanighantu 65 35 Da is the name of Yamyajanusthita, Danda, Daruka, Vatsala, Nara, Damara, Vyaghrapada, Suli, and Stri. 30 Dha denotes Yamyapadanguli, Purna, Umakanta, Hari, Sankhanabhi, Drdha, Loha and Dahaka. 31 Na denotes Yamyapadangulagrastha, Asadhisa, Trivikrama, Trirekha, Trigunakara, and Nirvana. 32 Ta is the name of Vamapadadika. Tivra, Hastyasvatarala, Anghri, Nilaka, Arthaka, Dhata, and Tadita. 33 Tha denotes Vamajanu. Visalaksi, sauri, Dega, Kamandalu, Sucipursthirasthayi, and Sthavira. 34 Da stands for Vamagulphasthita, Suli, Datri, Data, Kubera, Candraka, Haridranta, Devesa. Dha stands for Vamangulyadika, Mina, Janardana, sira, Kara, Dharmesa, Dharanisa, Stha nu and Priti. 36 Na denotes Vamangulyagraga, Mesa, Bhudhara, Visampati, Nara, Antara, Dina, Dina and Nadina. . 37 Pa denotes Yamyaparsva, Daksakuksi, Visvarti, Lohita, Parthiva, Padmanabha and Padmesa. 38 Pha stands for Vamaparsva, Vaikunjha, siva, Anala Tripatraka, Kanta, Araga, Sarit, Phulla, Pahckara. 39 Ba stands for Prsthavamsa, Ganesa, Chagalanda, Purusottama, Balavana, Vajramusti and Surasa. Bha stands for Nabhija, Dvirandesa, Bharavahi, Jaya, Bala, Subhada, Bharadvaja and Bhokuti. Ma denotes Jathara, Bhavavira, Mahabala, Balanuja, Madhhva, Marana, Mayi and Mantresa. Ya stands for Yama, Varuna, Vagisa, Svasana, Yamuneyaka, Mrgendra, Vayu and Vacana. 43 Ra is the name of AsTg, Yatusa, Isaghna, Bhujangesa, Hutasana, Tivrajyoti, Para, Cihna, and Sucira.. 44 Va denotes Medha, Dhi, Jalantastha, Khadgisa, Hamsa, Varida, Varuna, Siva, Raudra and Mstesa. 40 41 42 45 For Private and Personal Use Only

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prakArAntaraH mAtRkAnighaNTa asthi dhAturvarAhazca lakSmIza: zaMku-kaNike / tathA nayaH samidhazca sAmbakaH zArNakaH smRtaH / / 46 / / zukla-dhAtu bhRgRhaMsaH sAmaga: satyasaGgatiH / matyAnando'tha dIptAsyaH samaya: SArNakaH smRtaH // 47 / / mabAhvayaH zvetarUpo vilepazca ghaTAkRtiH / SaDAnanaH SaDAkAraH SaDaTaH sArNako mataH / / 48 // prANano'tha halIzazca hayAnana sadAzivau / hutAzo hAkinI drAvo herambo hArNako mataH // 46 // nandI ca paramAtmA ca saMvartaka-kRtAntako / vajrakAyo'kSayo vyApI nRsiMhaH kSArNakaH smRtaH // 50 // nighaNTurmAtRkArNAnAM kaNThapIThe nidhIyatAm / visphoTanAya mantrANAM salIlaM paNDitarjanaiH // 51 // zarIre sarvamantrANAmuddhArAya subuddhibhiH // 52 // iti zrIdezikamaNDalImukuTamANikyopama-paramahaMsa zrImadhvAcAryaviracito mAtRkA nighaNTuH smaapt:| ayaM tAvad varNasaMzoddhAra prakAraH vAtaH marut agniH vahniH dharA kSmA jalaM vAri vibhuH svaH a A i I u U R R la lu carA zuciH bhUH vanaM khaM zaktiH prANa: tejaH sthirA vAH e ai o au aM aa ka kha ga gha dha: vAyuH prabhA jyA kam abhraM nAdaH dAva: kuH pAtha: Ga ca cha ja jha Ta Tha Da . Dha vyoma rayaH zikho gotrA toyaM: zUnyaM javI dyutiH bhamiH rasa: nabhaH vyAptaM dAhaH rasA amba viyat sparzaH hRt haMsaH ilA ma ya ra la va za Sa sa ha la grAsaH For Private and Personal Use Only

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67 46 Prakarantara Matnkanighangu Sa denotes Asthi, Dhatu, Varaha, Laksmisa, Sanku, Karnika, Naya, Samidha and Sambaka. Sa denotes sukla, Dhatu, Bhtgu, Hamisa, Samaga, Satyasamgati, Malyananda, Diptasya, and Samaya. Sa stands for Majja, Svetarupa, Vilepa, Ghataksti, sada. nana, sadakara, and Saclatah. 48 Ha is the name of Pranana, Halisa, Hayanana, Sadasiva, Hutasa, Hakini, Drava and Heramba. 49 Ksa is the name of Nandi, Paramatma, Samvartaka, Kstanta, Vajrakaya, Vyapi and Nosimha. This Matska-varna-nighantu, which deserves to be memorised, has been described to enable the Panditas understand the Mantras casily. To enable the erudites to derive the Mantras is the primary purpose of this work. 50 End of the Matckanighantu written by the Crown and Jewel of the Desika-mandali, Paramahansa Sri Madhvacarya. For Private and Personal Use Only

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prakArAntara maanukaalighUs: zrIbhairava uvAcanighaNTamAtRkAM devi kathayasva prasAdataH / yathA vijJAtayA devi sarvajJatvaM prajAyate / / yathA jAnAsi devezi nirghaNTaM kathayasva me // 1 // zrIbhairavyuvAcasAdhu sAdhu mahAbAho lokAnAM hitakAraka / paraM gUDhaM nigUDhazca nirghaNTamAtRkAkSaram // 2 // guroH paramparAjJAtaM sabAhyAbhyantarasthitam / nahi jAnanti ye mUDhAH phalaM na syAn mahezvara // 3 // mantroddhAraprasaGgazca pUjAkhaNDaM gurukramam / mAlinIzaktisaGketaM siddhAntaM vAmadakSiNam // 4 // gAruDaM bhUtatantrazca bhairavaM sArasaMgraham / nirghaNTaka mayA proktaM zatakoTipravistaram // 5 // zrIbhairava uvAcasvacchandagatisadbhAva bhedanindAvisarpiNam / kizcida kizcida jAnAmi na jAnAmi ca mAtRkAm // 6 // ahInamantraM jAnIyAd hInamantraca mAtRkAm / gotrahInazca saMsthAnaM guruhInaM pade pade // 7 // zrIbhairavyuvAcatava snehAda pravakSyAmi nirghaNTamAtRkAM zRNu / sarvAdI praNavo mantrastaduddhAraM zRNu:priya / / 8 // OM-kAro vartulastAro binduzaktistritatvakam / praNavazcandra sAdyazca paJcadevo dhruvastrikaH // OM // 9 // zrIkaNTha Adyajo hrasvo brahma cavAdimAtRkA / surezazcaiva vAgIzaH sArasvato lalATajaH // a|| 10 // 20 For Private and Personal Use Only

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PRAKARANTARA Matrkanighantu Sri Bhairava said O Devi ! Kindly tell me the Nighantu Matrka, knowledge of which gives rise to the knowledge of every name. As you know, kindly tell me the same Nighantu. Sri Bhairavi saidYou are Blessed, O Mahabahu, Benefactor of the Lokas ! this Nighantu Matnka is very difficult and secret. 2 O Mahesvara ! those who do not possess the knowledge of the Matlkaksaras obtained from the tradition of the Gurus and existing in the internal and external consciousness, are fools and they do not get any fruit. Mantroddhara-prasanga, Pujakhanda, Gurukrama, Malinisakti-samkcta, Vama.daksina-siddhanta, Garuda and Bhuta Tantras, Bhairava Sarasamgraha, and Nirghantu-all these have been declared by me in their hundred million elaboration. 4-5 Sri Bhairava saidI am a person of a free nature away from feelings of truth. Full of the failings of contempt and reprehensible nature, know not much about the Matskas. I know a little of other Mantras but do not possess a knowledge of the Maiska Mantras. I am at every step devoid of Gotra, Kula and Guru. 6-7 Sri Bhairavi saidOut of love for you I now describe the Nighantu Matnka, which please listen. First of all listen to the method of the derivation of Pranava which is the Primal Mantra, 8 Aum-kara, Vartula, Tara, Vindusakti. Tritattvaka, Pranava, Candra Adya, Pancadeva, Dhruva and Trika are denoted by Aum. Srikantha, Adyaja, Hrasva, Brahma, Adimatyka, Suresa, Vagisa, Sarasvat and Lalataja, are represented by A. 10 9 For Private and Personal Use Only

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prakArAntaraH mAtRkAnighaNTuH anantazcAntako vaktra-vizvAntau carujaH smRtaH / kSIrodadhiH payodazca doghacchAyo vinAyakaH // aa|| 11 // ikArazcandra-sUkSmI ca dakSanetraM suguhyakaH / rudrazca koTarazcaiva nAsikA parikIttitaH // i|| 12 // I-vimUrtirvAmanetraM zekharaH koTarastathA / vAgmI zuzuddhazca jihvAkhyo mAyA viSNuH prakAzitaH // I // 13 // amarezo dakSakarNa ugrazceti tamohanaH / vizvakarmA tathA zrotra babhruH kAlaH prakItita: / / u // 14 // U-ra/zo mahezazca UkAraH zrotrameva ca / prajezaH sarvazrotrazca UkAro navabhairava: / / U // 15 // RkAro bhAva(ra)bhUtizca dakSanAsApuTastathA / nivRttI rudramAyA ca ekapAdazca kathyate / / R|| 16 // atithIzo vAmanAsA pratiSThA patireva ca / akSAgrajazca mAyAgnirUvamUttiH prakIttita: / / R|| 17 // la: sthANurdakSagaNDazca vizeSazcaMva pArthivaH / * mahendro lAGgalizcaiva rAjA dhUmro vakastathA / / // 18 // la-haro vAmagaNDazca mAyAvI zakra-svastiko / zAntikRta zuddha-rudrau ca nIlapAdopalonupaH ||l // 19 // jhiNToza UrdhvadantAkhyo hyagnirvAgbhava eva ca / bhagazca dakSadantazca jJAna-zaktI ca jaGghakaH / / e // 20 // bhautIzazcAdhodantazca kSamAtmakaH samAtRkA / vAmajAnurjagadyAniH pIThezazcAMzumAna vibhuH ||ai||21|| o: sadyojAta UrdhAsyo gAyatro dakSajanakaH / ajezacava pIyUSaH pazcimAsyaH zrutistathA // o // 22 // ....... anuzcAdha oSThaH (?) zAntiko vAmajaGghakaH / tejasazcaMva kaNThoSThI nAdAkSazca sadAzivaH // au|| 23 // aMkraro ghaNTikA daNDo bindukaH samaguhyakaH / caJcaH parijayonizca saukhya du.kha-pravattaMkAH / / aN|| 24 // mahAseno dvijihvAkhyo hayo bhadrazca kaSTakaH / dvibinduko'marezazca somazcaiva haristathA // aH // 25 // kaH krodhIzo dakSaskandho hyagniradrazca manmathaH / taMjasaH zAntikApAlI vAsudevazca mastakaH // // 26 // 21 For Private and Personal Use Only

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Prakarantara Matykanighantu 71 13 15 Ananta, Ananda, Vaktra, Visvantaka, Ruja, Ksirodadhi, Payoda, Dirghacchaya and Vinayaka are denoted by A. 11 Candra, Suksma, Daksanetra, Suguhyaka, Rudra, Kotara and Nasika are denoted by I. 12 Trimiti, Vamanetra, sekhara, Kotara, Vagmi, Suddha, Jihvakhya, Maya and Visnu are denoted by I. Amaresa, Daksakarna, Ugra, Tamohana, Visvakarma, srotra, Babhru and Kala are denoted by U. 14 Arghisa, Mahesa, U-kara, srotra, Prajesa, Sarvasrotra and Navabhairava are denoted by U. Bhava(Bhara)Bhuti, Daksanasaputa, Nivitti, Rudramaya, and Ekapada are denoted by R. 16 Atithisa, Vamanasa, Pratistha, Pati, Aksagraja, Mayagni and Urdhyamurti are denoted by R. 17 Sthanu, Daksaganda, Visesa Parthiva, Mahendra, Langali, Raja and Dhumra are denoted by L. Hara, Vamaganga, Mayavi, Sakra, Svastika, santikst, Suddha, Ruddha and Nilapadopalonupa are denoted by L. 19 Jhitisa, Urdhvadanta, Agni, Vagbhava, Bhaga, Daksadanta, Jnana, Sakti and Janghaka, are denoted by E. 20 Bhautisa, Adhodanta, Ksamatmaka, Samatska, Vamajanu, Jagadyoni, Pithesa, Amsuman and Vibhu are denoted by Ai. Sadyojata, Urdhasya, Gayatri, Daksajanghaka, Ajesa, Piyusa, Pascimasya and Sruti are denoted by 0. 22 Anu, Adha, Ostha, santi, Vamajaighaka, Taijasa, Kanthosgha, Nadaksa and Sadasiva are denoted by Au. 23 Krura, Ghantika, Dana, Vindu, Samaguhyaka, Cancu, Parijayoni, Saukhya-Duhkha-Pravartaka are denoted by N. 24 Mahasena, Dvijihvakhya, Haya, Bhadra, Kantaka, Dvivindu, Amaresa, Soma and Hari are denoted by H. 25 Krodhisa, Daksaskandha, Agni, Rudra, Manmatha, Taijasa, santi, Kapali, Vasudeva and Mastaka are denoted by Ka. 26 For Private and Personal Use Only

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Shri Mahavir Jain Aradhana Kendra 7i 1 5 10 15 20 25 30 prakArAntaraH mAtRkA nighaNTuH "kha: pracaNDo dakSabAhuH zUnyazvAkAza eva ca / kapAlI dantajAtIzaH zrIkhaNDI kAmarUpiNaH // kha // 27 // gaH paJcAntaH pRthagrUpaH zivadarzanasaMjJakaH / gaNezvaro dvijAkhyazva gauravI gauzca svaryagaH // ga // 28 // ghaH saMhartA dakSakaraH kAma (la) rUpI zivottamaH / khar3I sabhyo ghoranAmA medhA gauzca ghakArakaH // zivAkhyo lAGgalI mUlo danturo ghughuro'pi na // gha // 29 // Ga - kArazvava rudrazca dakSahastAMguli nakha: / kharparazca dvijAtmA ca ekavaktro gatistathA // GaH // 30 // caH kUrmo vAmajaGghAkhyo dvinetrazcaka rUpakaH / tRtIyalocanazcaiva carmamuNDadharastathA // ca // 31 // cha- zcaka netro vAmazca vAmabAhuzca lAGgalI / dvizirA ekapAdazca pazuH pazupatistathA // cha // 32 // ja-zcaturAnano vAmaH kUrparazca trizUlinaH / dIrghabAhuzca zAkhAkhyo dhAtArazca vibhustathA // ja // 33 // bho jihvA vAmahastazca kaGkaNaH kRtamaNDalaH / akalpaka (ta) zca jhaGkArI dakSazAkhA guhastathA // dIrghabAhU raso rUpaM nAdAkhyazcAticaJcalaH // jha // 34 // no dharmaH sukhado jJAnI vAmakarAMgulI nakhaH / ekapAdaH kuNDalI ca vAmapANistathA nakhaH // na // 35 // Ta-kAraH somanAthAkhyaH khecaro dakSasphik kaTiH / kapAlI vAmakaTizca ardhacandraH punarbhavaH Ta / / 36 / ThakAro lAGgalI caiva dakSorurvalaH punaH / pUrNacandrAmRtAkhyo ca tathA karataladvayam // banajA jIvano jIvo vRSaghnazcandrakaH sudhA // Tha // 37 // Da-kAro dArukaH prokto dakSajAnuzca pAlakaH / bAmabAhuzca kaumArI tathA ve yoginIpriyaH // Da // 38 // Dha - kAro'pyardhanArIzo dakSajaGghAbhidhastathA / vinAyaka : siddhidAtA vighnezaH savyabAhukaH // Dha // 39 // Na-kArazca umAkAnto dakSapAdAbhidhastathA / nArAyaNo dvinetrazca tathA vai yoginAM priyaH // Na // 40 // For Private and Personal Use Only

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Prakarautara Matnkanighanku 73 29 32 Pracanda, Daksabahu, Sunya, Akasa, Kapali, Dantajatisa, Srikhandi, and Kamarupi are denoted. by Kha. 27 Pancanta, Pothagrupa, Sivadarsana, Ganesvara, Dvijakhya, Gaurava and Gauh are denoted by Ga. Samharta, Daksakara, Kama(la)rupi, sivottama, Khadgi, Savya, Ghoranama, Medha, Gau, sivakhya, Langali, Mala, Dantura and Ghurghura are denoted by Gha. Rudra, Daksahastanguli, Nakha, Kharpara, Dvijatma, Ekavaktra and Gati are denoted by Na. 30 Kurma, Vamajangha, Dvinetra, Ekarupa, Tstiyalocana and Carmamungadhara are denoted by Ca. 31 Ekanetra, Vama, Vamabahu, Langali, Dvisira, Ekapada, Pasu and Pasupati are denoted by Cha. Caturanana, Vama, Kurpara, Trisulina, Dirghabahu, Sakha, Dhata and Vibhu are denoted by Ja. 33 Jihva, Vamahasta, Kankana, Ketamandala, Akalpaka, Jhankari, Daksasakha, Guha, Dirghabahu, Rasa, Rupa, Nada and Aticancala are denoted by Jha. 34 Dharma, Sukhada, Jatani, Vamakarangulinakha, Ekapada, Kunpali, Vamapani and Nakha are denoted by Na. 35 Somanatha, Khecara, Daksasphik, Kati, Kapali, Vamakati, Ardhacandra and Punarbhava are denoted by Ta. 36 Langali, Daksoru, Vartula, Purnacandra, Amsta, Karata. ladvaya, Vanaja, Jivana, Jiva, Vrsaghna, Candraka and Sudha are denoted by Tha. 37 Daruka, Daksajanu, Palaka, Vamabahu, Kumari and Yoginipriya arc denoted by Da. Ardhanarisa, Daksajangha, Vinayaka, Siddhidata, Vighnesa and Savyabahuka are denoted by Dha. 39 Umakanta, Daksapada, Narayana, Dvinetra, Yoginampriya are denoted by Na. 38 40 For Private and Personal Use Only

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prakArAntara: mAtRkAnighaNTu tamATa: pATamisphik tArAkhya UrdhvajAnukaH / zaktI zaktirjaTA caiva tArako madhyakarNakaH // ta // 41 / / thaH stra vAsI bhayAnaka: zilI zirasijastathA / mahAgranthizca vikhyAto granthigrAhaka eva ca / / tha // 42 // do'drIzo vAma jAnuzca dAtA dhAtA ca dhAtakiH / kuNDalaM dakSapAdazca tathA dharmAbhidhAyaka: / / da // 43 / / dha-kAro vAmajaGghA ca priyazva darzanastathA / netrayugmazca saMjJA ca sthANarasthANurIzvaraH ||dh // 44 / / no meSo vAmapAdazcAnAdirnIlazva vAmanaH / dasturazcordhvavAsI ca naradevo niraJjana: // na // 45 // nidhiH zeSo guhyakartA tapana: paJcamastathA / vIrabhadrA ca sAvitrI kAlarAtri: purArihA // 5 // 46 / / phaH zikhI vAmapArzvazca phetkAro vAmapAdakaH / nIlapAdastathA proktaH zikhI vaizAkhinAM priya: // ph|| 47 // ba-zchagaNDa: pRSThavaMza: zikhibAho yugandharaH / mukhabindubailirghaSTI yoddhA trilocanapriyaH // ba / / 48 // bho dviraNDo nAbhi bhadre bhImo bhASaNameva ca / dakSaskando mahAbAhubhraMmarastu jayAbhiSaH / / bha / / 49 / / mahAkAlI samudrAkhyaH kAlasaMjJo viSAntakaH / kRtAnta: kRdhi(Si)ta: punso yamazca kAlabhadra kaH / ma // 50 // yaH kRtIzo yugAntazva bAlIzo vaayusNjnyk:|| vAyuvegI tathA zIghraH zvasana prANasaMjJakaH / y||51|| ro bhujaGgo dhAturakta: sUryo vai vedkstthaa| dIpako jvalanazcava sthUladaNDazca tejasaH / / ra // 52 / / la: pinAko sitazcandra: pRthvIbIja prkiittitH| pUtanA pItazikhina: lakAravAcakaH smRtaH // la / / 53 // vaH khaGgIzaH svAyuyuto (2) vajrasphika mukhameva hi / varuNa: sAgarazcaiva jagad bhASA zucistathA / va // 54 / / zaH zakAro'tha vidhAtA kumArazcaiva manmathA / zrIkaNThaH pavano devo vAmoru: kAmarUpakaH / vizeSa: kAmarUpI ca saukhyadAtA zucistathA / / za // 55 // SA zveta uSmA sUryAgnirajeza: kAladhUmakaH / 25 For Private and Personal Use Only

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Prakarantara Maiskanighantu 75 Tamata, sati, Vamasphik, Tara, Urdhvajanu, Sakti, Saktijata, Taraka and Madhyakarna are denoted by Ta. 41 Stri, Vasi, Bhayanaka, Sili, Sirasija, Mahagranthi, Granthi and Granthigrahaka are denoted by Tha. 42 Adrisa, Vamajanu, Data, Dhata, Dhataki Kundala, Daksapada, Dharmabhidhayaka are denoted by Da. 43 Vamajangha, Priya, Darsana, Netrayugma, Sthanu and isvara are denoted by Dha. Mesa, Vamapada, Anadi, Nila, Vamana, Dantura, Urdhvavasi, Naradeva and Niranjana are denoted by Na. 45 Nidhi, sesa, Guhyakarta, Tapana, Pancama, Virabhadra, Savitri, Kalaratri and Purariha are denoted by Pa. 46 Sikhi, Vamaparsva, Phetkara, Vamapadaka, Nilaqada, Sikhi and sakhi-priya are denoted by Pha. 47 * Chaganda, Prsthavamsa, sikhivaha, Yugandhara, Mukhavindu, Bali, Ghanti, Yoddha, Trilocanapriya are denoted by Ba. . . 48 Dviranda, Nabhi, Bhadra, Bhima, Bhasana, Daksaskanda, Mahabahu, Bhramara and Jaya are denoted by Bha. 49 Mahukali, Samudra, Kala, Visantaka, Kstanta, Ktdhita, (Krsita), Puman, Yama and Kalabhadra are denoted by Ma. Kstisa, Yuganta, Balisa, Vayuvegi, sighra, svasana and Prapa are denoted by Ya.. Bhujoga, Dhaturakta, Surya, Vedaka, Dipaka, Jvalana, Sthuladanpa and Taijasa are denoted by Ra. 52 Pinaki, Sita, Candra, Pythvibaja, Putana, Pita, sikhi, are denoted by La. 53 Khadgisa, Svayuyuta (?), Vajrasphika, Mukha, Varuna, Sagara, Jagat, Bhasa and Suci are denoted by Va. 54 Vidhata, Kumara, Manmatha, Srikankha, Pavana, Deva, Vamoru, Kamarupa, Visesa, Kamarupi Saukhyadata and Suci arc denoted by Sa. 55 51 For Private and Personal Use Only

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prakArAntaraH mAtRkAnighaNTa lambodaro jaTharazca banAyako yamastathA ||ss // 56 / / sakAra: zaktinAmA ca candrapiNDa: zazI tathA / prakRtimUtirevAzurIzvaraH zaktirUpakaH // jagadboja jalAkhyazca paramAtmA'mRtaH smRtaH // // 57 / / ho nakulIthaH prANezaH prANaH sambita tathAtmajaH / ambikApatirAtmA ca jIvo haMsa: prkiirtit:|| nAgaloko'manAkhyazva ziva: zAntadasaMjJaka: / / ha / / 58 // krodha: kopa: kSakArastha AtmA strI kAmarUpakaH / saMhAro nArasiMho'tha mahAtejo yugAntakaH / / kSaya: saMvartakaH proktaH sarvajJaH kSetrapAlaka: / / kSa // 59 // // iti mAtRkA-nirghaNTuH samAsaH / / - For Private and Personal Use Only

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Prakarantara Matikanighantu Sveta, Usma, Surya, Agni, Ajesa, Kaladhumaka, Lambodara, Jathara, Vinayaka and Yama are denoted by Sa. Acharya Shri Kailassagarsuri Gyanmandir 56 Saktinama, Candrapinda, Sasi, Prakrti, Murti, Asu, Isvara, Saktirupaka, Jagadbija, Jala, Paramatma, Amrta are denoted by Sa. 57 77 Nakulisa, Pranesa, Prana, Samvit, Atmaja, Ambikapati, Atma, Jiva, Hamsa, Nagaloka, Amala, Siva and Santidah are denoted by Ha. 58 End of the Matykanighantu. Krodha, Kopa, Atma, Stri, Kamarupaka, Samhara, Nrsimha, Mahateja, Yugantaka, Ksaya, Samvartaka, Sarvajna and Ksetrapalaka are denoted by Ksa. 59 For Private and Personal Use Only

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prakArAntara varNanighaNTuH praNamya paramAnandaM zrIguruM puruSottamam / mAtRkArNa-nighaNTu yaM pravakSye bAlabuddhaye // 1 // praNavastArako'vyakto vedAdizca zivo'vyayaH / Adimazca dhruvoGkArI mUlajyoti: zivAdikaH / trivRd brahmA trimAtrazca zabdAH praNavavAcakAH // 2 // AUM|| svarAdyo mAtRkApazca vAtaH kaNTho'mRtezvaraH / vighnezvaro nivRttizca zrIkaNThaH kezavo laghaH // 3 // ma // mukhavRttaM guruH zeSo dIrtho'nanto makhta tthaa| nArAyaNo vighnarAjaH pratiSThA va dvitIyaka: / / 4 // mA / mAdhavaH sUkSma-vidyA'gnidivindurdakSalocanaH / gandharvaH pAzajavyastu ikArastu makhAMkuraH // 5 // // nRsiMhAstraM zAnti-mAye govindazca sureshvrH| trimUtirvAminayano bahirIkAraka: smRtaH // 6 // ii|| vijayo manmatho viSNuvidhnakRcchakurendhike / gajAMkuzo dakSakoM vRttAkSiramarezvaraH // 7||u / SaNmukhaH kSamA vighnahartA ardhIzo madhusUdanaH / dIpikA vAmakaNandra-cApA: SaSThasvaraH smRtH||8|||| vighnarAD devamAtA ca ripughno recikA jalam / bhArabhUtirdoghamukhI dakSanAsastrivikramaH // 9 // R|| mocikA gomukhI dhAma-nAso daivajJa-vAmanI / daityamAtA'tithIzazca vAridhi(Ni ?)gaNanAyakaH // 10 // 3 // parA sthANudIrghajihvA zrIdharo dakSagaNDakaH / trivedakazca vAmA? vibhurekAMghriko lvu"|| 11 // l|| sUkSmA harSA hRSIkeSo khaM trikUTo dvidantakaH / 'kuNDodarI harIzazca nIlAMghrizca kubera-haka // 12 / / la / / 15 25 For Private and Personal Use Only

Page #88
PRAKARANTARA Varnanighantu Acharya Shri Kailassagarsuri Gyanmandir Saluting my Paramananda-svarupa Purusottama Guru, I now describe the Matrkaana Nighantu for the common man. 1 Aum denotes Pranava, Taraka, Avyakta, Vedadi, Siva, Avyaya, Adima, Dhruva, Aumkara, Mulajyoti, Sivadika, Trivat, Brahma, Trimatra. 2 A denotes: Svaradya, Matrkadya, Vata, Kantha, Amrtesvara, Vighnesvara, Nivrtti. Srikantha, Kesava and Laghu. 3 A denotes: Mukhavrtta, Guru, Sesa, Dirgha, Ananta, Marut, Narayana, Vighnaraja, Pratistha, and Dvitiya. 4 I denotes: Madhava, Vidya, Agni, Dvivindu, Daksalocana, Gandharva, Pancajanya, and Makhankura. I denotes: Nrsimha, Santi, Maya, Govinda, Suresvara, Trimurti, Vamanayana and Vahni. U denotes : Vijaya, Manmatha, Visnu, Vighnakrta, Sankara, Indhika, Gajankusa, Daksakarna, Vrtaksi and Ama 7 For Private and Personal Use Only 5 6 resvara. U denotes: Sanmukha, Ksma, Vighnaharta, Arghisa, Madhusudana, Dipika, Vamakarna, Indra-capa, and Sastha 8 svara. R denotes: Vighnarat, Devamata, Ripughna, Recika, Jala, Bharabhuti, Dirghamukhi, Daksanasa and Trivikrama. 9 R denotes: Mocika, Gomukhi, Vamanasa, Daivajna, Va mana, Daityamata, Varidhi(Varini) and Gananayaka. 10 L, denotes: Para, Sthanu, Dirghajihva, Sridhara, Daksagandaka, Trivedaka, Vamardha, Vibhu, Ekanghri etc. 11 L denotes: Suksma, Harsa, Hrsikesa, Kham, Trikuta, Dvidanta, Kundodari, Harisa, Nilanghri and Kubera-drka. 12

Page #89
80 10 . prakArAntaraH varNanighaNTu . sUkSmAmRtA padmanAbho jhiNTIzo gajavaktrakaH / cara: zakti: kAmarUpa: trikoNodhiro magam // 13 // e|| jJAnAmRtA varma zucI dAmodara-niraJjanau / vAgadharI bhautikezo vAgIzatripurazca ai|| 14 // ai|| ApyAyanI vAsudevazcordhvadantastrimAtRkaH / rathaH kapardI bhuvanaM mantreza o-svaraH smRtaH // 15 // o|| anugraho dIrghavaktro mAyI saGkarSaNazca kham / murAriApinI cAdhodantago nRharervapuH // 16 // au|| anusvAro vyomarUpa: pradyumna : zaMkukarNakaH / akara: sthiti-saMjJazca bindu-candrau ca aM-svaraH // 17 / / aN|| sargo visargo vidvanto mahAsenAniruddhako / pUrNamRtA tathAnantA a:-svarastu vRSadhvajaH // 18 // aH // brahma sRSTi: khAdimazca krodhIzazca svarAnta (Gga) kaH / dakSadormUlagazcakrI kAmAkhyo gaNanAyakaH / / 19 / / ka kheTo gajendrazcaNDIzo dakSakUparago gdii| kaTamArieca mAtaGgo buddhiH kAntazca khArNakaH // 20 // kh|| siMhaH pazAstaka: zAGgI gomukhaH zUrpakarNakaH / gajakumbhaH smRtiH khAmto gakAro maNibandhanaH // 21 // g|| medhA khaGgI(NDo) trinetrazca dakSiNAMgulimUlagaH / zivottamo dhano gAnto dhanakAmazca dhArNakaH // 22 // // kAntilambo gha(dha)naH zallI dkssaaNgulygrgstthaa| ekarudrazca bhadrezo klIvavaktrAnunAsikau // 23 / / ng|| halI kUmazvaro lakSmImahAnAdazca pazalaH / citracArI cAmarAkhyo vAmadormUlagazca // 24 // 1 // caturmUrtilibinduzca muSalI vaamkuuprH| zleSAntako dhutizcakanetro cAntazchakArNakA // 25 // cha / sadAzivaH sthirA zUlI jayantazcaturAnanaH / janako jayajo vAma-maNibandhagato jakaH // 26 // ja // Amodazca sthitiH pAzI ajezo jAla-candrako / vAmAMguligato jAmso bhakAro jhArNasaMjJakA // 27 // // jJaptiniraJjana: siddho jhAntaH sarvezvaraH zubhaH / / durmukhazcAnunAsazca vAmAMgulyagragazca naH // 28 // ja // For Private and Personal Use Only

Page #90
Prakarantara Varnanighantu [81 13 E denotes : Suknma, Amsta, Padmanabha, Jhinkisa, Gajavaktra, Cara, Sakti, Kamarupa, Trikona, Urdhvadhara and Bhaga. Ai denotes : Jranamsta, Varma, suci Damodara, Niranjana, Vagadhara, Bhautikesa, Vagisa and Tripura. 14 O denotes: Apyayani, Vasudeva, Urdhvadanta, Trimateka, Ratha, Kapardi, Bhuyana and Mantresa. 15 Au denotes : Anugraha, Dirghavaktra, Mayi, Samkarsana, Khan, Murari, Vyapini, Adhodanta and Nsharervapu. 16 A denotes : Anusvara, Vyomarupa, Pradyumna, Sankukarna, Akrura, Sthiti, Vindu and Candra. 17 H denotes : Sarga, Visarga, Vindu, Anta, Mahasena, Aniruddha, Purnamsta, Ananta and Vgsadhvaja. 18 Ka denotes : Brahma, Srsti, Khadim, Krodhisa, Svarantaka, Svaranta (Svaranga) Daksina, Mulaka, Cakri. Kamakhya and Gapanayaka. 19 Kha denotes : Kheta, Gajendra, Candisa, Daksakurpara, Gadi, Kaitabhari, Matanga, Buddhi, Kanta. 20 Ga denotes<<: Sinha, Pancantaka, sarngi, Gomukha, surpakarnaka, Gajakumbha, Smoti, Khanta and Manibandhana. Gha denotes : Medha, Khadgi, (Khandi), Trinetra, Daksinangulmula, Sivottama, Ghana, Ganta and Dhanakama. 22 N denotes : Kanti, Lamba, Ghana, Dhana, Sankhi, Daksangulyagraga, Ekarudra, Bhadresa, Klibavaktra, and Anunasika. 23 Ca denotes : Hali, Kurmesvara, Laksmi, Mahanada, Cancala, Citracari, Vamakhya, Vamada and Mulaga. 24 Cha denotes : Caturmurti, Trivindu, Musali, Vamakurpara, Slesantaka, Dyuti, Ekanetra and Vanta. Ja denotes : Sadasiva, Sthira, Suli, Jayanta, Caturanana, Janaka, Jayaja, Vama-manibandhagata.' 26 Jha denotes : Amoda, Sthiti, Pasi, Ajesa, Jala, Candra, Vamanguligata, Janta and Jhankara. 27 N denotes : jnapti, Niranjana, Siddha, Jhanta, Sarvesvara, subha, Durmukha, Anunasa, and Vamangulyagraga. 28 For Private and Personal Use Only

Page #91
prakArAntaraH varNanighaNTu jarA mukundA somezaH sumukhazca gajAMkuzaH / amRtAvastu bAlendurdakSapAmUlagaSTakaH // 29 // 8 // pAlinI nandajaH sthAyI lAGgalIza: kamaNDaluH / pramodaH sthaviro vAmajAnugazcandramaNDalam // 30 // 6 // ekapAdo vyAghrapAdaH zubhAMghri marezvaraH / kSAntinandI dArukezo bhaumajo dakSagulphaga: // 31 ||dd|| aizvarI cArdhanArIzo naraH zaGkhAntarAkRtiH / Dhala Dhakko dvijihvazca daNAMdhyaMgulimUlagaH / / 32 // Dha / / umAkAnto narakajidraviH zUrakhirekhakaH / nirvANastriguNo dakSapAdAnazca Na-kArakaH / / 33 / / Na / / vAmorumUlago vindurASADhI kAmiko hariH / tIvazca taralo nIlo NAntasthAdista-kArakaH // 34 / / ta / vAmajAnugataH saurivizAlAkSazca SaNmukhaH / kRSNazca varado daNDI sthavirasthArNako mataH // 35 // tha // dhAtA ca dhAdimaH satyaH kRbero hlAdinI ttH| atrIzo varada: zUlo vAmagulpho da-kAraka: // 36 // d|| dharaNIzazca dharmazaH priitimiinesh-saatvtii| vAmapAdAMguligato vAmadevazca dAntimaH // 37 // // vAmapAdAnagaH zaurI meSezau nndi-naattko| vakratuNDazca dIrghA ca nakAro nadInAyakaH // 38 // na // tIkSNA dviraNDaH padmazo nAntimaH shuur-lohito| dakSapArzvagataH phAdi: pracaNDazca pa-kArakaH / / 36 // 5 // vAmapArzvagato raudrI zikhIzazca janArdanaH / senAnI: pAntimo bAdiH phaTakArazca pha-kAraka: // 40 // ph|| vajramuSTirbhayA bhAdibhUdharaH pRSThavaMzagaH / grAmaNI zchagalaNDezaH surasazca ba-kArakaH / / 41 // b|| dviraNDezo vizvamUrtinidrA bhAnto bhayAvahaH / bhRkuTIzo bharadvAjo nAbhigazca bha-kArakaH // 42 // ma / / pra(vi)matto maNDalaM mArI mahAkAlo viSaM raviH / mantrezo jATharastandrI baikuNThazca ma-kArakaH / / 43 // m|| 25 For Private and Personal Use Only

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Prakarantara Varnanighantu 33 Ta denotes : Jara, Mukunda, Somesa, Sumukha, Gajankusa, Amotadya, Balendu, Daksapanmulaga. 29 Tha denotes : Palini, Nandaja, Sthayi, Langalisa, Kamanqalu, Pramoda, Sthavira, Vamajanuga and Candramandala. 30 Da denotes : Ekapada, Vyaghrapada, subhanghri, Damaresvara, Ksanti, Nandi, Darukesa, Bhaumaja and Daksagulphaga. 31 Dha denotes : Aisvari, Ardhanarisa, Nara, Sankhantaraksti, Dhala, Dhakka, Dvijihva and Daksarghryangulimulaga. Na denotes : Umakanta, Narakajit, Ravi, Sura, Trirekha, Nirvana, Triguna, and Daksapadagra. Ta denotes : Vamorumulaga, Govinda, Asadbi, Kamika, Hari, Tivra, Tarala, Nila and Nanta. 34 Tha denotes : Vamjanugata, Sauri, Visalaksa, Sarmukha, Ktspa, Varada, Dandi and Sthavira. 35 Da denotes : Dhata, Dhadima, Satya, Kubera, Hladini, Atrisa, Varada, Sula, and Vamagulpha. 36 Dha denotes : Dharanisa, Dharmesa, Priti Satvata, Vamapadarguligata, Vamadeva and Dantima. 37 Na denotes : Vamapadagraga, Sauri, Mesesa, Mandi, Nataka, Vaktratunda, Dirgha and Nadinayaka. Pa denotes : Tiksna, Dviranda, Padmesa, Antima, Sura, Lohita, Daksaparsvagata, Phadi and Pracanda. 39 Pha denotes : Vamaparsvagata, Raudri, Sikhisa, Janardana, Senani, Pantima, Badi and Phatkara. 40 Ba denotes; Vajramusti, Abhaya, Bhadi, Bhudhara, Prsthayarsaga, Gramani, Chagalandesa and Surasa. 41 Bha denotes : Dvirandesa, Visvamurti, Nidra, Manta, Bhayavaha, Bhrkutisa, Bharadvaja and Nabhiga. - 42 Ma denotes : Pramatta, Vimatta, Mandala, Mari, Mahakala, Visa, Ravi, Mantresa, Jathara, Tandri and Vaikantha, 43 38 For Private and Personal Use Only

Page #93
Shri Mahavir Jain Aradhana Kendra 84 20 35. 5 10 15 20 prakArAntara: varNanighaNTu tvaggato hRdgato matto vAhanaH puruSottamaH / kSudhA mRgendro yamunA bAlIzo yAmuno marutu // 44 // ya // dakSAMzago bhujaGgezo rociSmAn ruciraH zikhI / balI raktaM krodhinIca jaTI yAnto ra kAraka: / / 45 / / ra / muNDI kakudmato mAMsaM pinAkIzo balAnujaH / kriyendro lampaTa bhUmirvAyavIyo la-kArakaH // 46 // la // bAlo vAmAMza khaDgIzAvRtkArI varuNo jalam / lAntaca vArido medaH sudhAH dhenurva-kArakaH // 47 // va // vRSaghnaH zaGkha(Gka)karNI ca mRtyurUpo vakezvaraH / asyAtmA ca vareNyaca vAnto hRddakSahastagaH // 48 // za // vRSaketurvRSaH pItA zvetezazca SaDAnanaH / hRd bAma bAhugo majjA SaDAkAraH Sa-kArakaH // 49 // Sa / / dakSapriyo bhRguH zukro haMsaH samaya sAmago / hRdo dakSiNapAdasthaH zvetA zaktinizAkaraH // 50 // sa // meghanAdo nabhaH prANo hRdo vAmapadasthitaH / hayagrIvosruNo'nanto varAho nakulI zikhA || 51 // ha // upAntyo gaNapAlazca zivezo vimalo laghuH / hRdayAnnAbhigo jIvossitA caiva la- kArakaH // 52 // la // hRdayAnmukhago vyApI saMvartaka-nRsiMhako / anantAkhyo gaNezazca merurvajratanuH kSakaH // 53 // kSa // varNodbhavA mUrtibhedA nAmabhedAstathaiva ca / rudrayAmalatantroktA mayoktA gurvamujJayA // 54 // akArAdi-kSakArAntA varNasaMjJA gurUktitaH / grathitA sukhabodhena mantroddhArAya mantriNaH // 55 // atha kAdimate proktA saMjJA bhUtalipikramAt / vAto marucaraH prANI vAyurnAdo rayo javI / vyAptaM sparzo vAyujAnAM saMjJA proktA manISibhiH // 56 // agnirvahniH zucistejaH prabhA dAvaH zikhI dyutiH / dAho grAsaca saMjJoktA vahnayarNAnAM kramAdiyam // 57 // For Private and Personal Use Only

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Prakarantara Varnanighanku 85 47 Ya clenotes : Tvaggata, Matta, Vahana, Purusottama, Ksudha, Msgendra, Yamuna, Balisa and Yamuna. 44 Ra denotes : Daksamsaga, Bhujangesa Rocisman, Rucira, sikhi, Bali, Rakta, Krodhini, Jati and Yanta. 45 La denotes : Mundi, Kakudmata, Mamsa, Pina kisa, Balanuja, Kriyendra, Lampata, Bhumi and Vayaviya. 46 Va denotes : Vala, Vamasa, Khadgisa, Utkari, Varuna, Jala, Lanta, Varida, Meda, Sudha and Dhenu. Sa denotes : Vrsaghna, Sankhakarni, Sankukarni, Mrtyurupa, Vakesvara, Asthyatma, Varenya, Vanta, Hsd, and Daksahastaga. 48 Sa denotes : Vrsaketu, Visa, Pita, Svetesa, sadanana, Hst, Vama, Bahuga, Majja and Salakara. 49 Sa denotes : Daksapriya, Bhtgu, Hamsa, Samaya, Samaga, Hrt, Daksimapadastha, Sveta, Sakti and Nisakara. 50 Ha denotes : Meghanada, Nabha, Prana, Hsd, Vamapadasthita, Hayagriva, Aruna, Ananta, Varaha, Nakuli and Sikba. 51 'La denotes : Upantya, Ganapala, Sivesa, Vimala, Laghu, Hgdayannabhiga, Jiva, and Asita. . 52 Ksa denotes : Hedayanmukhaga, Vyapi, Samyartaka, Ntsinha, Ananta, Ganesa, Meru, and Vajratanu. 53 According to the instructions of my Guru I have described the Varnodbhava, Murtibheda, and Namabheda as it is contained in the Rudrayamala Tantra. 54 The names of the letters A to Ksa as told by the Guru have been described for the facility of the Knowers of the Mantras so that they may conveniently derive the Mantras. 55 According to Kadimata the order of letter-names, classified under the Five Elements, are as follows: Vata, Marut, Cara, Prana, Vayu, Nada, Raya, Javi, Vya. pta and Sparsa are the names of the Vayu ( Air ) class of letters. Agni, Vahni, suci, Teja, Prabha, Dava, sikhi, Dyuti, Daha and Grasa, belong to the Agni (Fire) class of letters. 57 56 For Private and Personal Use Only

Page #95
prakArAntaraH varNanighaNTa -dharA kSamA bhUH sthirA jyA kurgotrA bhUmI rasA ilA / dazAnAM bhUmivarNA! saMjJA proktA vicakSaNaH // 58 // jalaM vAri vanaM vAH kaM pAthastoyaM raso'mbu hRt / dazAnAM jalavarNAnAM saMjJoktA pUrvasUribhiH / / 59 // vibhuH khaM svadhairabhraM ca vyoma zUnyaM namo viyat / haMsazcAkAzavarNAnAM saMjJA mAyAvirgataH // 60 // eSA svatantratantroktA varNa saMjJA samIritA // 61 // iti rudrayAmalatantrokta-varNanighaNTa: / smaaptH| For Private and Personal Use Only

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Prakarantara Varsanighamtu 87 Dhara, Ksma, Bhu, Sthira, Jya, Kugotra, Bhumi, Rasa and Ila belong to the Prthivi (Earth) class of letters. 58 Jala, Vari, Vana, Va, Kan, Patha, Toya, Rasa, Ambu and Hrt belong to the Jala (Water) class of letters. 59 Vibhu, Kham, Svarga, Dyu, Abhra, Vyoma, Sunya, Nabha, Viyat, and Hansa belong to the Akasa (Ether) class of letters. 60 These letter-names bave been described in the Tantras independently. 61 End of the Varnanighantu of the Rudrayamala Tantra. For Private and Personal Use Only

Page #97
atha bhUtaDAmaratantrokta bIjAbhidhAnam -- bIjasaMketabodhArthamAhRtya tantrazAstrataH / bojanAmAni katicid vakSyAmi viduSAM mude // kSatajastho vyomavaktro dhUmrabhairavyalaMkRtaH / nAdabindu-samAyukto bIjaM prAthamikaM smRtam // mAyA lajjA parA samvita triguNA bhuvanezvarI / hRllekhA zambhuvanitA zaktidevIzvarI zivA / / mahAmAyA pArvatI ca saMsthAnakRtarUpiNI / paramezvarI ca bhuvanAdhAtrI jIvanamadhyagA / / hrIM // vatihInendrayuG mAyA sthiramAyA prakIttitA // hrIM / zAgnizAnti-bindunAdarlakSmIpraNava ucyate / zrIlakSmIviSNuvanitA ramA kSIrasamudrajA / / zrIM / SoDazavyaJjanaM vahni-vAmAkSi-bindu-saMyutam / candrabIja-samArUr3ha vadhUvIjamidaM smRtam // vadhUrvAmekSaNA yoSidekAkSI strI ca kAminI / / strI / / nAdabindu-samAyukto dvAdazastu svaro bhagaH / yoniH sarasvatIbo jamagharaM vAgbhavaM ca vAk / / aiM / / hakAro vAmakarNATyo nAdabindu-vibhUSitaH / kUrca krodha ugrado dIrghasUGkAra ucyate // zabdazca dIrghakavacaM tArApraNava ityapi // huuN| kAmAkSaraM vahvisaMsthaM ratibinduvibhUSitam / kAlIbIjamidaM proktaM ratibIjaM tadeva hi / / krIM / / For Private and Personal Use Only

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Bijabhidhanam (of the Bhutadamara Tantra) In order to familiarise the Scholars I describe the Bijanames collected from the Tantrasastra. Adorned with Ksatajastha, Vyomavaktra, Dhumrabhairavi and with Nada-Bindu is the Primal Bija (Aum). Maya, Lajja, Para, Samvit, Triguna, Bhuvanesvari, Hrllekha, Sambhuvanita, Sakti, Devi, Isvari, Siva, Mahamaya, Parvati, Samsthanakrtarupini, Paramesvari, Bhuvanadhatri, and Jivanamadhyaga Bija is Hlim. The Bija of Vahni, Aindri, Yugamaya and Sthiramaya is Hrim. Srim is the Bija of Sri, Laksmi, Visnuvanita, Rama and Ksirasamudraja, called Sagni, Santi, Vindu, Nada, Laksmi and Pranava. Consisting of Sodasavyanjana, Vahni, Vamaksi, Vindu and Candrabija, and famous with the name of Vadhubija, is Vadhu, Vameksana, Yosita, Ekaksi, Strim and Kamini Bija Strim. Consisting of Nada-Bindu and the Dvadasa Svara is the Bhaga, Yoni, Sarasvati, Adhara, Vagbhava and Vak Bija Aim. Hakara, Vamakarnadhya and with Nada-Bindu is called Kurca, Krodha, Ugradarpa, and Dirghahumkara. The Bija of these and of Sabda, Dirghakavaca, Tara and Pranava is Hum. Consisting of Kamaksara, Vahnisamstha, Rati-bindu, and famous in the form of Kalibija and Ratibija is Bija Krim. For Private and Personal Use Only

Page #99
bhUtaDAmaratantroktabojAbhidhAnam kAmAkSaraM dharAsaMsthaM ratibinduvibhUSitam / guhyakAlobo jamidaM gopAlabojamityapi // tat kAmabIjaM kAmezIbIjaM zaktistvasau parA // klIM / / satyAntayug vyoma sendu zaivaM prAsAdamucyate // ho| kalAdyaM kledinIbIjaM // hrIM / kroGkArastvaMkuzAbhidhaH / / kroM / / AkAro bindumAn pAza: zeSazca samudIrita: // 7 // sakalA bhuvanezAnI kAmezIbIjamucyate // klhrIM // namastu hRdayaM // namaH // svAhA viThaSThayugalaM ThaThaH / candrayugmaM ziro devamAtA jvalanasundarI / / svAhA parA devabhojyaM ThadvayaM candrayugmakam / zravo havirvedamAtA devAsyaM vahnisundarI // svAhA / / zikhA vaSaT ziromadhyaM zakramAtA harapriyA / zikhA vaSaT ca // vaSaT / / kavacaM krodho varma humityapi / krodhAkhyo hUM tanutraJca zastrAdau ripusaMjJakaH / / huuN|' astranetrayuga // vauSaT // phaDastraM zastramAyudham / / phaTa / / tArtIyantu hesauH pretabIjaM / / hesau: / / haMso'japAmanuH / / haMsaH / / gakAro bindumAn vighnarA(bI)jaM gaNezabIjakam // gaM / / smRtisthaM mAMsamobinduyutaM bhUbIjamIritam / / glauM / ThAntaM hanana netrendu-yutantu vimbabIjakam // DrIM // atha kAmakalA vAmanayanaM bindu-saMyutam / arkamAtA kalA vANI nAdo'rdhenduH sadAzivaH / / anuccAryA turIyA ca vizvamAtRkalA praa|| 7 nAdaH / / atha bhUtaDAmaratantrokta-bIjanAmAni praNavo viSabIjaM syAd dhruvaM hAlAhalaM smRtam / kAla: zrutimurkha jJeyaM bahurUpi niraJjanam / / praNavam // kSatajastho vyomavaktro dhUmrabharavyalaMkRtaH / nAdabindu-samAyukto bIja prAthamikaM smRtam // hrIM / / krodhIzaH kSatajAruDho dhUmrabhairavyalaMkutaH / nAdabindusamAyukta: pitRbhUvAsinI smRtaH / / krIM // 25 For Private and Personal Use Only

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Prakarantara Varnanighanku 91 Kamaksara, Dharasamstha, and with Rati-bindu is Guhyakali-bija, Gopalabija, Kamabija, Kamesvaribija and Pasasaktibija Klim. Consisting of Satyantayuga, Vyoma and Indu is the siva Bija Haum. Kaladya and Kledini Bija is KLHrir. Kromkara and Ankusa Bija is Krom, With Akara and Bindu is Pasa and sesa Bija Am. Sakala, Bhuvanesani and Kamesi Bija is KLHrim. Namaskara and Hsdaya Bija is Namah. Svaha, Dvitha, Thayugala and Thasha Bija is Svaha. Candrayugma, sira, Devamata, Jvalanasundari, Svaha, Para, Devabhojya, Thadvaya, Candrayugmaka, Sruva, Havi, Vedamata, Devasya and Vahnisundari Bija is Svaha. Sikha, Vasat, Siromadhya, Sakramata and Harapriya Bija is Vasat. Kavaca, Krodha and Varma Bija is Hum. Krodhakhya, Tanutra, Sastradi and Ripusamjnaka Bija is Hum. Astra, Netradvaya, and Vausat Bija is Vausat. Phadastra, Sastra and Ayudha Bija is Phat. Tartiya, Hesau and Preta Bija is Hesauh. Hamsa, Ajapa, and Manu Bija is Hanasah. With Vindu the letter Ga is the Bija (Gam) of Vighnaraja and Ganesa With Smotistha Candravindu is Bhu Bija Glaum. Thanta, Hanana, Netra and with 'Indu-bindu is Vimba Bija Drim. Kamakala with Vindu is the Vamanayana Bija im. Arkamata, Kala, Vani, Nada, Ardhendu, Sadasiva, Anuccarya, Turiya and Visvamatyka Bija is 99 Nadah. Bija-names described in the Bhutalamara Tantra. Pranava, Visabija, Dhruva, Halahala, Kala, Srutimukha, Bahurupi, and Niranjana Bija is Aum. Adorned with Ksatajastha, Vyomavaktra, Dhumrabhairavi, and with Nada-Vindu is the Primal Bija Hrin. Adorned with Krodhasa, Ksatajarudha, Dhumrabhairavi and with Nada-Vindu is the Pitsbbuvasini Bija Krim. For Private and Personal Use Only

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Shri Mahavir Jain Aradhana Kendra 92 1 5 10 15 20 23 www.kobatirth.org bhUtaDAmaratantroktabIjA nidhAnam smRtam 1 krodhakAlAtmakaM kuryAd bhautikaM vAgbhavaM nAdabindu-samAyuktaM samAdAyograbhairavIm // bIjametat kathitaM zuddhabuddhi pravartakam // eN // krodhIzo balabhid dhumra bhairavI - nAdabindubhiH / trimUttirmanmathaH kAmarAjastryailokyamohanam // klIM // indrAsanagato brahmA satrimUrtistu manmathaH // klIM // saMyuktaM dhUmrabharavyAH raktasthaM balibhojanam / nAdabindu samAyuktaM kiGkiNIbIjamuttamam // drIM // nAdabindu-samAyuktaM raktasthaM balibhojanam / kAlarAtryAsanopetaM vizikhAkhyaM mahAmanum // // vidAryAliGgito guhye valibhukkSata jokSitaH / nAdabindu-samAyukto vijJeyaH pizitAzanaH // dUM // dhUmadhvajaH karAlAgniH sordhvakezIndu-bindubhiH / yugAntakArakaM bIjaM bhairaveNa prakAzitam // spheM // kapardinaM samAdAyA kSatajokSitavigraham / saMyuktaM dhUmrabhairavyA dhvAMkSo'yaM nAdabindumAn // prIM // kapAlIdvayamAdAya mahAkAlena maNDitam / punastadvayamityuktaM caNDikAnyaM manoharam || ThaMTha ThaHThaH // kSatajasthaM vyomavaktraM vindukhaNDedvalaMkRtam / khadyotamiti saMproktaM grAsinI kAlarAtriyuk // haM hR // kSata jokSitamAkAzaM nAdabindu-vibhUSitam / vidArIbhUSitaM caiva bIjaM vaivasvatAtmakam // hUM // kIrtyAkhyA kAlavaktrA ca mahAkAlena bhUSitA / tapanAdiH paJcarazmiH sRSTisthityantakud vidhiH // OM // vyomasthaM nA (tA) lajaGghAsthaM bindunAdavibhUSitam / kUcaM kAlo mahAkAlaH krodhabIjaM niraJjanam // hUM // iti bhUtaDAmaratantrokta bIjAbhidhAnaM samAptam /

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Prakarantara Varsanighantu 93 Famous as Krodha, Kalatmaka, Bhautika, Vagbhava and with Nada-Vindu and Ugrabhairavi is the Propeller of Suddha Buddhi Bija Aim. Consisting of Krodhisa, Balabhid, Dhumrabhairavi, Nada and Vindu is the Trimurti, Manmatha, Kamaraja, and Trailokyamohana Bija Klim. Consisting of Dhumrabhairavi and Nada-Vindu is the Indrasanagata Brahma, Trimurti and Manmatha Bija Klim. Consisting of Raktastha, Balibhojana, Dhumrabhairavi and with Nada-Vindu is the fine Kinkini Bija Drim. With Nada.Vindu, Raktastha, Balibhojana, Kalaratri, Visikha and Mahamanu Bija is Drum. Vidaryalingita. Guhya, Balibhuk, Ksatajoksita and with Nada-Vindu is the Pisitasana Bija Drun. Dhumadhvaja, Karalagni, with Urdhvakesi-Vindu and brought to light by Bhairava is the Yugantakaraka Bija Sphen. Dhumrabhairavi with Nada-Vindu, Kaparddi, Ksatajo. ksita Vigraha, Dhvanksa Bija is Prim. Embellished with Mahakala along with Kapalidvaya and said twice is the Manohara Candikadhya Bija ThamTham ThahThah. Ksatajastha, Vyomavaktra with Nada-Vindu is the Khadyota, Grasini and Kalaratri Bija Hram Hrum. With Nada-Vindu, Ksatajoksita Akasa and Vidaribhusita Vaivasvantaka Bija is Hrum. Kirtyakhya, Kalavaktra, and with Mahakala, Tapanadi, Pancarasmi, Spsti Sthiti, and Pralayankari Bija is Aun. Vyomastha, Nalajanghastha, with Nada-Vindu is Kurca, Kala, Mahakala, Niranjana and Krodha Bija Hum. End of the Bijabhi dhanam of the Bhutadamara Tantra. For Private and Personal Use Only

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atha varadAtantrokta mantrArthAbhidhAnam 10 ziva uvAca / ___ mantrArtha kathayAmyadya zRNuSva paramezvari / vinA yena na siddhayetta sAdhana : koTizaH zive / / AdI prasAdabIjasya mantrArtha zRNu pArvati / zivavAcI hakArastu aukAraH syAt sadAzivaH / / zUnyaM duHkhaharArthantu tasmAttana zivaM yajet / / hauM / da durgAvAcakaM devi UkArazcApi rakSaNe / vizvamAtA nAdarUpaH kurvartho bindurUpakaH // tasmAttenaiva bojena durgAmArAdhayecchive // 9 // ka kAlI brahma ra proktaM mahAmAyArthakazca ii| vizvamAtrarthako nAdo bindurduHkhaharArthakaH / / tenaiva kAlikAdevIM pUjayed duHkhazAntaye // krIM / / hakAra: zivavAcI syAt rephaH prakRtirucyate / / mahAmAyArtha I-zabdo nAdo vizvaprasUH smRtaH / / du:khaharArthako bindurbhuvanAntena pUjayet // hrIM // mahAlakSmyarthaka: za: syAd dhanArtho repha ucyate / IstuSTayartho paro nAdo bindurdu:khaharArthakaH // . lakSmIdevyA bIjametatte na devIM prapUjayet // zrauM / sarasvatyartha ai-zabdo bindurdu:khaharArthakaH / sarasvatyA bojametatte na vANI prapUjayet / / aiN| kaH kAmadeva uddiSTo'pyathavA kRSNa ucyate / la: indra I tuSTivAcI sukhaduHkhapradazca aN|| kAmabojArtha uktaste tava snehAnmahezvari // klIM / / 20 For Private and Personal Use Only

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Mantrarthabhidhanam (of the Varada Tantra ) Sri Siva said : Listen, O Paramesvari! Now I shall describe to You the meaning of Mantras, in the absence of knowledge of which no one can get the fruit even with a million Sadhana. O Parvati ! first of all listen to the meaning of the Prasada-bija. Ha denotes Siva and Au indicates Sadasiva; Sunya indicates Duhkhahara. Thus Haum is the Bija for the worship of siva. Da indicates Durga; U indicates Raksana; the Nadarupa indicates Visvamata and Vindu indicates the Kurva. Thus Dum is the Bija for the worship of Durga. Ka indicates Kali; Ra indicates Brahma; I denotes Mahamaya; Nada denotes Visvamata and the Vindu indicates Duhkhahara. Thus made up of these letters, Krin is the Bija for the worship of Kalika Devi for getting relief from afflictions and pain. Ha indicates Siva; Repha indicates Praksti; I indicates Mahamaya; Nada indicates Visvaprasu and the Vindu indicates Duhkhahara. Consisting of these letters is the Bija Hrie for the worship of Bhuvanesvari. Sa indicates Mahalaksmi; Repha indicates Dhana; I indicates Tusti; Nada indicates Para; and Vindu indicates Duhkhahara. Thus the srim is the Bija for the worship of Laksmi Devi. Ai stands for Sarasvati and Vindu for Duhkhaharana. Thus Aim is the Bija for the worship of Vani. Ka stands for Kamadeva or Ktsna; La for Indra; i for Tusti, and M for Sukha. Out of Love for You the Kamabija which I have described is Klim. For Private and Personal Use Only

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varadAtantroktamantrArthAbhidhAnam hai: ziva: kathito devi u bherava ihocyate / parArtho nAdazabdastu bindurduHkhaharArthakaH // dharmabIjetribhitra kathitastava yatnataH // huuN| gaNezArtho ga uktaste bindurduHkhaharArthakaH / gaM bIjArthastu kathitaM tava snehAnmahezvari // gaM // go gaNezavyApakArtho lakArasteja aurmata: / duHharAthaMko bindugaNezaM tena pUjayet / / glauM / kSa nRsiMho brahma razca UrdhvadantArthakazca au / du:khaharArthako bindu siMha tena pUjayet // kSauM / nAmAdivarNa: sarveSAM nAma uktaM svayambhuvA / tenaMvarthantu jAnIyAdarthalagyAtu cintayet // yathAyathaM vibhaktyartha mantrAtheM cintayecchive / tattavarNAdiyogena saMkSepAt kathitaM tvayi / / durgottAraNavAcyaH sa tArakArthastakAraka: / bhuktyartho repha ukto'tra mahAmAyArthakazca I / / vizvamAtrarthako nAdo binduvuHharArthakaH / badhUvIjArtha ukto'tra tava snehAnmahezvari / strI // yatra bindudvayaM mantre eka duHkhaharArthakam / anyat sukhapradaM devi jJAtvA cArthaM vicintayet // yatra bindudvayaM mantre anyat pUrNArthakaM matam / svAhAmAtrArthakA devi parArthA vA prakItitA / / zakramAtA vaSaT proktA haripriyArthakA giraa| surA phaT hayagrIve vivi bIjaM vinidizeta / / yaM bIjaM vAyuvAcI syAt lamandraM parikIrtitam / anekAkSarabIje ca svasvabIjaM svanAmakam // evaM jJAtvA mahezAni mantrArtha paricintayet / ekabIjadvayaM yatra pRthagathaM prakalpayet / / vIpsArtha vA mahezAni jJAtvA mantra japeddhiyA / iti te kathito devi mantrArtha paramezvari // iti varadAtantrokta-mantrArthAbhidhAnaM samAptam / For Private and Personal Use Only

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Mantrarthabhidhanam of the Varada Tantra 97 Ha stands for Siva; U for Bhairava; Nada for Para, and the Vindu for Duhkhahara. These three letters make the Varma Bija Hum. Ga stands for Ganesa; Vindu for Duhkhaharana Thus is made the Bija Gam for the worship of Ganesa. Ga stands for Ganesa; La for Teja; Au for Mata; Vindu for Duhkhahara Thus the Bija Glaum is meant for the worship of Ganesa. Ksa stands for Nrsimha; Ra for Brahma; Au for Urdhvadanta; and Vindu for Duhkhahara. Thus the Bija for the worship of Nrsimha is Ksraum, In each of the Mantras there are the first letters of Names, and the Name has been said Svayambhu. Therefore one should use or meditate upon the letters after knowing their meaning. Thus I have described to you the method according to which one should understand and meditate upon the meaning of the Vibhaktis. Acharya Shri Kailassagarsuri Gyanmandir Sa stands for Durgottarana; Ta for Taraka; Repha for Bhukti; I for Mahamaya; Nada for Visvamatra; and Vindu for Duhkhabara. Out of love for You the meaning of the Vadhubija which I have described is Strim. 7 Whenever there are two Vindus in a Mantras, the one stands for Duhkhaharana and the other for providing Sukha. Wherever are two Vindus in a Mantra, there the second is always used in the sense of Purna. The Matras of Svaha are famous in the meaning of Para. Vasat stands for Sakramata; Gira for Haripriya; Phat for Sura; and Vivrim for Hayagriva. Yam-bija stands for Vayu and Lam for Indra. In Bijas consisting of several letters each letter-bija denotes its respective Devata. Wherever the same Bija is used twice, their meanings should be considered different. Thus knowing the meaning of the Mantra one should satisfy himself. One should use the Mantras for the purpose of Japa, only after knowing both of their Meanings. End of the Mantrarthabhi dhanam of the Varada Tantra, For Private and Personal Use Only

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Shri Mahavir Jain Aradhana Kendra 5 10 15 20 25 atha mudrA nighaNTuH atha mudrA: pravakSyAmi sarvatantreSu gopitAH / yAbhiviracitAbhizca modante mantradevatAH // 1 // ane japakAle ca dhyAne kAmye ca karmaNi / snAne cAvAhane zaGkha pratiSThAyAJca rakSaNe // 2 // navaidya ca tathA ca tattatkalpaprakAzite / sthAne mudrA: prakarttavyAH svasvalakSaNasaMyutA // 3 // AvAhanAdikA mudrA nava sAdhAraNA matAH / tathA SaDaGgamudrAzca sarvamantreSu yojayet // 4 // ekonaviMzatirmudrA viSNoruktA manISibhiH / zaGkhacakragadApadmaveNuzrIvatsakaustubhAH // 5 // vanamAlA tathA jJAnamudrA vilvAhvayA tathA / garuDAkhyA parA mudrA viSNoH santoSadAyakAH // 6 // nArasiMhI ca bArAhI hayagraMvI dhanustathA / vANamudrA tataH pazurjaganmohanikA parA // 7 // kAmamudrA parAkhyAtA zivasya dazamudrikAH / liGgayoni trizUlAkSamAleSTAmI mRgAhvayAH // 8 // khaTvAGgA ca kapAlAkhyA DamaruH zivatoSadAH / sUryasyaiva padmAkhyA samudrA gaNezituH // 9 // dantapAzAMkuzA vighna parzulaM Duka saMjJitAH / bIjapUjAhvayA mudrA vijJeyA vighnapUjane // 10 // pAzAMkuzavarAmI tikhaGgacarmadhanuH zarAH / maulI mudrikA daurgI mudrAH zakteH priyaGkarAH // 11 // mudgaraH pAzavajrAkhyA jihvA brAhmI tathaiva ca / paJcamudrAH samAkhyAtA brahmAstrapUjane // 12 // lakSmImudrAccane lakSmyA vAgvAdinyAstu pUjane / For Private and Personal Use Only

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Mudranighantu Now I shall describe to you the Mudras which are held very secret in all the Tantras. Exhibition of Mudras pleases the Mantra Devata. Acharya Shri Kailassagarsuri Gyanmandir 1 In Arcana, Japa, Dhyana, Sadhana for desired results, and in Bathing, Invocation, blowing the Conch-shell, Consecration of a Deity, Protection, Offerings and the grains meant for the Deity, appropriate Mudras with their respective forms must be exhibited. 2-3 Ordinarily there are nine Mudras for Avahana (Invocation), and in all the Mantras one should use six-organed Mudras. 0 4. The wise men have described Nineteen Mudras for Visnu, viz., Sankha, Cakra, Gada, Padma, Venu, Srivatsa, Kaustuba, Vanamala, Jnana, Bilva, Garuda, Para, Narasimhi, Varahi, Hayagraivi, Dhanu, Vana, Parasu and Jaganmohini, which please and satisfy Visnu. 5-7 Popular by the name of Kamamudras, Siva has Ten Mudras, viz., Linga, Yoni, Trisula, Aksamala, Vara, Abhaya, Mrga, Khatvanga, Kapala and Damaru, which all satisfy Siva. 8-9 There is only one, Padmamudra for Surya; and Ganesa has Seven. Danta, Pasa, Ankusa, Vidya, Parasu, Ladduka, and Bija are the Mudras for Ganesa. 10 Pasa, Ankusa, Vara, Abhaya, Khadga, Carma, Dhanu, Sara, Musali and Mudrika are the Ten Mudras loved by Durga. 11 Mudgara, Pasa, Vajra, Jihva and Brahmi are the Five Mudras specified for Brahmastra Japa and Puja. 12 For Private and Personal Use Only

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100 mudrAnighaNTu akSamAlA tathA vINA vyAkhyApustakamudrike / / 13 / / saptajihvAhvayA mudrA vijJeyA vahipUjane / matsyamudrA ca kUrmAkhyA lelihA muNDasaMjJikA / / 14 // mahAyoniriti khyAtA srvsiddhismRddhidaa| zaktyarcane mahAyoniH zyAmAdo muNDamudrikA // 15 // matsyakUrmalelihAkhyA mudrA sAdhAraNI mtaa| tArArcane vizeSAstu kathyante paJcamudrikAH // 16 // yonizca bhUtinI cava bIjAkhyA daityadhUminI / lelihAneti saMproktAH paJcamudrA; vilokitAH // 17 // dazamudrA: samAkhyAtAstripurAyA: pUjane / saMkSobhadrAvaNAkarSavazyonmAdamahAMkuza: // 18 // khecarI bIjayonyAkhyA trikhaNDA daza kiittitaa:| kumbhamudrA'bhiSeke syAt padmamudrA tathAsane / / 19 // . kAlakarNI prayoktavyA vighnaprazamakarmaNi / gAlinI ca prayoktavyA jalazodhanakarmaNi // 20 // zrIgopAlArcane veNurcaharenArasiMhikA / varAhasya ca pUjAyAM vArAhAkhyAM pradarzayet // 21 // hayagrIvArcane cava hayagrevIM pradarzayet / rAmAccane dhanurvANamudre pazuMstathA ne // 22 // pazurAmasya vijJeyA jagammohanasaMjJikA / jaganmohanapUjAyAM kAmamudrA tadarcane // 23 // vAsudevAhvayAhva(dhyA)ne kummamudrA tu rakSaNe / sarvatra prAthane caMva prArthanAkhyAM pradarzayet // 24 // uddezAnuktamAdayocyante tallakSaNAni ca / hastAbhyAmaJjali bavA'nAmikAmUlaparvaNoH / / 25 // aMguSThI nikSipet seyaM mudrA svAvAhanI smRtA / adhomukhI tviyaM cet syAt sthApanI mudrikA smRtA // 26 // ucchitAMguSThamuSTayozca saMyogAt sannidhApanI / antaHpravezitAMguSThA saiva saMbodhinI matA // 27 // 20 25 For Private and Personal Use Only

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Mudranighangu toi Laksmi Mudra is used in the worship of Laksmi, and in the worship of Sarasvati che Mudras used are Aksmala, Vina, Vyakhya and Pustaka. 13 Saptajihva Mudra has been specified for the worship of Agni. Matsya, Kurma, Leliha and Munda are also names of Mudras. Mahayoni Mudra fulfills all desires and bestows prosperity. In Sakti worship the Mahayoni Mudra and in the worship of syama the Munda Mudra is used. 15 Matsya, Kurma, and Leliha are considered ordinary Mudras. In the worship of Tara specially five Mudras are used, viz., Yoni, Bhutini, Bija, Daityadhumini and Leliha. 16-17 Ten Mudras have been considered useful for the worship of Tripura, viz., Saviksobhini, Vidravini, Akarsini, Vasyakari, Unmadini Mahankusa, Khecari, Bija, Yoni and Trikhanda. Kumbha-mudra has been specified for Consecration and Padma-mudra for Seating. 18-19 Kalakarni Mudra is used in the rituals meant for subsi. ding disturbances and Galini Mudra in used in the rites connected with purification of water. 20 In worship of Sri Gopala the Venu Mudra, in worship of NThari the Narasimhi Mudra, and in worship of Varaha the Varahi Mudra should be exhibited. 21 In the worship of Hayagriva the Hayagraivi Mudra and in worship of Rama the Dhanusa-Vana Mudra should be exhibited in the worship of Parasurama the Parasu Mudra is spccified. In the worship of Jaganmohana it is proper to exhibit the Kama Mudra. 22-23 In the worship of Vasudeva the Kumbha Mudra, and in Prayer the Prarthana Mudra should always be exhibited. Now, according to their necessities the method for exhibiting the Mudras is being described. 24-25 Both the hands should be joined to form a cavity; both the thums be placed on the root-joints of the respective ring. fingers This makes the Avahani Mudra. 25-26a Forming the abovementioned Avahani Mudra, when it is turned up-side down it makes Sthapini Mudra. 26b For Private and Personal Use Only

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102 10 mudrAnighaNTuH usAnamuSTiyugalA sammukhIkaraNI matA / devatAGge SaDaGgAnAM vyAsa: syAt sakalIkRtiH / / 28 // savyahastakRtA muSTirdIrghAdhomukhatarjanI / avaguNThana mudreyamamito bhrAmitA matA / / 29 / / anyonyAbhimukhAzliSTA kaniSThA'nAmikA punaH / tathaiva tarjanI madhyA dhenumudreyamIritA // 30 // amRtIkaraNaM kuryAttayA sAdhakasattamaH / / anyonyagrathitAMguSThA prasArita karAMgulI / / 31 / / mahAmudreyamuditA paramIkaraNe budhaH / prayojayedimA mudrA devatAhvAnakarmaNi / / 32 // aGgabhyAsakSamA mudrAstAsAM lakSaNamucyate // 33 // anaMguSThA Rjavo hastazAkhA bhavenmudrA hRdaye zIrSake ca / adho'GguSThA khalu muSTiH zikhAyAM karadvandvAMgulayo varmaNi syuH / / 34 / / nArAcamuSTayuddhatabAhayugmakAMguSTata myuditodhvanistu / viSvaka vizakta: kathitA'tramudrA yatrAkSiNI tarjanimadhyame staH // 35 // netratrayamatra bhavedanAmA SaDaGgamudrA kathitA vidhijJaH // 36 // aGgahInasya mantrasya svenaivAGgAni kalpayet / vaiSNavAnAntu mudrANAM kathyante lakSaNANyatha // 37 / / vAmaMguSThaM tu saMgRhya dakSiNena tu muSTinA / kRtvottAnAM tato muSTimaMguSThantu prasArayet // 38 // vAmAMgulyastathAzliSTAH saMyuktAH suprasAritA: / dakSiNAMguSThasaMpRSTAH zaGkhamudreyamoritA / / 39 // hastau tu sammukhau kRtvA snntprothitaaNgulii| talAntamilitAMguSThI subhugnau sugrasAritau / / 40 // kaniSThAMguSThako lagnau mudraSA cakrasaMjJikA / 25 For Private and Personal Use Only

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Mudranighanku 103 Binding fists by both hands when both the thumbs are made to stand vertically it becomes Sannidhapini Mudra. Placing both the thumbs within both the fists and then turning the fists downwards makes the Sambodhini Mudra. When the Sambodhini Mudra-fists are turned upwards it makes Sammukhikarapa Mudra. 27-28a In the process of the Nyasa of six organs of the body for the Devatas, Saralikarana Mudra is formed. 28b Making a fist of the left hand the forefinger be pointed downwards; then moving the fore-finger forward and backwards in a controlled manner makes Avagunchana Mudra. 29 Place the fingers of right hand on the fingers of the left hand. The right fure finger should then be placed on the contral point of the middle finger. The left fore-finger should be placed on the right middle finger; the left ring-finger be united with the right little finger and the right ring-finger with the left little-finger. All the fingers 80 placed and fixed, be turned downwards. This is the Dhenu Mudra. 30 Wise Sadhakas perform the Amotikarana rite in this manner ( i. c. pronouncing the Amsta Bija Van and exhibiting the Dhenu Mudra. ) 3) a Uniting both the thumbs, fingers of both hands be extended. This has been called hy wise the Paramikarana Mudra. These Mudras are used in rituals connected with the Invocation. 31-32 Now the Sadanga Mudras of Anga-nyasa and their characteristics are being described. 33 Leaving the ring-finger and the thumb, if the rest of the fingers remain straight it makes the Hgdaya Mudra. Siro Mudra is also made like this. Making a fist and then pointing the thumb downwards is called Sikha Mudra; while extending the fingers of both the hands is called Varma or Kavaca Mudra. 34b Making sound by rubbing the thumbs and fore-fingers of both hands extended like arrows, is called the Astra Mudra. 34a For Private and Personal Use Only

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15. mudrAnighaNTA anyonyAbhimukhau hastI kRtvA tu grathitAMgulI / / 41 / / aMgulyo madhyame bhUyaH sulagne suprsaarite| gadAmudreyamAkhyAtA viSNoH santoSaddhinI / / 42 // hastau tu sammukhau kRtvA sannatAvannatAMgulI / talAntamiliAguSThI mudraiSA padmasaMjJikA / / 43 // oSThe vAmakarAMguSTho lagnastatra kaniSThikA / dakSiNAMguSThasaMlagnA tatkaniSThA prasAritA // 44 // tarjanImadhyamAnAmA: kiJcit saGkocya cAlitAH / veNumudrA bhavedeSA sugumA preyasI hre:|| 45 // anyonyspRssttkryomdhymaanaamikaaNgulii| aMguSThena tu baghnIyAt kaniSThAmUlasaMdhi(sthi)te // 46 // tajanyo kArayedeSA mudrA shriivtssNjnyikaa| anAmikApRSThalagnAM dakSiNasya kaniSThikAm // 47 / / kaniSThayA'nyayA badavA tajavyA dakSayA tthaa| vAmAmanAmAM badhnIyAkSiNAMguSThamUlake / / 48 // aMguSThamadhyame vAme saMyojya saralAH parAH / catasro'pya prasaMlagnA mudrA kaustubhasaMjJikA // 49 // spRzet kaNThAdipAdAntaM tajanyAMguSThaniSThayA / karadvayanamAlAva-mudreyaM vanamAlikA // 50 // tajanyaMguSThako saktau vakrato hRdi vinyaset / vAmahastAnu(mbu)ja vAmajAnupUrddhani vinyaset // 51 // jJAnamudrA bhavedeSA rAmacandrasya preyasI // 52 // aMguSThaM vAmamuddaNDitamitarakarAMguSThakenApi baddhavA / tasyAgraM pIDayitvAMgulibhirapi ca tA vAmahastAMgulIbhiH / badbhavA gADhaM hRdi sthApayatu vimaladhIyAharanmArabIjaM / bilvAkhyA mudrikaiSA sphuTamiha kathitA gopanIyA vidhijJaiH // hastau tu vimukhau kRtvA grathayitvA kaniSThike / mithastarjanike zliSTe zliSTAvaMguSThako sathA / / 54 // madhyamAnAmike dve tu dvau pakSAviva cAlayet / eSA garuDamudrA syAdviSNo: santoSaddhinI // 55 // jAnumadhye karI kRtvA civukoSThI smaakRtii| hastau tu bhUmisaMlagnI kampamAnI punaH punaH / / 56 // 20 For Private and Personal Use Only

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Mudranighantu 105 The fore-finger and the middle finger--these two are the Netra Mudri. When one has to perform Nyasa of three Eyes the ring-finger is also included along with the fore and the middle to exhibit the Netra-traya ( Three-eyes). The knowers of the ritualistic methodology call this as Sadanga Mudra. 35-36 Mantras without organs be imagined according to their organs. Now are being descrided the characteristics of the Mudras popular amongst Vaisnayas. 37 Catch the left thumb in the right fist. The right fist should face upwards and its thumb extended. All the left hand fingers should, compactly touching cach other, be extended. Now the extended fingers of the left hand should be turned right to touch the right thumb). This is called Sankha Mudra. 38-39 Place both the hands side by side, palm up. Close the fingers of both the hands to form fists. Now lend the thumbs to touch cach other, and spread the fingers of both hands except the little fingers which should remain touching each other along with the thumbs. This is Cakra Mudra. 40-41a Place both hands so that their palms face and touch cach other. Now the fingers of both hands be interwooven in clasped position. In this position only the middle fingers should be extended forward but touching each other. This is the Gada Mudra which pleases Visnu. 41b-42 Place both hands side by side with palms upwards and the fingers in clasped fist position. Now the thumbs be made to touch each other across their palms. This is Padma Mudra. Thumb of the left hand should touch the lips and its little finger should touch the thumb of the right hand; the little finger of the right hand should remain in extended position. Now the other three fingers of the right hand ( fore, middle and ring fingers ) should be bent a little and slowly moved forward and backward. This is Venu Mudra which, besides being very secret, is very much loved by Sri Krsna. 44.45 Place the palms of both hands facing each other; bend the middle and ring fingers and clasp them with the thumbs of For Private and Personal Use Only

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Shri Mahavir Jain Aradhana Kendra 06 1 5 10 15 20 25 30 mudrAnighaNTu : mukhaM nivRttakaM kRtvA lelihAnAM ca jihvikAm / nArasiMhI bhavedeSA mudrA tatprItivarddhanI // 57 // aMguSThAbhyAJca karayorathAkramya kaniSThike / adhomukhIbhiH sarvAbhirmudreyaM nRhareH smRtA // 58 // dakSopari karaM vAmaM kRtvottAnamadhaH sudhIH / bhrA (na) mayediti saMproktA mudrA vArAhasaMjJikA // 59 // dakSahastayorddhamukhaM vAmahastamadhomukham / aMgulyagrantu saMyuktaM mudrA vArAhasaMjJikA / 60 // vAmahastatale kRtvA dakSAMgulimadhomukhIm / saMropya madhyamAnAme mukhasyAdho vikuzayet // 61 // hayagrIvapriyA mudrA tammUtairanukAriNI / vAmasya madhyamAgrantu tarjanyagre tu yojayet // 62 // anAmikAM kaniSThAca tasyAMguSThena pIDayet / sparzayedvAmake skandhe dhanurmudreyamIritA // 63 // dakSamuSTastu tarjaNyA dIrghayA vANamudrikA | tale talantu karayostiryyak saMyojya bAMgulIH // 64 // saMhatAH prasRtAH kuryAnmudreyaM pazusaMjJikA / UrddhasthAMguSThaSTI dve mudrA trailokyamohinI // 65 // hasto tu sampuTI kRtvA prasRtAMguliko tathA / tarjanyo madhyamApRSThe aMguSThau madhyAzritau // 66 // kAmamudreyamuditA sarvadevapriyaGkarI / sadAzivapriyANAJca kathyante lakSaNAni ca // 67 // ucchritaM dakSiNAMguSThaM vAmAMguSThena bandhayet / vAmAMgulI IkSiNAbhiraMgulIbhizca bandhayet // 68 // liGgamudrayamAkhyAtA zivasAnnidhyakAriNI | mithaH kaniSThike baddhvA tarjanIbhyAmanAmike // 69 // anAmikorddhasaMzliSTadIrgha madhyamayoradhaH / amuSThAgradvayaM nyasyedyonimudreyamIritA // 70 // aMguSThena kaniSThAntu baddhvA dakSAMgulItrayam / prasArayet trizUlAkhyA mudreSA parikIrtitA // 71 // aMguSThatarjanyagre tu granthayitvAM gulitrayam / prasArayedakSamAlA - mudreyaM parikIrtitA // 72 // For Private and Personal Use Only

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Mudranighanku 107 respective hands. Now the fore fingers of both hands should touch the root portions of their respective little fingers. This is Srivatsa Mudra. 46-47a The Ring finger and the little finger touching the thumb of the right hand be tied with the little finger of the left hand. Right fore finger should tie the left ring singer. The left thumb and the Middle fingers should now be made to touch the root portion of the right thumb). Rest of the fingers should remain straight. The tips of all the four fingers touching cach other should remain in contact with cach other. This is Kaustubha Mudra. 47b-49 With the fore fingers and thumbs of each hand in contact touch the body from throat to feet. This is Vanamila Mudra. The fore finger and thumb of the right hand should be made to touch each other and the rest of the fingers be bent a little. The hand in this position be then placed over the heart. The left hand be placed on the left thigh with palm facing upwards. This is the Jrana Mudra loved by Sri Ramacandra. 'Making the left thumb erect clasp it with the thumb of the right hand. Clasp the thumb of the right hand so clasping the left thumb, with all the fingers of the right hand. Now clasp with all the fingers of the left hand the fingers of the right hand which are already in clasping position. Simultaneously the Kamabija Klim ve recited. This has been called secret of all, the Bilya Mudra. 50-53 Let the backs of both hand touch each other. Now facing the palms downwards the little and fore fingers of both hands be entwined respectively with each other. In this position the remaining middle and ring fingers of both hands should be moved in opposite directions up and down like the wings of a bird. This is the Garuda Mudra which satisfies Lord Visnu. Sitting on the ground place both the hands between the thighs. The chin and lips should touch each other. Now the hands so placed be shaken repeatedly. Bringing the mouth in normal position the tongue should be extended forward like Lelihana Mudra. This is called Narsimhi Mudra loved by Visnu. 54-57 For Private and Personal Use Only

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108 bhudrAnighaNTuH adha:kRto dakSahastaH prasRto varamudrikA / UrvIkRto vAmahasta: prasRto'mayamudrikA // 73 // militAnAmikAMguSThe madhyamAgrantu yojayet / ziSTAMgulyucchite kuryAnmRgamudreyamIritA / / 74 / / paJcAMgulyo dakSiNAstu militA UrdhvamunnatAH / khaTvAGgamudrA vikhyAtA zivasyAtipriyA matA / / 75 // pAtravadvAmahastaza kRtvA vAmAMsake tathA / nidhAyocchritavat kuryAmmudrA kApAlakI matA / / 76 / / muSTiya zithilAM bavA ISaducchitamadhyamAm / dakSiNAmUrddhamusolya karNadeze pracAlayet // 7 // eSA mudrA DamarukA sarvavighnavinAzinI / tato gaNezamudrANAmucyante bakSaNAni ca // 78 / / uttAnordhvamukhI madhyA saralA baddhamuSTikA / dantamudrA samAkhyAtA sarvAgamavizAradaH // 79 // bAmamuSTastu tarjanyA dakSamudhisthatarjanIm / saMyojyAMguSThakAnAbhyAM tarjanyagne svake kSipet // 8 // eSA pAzAhvayA mudrA vidbhiH prikiititaa| RjvI madhyamAM kRtvA tarjanI madhyaparvaNi // 1 // saMyojyAkuJcayet kizcinmudraSAMkuzasaMjJikA / tarjanImadhyamAsandhiniHsRtAMguSThamuSTikA // 2 // adhomukhI dIrgharUpA madhyamA vighnamudrikA / pazumudrA nigaditA prasiddhA laDDDamudrikA / / 83 // vIjapUrAhvayA mudrA prsiddhtvaadupekssitaa| zAkteyAnAca mudrANAM kathyante lakSaNAni ca // 84 // pAzAMkuzavarAbhItidhanurvANA: samIritAH / kaniSThAnAmike baddhavA svAMguSThenaiva dakSata: / / 85 // zliSTAMgulI ca prasRSTe khnggmudrikaa| vAmahastaM tathA tiryak kRtvA caMva prasArayet // 86 // AkuzcinAMgulI: kuryAdharmamudreyamIritA / muSTi kRtvA tu hastAbhyAM vAmasyopari dakSiNAm // 87 // kuryAnmUSalamudreyaM srvvighnvinaashinii| muSTiM kutvA karAbhyAJca vAmasyopari dakSiNAm // 88 // 20 25 For Private and Personal Use Only

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Mudranighangu 109 With palms facing downwards, both the thumbs and the little fingers be extended downwards. Thus are performed all the Nssimha Mudras. 58 Place the left palm over the back of the right hand. Turn the fingers of the left hand so as to touch the down facing palm of the right hand. Now clasp the fingers of the left hand so turned, with the fingers of the right hand. This is called the Varaha Mudra. 59 Put the left palm over the up facing palm of the right hand The tips of respective fingers of each hand should touch each other. This is also Varaha Mudra. 60 Put the right hand fingers under the palm of the left hand; the fingers of the right hand facing downwards. Now raise the fingers and with the left hand middle and ring fingers raise the fingers of the right hand and bringing them near the mouth open them. Representing the form of Hayagriva, this is the Hayagraivi Mudra. 61 Join the middle finger of the left hand with the fore fingers of the right haud. Join the ring finger of the left hand with the little finger of the right hand. Press the so joined ring and little fingers with thc thumb and touch both the shoulders with them. This is Dhenu Mudra 62-63 Binding a fist with the right hand raise its fore finger straight. This is the Vana Mudra. 63b Join both the palms; raise the hands so joined and move them as if operating an axe. This is Parsu Mudra, 64 Bind fists with both the hands; join both the fists and then raise both the thumbs while they should remain t each other. This is Trailokyamohini Mudra. Make a cavity with both the hands and keep the fingers extended forward. Now put both fore fingers on the back of their respective : middle fingers. Both the thumbs be placed on the respective middle fingers. Loved by all the Devatas this is the blissful Kama Mudra. 66 Now the Mudras loved by Sadasiva are being described. Raising the right thumb upwards tie it with the left thumb. 65 For Private and Personal Use Only

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mudrAnighaNTu * kRtvA zirasi saMyojya durgaamudreymiiritaa|| cakramudrAM tathA baddhavA madhyame dve prasAyaM ca / / 89 // kaniSThike tathAnIya tadagre'GguSThako kSipet / lakSmImudrA tathAhyeSA sarvasampatpradAyinI / / 90 // mudgaraM pAzajihve cA'prasiddhatvAdupekSite // 91 // vAmAMguSThamadhaH kRtvA aMgulobhinirudhya ca / brAhmImudreti vikhyAtA brahmAstrajapakarmaNi // 92 // vINAvAdanavaddhasto kRtvA saJcAlayecchiraH / vINAmudrA samAkhyAtA sarasvatyAH priyaGkarI // 63 // vAmamuSTiH svAbhimukhI baddhA pustaka mudrikA // 94 // dakSiNAMguSThatarjanyAvagralagne parAMgulIH / prasArya saMhatottAnA eSA vyAkhyAna mudrikA // - rAmasya ca sarasvatyA atyantapreyasI matA // 95 // maNibandhasthitI kRtvA prasRtAMguliko kro| kaniSThAMguSThayugale militvAntaH prasArayet / / saptajihvAkhyamudreyaM vaizvAnarapriyaGkarI // 96 // kaniSThAMguSThako saktI karayoritaretaram / tarjanImadhyamAnAmA: saMhatA bhugnajitAH / / mudraSA gAlinI proktA zaGkhasyopari cAlitA // 97 // dakSAMguSThaM parAMguSThe kSipsvA hastadvayena tu / sAvakAzAmekamuSThi kuryAta sA kumbhamudrikA // 68 // muSTayorUrbI kRtAMguSThau tarjanyane tu vinyaset / sarvarakSAkarI hyeSA kumbhamudrA samIritA // 99 // prasRtAMguliko hastau mitha: ziladhI ca smmukhau|| kuryAt svahRdaye ceyaM mudrA prArthanAsaMjJikA // 100 / / aJjalyA'JjalimudrA syAd vAsudevapriyaiva sA // 101 / / aMguSThAvannatI kRtvA muSTayo: saMlagnayordvayoH / tAvevAbhimukhau kuryAt mudraiSA kAlakaNikA // 102 // dakSiNamuSTiniviDA nAsikApitatarjanI / mudrA vismayasaMjJA syAd vismayAvezakAriNI // 103 // muSTiIkRtAMguSThA dakSiNA naadmudrikaa| tarjanyaM guSThasaMyogAdagrato bindumudrikA / / 104 / / 30 For Private and Personal Use Only

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Mudranighantu thereafter join the fingers of both hands and make them clasp each other. This is the Linga Mudra which brings the person near Lord Siva. 67-68 111 Join both the little fingers; bind the fore and ring fingers; and keeping the ring fingers slightly joined with middle fingers the latter should be straightened downwards. Now place both the thumbs on each other. This is called Yoni Mudra. 60-70 Binding the little fingers with the thumbs the rest of the three fingers be straightened. This is the Trisula Mudra. 71 Join the tips of the thumb and the fore fingers. Rest of the three fingers of each hand should now be interwooven, and extended forward. This is Aksamala Mudra. 72 Turn the right palm downwards and extend the hand. This is the Vara Mudra. 73a Raise the left hand and keep the palm open. This is the Abhaya Mudra. 73b Join the ring finger and the thumb and place the tip of the middle fingers also on them. The remaining two fingers should be extended upwards. This is the Mrga Mudra. 74 Keep all the five fingers of the right hand closed and then raise them upwards. This is the famous Khatvanga Mudra loved very much by Lord Siva. 75 Making the left hand into a shape of a pot one should imitate like raising and putting into it some thing from his left side. This is the Kapalaki Mudra. 76-77a Bind slightly the fist and then raise the middle fingers a little. The right should then be raised up to the car. This is called the Damaru Mudra which destroys all obstacles. 77-78a Now the characteristics of the Ganesa Mudra are being described. 78b For Private and Personal Use Only Bind fists of both hands and then raise the middle fingers straight. This has been said to be the Danta Mudra by persons versed in Agamas. Binding fists of both the hands the be anchored with the right fore finger. should then be pressed by their respective thumbs. Thereafter 79 left fore finger should Both the "fore fingers

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112 mudrAnighaNTu! adhomukhe vAmahaste UrdhAsyaM dakSahastakam / kSiptvAMgulIbhiH saMyojya hastau tu parivartayet / / eSA saMhAramudrA syAdvisarjanavidhI matA // 105 // dakSapANipRSThadeze vAmapANitalaM nyaset / aMguSThI cAlayet samyaGmudre matsyarUpiNI // 106 / vAmahastasya tarjanyA dakSiNasya kaniSThikAm / tathA dakSiNatajanyAM vAmAMguSThaM niyojayet / / 107 / / unnataM dakSiNAMguSThaM vAmasya madhyamAdikAH / aMgulIryojayet pRSThe dakSiNasya karasya ca // 108 // kUrmapRSThasamaM kuryAd dakSapANizca sarvataH / kumamudreyamAkhyAtA devatAdhyAnakarmaNi // 109 // antarAMguSThamuSTiM tu kRtvA vAmakarasya ca / madhyamAdyA dakSiNasya tathAnamya prayatnataH // 110 // madhyAkenA'tha tarjaNyA aMguSThAgraM tu yojayet / dakSiNaM yojayet pANi vAmumuSTo tu sAdhakaH / / darzayed dakSiNe bhAge muNDamudreyamucyate / / 111 // yonimudrA ca vaktavyA bIjAkhyApi ca bhUtinI // 112 / / parivartya karI spRSThau kaniSThAkRSTamadhyame / anAmAyugalaM cAdhastarjanIyugalaM pRthak / / 113 / / anyonyaM niviDaM baddhAMguSThAne'nAmike tataH / puTAkArI karo kRtvA tavyAvaM kushaakRtii| dAnavadhUmaketvAkhyA mudvaiSA kathitA priye // 114 // vaktraM vistAritaM kRtvA'pyadho jihvAM ca cAlayet / pArzvasthaM mudhyuigalaM lelihAneti kItitA // 115 // yonirmAyA'dhara: segdurvadhUH kUrca kramAd viduH / vIjAni cozcaran mantrI mudrAbandhanamAcaret // 116 // tarjanImadhyamAnAmAH samaM kuryAdadhomukhIH / anAmAyAM kSiped vRddhAmRjvIM kRtvA kaniSThikAm / / lelihA nAma mudreyaM jIvanyAse prakIrtitA // 117 // tarjanyanAmikAmadhyAkaniSThAkramayogataH / karayoryojayatyeva kaniSThAmUlayogataH // aMguSThAgre tu niHkSipya mahAyoniH prakIrtitA / / 118 // For Private and Personal Use Only

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Mudranighantu 113 84b the fore part of the right fore finger should be separated a little. This is called Pasa Mudra by the erudites. 82 The middle fingers should be kept straight and both the fore fingers be anchored with each other at the middle joints. The fore fingers should be bent a little and pulling each other. This is the Ankusa Mudra. 81 Bind fists and put the thumbs between the fore and middle fingers in such a manner that the thumbs are peeping out. Now the middle fingers should be made to point downwards. This is the Vighna Mudra. 82 83a The Parsu Mudra described above is also famous as Ladduka Mudra. 88b The Vijapura Mudra has remained neglected because it could not become famous. 84a Now the sakta Mudras are being described. The Pasa, Ankusa, Vara, Abhaya, Dhanu and Vana Mudras have already been described above. 85a The little and the ring fingers should be tied with each other and the thumbs should be joined with them. The remaining fingers be joined together and extended. Thus form the Khadga Mudra. 85b-86a The extended lest hand should be bent a little and the fingers be also curved. This is the Carma Mudra. 36b-87a Both the hands should be bound into fists. The right fist should then be placed on the left. This is the Musala Mudra which removes all obstacles and disturbances. 87b-88a Biud fists of by both hands, place the right fist on the left, and then touch them with the head. This is Durga Mudra. First of all make the Cakra Mudra and then extend the middle fingers. Now extend thc thumbs a little beyond through the ring and little fingers. This is the Laksmi Mudra which gives all prosperity. 88b-90 Mudgara, Pasa, and Jihva Mudras are omitted because they are not famous, 91a For Private and Personal Use Only

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114 mudrAnighaNTuH 1 . vAmakezvaratantroktA: prakAzyante'tra mudrikAH // 116 / / zrIziva uvAca / zRNu devi pravakSyAmi mRdrAH sarvArthasiddhidAH / yAmiviracitAbhistu sAnnidhyA tripurA bhavet // 120 / / parivartya karau spRSTAvaMguSThau kArayet samau / anAmAntargate kRtvA tarjanyo kuTilAkRti / / 121 // kaniSThike niyuJjIta nijasthAne mahezvari / trikhaNDeyaM samAkhyAtA tripurAhvAnakarmaNi / / 122 // madhyamAmadhyage kRtvA kaniSThaMguSTharodhite / tarjanyau daNDavat kRtvA madhyamoparyanAmike // eSA tu prathamA mudrA sarvasaMkSobhakAriNI // 123 // etasyA eva mudrAyA madhyame sarale ydaa| kriyete paramezAni tadA vidrAviNo bhavet // 124 / / madhyamA tarjanIbhyAntu kaniSThAnAmike same / aMkuzAkArarUpAbhyAM madhyame paramezvari / / 125 / / aMguSTaM tu niyuJjIta kaniSThAnAmikopari / iyamAkarSiNI mudrA trailokyAkarSiNI matA // 126 / / puTAkArI karau kRtvA trjnyaavNkushaakRtii| ' parivartya krameNava madhyame tadadhogate // 127 // krameNa devi tenaiva kaniSThAnAmike tathA / saMyojya niviDA: sarvA aMguSThasyAgradezata: / / mudreyaM paramezAni sarvavazyakarI matA // 128 / / sammukhau tu karau kRtvA madhyamA madhyage'ntyaje / anAmike tu sarale tad bahistarjanIdvayam // 126 / / daNDAkArI tato'GguSThau madhyamAnakhadezagI / mudraSonmAdinI nAma kledinI sarvayoSitAm // 130 // asyAntvanAmikAyugmamadhaH kRtvAMkuzAkRti / tarjadhyAvapi tenaiva krameNa viniyojayet / / iyaM mahAMkuzA mudrA sarvakAmArthasAdhinI // 131 // savyaM dakSiNadeze tu savyadeze tu dakSiNam / bAhuM kRtvA mahAdevi hastau saMgarivartya ca // 132 // 15 20 For Private and Personal Use Only

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Mudranighantu 115 Point the left thumb downwards and then all the fingers below the thumb as if stopping it. This is the Brahmi Mudra used in the ritual of the Brahmastra Japa. 92 Both the hands be positioned as if holding the Vina and for a while imitate playing on the Vina. This is the Vina Mudra loved by Sarasvati. 93 Bind the left fist and place it in front of you. This is the Pustaka Mudra. 94 Join the tips of the fore finger and thumb of the right hand; rest of ihe fingers touching each other be raised upwards. This is the Vyakhyana Mudra loved very much by Sri Rama and Sarasvati. 95 Raise all the fingers of both hands on their wrists. Tips of the thumbs and little fingers be joined and extended forward. This is the Saptajihva Mudra loved by Vaisvanara. 96 Place the palms one on thc other; bend the little fingers so that they may touch the respective palms. The fore, middle and the ring fingers should be straight and closed to touch cach other. This is the Galini Mudra used for blowing the Conch Shcll (Sankha). Placing the right thumb over the left both the hands should bind a fist in such a manner that there remains a little space in the fists. This is the Kumbha Mudra. 98 Make a single fist by joing both hands, and then joining both the thumlys they should be placed on the tip of the fore finger. This is the Kumbha Mudra which protects a Sadhaka in every manner. 99 Both the hands le placed on the heart in extended form. This is Prarthana Mudra. 100 Make a cavity by joining both the hands. This is the Anjali Mudra loved by Vasudeva. 101 With bound fists of both hands touching each other raise Loth thumbs upwards, and thus place thc hands in front of you. This is Kalakarni Mudra, 102 97 For Private and Personal Use Only

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116 mudrAnighaNTuH kaniSThAnAmike devi yukte tena krameNa ca / tajanIbhyAM samAkrAnte sarvordhvamapi madhyame / / 133 // aMguSThau tu mahezAni saralAvapi kArayet / iyaM sA khecarI nAmnA mudrA sarvottamA matA // 134 // parivartya karau spRSTavAvarddhacandrAkRtI priye / tarjanyAMguSThayugalaM yugapat kArayettataH // 135 // adha: kaniSThAvaSTabdhe madhyame viniyojayet / tathaiva kuTile yojye sarvAdhastAdanAmike / / bIjamudreyamacirAva sarvasampadvivaddhinI // 136 / / madhyame kuTile kRtvA tarjanyupari saMsthite / anAmike madhyagate tathaiva hi kaniSThike // 137 // sarvA ekatra saMyojyA aMguSThaparipIDitAH / eSA tu prathamA mudrA yonimudreyamoritA // 138 / anyonyAbhimukho hastI kRtvA tu grathitAMgulI / aMguSTha-madhyame bhUyaH saMlagne suprasArite / / mahAmudreti vikhyAtA parA muktikarI tathA // 139 / / etA mudrA mahezAni tripurAyA mayoditAH / pUjAkAle prayoktavyA yathAnukramayogata: / / 140 // bAmahastena muSTintu baddhvA karNapradezake / tarjanoM saralAM kRtvA bhraamyenmnuvittmH|| saubhAgyadaNDinI mudrA jyAsakAle'pi sUcitA // 141 // antaraMguSThamuSTyA tu nirudhya tarjanImimAm / ripujihvAgrahA mudrA nyAsakAle tu sUcitA / / 142 // baddhvA tu yonimudrAM vai madhyame kuTile kuru / aMguSThau ca tadane tu mudreyaM bhUtinI matA // 143 // vAmamuSTi vidhAyAtha tarjanI-madhyame tataH / prasArya tarjanImudrA nirdiSTA vajrapANinA // 144 // itIdaM kathitaM bhadre mudrANAM lakSaNaM sphuTam / pUjAkAle jape snAne devatAsannidhAyakam // gopyaM kuru mahAdevi na deyaM kitave zaThe / / 145 // iti zrI vAmakezvaratantre umAmahezvarasaMvAde mudrAnighaNTuH samApta: / samApto'yaM granthaH / 15 25 For Private and Personal Use Only

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Mudranighanku 117 Binding a tight fist by the right hand its fore finger should be placed on the nose slightly pressing it. This is Vismaya Mudra depicting the feeling of surprise. 103 The right thumb be bound within the left fist. This is Nada Mudra. 104a The forefinger and the thumb be joined at the tips. This is Vindu Mudra. 104b Left hand facing downwards be placed on upward facing right hand, the fingers of both hands should clasp each other, and the entire formation then be turned upside down. This is Samhara Mudra formed at the time of requesting the Deity to depart. 105 Place the lelt palm on the back of right hand and then join both the thumbs across the hands so placed. This is Matsya Mudra. 106 Join the fore finger of left hand with the little finger of right hand. Again join the fore finger of right hand with the thumb of the left hand and raise the thumb of right hand. Now take the middlt and ring fingers of the left hand and touch them with the right palm of right hand. Now the right hand be positioned like the back of a tortoise. This is the Kurma Mudra exhibited at the time of Concentration upon the Deity. Bind a fist of the left hand enclosing the thumb inside. Bend the middle, ring and little fingers of right hand and the tip of the thumb be placed on the middle joint of the fore finger. Now the left fist be placed on the right hand so formed, and the Sadhaka should fix his eyes on the right of the hands so positioned. This is the Munda Mudra. 107-111 Yoni, Bija and Bhutini Mudras also deserve description. Place both palms facing downwards one on the other. The little and middle fingers should be entwined with each other. Both the ring fingers should be joined with each other. Keep both the fore fingers separate. Now with the thumbs and ring fingers of both hands tightly bind the rest of the fingers so For Private and Personal Use Only

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i 18 Mudranighantu English Translation of Mudranighantu continuedthat they touch at their tips. This is Danava-dhumaketu Mudra. 113-114 Open the mouth, extend the tougue forward and move it bending downwards. Kecp both the fists by the sides. This is Lelihana Mudra. 115 Those who know the Yoni, Maya, Adhara, Indra, Vadhu and Kurca in the order, should at the time of pronouncing Bija also exhibit the Mudras. 116 Fore, middle and ring fingers be made equal and face downwards. The little finger be kept straight. This is Lelihana Mudra exhibited at the time of Consecration of the Deity. The fore, middle, ring and little fingers of both hands be joined with each other and then both palms be so joined that they perfectly touch at the lower end. Now both the thumbs be placed at the roots of the respective little fingers. This is Mahayoni Mudra. 117-118 Now the Mudras described in the Varnakesvara Tantra are being elaborated. 119 Sri Siva said : Listen O Devi, I am now describing the Mudras which provide all the Siddhis. Now listen to the Mudra which brings the Sadhaka near Tripura Devi. 120 Placing both the hands on the back cross-wise the thumbs be joined equally. The ring fingers be extended inside and fore fingers bent. Little fingers be joined at their own places. This is Trikhanda Mudra exhibited at the time of Invocation of the Tripura Devi. 121-122 Keeping the middle finger in the middle, the thumbs and little fingers be joined. Fore finger should be kept straight and ring finger placed over the middle. This is the first Sanksobhakarini Mudra. 123 When in the above-mentioned Samksobhakarini Mudra the middle finger is released it becomes Vidravani Mudra. 124 Little and ring fingers along with the middle and fore fingers be joined and made equal at the tips. Then making a For Private and Personal Use Only

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Mudranighanku 119 hook of the middle finger it should be placed on the little and ring fingers, and the thumb should also be joined with it. This is the Akarsini Mudra which attracts all the three worlds. 125-126 Make a cavity by joining both hands and then the fore fingers be bent like a hook. Similarly the middle, little, and ring fingers be bent in this order and then all of them should tightly be joinded with the tip of the thumb. O Paramesvari ! this is the Vasyakari Mudra. 127-128 Placing both hands in front, the middle finger should be joined with the middle, and the little with little. Ring fingershould be kept straight and joined and both fore fingers be kept outside so that the thumbs may be kept straight on the nails of the middle fingers. This is the Unmadini Mudra wich excites the women. 129-130 Both the ring fingers be bent like hooks and joined together facing downwards. Again, both the fore fingers, in the same order be bent and joined similarly. This is the Mahankusa Mudra which fulfills all desires. 131 O Devi ! The left hand be placed on the right and right on the left; then the little and ring fingers in the same order be joined. The fore fingers be place one upon the other. Both the middle fingers be raised upwards above all. Thumbs should be kept straigat. This is the best of all, the Khecari Mudra. Crossing both the hands in a crecent form, both the thumbs be joined with the fore fingers. From below both the little fingers be joined with the middle fingers. In the same manner ring fingers be joined at the bottom in slightly bent form. This is the Bija Mudra which quickly increases all kinds of wealth. 135-136 Bent middle fingers be placed over the fore fingers. In the same manner the ring and little fingers he also bent and then all be joined together and pressed by the thumb. This is the first Yoni Mudra. 137-138 For Private and Personal Use Only

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120 Mudranighantu Placing both hands forward all their fingers be entwined with each other. Thumb and middle fingers be then joined and extended. This is Maha Mudra, which provides supreme emancipation. 139 Acharya Shri Kailassagarsuri Gyanmandir O Mahesani! Mudras of Tripuri described by me should be exhibited at the time of worship in their mentioned order. Making a fist of the left hand it should be taken near the ears. Making fore finger straight, a high Sadhaka who knows the Mantras, should turn it in a circular manner. Euhibited at the time of Nyasa also, this is the Saubhagyadayini Mudra. Keeping the thumb inside the fist it should be pressed by the fore finger. Exhibited at the time of Nyasa is this, the Ripujihva Mudra. 142 Making the Yoni Mudra one should bend the middle fingers. The tips of the thumbs be placed at the tips of the middle fingers. This is the Bhutini Mudra. 143 Pressing the fore and middle fingers one should bind a fist by the left hand. The fisted right hand should then be hardened and its fore finger point forward. This is Tarjani Mudra. 144 The characteristics of each of the Mudras have been described separately, which at the time of Worship, Japa and Bathing when exhibited bring the Sadhaka nearer to the Deity. These should be kept secret and not disclosed to a treacherous person. 145 End of the Mudra Nighantu described in the Vamakesvara Tantra during a discourse between Uma and Mahesvara. For Private and Personal Use Only

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vaNaMbIjakoSaH zabda artha zabda artha zabda artha aMzu-u aMguli: atulA-ga aMzumAn-Aai aMgulimUlam-gha atrIza:-da aMzukam-hasaum aMguSTham-A atyayaH-dhra akulam-hai acala:-dAbArU~ aditiH-lAla~ akUpAra:-rU~ acalakIlA-lAla atyugraH-khIM akaraH-Tha acalA-IlAla atharvadehajA-la akSatiH-TAyAya acchAsinI-na addhA-ThAna akSam-OMAbI acyutaH-AukliI adriH-dArU~ akSarAtmikA-:(a:) ajara:-AhaM adrIzvaraH-da agaH-dArU~ ajagatprANa:-TAyAya adrisutA-R agastyaH -au ajarAmara:-ga adhrH-e|e|ai agiraH-rAra ajaH-aisAAdroM adharoSThaH-ai aguNa:-OM ajAgala:-la adhighaNTikA-:(a:) agni:-i|Raae|e|raahiN ajitaH-AhAuAgAklIM adhokSajaH-AuklI agnikrAntA-svAhA ajezaH-jAjha adhirUr3hA-i agnivadhUH-svAhA ajezvara:-jha adhodanta:-o agnibI jam-raM aJjanam-Goja adhodantaga:-au agnivallabhA-raM akhano-Da adhyarNam-e agnizuddha:-I aTavI-ja anngg:-ii|kaakhaahaa kliiN|h agnisundarI-I atttthaas:-e|gaasaahaajh anaGgamadanAturA-ta aghorH-o|ohN aTTahAsinI-na anaGgamAlinI-la aMkuza:-jhAToko aNDaja:-kAmAka anaGgamekhalA-ca aMkuthaja:-R atithIza:-R anaGgavAdinI-ya aMkuzI-Aja atikAla:-ma anaGgasta-A aNkushm-ii|kroN atriH -da anaGgA -ja aGgadA-o batItA-kha anaGgAMkuzo-za anggiraa-e|ai atrinetrajA- aisAdrA anantam-AkSiAkha For Private and Personal Use Only

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athaM 122 varNabIjakoSaH zabda artha abda artha zabda artha anntH-aa|Raalaaaurl antarikSam-A,kSAkhAhAha~ amRtabIjam-vaM (a):(a)hAkSa antima:-kSAe amRtm-aalaae|o| anantakSaya:-kSa andhkripu:-e|gaasaah vAjUMva anantA-lAla andhatamaH-au amRtA-ee: anantezaH-A andham-vAva amRtAkarSiNI-(a) ananyajaH-kAklIM anya :-na amRtAkSa:-sAva analamaNDala:-kSa apagarika:-rAra amRtAdaH-Ta anala:-rAra aparAjitA-lAva amRtAdharA-:(a:)analavallabhA-svAhA aparNA-ca amRtAdhArazAyinI-ai anugraheza:-o apAra:-OM amRtAdya:-Tha anaadik:-e|t apAMnAthaH-rU~ amoghA-ThAla anAmikA-R apAMpati:-ha~ ambaram-AkhAhAha aniruddhaH-AvaM appitam-rAra hom anila:-TADhAyAya~ abalam-vAva ambA-RAlA (a) anumpinI-jha. abjH-ai| sAdA~ ambikA-dha anugrahezvara:-au abjayoniH-kAma ambu-vAvaM anuccAryA:-(a:) adhidvopA-lAla ambujanmAanuttara:-a . abdhibIjam -rU ambujam-Tha anuttaravarNaka:-OM abdhimekhalA-lAla ambudH-R|v anuttarAkSara:(ro)-a abdhirUpA-6 ambudhi:-ArAtha anunAsika:-17GajAna / abdhizayanaH-AukliI ambubhRt-vaM antam-ma abhAva: ambusU:-R antakaH-kAgANAmASa abhram-AkhiovAhAvAha ambudhA-vAva antavitA-na abhikhyA-e ambha:-vAva antasthitA-R abhrapuSpam-vAva ambhojama-Tha antikam-ka amtiH-ai| sAdA ammAdhi:-rU~ antimasvaraH:-(a:) amaranAyakaH-u ambhonidhi:-rU antya -kSa amara:-kSa ammorAzi:-rU~ antya vANa:-sa: amarezaH-iuAlA: araNiH -rAra andhakAra:-Ga amartyakRta-sa ariyuk-la andhakAriNI-o amRtdiidhitiH-ai|chaasaadraaN arisUdanaH-AuphlI For Private and Personal Use Only

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zabda artha zabda artha aru:-na aruNa:-uAmAha arunnaa-ddaatthaataa|jmrii| rakSmU arka-RAlAlAmAhAhaM arkabandhuH -gha . arkamaNDala:adhi:-u arkoza:-kAla arga:-vAvaM arNava:arvagaNDo-kha artha:-za ardh-e| ardhacandra:-Ta adhanArIzaH-da ardhanArIzvara:ardhabandhukaH-o ardhmaatraa-:(aH)|e ardhamAtrikA-lu ardhenduH-(aN):(a:)|tt arghaH-lAla arbuda:-R" aryamA-ArAma aha:-ila alakanandA-la avani:-lAla avanI-la avanIdhara:-dArU~ avalambinI-ca varNabIjakoSaH zabda artha avahAritA-laM avama:-jhAjAvAha avyakta:-nA azva:-:(ma:) azvaraH-na azmaka:-namaH azmarI-namaH azmarIza:-o azvinI-sa azvI -a assttkH-Raae|tt aSTakarNa:-kAmaka aTamI-R amuurti:-e|gaasaah aSTasiddhibhUH-OM aSTAkSara:-OM aSTazazabda:-OM asitA-lAla asitAna:-ga asibhISaNA-o asi:-jha asina :-lAbha asurA-:(a:) astram-phaTa asthidhAtu:-za asthimaalii-e|gaasaah aham-haM asthisaMjJaH-za aharpati:-ma ahaGkAraH-pha, Da ahaGkArAkarSiNI-i ahaskaraH-mAgha ahArya:-dArU~ ahihiTa-iAla // aa|| A:-kAmA AkarSaNam-vaSaTa AkalpitaH-jha AkAra:-a AkAzam-AkhAgAha AkAza:-AkhAha / bhAkAzatara:-Ga AkAMkSA-AAijha mAkUtabIjama-ramaralamara kSaihasaI AkRti:AkhaNDala:-ila Akhuga:-ga AgamamAlinI-Na AgneyaH-yAra AjJAcakrezvara:-kSa AjyapA-kSa Atmakam-pa AtmajJAnA-ai AtmajJaH-jha Atmabojama-a AtmamukhI-Ta Atmazakti:-cAchAja AtmabhUH-ikAka~ aatmaa-aayaa|uu (aM) For Private and Personal Use Only

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124 varNabIjakoSaH zabda artha zabda artha hasauH ApUrNam-R AtmASiNI-e au Apta:-a AtmAnAbhika:-Ga ApThatama:-A AtmAntakezvaraH-R ApyAyanI-o AtmikabhUH-o AmuktiH -tha AdarasUH-U AmodA-jha Adara:-:(a) AmnAtakezvaraH-la Adi:-OMka AyudhaM-phaTa AdityaH-RAGa AlApinI-ca AdityavarNA-Tha Alaya:-kSa AdidevaH-AkAklI Avaka:-TAyAya Adibindu-Ga AzayAza:-rAra AdibhUtA-Tha AzugaH-TADhANAyAya~ AdizaktibhUH-:(a:) AzuzukSaNiH-rAra Adisvara:-a AzrayAza:-rAra Adima-dha ASADhI-ta AdimA-lAla ASADhIza:-Na AdhaH-a AsikA-ai AdyA-jATAlAla AsuraH-ma AdyAvIjama-kroM AsyarATa-A ArAdhAmabhU:-dha Asphujit-boM AdhArazaktiH -e AhlAdinI-da Anandam-DAhaM AnandaH-u ikSu:-Sa AnandA-RATha icchA -bha AnandAkarSaka:-o iDA-lAla AntaH -i iDikA-lAla AnvIkSikI-ja indirA-ilAzrIM Apa:-vAvaM induH-aichAsAdrI bhApasandhiA indraH-ila zabda artha indracApa:-U indrjnk:-klii| indradhanuH-jha indradhAma-U indrabIjam-ila indrasUH-i indrAkSI-pa indraannii-haae|caap indrAdiH-OM indrAvaraja:-grAuAklI indriyama-kha indhikA-u ira:-ya irA-yAlAvAlAva ireza:-AjaklIM ilA-lAla ilikA-lAla~ ipu-:(a:) IkAra:-zrI Ira:-ya IrA-lAla iishH-e|caalu / (aN)|gaan ___sasauhAhaM Izanetram-jha iishaan:-(aN)|e|gaasaah| IzAnapati:-Ga IzAnabojam-haM IzAnavallabhA-hrIM IthAnI-I For Private and Personal Use Only

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Shri Mahavir Jain Aradhana Kendra zabda artha IzvaraH - AI / U | e |o| ga nApAmA sAha IzvarI - DhArAhIM IhA-OM // u // u:-e|gaa sAha ugra - uAe / (aM) | gADhA sa hA hUM ugrakAla:- ma ugragandhikaH - glauM ugra darpa :- hUM ugrabandhanam - ugrabhairavI - aioeN -ma ugrazUladhRka-dha ugrazekharA-la ugrahAsinIla ugraa-aa| R / kakha | mAraM ugrAyudhaH - kha ucca saMhartA uccATanam-ja ucchUna kam-cchrIM varNa - kha ubjayinI -tha ubjayinIpatiH - tha uDDa-tra uddupH-e| drAM uDDIzeza:- -pa utkArI-va uttama:- jATa uttarabhairavaH - ai www.kobatirth.org ajatakoSa: zabda udakam - va vaM udaja:-A udaram-ma udatri:- rA udArakeza:-Da uditAtmA -Ga udgAriNI-va udgArI-va uddAlI-ja uddezya :- o udbhijjarUpiNI-o udyAnapadezvarI-la unnati:-ta unmattaH - ai / sa unmattabhairavaH - lRng|| OM unmattabhairavo-ai artha unmAdanam - sa unmAdika:-dha 6 unmAdinI - I||cha upadhAtmikA-au upavana:-Da upalam -kra 2 upala:- kru upazAntikRta - lR upastha:-ma upasthAnA-ca upahAraka:- pa upAntya:--la upAntyaga:- lu unmatto mattakaH - iAkA klIM uSA - Ja uSmA - ra uraga:-da uroja : - jAja uroruha-ja urvarA - lAla uvaMzI - A 7) urvI - lAla ulkAmukhI-o zabda upendra :- Au / klIM ubhayadaH - OM umA - i|u | : ( aH ) khAdA pha umAkAnta: - e| gANa | sa umApatiH - eAga | sAha umeza :- A uzanA :-trI uSarbudhaH - rA 125 uSarbudhapriyA - svAhA uSmAda:-U uSNarazmiH - au | ma uSmavarNa-ra artha // U // uSmANa :- zoSa | 8 | ha uSmAhRdaya: - ra UkArAnta-R UrudvayAtmaka:-ta UrumUlam-ta UrjamvA Urdhvam-e / e~ UrdhvakezinI - u | U ] gAjha

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Shri Mahavir Jain Aradhana Kendra 126 zabda UrdhvakezI - e Urdhvaga:- e UrdhvadantaH - eo urdhvadevaH - a / u klIM UrdhvabIjam - ai UrdhvamAtRkA - au: UrdhvamukhA - UrdhvamukhI ota -ta Urdhvamukham -' (aM) UrdhvamUrti::-R UrdhvaretAH - e| gAsaha UrdhvavApI-na du UrdhvoSTa - eo Urmi:-vAva plUM UrmimAlI - rU~ UrmI-ba // R // RpradAna Rkya:-a RkSam trI -troM artha Rccham - 12 www.kobatirth.org zabda varNabIjakoSa : RSikulyA-la RSisUdanaH :-R RSIzvaraH-U RSyA-R // e // ekaH -o| ekakartarI-ga ekakRt--bha ekadantaH-R lR ga~ ekadantA-R ekadRSTaka:- e eka netra - chA eka netrAnta:-ja eka netrezvara:-cha artha zabda ekapAt-R / eGa ekapAda: - R / chAJa / ThADa ekabubuda:- (aM) ekamAtra:-a auSadhAtmikA- o ekamAtrA-U ekarudra:- au | Ga // ka // kam - jAvA va kaMsArAtiH - au / kloM kaMsAri:- a || klIM ekarUpa :- ca ekavAma: -cha Rtam-vAva ekazRGgaH - a / u klIM kaH - e RtadhAmA-klI ekA-ja kakut-lAva Rddhi: - RAlu || khADhAla ekAMghri:- la kakudgataH-lAva RddhidA-e ekAdazI - e RddhirAT-R kakudvrajaH-la kakukti: ekAmra:- lu ekAmrapIThikA - la -ka RpuH R kaGkaNam - gAva RbhukSA: - iAla etilakaH, eNAGka :- aiM sAdrA~ kaGkalI - eAgAsAha elApuranivAsinI-Dha elApUra:-Dha // ai // aindavama-U aindavI-I kendram-Ira airAvata: - ai aizvarI - uADha aizvaryam - ai artha 11 BTT || oGkArapIThaga:-ra auSadhIzaH - yA / sa / drA~ oSTha: - e| au oSThanAmA-o 11 377 11 audAryam-kSI orasa:- o

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varNabIjakoSaH 127 zabda artha zabda artha zabda atha kacaGgala:-rUM kpaalinii-jaa:(a)|kaang karAdiga:-ka kacama-ja kpaalii-e|kaakhaaghaattaatth karAla:-Adhi kacabIjam-U kapila:-rAhAra karAlA-au kacasU:-a kapilalocanA-Ta kraalinii-aa|iaal| (aM) kacchapa:-vApha kapilA-TAya karAlI-ga kaccheSTa:-ca kapilAmala:-ha kariNI-Tha kajjaja:-kAmaka kapilI-Ta karI-kraoN kaTakI-kA~ kapIzvaraH-kha karuNa:-va kaTapraH-egAsAha kaphoNi:-kha karuNA-khAjAhrIM kaTi:-TAta kabandha:-vAva karuNAkarA-u kaTo-kraoN kamaTha:-cApha kareNu:-krI kaTa:-i kamaNDalu: karkaTa:-pha kaTakapatrA-la kamanu:-kha karkazAtmAkaThinapRSThagaH-ca kamalama-vAvaM karNa:-uR kaNThaH -:(a.) kamalA-iAulAkAkhAzrIM karNadakSa.-u kaNThaka:-31:(a:) kamalAkSI-strI karNabinduH-u knntthekaal:-e|gaasaah kamalApriyA-u kaNiko-kraoN knntthosstthm-o|o kamalAvatI-ca kapurAntaH-ga kadA-gha kamalAvezaH-u kartRkAdharA-ja kanda :-la kamalAsana:-kAmAka kaburama-vAva kndrp.-i|k klIM kamalodbhava:-kAmaka karburA-ka kandaryAstrama-aiM kambalam-vAvaM karmajam-cha kandhi :-rU~ kr:-(aN)|k karmapriyA-sau kanyA- (aM) karakama-kru karmasAkSI-la kanyAstana:-:(a:) karakA-kra krssinnii-aa|laao| kanyAstananibhaH-:(aH) karaTI-kraoN kla m-ka kapandhama-vAvaM karaNa:-uAo * kalakaNTa:-sa kapadinI-RAbAbha karatala:-Tha kalakaNThA-Sa kprdo-e|ai|o|gaapaasaah karabhI-kraoN . kalatram-chAMda kapAlaH-la karamUlaM-va kalabhA-sa For Private and Personal Use Only

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128 varNabIjakoSA saklarI zabda artha zabda artha zabda kalaza:-mAva kAkinI-o kAmadhUmaka:kalazadhvaniH-ba kAkinIbIjam-ka kAmadhenu:-kAkI kalahapriyA-ja kAkodaraH-da kAmadhvajA-lu kalahaMsapriyA-jha kAkodarI-NAta kAmanAtha:-u klaa-ii|:(a:)kaachaahriiN kAMkSA-jha kAmapriyA-Ga kalAtmA-Tha kANDama-va kaambiijm-kaakliiN|krii kalAyaM-kroM kAtyAyanI-da kalAnidhi:- sAdA~ kaantH-i|uaalaae|7|kaa kAmamartA-cha kalApUrNA-a: khaagaasaaklii|draa kAmamAtA-cha kalAmayI-I kaantaa-:(a.)|gaastrii kAmarAjaH-AkliIM kalAvatI-RAkAca kAnti:--Au lAlAGa kAmarUpam-ai kalAvANI-7 phAzASa hAha kaamruup:-aae|kaash klaavaan-e| sAdA~ kAmti guhyA-Ga kAmarUMpA-kAza kalAzakti:-ka kAntidA-gha kAmarUpiNI-ka kalikA-ha kaantimaan-jhaaii|kaakloN / kAmarUpI-khAghAza kalottarIya:-I kAnyakubjaka:-U kAmavardhana:-ilAka.klIM kalpa:-dhru kAnyakubjabhU:-U kAmavANa:-drAM diiN| kalpanA-e kApIzama-OMAbrI kliiNblu|s: kalpalatA kaam:-aai| (aN)koch|dd kAmA-kSa klpaantH-Rch|dhN kSAklIM kAmAkarSiNI-a kalmaSam-R kAmakUTam-aihasaroM kAmAkhyaH-gha kalmaSA-la kAmaga:-ikAklIM kAmAkhyA-gha kalyANam-za kAmaguhyaka:-:(a:) kAmAstram-hrIM kabyANI-kokha kAmagolaka:-u kAmikaH-ta kavacam-huM kAmadhna-u kaamii-i|Raakaat||kliiN kavalakam-ka kAmacAra:-UkAklIM kAmuka:-ikAklIM kaviH-lAhAbauM kAmacAravihAriNI-cha kAmikA-kAta kavibIjam-broM kaamdH-aa|iaukaakliiN kAminI-AikAkhAgAstrI kavoska:-ha kAmadA-kAcha kAminImadhyakarNaka:-ta kavyavahA-kSa kAmadhuka-Sa kAminImadhyavartakaH-ta For Private and Personal Use Only

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129 TOT kaha varNabIjakoSA zabda artha zabda zabda artha kaameshii-aai|| klIM kAlapotA kiGkarI-U kAlabIjam-a kiGkarIbIjam-RAdI kAmezvarI-AkhAGa kAlabhadra:-ma kiGkiNI-RAghAhrIM klahrIm kAlabhairavI-A kijhalka:-jha kAmezvarIvANa:-yAMrAM kaalraatri:-aalaaai|au kinnaraH-namaH lAMvAMzAM kaach|paaphaaraahm kinnarI-ja kAmezvarapIThopasevana:-Na kAlarAtryAgrA-A kInAza:kAmoda:-ja kAlarUpaH-gha kItti:-AR||gha kAmodarI-ta kAlarUpA-ga kIlAlam-vAvaM kAmpinI-valI kAlarUpI-kha ku:-ThAlAla kAmyA-va kAlavakSatrA-u kukkuTI-Ga kAya:-kSa kAlasaMkarSA-kha kukSam-kSa kAyinI-jha kAlA-:(a:) kukSiH -jhApa kArakhAgni:-kha kAlasundarI-(aM) kuca:-ja kArtavIryArjuna:-phroM kAlAgni-kAhastrI kucamaNDalama-jha kAttikeyaH-Tu kAlAdi:-bha kuTilarUpa:-da kArmukam-R kAlAnala:-hUM kujJAnIkAlam-ha~ kAlikA-RAta kI kuJjara:-krapA kAla:-lA: OMkhAchAjhA kAlAntaka:-u kukhA-pha mASAkSAhUM kAlo-kAkhAGakI kuTila:-ula kAlakarSiNI-ai kAleza:-ma kuTilA-TAda kAlakalpA-ca kAvyam-bhroM kuTilArUpa:-da kAlakArikA-I kAvyaH-lAbI kuTilAzrotraM-u kAlakUTA-umao kAzikA-A kuTTAraH-dArU~ kAlakRSNa:kAzyapI-lAla~ kunnddlm-:(a:)|tthaas kAlajihvA-AlokSa kaashiinaathH-e|gaasaah kuNDaladvayam-: kAlakhara:-egAsAha kASThA-Ta kuNDalavaktram-: kAlanizA-A kASTharUpA-gha kuNDalI-gAsAhrIM kAlanemiripu:-agalI kilviSama-R kuNDalIza:-OM kAlapUrNA-a: kiGkaraH-jha kuNDikA-ka For Private and Personal Use Only

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130 varNabIjakoSA zabda artha kuNDodarI-la kutsanAka kutsitAveSa:-ka kuntI-kraoNkrioM kuberaH-da kuberaddak-lAlU kuberabIjam-saM kubjaH -(aM) kubjA -(aM) kubjAmA-cha kubjinI-na kumAraH-GAza kumArasUH-la kumudaH-Ta kumudinIpati:-aidrA kumudadezaH- aisAdrI kumodaka:-AuklI kumbha:-lApa kumbhatRtIyaka:-ya kumbhI-kraoN kuraGgAkSI-AstriI kurukullA-Aai kulm-e|shaasaah| kulakolinI-za kulanAyakaH-R kulamArgasthita:kulamAlinI-ka kulazAlinI-Ta kulasundarI-lAgha kulAcala:-e zabda artha zabda kulIraH-pha kRtAntakRt-Tha kulodbhavA-e kRti:-(aM) kulAntakanivAsinI-pAda kRtI-la kulAntakSam-Ga kRtIza-la kulAntAlayavAsinI-Ga kRttivaasaaH-e|gaasaah kuleshvr:-e|gaasaah kRpA-RAaiM kullA-ikha kRpAdvaita:-ka kullukA-(aM) kRpITama-vAvaM kuzam-vAva kRpITayoni:-rAraM kusumama-ka kRzA-hrIM kusumaayudhH-sh| klIM kRzAGginI-ai kusumI-la kRzAnu:-NArAraM kusumeSu:-ikAkloM kRshaanuretaa-e|gaasaah kuhU:-Uojha kRSA-e kujinI-ba kRSNa:-AuthAdArAklIM kUTama-zAklauM kRSNagati:-ra kUTa:-ha kRSNabIjam-klIma kuutttrym-aiN|kliiN hrIM kRSNavarmA-rAra kUTapANi:-Ta kRSNA-thArAkrI kUrcam-hUM kRSNAci:-rAra kUdinI-ba kesarAkSI-jha kUpara:-khAcha ketuH-hula kUrma:-cApha kedAra:-(aM) kUmezvara:-ca kedArapITha:-(aM) kUlaGkaSaH-6 kena:-pha kUSmANDI-au kelinI-(aM) kRt-ghAja kelivallabha:-zrI kRtarUpiNI- hrIM kevala:- (a) kRtAnta: keza.-uthApa kRtAntakaH-(aM) kezarI-Tha For Private and Personal Use Only

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11 varNabIjakoSaH zabda artha zabda artha kezava:- klIM kriyA-RAla kezI-AuAkloM kruddhaH-ma kaiTabhajit-AuAvalI krUTakUparirAvaNa:-ha kaTabhAriH-kha kara:-:(:) karavI-ka kraratara:-(aM) kalAsaH-o phareza:-(aM) klaasniketn:-e|gaasaah kroGkAraH-kroM kailAseNa:-o krIr3akAntA-lAla koka:-R kroDapuccha:-DhAta koTaraH-iAI kroDAGga:-ca kaTarA-ka krodh:-Raa:kssaakaahuN|huuN kottraakssii-e|ai krodhanaH-phAka koTarI-iNa krodhanAyaka:-ka koTarIzrotram-Na krodhasaMhAra:-kSa kopa:-kSa krodhinI-ra kopatattvam-kSa . krodhIza:-ka kopanivAraNa:-ha klinnA-ubha komalam-RAvAva klIvavaktram-Ga kolavaktrA-3 kledinI-lAbAkroM kolagiriH-3 kleduH-ai| sAdA kolagiripIThanivAsinI-u klezita:-ma koza:-Sa kvANa:-jhoM koSThapoza:-ai kSaNadA-ta kaumArI-uaioghAcADa kSataja:-va kaumudI-A kSatajokSita:-ra kaumudIpati:- aisAdroM kSatriNI-cha kaulinii-o| (aN)|kaash kSapA-ta kSapAkara:- aisAdA kauzikI-A kSamA-ubaTAThAdhAnAlAla krtudhvNsii-e|gaasaah kSamAvatI-kSa zabda kSarama-vAva kSaraH-aipha kSaya:-lAkSAdhaM kSayA-Tha kSAnti:-uADa kSAntidam-dhra kSAmakam-dhru kSAmakhaNDA-(aM) kSAmA-hrIM kSAyinI-Ga kSArama-na kSArodadhi:-a kSitiH-jAlAlaM kSitibhRt-dArU kSoram-vAvaM kSIrasamudrajA-zrI kSIrAbdhi:-rU~ kSIrikApITha:-dha kSIrodanandanaH-aichAsAdrA kSIrodasambhavA-zrIM kSudhA-va kSuraka:-dhru kSetrapa:-kSa kSetrapAla:-kSa kSetrapAlabojama-kSaM kSetrarUpiNI-R kSobhaNam-droM kSobhiNI-ma kSaudram-dhru. kSoNi:-lAla For Private and Personal Use Only

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Shri Mahavir Jain Aradhana Kendra 132 zabda kSauNi :- lAla kSoNiprAcIram - rU kSmA-lAkSAlaM kSmAtmaka:- ai kSmAbhRt-dArU // kha // kham - lAhA ha~ khgH-aao| lAkhAha khagavatI - lAla khagA-Ta khacamasaH - ai||| drA~ khaJjana:- bha khaDgakaH-kha khaGgabIjam - khaM khaGginI - - kha artha khaDgI (NDI ) - ghAlAva khaDgIza:- ghAva khaNDanam - la khaNDanI - lAla khaNDaparazu : - egA sAha khaNDaparzu :- emAsAha khadyota :- hra / hrAM khanadA-Ta khaprabandhaka :- (aM) khara:- Sa kharu - eg| sAha kharvaGa khala:- za khazvAsaH - TAya / ya khasaMsthita:-kSa www.kobatirth.org afrator... zabda zabda khasapUrNa :- kAma | ka gajendraH- k| kha khAnta:- kAga gajezvarI-bha khapagA-la gaDava:--la khecaraH -Ta gaNDa:-la khecarI - Au U R / caTaTha gaNDanAmA - lU khecarIdhvaniH-Na khecarIbIjam - haskhphreM khejara:- e|gAsahi kheTamukhI-Ta kheraka :- pa khelaka:--ikAvalI artha khyAtbIjam - khyUM // ga // gaganam - u / (aM) / khAbhAva hAha~ gaganapatiH -va gaganaratnam-glU gaganAmbaradhAriNI-Na gaGgA-lAga gaGgAdharaH - e|gAsAharU gaGgAbIjam - la gj:-aa| krA~prA~ gajakumbha:- ga gajagAminI-R gajamukha:-ga gajavaktraka :- e gajasAdhanam - kroM gajAMkuza: - uTa gajAsyaH - gaM gjaannH-lu|'gN 5 gaNanAtha:-: ( a : ) / ka gaNanAyakaH - Rka gaNapatibIjam gaNapAlaka:-la az gaNarAT - kha gaNAdhikaH-lur3hAga gaNAdhyakSa:- ga gaNAmbA - e gnneshH--:(a:)|g|kssaaNg gaNikAbIjam - khIm gnneshvrH-g|kss gaNezvarI - ai gata :- cAla gati::-jAra gadAgrajaH - Au / klIM gadAdharaH- aau| klIM gadAbhRt - aau|kliiN gadinI -Ga gadI-kha gadIza :- kha gandha: -TAta za gandharva-i gandhavatI - lAla gandhava (vA) ha: - TAya / ya gandhakarSiNI-R

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artha zabda artha varNabIjakoSaH zabda artha zabda gandhinI-na girIzvaraH-la guhyakartA-pa gabhastimAn-ma girizvarI-ra guhyanidrA-U garuDaH-khAmi gI:-ga guhyavArtA-pa garuDadhvaja:-aklIM gItam-ga gUDhAGga-ca gargaH-jha giitij:-i|kaakliiN gRdhnuH-AuAkloM garjanam -ha gIrvANa:-zna gRdhraH-la jatam-Ta guddaakesh:-aauaae| gRdhrakha:-ma jinI gasahAklIM gokarNa:-cha garbha(va)vimocana:-sa guNajIvaka:-OM gokarNezaH-cha garbhazakti:-:(a.) guNabIjaka:-OM gokulezvaraH-ga galat-ca guNabhUtejya:-OM gocaraH-ga gala:-sa guNasAgaraH-kAka goNI-ga gAthA-gAla guNAdyA-OM gotrabhit-la gAthAgandharvagaH-sa guptakAlIbIjam-klIM gotrA-thagAndinI-la guru:-AkhiogADha godhana:-cha gAyaka:-ra gurupaadukaamntr:-aiN|hriiN godharA-tra gAyatrI-AgAbhA zrIhasakhaphreM hamakSa gopAlabIjama-klI varga-ga malava yUM sahakSam gopinI-ga gAyatrIbIjapazcAMza:-OM vayI hasauH gopendra:-AuAklIM gAyana:-ikAnAlAklI / gurubIjam-hasakhamalaba - ' gobinda:-I gAruDI-R UM gobojama-ga giriH-uTAdAvArU gurubhAva:-Tha gobhUH-ga girikaNikA-lAla guruzaktibIjam-pahala gomukha:girija: malavayaUM gomukhI-R girijA-va gulphA -da gomukhyA-R giridarzana-ga guha-jha govardhanadharaH-AukliIM girinAyaka:-na guhA-hrIM gau:-lAgAmAlAsAlaM girivaraH-va guhAkRti-la gautamaH-gha giri(rI)zaH-e gAsAha guhyaH-cAtha gauraH-gha girisutA-hrIM guhyakarNaH-pa gauravam-la For Private and Personal Use Only

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Shri Mahavir Jain Aradhana Kendra 134 zabda gaurI - i / gAgha granthi:-tha grasinI-ka grahaH-tha grahapatiH - grahAdhIza:-: :-bha grAmaNI:- pAba grAvA-da grAsa:-kSa grAsinI - haM grAhaH -tha :-ma grAhaka:-thAlI: gloM - ai || sAdrI // gha // ghaTATi:- aM ghaTikAtmikA-cha ghaTodaraH-ga ghaNTATa:-gha ghaNTAdhAriNI-gha ghaNTAbIjam - ghom ghaNTi-gha ghaNTika:-: (a:) ghnnttikaa-R| (aN)|dh ghaNTI-ma ghaNTeza:- gha ghanam - vAvaM ghana: - ghAvabha~ ghanagarjinI artha -bha ghanarasaH -va | vaM ghanavaTa - -na zabda www.kobatirth.org varNabIjakoSa : ghanasmaraH - gha ghanahAraH-gha ghanA- e gharvaradhvaniH - Ja gharmaTI-i ghasmarA-gha ghurA-jha ghughura:-gha ghUrNaka:-Tha ghRNA - ai ghRtam - vAvaM ghoNA - pra ghoraH-gha ghoratara:- R ghoradaMSTra:- gha ghoranAyaka:-gha ghoranisvanA-dhoM ghorarUpA - ukha ghorA-R / : / ghASa:-ha ghoSA-ca ghrANI-Ta TA: (a:) 1 kAga sa // Ga // GarAT-Ga GanAmA-ya artha // ca // cakaraH - za cakram - ila cakrapANiH - Au / klIM cakravAlukaH-kha zabda cakrabAlukA- kha cakrabhRt - au | klIM cakrAdhAra:-hu~ cakriNI-ca cakribIjam - da cakrI - Auka klIM cakSuH - voSaT cakSuSaH - (aM) caJcala:- jhaTAyA ya~ calA-dha caJcalAkSI - ra :-: (aM) artha ghaTI - hrIM caNDa : - u | Uo | khAnAe~ caNDabhairavaH - au caNDabhairavI -o caNDa muNDadharaH - ca caNDamuNDA - e caNDala:-da caNDavallabhaH ---u caNDavAruNa: -- ca caNDavikramaH --ca caNDA - i / gAGa caNDAMzu:- ma caNDikA - Ao | : (a:) . TaMTaM caNDikezvara:- e|ai|aiM caNDI - ijha : ( a ) | cAphA caNDI-hAM vaSaT

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Shri Mahavir Jain Aradhana Kendra zabda caNDIzaH -- khAza caNDogrA - I caturAnanaH - ka | | ka~ caturAnanA--ja caturthAdya :-ta caturdazI - au artha caturmAtra :- OM caturmukhaH - Aai | kA ka -a catumUtti:-cha catuSkalam-hu catuSkalaH -hU~ catuSpAda:- OM catustana:-cha catustArA-ja catvarA - ai candana - mAtra cha candinI-na candirA - ai | cha / s| drA~ candra - i|I|eN| (aN)|N / ca chAlAsA eNglodrI candrakAntaH - kha candraghaNTikA - (aM) candrapurapITha:-: (a:) candrapurI-: (a:) candrabIjam - svaM / svoM 'candramaNDalam-Tha candramA:- e|cha / GAcA candrayugmam-svAhA candraruk--ta sAdrA~ www.kobatirth.org ajatakoSaH zabda candrarUpa:- ca candravasanam - ai candravimbam-Tha candravega :-ca candrazekharaH - e| ga | sAha candrAdyAgha:-ka candrAnta:-ha candrApIDaH - e|gA sAha candrikA lA - candrI - ma capalA-Da caraH - eAca caraNa :- la caramA - NApa caritrA-ca caritrezI-da caruH-gha carma - e| cAda carmaNyam - ai carmavasanam - eN carmArNam - ai cala:-ca calana:- tra artha calApaka:-Da vargama:-bha cApa:- U ka cApabIjam - cApinI-Ta cANarasUdana:- a / uklIM cAmI -tha zabda artha cAmuNDA Aesao (aM) : (a:) || chAya|vatrIM cAmuNDAbIjam - grI cAra:-Na cAraNa: - ai cArI-cha cAru - dAhrIM cArukam-chrIM cAruhAsinI - a cArvaGgI - ai aiN| cho cAcakA - iAtra cAlubAdhA-ta cicchakti:-o cit - eN citkArI-ca cittajanmA-kAkloM cittatarja:- R cittavAsinI-Ta cittavidrAviNI-ai cittAkarSaNI - lR cittendrANI - ai citrakUTa:- la citrakoNaH - e citracArI-ca citradhArI-ca citrabhAnu: - mAra citramUrti:-I citramUrtIza:-I 135 citravasanA - a citrA-Ta

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236 varNabIjakoSaH zabda artha zabda artha citrATIra:-eAisAdrI chedanama-da citriNI-i chinnamastA-vIM cintA-dha chinnA-Na cintAmaNi:-kAka chATikAsya:-phaT cintAmaNibIjam kSamya jagatI-jAlAlaM cinham-ha jagat-lAnAnamaH cUr3A-vaSaT jagatkartA-hrIM cUrNitAbuddhiH jagatpArzva:cUrNitAsiddhi: jagatsAratara:-la ceTikA-u jagadIza:-AukliIM ceTI-hrIM jagaddhAtrI-RAauoDIda cetana:-ca jagadbhAvIndra-va ceSTA -ya jagannAtha:-AukliIM caitanyama-ha jagadbIjam-lAma cailam-hasauma jagadbhAvI-va caurakaH-ta jagadyoniH-ai // ch| jagadrAvI-va chagalaNDa:-ba jaganmayI-la chaTATopa:-cha jaganmAtA-aura chatrama-cha jaGghaka:-e chadinI-pha jaGghajaH-e chavi:-phAhAha~ jngghaa-e|p chAgalaNDa:-ba jachinI-ma chAgavAhana:-rAraM jaTAchAntaH -ja jttaadhr:-e|kaagaasaahaak chAyA-ochi jaTAla:-ja chAyAchatram-kSa jaTinI-Ta chaayaamRgdhrH-e| sAdA jaTila-ta chidA-bha jaTItAyA-ra zabda artha jaTeza:jaTharama---mASa jaTharagaH-ma jaTharasaMsthita:-ma jana:-(aM) janaka:-ja janAdhipa:-Dha janArdana:-AuAjhAklIM janezvara:-u japaja:-ja japAdiH-pha jamaujeza:jambhAdi:-strI jaya:-jAma jayatra:-ja jayadAjayantaH-egAjAsAha jayantI-jAta jayantIpurama-ta jayantIpradA-A jayazrI'-auzrI jayA-ulAkojAjhAya jayAnana:-ka jayApAdaH-pha jayAvaha:-bha jayAvahA-ja jyinii-gaatthaayaa| haslavyUM jarA-khATa jarATa-o For Private and Personal Use Only

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varNa bIjakoSaH atha artha zabda artha jarAmaraH-kha jarAyurUpiNI-:(a:) jarAharA-Ta jalama-RRkAThAvAsa svAhA jalakaGkaH-krAM jalakAGkha:-kraoN jaladA-klIstriI jaladhi:-rU jalanidhi-rUM jalapItham-vAvaM jalamantra:-vaM jalasaMjJaH-vAva jalasthitiH-jha jalAtmA-kha jalendra.-bAva jalezaya:-AuklIM jalezvara:-ma javana:-ja jahanu:-AaklI jahunukanyA-lu janutanayA-lU janusutA-lU jAgarala:-la jAThara:-mAla jATharAgni:jAtaka:-ta jAtavedA:-rAra jAti:-ja jAnaH-e zabda artha jaanu:-ai|t jAnuzakti:-e jApa:-ja jAyA-ja jAlandharapadAdhipa:-ga jAlandharI-ThaM jAlI-ra jAdavI-la jitAmitra:-AuAvalI jitendriya:-da jina:-AuAghAklIM jinabojam-gha jiSNu:-AzAvalI jihvA-I.lAThAmAkrI jImUtaH-yAvAva jIva:-ThAlAsAha jIvanam-ThAvAsAva jIvaprANI-hasoM jIvAtmA-la juhUvAra:(la:)-rAra jambhiNI-Na jetA-ja jaitrIjavAtRkaH-prAsAdrI jJana:-e jJaptiga:jJAtA-ai jJAnamajJAnada:-ga zabda jJAnapustakadhAriNI-R jJAnazakti:-e jJAnAmRtam-ai jJAnI-augAda jyA -ja jyeSThA-Adhi jyoti:-trAM jyotirmantra:-OMAhrIM jyotii:-auN|hrauN jyotIrUpa:-OM jyotsnA-lAe jvalana:-rAvAra jvalanasundarI-svAhA jvalanAkSaram-ra jvalinI-Ga jvAlA-au jvAlAmAlAjvAlAmAlinI-o jvAlAmAlI-Agha jvAlAmukha:-ca jvAlAmukhI-io jvAlAsyA-o jvAlinI-ARAo auochAva jvAlI-ra // jha // jhaGkAriNI-jha jhaGkArI-ghAjha jhanjhAvAyu:-jha jhaNTI-rasa jJAnadAna For Private and Personal Use Only

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138 / varNabIjakoSaH zabda artha zabda artha zabda artha bhaNTIzaphA-jha DhakkA -da tarala:-ta jhaSaH-pa Dhala:-Dha tarathaktiH -lu jhaSadhvaja:-klIM DhAntaH-Na tariH -na jhinnttiish:-e| // ta // taruNa:-la // // takSa:-ya tarjanI-I bAntaH-Ta takSakaH-ca talam-phaT // 2 // taTam-hU~ taskaraH-Ga TaGkahastA-Ta tar3ita-Sa tApanaH-ma TaGkArA-Ta tar3idAbha:-ta tApinI-kAkhAbAma TaGkArI-Ta taDillatA-ai tAmarasam-vAvahU TAdi:-TATha tattvarazmi:-strI taamsii-aa|aurcaat TAnta:-Tha tadAdiH-sa tAmAlinI-U tanukrAntaH-na tAra:- R tAtrA~, ThaGkAriNI-Tha tanUna:-TAyAyaM tArakam-trA~ Thadvayam-svAhA tanUnapAta-rAra tAraka:-otAkSAOM ThAntaH-TADa tandrI -ma taartrym-aiN|hriiN|shroN tapana:-RARAnAma tArA-TAUtrA~trioMtroM DakAriNo-jha tpsH-ai|chaasaadroN taaraadhip:-e| sAdA DaTsuH -3 tapastakSa:-ila tArAdhIzaH-ThaM Damaru:-kha tm:-au|taanaalaal tArApati:- aisAdA~ ddaakinii-o|o|:(:) tamisrA-DAjha tArApIr3a:- aisAdrA~ uphAsphe tamI-ta tArikA-tra DAkinIpriyaH-pha tamonut-rAra tAriNI-ha DAmaraH-Da tamobIjam-tAla tAridha:-rU~ DAmarI-Da tamohara:- e sAdrI tAriSa:-rU~ Dimbha:-hAM trngg-vaapluu| tAyadhvaja:-AuAklIM ||ddh|| taraNi:-NAma taartiiyH-hsauN|soH|soN DhakAriNI-Dha taranta:-rU~ tAla:-gha For Private and Personal Use Only

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varNabIjakoSaH 139 zabda artha zabda atha zabda atha tAlajaGghA-U tithiprnnii:-ai|AUMsdroN tithIza:-R timi:-rU timikoza:-rU~ timiram-lAla~ timiraghnI-R tira:-3 tirasvinI-a tIkSNa:-pAya hoNapayodharaH-ThAThaH tIkSNA-pa tiirmtiivr:-e|o|gaataasaah tIvrajJAnA-o tIvA-o . -tuGginAyaka:-ya tuGgI- aisAdA tunggiipti:-ai|chaasaadrii tuNDabhUSaH-ta tuNDAkSara:-ka tumbuka:-kSa tumburu:-kSa tumburubIjam-imyU tumburuzavabIjam-kSamya turagaH-phaTa turIyam-:(a) phaTa turApAT-iAla turya-dha turyavANa:-lUM tulA-ika trikoNa:-e tussaarkirnn:-ai| sAdA~ trigaH-ai tuSTi-hAI. (a)Gacha trigaNDakI-da tUrya svaraH-I triguNa:- OM triguNAkAra:-Na tRtIyaH-la triguNAtmA-R tRtIyaka:-va trijaTa:-ta tRtIyakulasundarI-la tritattvam-OMhUMhurphei tRtIyalocana:-ca tridaza:-kSa tRtIyA-hAla tridazAlaya:-kSa tRSNA -Ga tridiva:-kSa tejaH-kha tridiveza:-kSa tejasa:-aukAra trihaka-dha tejovatI-ga tridevataH-OM taijasa:-okAvAraM trighAtuH-za totalA-RTha trinetra:-gha totalAbIjam-maM tripadA-R tomrH-(aN)|u tripAt-uklIM tomA-OM triputtaa-e|hriiN zrIM klIM toym-(aN)|daadhaavaa, tripurH-aauaaai|nn hAyanidhi:-ru tripurandhI-u toSa:-dha tripuramAlinI-blU trapA-hrIM tripurasiddhA-R trayodazI-o tripursundrii-haae|r trANAtmA tripuraa-uaaai|n trAsa:-DaOM tripuraantkH-e|gaaghaasaah trika:-OM triturAmbA-R trikaNTakIbIjama-khoM tripurezI-U trikaNDakI-da tripurezvarI-A trikUTa:-lAOM trivaddhipriyA For Private and Personal Use Only

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artha zabda artha 140 varNabIjakoSaH zabda artha zabda tribinduH-cha trailokyamohana:-valI trimAtRkA(ka:)-A trailokyavijayA-o trimAtra:-OM tryailokyavidyA-ghAGa trimAtrA-kA trailokyahartA-gha trimUtti:-iklIM tryakSa:-OM trimUrtIza:-I tryakSara-* triyAtrakaH-Na jya Gka:-OM viraNDA-ma trymbk:-e|gaasaahaaAUM trirAmI-tha tryaNa:-OM trirekha:-Na tryai guNya:-OM trilokA-R tvaka-ya trilokIvazyakAraka:-kha tvarA-ai trilocn:-e|g|caasaac tvaritA-ai trilocanapriya:-bha tvssttaa-iii| (a) trilocanA-:(a:) tviSAmpati:-ma trivikra:-u trivarNA-da daMSTrikA-cha triNikA-3 daMSTriNI-:(a:) trivikrmH-aahaaRaae|klii dakam-vAvaM vivRt-OM dakSakaTi:-Ta trizikha:-OM dakSakapola:-lu trizUla:-o dakSakarNaH-u trizUlI-ja dakSakAra:-gha trisrotA:-e dakSakUrparaH-kha purakAmabIjam- dakSagaNDa:-la hasaklaroM dakSagata:-la 'puravAgbhavam-hasakareM dakSagulpha:-DAdha purazaktibIjam- dakSagulmaga:-Da . husakUlaroM dakSajaGghA-oDa trailokyanasanAtmaka:-kSa dakSajA-Tha dkssjaanuH-e|tth dakSajAnvagraga:-Tha dakSadAraNa:-da dakSanAdaH-haM dakSanAsa:-R dakSAnAsAdhipa:-tha dakSanAsikA-i dakSanetram-i dakSapadAgrahaH-Na dakSapAda:-DhANAdAsa dakSapAdaga:-Ta dakSapAdAMgula:-Ta dakSapAzaMguli:-Na dksspaadaaNgulimuulg:-ddh'| dakSapAdAdiH-Ta dakSapAdAmRta:-sa dakSapArzva:-pAta dakSabAhu:--kSa dakSabAhumUlam-ke nakSamakhaH-Ga dakSaskandha:-ka dakSasphika-Ta dakSahasta:-sa dakSata-za dkssaa-e|ai dakSAMgulyagrajaH-Ga dakSAsya:-Ta dakSiNa:-RAka dakSiNakUpara:-kha dakSiNabAhuH-ka For Private and Personal Use Only

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varNabIjakoSaH artha dakSiNahastaga:-za dakSiNAMzaga:-ra dakSiNAkAlI-Tha dakSiNAMgulimUlaga:-gha dakSiNAMgulyagraH-Ga dakSiNIdakSiNokha:-jha dnndd:-(aN)|nmH daNDana:-da daNDavidhAyaka:-Dha daNDinI-kha daNDI -(aM)thi daNDIza:-tha daNDodarI-la daNDaya:-(aM) danujaH-la danujaprabhuH-lU danujAtIza:-kha dantaH -da dantanAmA-OM dastAnta:-ai dastAbala:-krauM dantikA-gha varNa-gha dantizoSavibhedana:-kroM dantI-krA danturaH-dAna damA-da damunA-rAra dayA-RjAda zabda artha zabda atha dardura:-ma divAnAtha:-ka darpa:-hUM divaukA-kSa darpaka:-ikAklIM dIna:-da darzaka:-o dInada:-dha darzanam-dhAca dIpikA-ukARAe darzavipat-pochAsAdroM dIpta:-ma dazamo-la dIptA-ra dazAzva:-aisidriA dIpti:-lAma dahana:-nAragara diirgh:-aa|ii| (aM)na dAkSAyaNI-uAda dIrghaghoraNA-uU dAtrI-da dIrghajihvA-lAna dAnam-NAdAra dIrghatanucchada:-hUM dAnavejya:-vrom dIrghadroNA-na dAnta:-ghAdha dIrghanAsAvatI-o dAmodaraH-AukliIM dIrghapraNava:-aum dAraka:-Da dIrghabAhuH-chAma dArada:-rU~ dIrghabAhukaH-cAja dAruNA-(aM) dIrghamAruta:-kro dAva:-rAra dIrghamukhI-RR dAzAha:-AuAkloM dIrghavaktrA-au dAhaH-zara doghaMbAhA-ja dika-jha dIrghasUH-bha digmbr:-e|khaagaasaah diirghaa-aaai|tthaan digambarA-oghi dIrghAyu:-Uoka diti:-chAcAla dIrghAsyavRttaka:-A dinakara:-ma dorcI-A dinamaNi:-ma dogheza:-U dinarUpA durga-kha divaspati:-ma durganivAsinI-o divaakrH-e|thaam durgA-Aaiga (aN)|khaadodh For Private and Personal Use Only

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ETO varNavIjakoSA zabda artha zabda artha sAha davajJa:-RA dvirUpA-A durgaabiijm-duH|dum dogdhI-RAhUM dvipA-R durddharA-R dolA-phreM dvipejya:-kroM durbhagA-la dossaakrH-e|chaas:draa dvibhujA-U dulo-ma daumAtA-R dvimAtrA-R duzcyavana:-ila dhatiH-chAtrAkSAklI dviraNDa:-nApAma duHkhapravartakaH-(aM) dhabhaGgI-Ga dviraNDeza:-nAbAbha duHkhasaJcaya:-:(aH) dyamaNi:-ma dvirada:-kroM dukhApahArI-(aM) 'dyo:-AkhAhAha~ dviradana:dRDhaH-la dyo-AkhAhAha dvirepha:-Na dRzyaketu:drAvaNabANa:-klIM dvizIrSaka:-cha deva:-cATAkSa drAviNo-ugAjhAmANAda dvisva:-cha devakInandana.-AuAklI / drughaNaH-kAka~ dvIpavAn-rU devakIsUnuH-AuklI drumaH-(aM)ola dvaimAturaH-ga devataru:-U drmaari|-krii // dha // devatAdhipa:-hAla hiNa:-kAka dhanam-kAghAra devadevaH-egAsAha dalUdlU-jha dhanaJjayaH-rAraM devamAtA-RR dvayam-:(a.) dhaneda:-Dha devarAja:-inAla dhanadA-ga devo-RAphAhAhrIM dvAdazAtmA-ma ghanArtha-dha devIkoTa:-ca dvArakeza:-AukliI dhanI-gha devIpIThAdhipa:-cha dvija:-oga dhanu:-TA devIpraNavaH-hrIM dvijpti:-ai| sAdA dhanurdharaH-pAla devIbojam-sa dvijarAja:- aisAdoM dhanezvarI-la deza:dvijA-Ta dhanyA-lAai dehinI-lAla dvijihvA-Da dharaNA-dha daitya guru:-lAtroM dvistambhana:-la dharaNiH(NI)-lAla daityamAnya:-lAboM dvitaaro-hiiN|shrii dharaNIkolaka:-da daityamAtyaH-troM dvinetrI-Na dharaNIdhara:-AuAdAkloM datyAri:-AuAklIM dvipa:-kroprA dharaNodhra-ca For Private and Personal Use Only

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Shri Mahavir Jain Aradhana Kendra zabda dharaNIpura:- rU~ dharaNIzaH- dha dharandharA-dha dharA-galAvAkSAla dharAdharaH- c| da dharAbIjam - glo dharAruha:- (aM) dharitrI - lAla dharma- jAdha dharmakRt-dha dharmagRha: dharmadaH - ja dharmadravI - la dharmaikapAda: artha dhavalamva / vaM dhAtakartarI-ja dhAtarI-da dhAtA - kaad| dhaki dhAtuH - ra dhAtRbhRt-da dhAtrI - Ja | lAla | hrIM dhAnaH-ya dhAnta:-na dhAma - ai dhAminI- -pha dhAraNazakti:- e dhAraNA-dha dhAriNI - TADhA lAla dhArayitrI - lAla dhIbIjam - 4 www.kobatirth.org 'ajaIjakoSa : zabda dhImatI - I dhIraH-Ga dhIrA-e dhunInAtha-rU~ dhUH -dha dhUpabhAjanamantraH - phaT dhUmaH-ga dhUmadhvaja:- sa dhUmanetrA - A dhUmara:- ba dhUmA- e dhUmAvatI-AghU artha kala aihIM dhUmrabhairavI - i|I|Ta | hrIM dhUmra - lAya dhUmrA - o | gAja | bAya dhUrjaTI- ega | sAha dhUlidhvaja : - kha | | | ya~ dhRtaH-ya dhUtapIThaka:-pha dhRtiH - uUR dhenuH - gAva dhenukAri:ra:- a, uklIM dhayakaSaNIdhruvaH-a u egAklIM -la dhaum - : (a:) dhodhyam - : ( a ) vajI-ta dhvani :- Ta DAna dhvAMkSa- prIM zabda dhvAntam- lAla // na // 143 nagAtmA-Dha nagottamaH -Ga naTaH- cAhU~ naTI - khIm nadI-na nadIna:-na artha nakulI-ha nakulIza : - ha~ natam - matrI | m nakSatram - mAtrAtroM nakSatranemi: - ai / : sAdA~ nakSatreza:- ai | | | dra nakharAdhipaH -Ga naga:-da nandakaH - izka | ga / klIM nandaja:- TATha nandada:-Tha nandanaH - ika | gaghA ThAvalIM nandanandana:- a | uklIM nandanecaraH-ga nandayitA - izka | cAklIM nandasandoha :- kha nandA - Ao | ThAna nandAtmajaH - auvalIM nandi-Ga naditeja:-ja nandinI - RlR / (aM) |ThAva nandipAda:- pha

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Shri Mahavir Jain Aradhana Kendra 144 zabda artha nandivardhana :- e|gAsAha nandI - i|ukaDa | klIM nandI rUpA - e nandIza: - DAna nandIzvaraH - es| ha nandezaH -gha napuMsakamantra - namo'ntaH nabhaH - AlU |kha| hanamaH / haM nabhaH prANaH - tt| yAya~ nabhaHsvaraH - TAya / ya~ nabhazcamasa: - ai / / sA drauM nabhasamma | kha | ha | ha~ namasvAn - TAya / ya~ nabhobIjam - kha | ha~ namucisUdanaH- dAla nayavAn-na naraH - Ta |Dha|tha|dhAna no narakajit - Au || klIM narakAntakRt -Dha narabhairava-U narasiMha - aau| klI narAyaNaH - a / uAvalIM narUhaH-Da narezvaraH- dha narezvarapriyaH-dha nartakam - caM nartakaH - izka | c| va / klIM nartakI - OM khiiN| brIM / strIM nalaH - gAtha nalinI - 2 | ThAla www.kobatirth.org afatantrt zabda navaH- - " (aM) navadurgA - la navamI - la navyaH - o naSTaH-bha nA-da nAkam - A|kha| hA nAkanAtha: - iAla 'nAkavApI-la nAkinI la nAkIza:-la nAkSarI - Na nAgaH - o o / aH / krauM nAgabIjam - : (a:) nAgabuddhA -: (a:) nAgamAtA-cha nAgaratnam - blU nAgarI - bATa nAgalokaH -tha nAgahantI-tra nAginI-ja nAgeza:-la nATyam nAda: artha da:- oM (aM) / : (a:) bhATA | lAhA~M nAdakA - I nAdadevaH-na nAdarUpa:-na nAdadevaH - bhAOM nAdinI - ena zabda nAdI-na nAdeza kRtamaNDalaH -bha nAmasa::-haM nAbhAva:-dha nAbhigataH- bha naabhijnmaa-k| ka nAbhideza: - ba nAram-va / va~ nArakajit Na nArada:-na nArasiMha:-kSa nArasihI - UAkSa nArAyaNa :- a | A Na / nArAyaNapriyA - zrIM nArAyaNI - u kATha nArI-Tha nAzA-bha nAzinI - au laklIM nAsA [ - (aM) | bha nAsikA - i| R niHzvAsakaH - Ta / ya / ya~ nitya. - i | o nityaklinnA- A i I / u nityacArI-ca nityatRpta:-bha nityapuSTA - ga nityamadadravA-A nityaa-lu|kaang|chaat nityAyaja narUpiNI -3

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varNabIjakoSA 145 zabda atha artha artha zabda artha zabda nidrA-bAjha nizaThaH-ja nIlasarasvatI-o nidhana:-kAka nizA-tAha nutiH-nAnamaH nidhiH-pa nishaakr:ai|:(:) nRtyam-ca nimeSAtmaka:-Ga sAdAMdrAM nRbIjam-ma nirkssrH-(aN)| nizAcara:-ikAkhAklI nRvAcaka:-u nirnyjn:-e|jaajhaapaan nizAcarI-Tha nRsiMha:-kSa OMhUM nizAnAtha:-R nRsiMhabIjam-kSoM nirantarA-:(a:) nizApati:-ikAklI nRsihAstram-I nirAmayaH-bha nizAmaNi:- aisAdI netA-na nirAlasyA-jha nishiithniinaath:-ai|7| netram-iAau nirIha-pa sAMdrA netradvayam-dha nirIheza:-Sa nizambhumathinI-cha netrayugmam-vauSaT niti:-kSa nizcaya:-Na netrAkhyaH-5 nirguza:-DhAra nizcalA-lAla nepAlapIThaH-i nirjayA-e niSedhikA-Tha nI:-na nirjara:-kSa niSphalam-NApha ||p|| nirbhara:-krI niSkalA-:(A)Iya pkssj:-e| sAdrI nirbharI-da niSThurA-ba pakSajammA- aisAdA nirNayaH-na nIti:-ThAdha pakSadhara:-pAsAdA nirNatA-na nIram-vAva svAhA pakSivAhana:-Na nirdIpakA-ra nIrajam-ThoThA paGkajam-ThaThaH nirdhanaH-Dha nIrujA-ma paMktinAmA-ya nibala:-cha nIla:-tAna paMguH-cha nirvANa:-Na niilknntth:-e|gaasaah paMgupaTa:-va nirbANabIjam-auOM nIlakaNThabIjam-trIm paJcadazI-(aM) nirbharaH-jha nIlaketuH-jha paJcadeva:-OM nirmalA-ga nIlacaraNa:-la pazcadhanvA-kAklIM nivRtAtmA-va nIlapatAkA-jhAna pAnakha:-cAkroM nivRtti:-AR nIlapadaH-lAnApha paJcanArAca:-cha nivRttikalA-lho niillohitH-e|gaasaah paJcapaJcAtmikA-gha For Private and Personal Use Only

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zabda artha paJcapraNava:-OMAaiM pnycbaann:-i|kaavlii paJcamaH-pAOM paJcamI-u paJcayajJaH-Ta paJcarazmi-OM paJcarAjaH-cha paJcazaraH-ukAklIM paJcasupta:-ca pshcaannH-e|gaasaah pazcAntakaH-khAga pazcAntakeza:-ga paJcAstram-klIM paMceSu:-kloM paNyastrI-khIma paNyAtmA-ja patanam-au patAka:-e patAkikA-e pati:-Ga patnI -Na pathinI-tha padmam-iThAThaH padmagarbhA-la padmadhAriNI-u padmapANi-kAka padmareNuH-pa pdmaa-uaae|e|o|shriiN padmAkSI-trI varNabIjakoSaH zabda artha zabda artha padmAsanA-kAka parAyaNA-Ali - padmAvatI-:(a:) parAvidyA-OM panI-krI parAzakti:-klIM padmAlayA-lAzrIM parijJA- aisAdA padmazaH-yApa paretarATapapaJcamaH-kha parokSaH-sa pampA -kha parjanya:-au payoda:-A parvataH-da __ payoyoni-Tha: gavaMtAriH-ila pyH-o|bhaasvaahaa parvadhi:- aisAdrI payaHsU:-ma paryaNyaH-iAla prH-(aN)|kss pazupANi:-ga paradaH-pha palvalAvAsa:paranAyikA-khIM pavanaH-kATIyAya parabrahma-ai pavanabIjam-yaM paramaH-a pavamAnaH-TAyAya paramA-TAtrI pazudhatiH -cha paramAtmA-kSAsAha pazupati:-chAnAphAha paramezvara:-kSa pazupriyaH-cha prmeshvrii-iddaahoN| hrIM pazcimaH-o parameSThI-kAgaSAka pazcimAsya:-o paravidyA-(aM) pshucndn:-e|gaasaah parasparanibodhitaH-ai pAkazAsana:-ila parA-uAlA (aN)|7s pAcana:-rAra __svAhAkliI |hriiN hrIM pAJcajanya:-hAI parAjita:-gha pATalA-ba parAjitA-Ga pANinI-Dha parApara:-I pANDa-sa parAprAsAdamantraH-haMsaH pANDyavAyana:-AklIM parAjIjam-sau: pAtaka:-ra For Private and Personal Use Only

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varNabIjakoSaH zabda artha martha pAtA-pa pAtAlaratnam-plUm pAtinI-pa pAdapa:-(aM) pAdapuraNam-ha pAdamUlam-Ta pAtha:-vAva pAnam-pa pAnIyam-vAva pAntimaH-phAya pApam-uR pApaghnI-pa pApahA-ya pApmabIjam-R pAyu:-mAsa pAraka:-I pAradviTa-3 pArA-lAla pArAvAra:-rUM pArthivaH-RApa pArvatI-auThAdhApAlI pAzva-pa pAlanam-pa pAlinI-ThADa pAloza:-ya paavkH-ii|Raanaaraa pAvakamaNDanam-ma pAvakasundarI-svAhA pAvana:-pa pAvanI-dha zabda artha pAza:pAzinI-ja pAzI-jAjhAba vAzupatabIjam-zlIM piGgala:-rAra piGgalA-DhAca piGgazaThaH-ja piNDabIjam-gloM piNDam-sa piGgalikA-OMAbI piNDapAda:-krI pitA-kha pitAmaha-AkAjAmA pitRkAlI-R pitRbhUvAsinI-krIM hrIM pinaakpaanni:-e|gaasaah pinaakii-e|gaalaasaah pinAkIzaH-la pippalam-vAva pizitAzana:-dUMhU~ pIThamadhyasthA-ta pITharAjita:-e pITharUpA-u poThasthA-ya pITheza:-ai pItam-la pItA-lASa pItAkSa:-la pItAmbara:-AukliIM pIyuSam-oM* zabda piiyussmhaa:-e| sAdA pIlu:-krI pIvara:-ca. pucchaka:-ta puNDarIkam-za puNDarIkAkSa:-AuAklIM puNyavadhinI-pa punarAza:-o punarnavaH-Ta punarbhava:-Ta punarvasuH-AuAvalI puna:-bhAu pugItA-:(ma:) punnAda:-(a) pum-sa pumaan-(aN)|maah pummantra:-huphaDantaH puradaMzA-iAla purdvitt-e|gaasaah purandara:-iAmAla puravedI-gha purasthita:-u purahuta:-iAla purANaga:-kAmA purANapuruSa:-AukliI puruSa:-(aM) puruSottamaH-AuApAyAkloM pulomAri:-hAla puSkarama-ArAkhAbAhAoM mlii|vaah For Private and Personal Use Only

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148 varNabIjakoSA artha puSkarI-kro pusstti:-iaaii|uaaau|c puSpama-dha puSpacApa:-Tha puSpadhanvA-jAMjhAnAca puSpapUraH-ba pUjyavaMza:-va pUtakratu:-ila pUtanArI-AuAvalI pUtanA-tAla pUraNam-ba pUrNagiri:-R pUrNacandra:-Tha pUrNamaNDalA-au pUrNavAn-ai pUrNA-(aM)::(a:) pUrNimA-(aM) pUrNodarI-a pUrva:-kAka pUrvadikapati-ila pUrvabAhuka:-za pUrvaphalgunI-cha pUSaNa:-u pUSA-AiomAsa pUtanA-tha pRSaNI-R pRtanASAT-ila pRthivI-uAlAla~ pRthuH-ga pRthuzekharA-da zabda artha pRthvI-TAlAkSala pRSatAmpati:-TAyAya pRSadazva:-TAyAyaM pRSThagataH-ba pRSThapucchakaH-ta pRSThavaMza:-ba poNDavaNaM:-R peTakI-krI peTala:-kraoN prakampana-TAyAya prakAza:prakAzaka:-ka prakAzana:-ra prakAzinI-na prkRti:-:()|raas pracaNDa:-ukhAjhApa pracaNDaka:-pa pracetA:prajA-gAgha prajApati:-kAmA prajeza:-U prajJA-SAOM praNavAdiyuka-a praNavAdi:-a praNyA -pa pratipanna:-a pratiraJjanarUpiNI-(aM) prtisstthaa-aa| ugha pratiSThAkalA-hrIM pratiSThitaH-R zabda artha pratyaGgirA-Achom prathamA-a prathamAnta:-A pradiSTa:-Ta pradIpta:pradyumna:-ika) (aM) AM klIM pradhvasana:-o pranA-gAcAchATAyAsa prapaJcarUpA-a prbhnyjn:-ttaatthaapaay|yN prabhAkara:-A prabhu:-AukAmAko klIM |AUM pramatta:-ma pramathavAsinI-e prmthaadhip:-e|gaasaah pramardanaH-e pramANam-ma pramoda:-TATha prayAga:-pha pralambuSA-ra pralayaH-dhruma pralayakSayaH-dhru pralayAgni-nApha prazastikA-hrIM prasAda:-hAhoM prasUtiH -dha prasUnam-dha prasUnaH-dha For Private and Personal Use Only

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149 zabda artha prasthama-mlauM prastha:-mloM prasthavAn-da prahararUpiNI-jha prahAraHprAcInabahiH-ila prAjJa:-e prANa:-AkAyAsAhAha~ prANaghoSa:-ha~ prANajIva:-hasauM prANadhAraka:-o prANavIjamprANarUpiNI-ca prANazakti:-ka proNasandhiH -ha~ prANAtmA-bha prANAtmikA-bha prANisevakaH-ya prANeza:-haiM prAsAda:-hA~hauM pritikhAtaH-R prititAsyA-dha priyaMvadaH-a priyaH-dhAnASa priyakArakaH-pha varNa-Da ar`iilngkaa| zabda artha zabda RAkhoghAnAdha balam-chAba prItidevI-ai balarUpA-ka pretabIjam-hasauH balavedI-la ||ph // balAkA-ai phaTakAra:-pha balAkinI-ai phaTakAriNI-pha balAnana:-la phnnaadhrdhrH-e|gaasaah balAnujA-la phaNipriyaH-TAyA balArAti:-iAla phaNI-dra baliH -e|r pharAraH-pha balidhvaMsI-AuAklIM phalam-pha balipriyaH-ba phalo-koM balibhuka-ca phAdi:-pAba balibhojanam-ha phutkAraH-pha balibhojo-da phetkAra:-phAna baliyuddhaH-ba phetkAriNI-chAsphI balo-bAyAra phetkArI-hohasukha- bahiH -(aM) pheru:-Ga bahurUpa:-kAmaka // b|| bahurUpI-bhAOM baka:-AlAThAza bANa:-NAdrA bakeza:-za bANabIjam-Na bakodarI-sa bAdhA-jhAva bagalA-dha bAla:-va badhUH-strI bAlaka:-hA~ bandanam-namaH bAlamantra:-glauM bandhanam-ma baalaa-aaRai|yeNkliiNsauN bandhukrAnta:-Tha bAlAtripurA-U bandhupadaNyAsA-cha bAlAdha:-aiM babhruA-AukliIM bAlApraNakA-aiM baha:-dha . bAlI-jAya priyatamaH-ejAsAha priyadazinI-kha priyA-onAphAhAstrIM prItiH -aa| o| (aM)1, For Private and Personal Use Only

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Shri Mahavir Jain Aradhana Kendra 15 . zabda bAlIzaH - Sa // OM bAlenduH-Ta bAhuH-za bAhuga:-la bAhumadhyagaH - kha artha vAhamUlam - ka bAhuzreSTha: -Sa bAhlikam-glIm binduH- i|| (aM) | ThAma | haM binduka :- (aM) bindugama:-na bindu bindu: - (a:) bindubhairavI la bindubhraMza: bindumayI - I bindumAlinI-I| ka binduzaktiH- OM bimbam - DrIm bilam-tha bIjam - (aM) bIjaprasU : - lAla bIjayonikA- (aM) bIjAkarSiNI-o buddhi: -ThatA yAda buddhibIjam - I buddhivarddhana :- eN buddhadhAkarSiNI-A budabudam-" (aM) budha: bRhat-ba + www.kobatirth.org ajatakoSa: abda bRhadbhAnu: - rA bRhaspatiH - Ta braghna:-ma brahma-a / ka / kha / gha / jAda | ma ya / OM brahmabIjam - OM| Am brahmavidyA-Ta brahmavakti:- aiM brahmazabda:-ra brahmazaGkhI brahmasu : - izka | klIM brahmasUtram-o brahmA - kAmAkSA OM / OM prahmANI - AR brahmaNa:- a artha brAhmI-AulR / sa // bha // bham - tratrIm bhaktapriya:- sa bhakti:- dAma namaH bhagaH - e|U gAe~ bhagajihvAbhaganipAtinI-Tha bhagamAlA - Ja 'bhgmaalinii-aa| lem bhagalolA-na bhagavatI - e bhagavAn -: (a) bhagasarpiNI- chAja bhagasthA-cha zabda bhagA- ai bhagAkSI - Ja bhagAlI - e| gAsaha bhaginI - Ga magodarI-gha bhadram-mama | vaSa|sa | saM bhadra:- krI bhadrakAlikA - U / o bhadrakAlI - yAda|bhAgR bhadrapadmam - ai bhadrA-i bhadrikA-mA bhadriNI-A bhadreza:--Ga artha bhapatiH - ai| 191 bhayada:- ai bhayam - bAlIm bhayA- eAba bhayAnaka :-tha bhayaGkaraH - ba bhayaGkarI-R bhayAvahaH-bha bharata:-ma bharadAtha bharadvAja:-bha bharu:- e|gAsAha bharga:- e|gAsAha bhavaH - e| gadhAbhAsA hA bhavaghnI-Tha bhavanAzakaH - OM

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varNabIjakoSa: zabda artha artha bhavanI-Ai bhavaproti:-dha bhavAyanA-la bhaveza:-:(a:) mavyA -aa|g bhAgIrathI-la bhAgyam-:(:) bhAgyA-cha bhAnu:-kATAma bhAbhUH-ra bhAminI-Tha bhArabhUti:-R bhaargv:-aalaa:(a.)|auN bhArgavI-R bhAlam-a bhAlabaddha:bhAvanam -:(a.) bhAskaraH-kAma bhAsvatI-bhAbhama bhAsvarA-R bhAsvAn-icAma bhI:-o bhiimH-ie|gaacaadd bhAyAsAha bhImadaMSTrikA-gha bhImanAdinI-ghrIm bhImarUpiNI-ma bhImasenaH-bha bhImA-ThAmA zabda artha zabda bhImAkSI-o bhUtAdhi:-Ga bhiiru:-e|gaasaah bhUti:-RATAhrIM bhiignn:-e|ddaabaabhaasaah bhuuteshH-e|gaasaah bhISikA-(aM) bhUtezvaramantra:-aiM bhISmajananI-la bhuudhrH-:(aH)|daab bhISmasUH-lu bhUdharA-Tha bhukti:-thAda bhUbojama-lAglauM bhujaga:-dAya bhUbhRta-da bhajaGgaH-ra bhUmAtA-cha bhujaGgamaH-da bhUmiH-gAbAmAvAlAkSAla bhujaGgaza:-Ta bhuuriH-e|gaasaah bhujaGgezI-ra bhUruhaH-(aM) bhuvanam-ooovAvasvAhA bhUvArAhaH-bhUH bhuvanamAtA-lAla~ bhUSaNam-bha. bhuvanA-jhAhrIM bhRguH-ausa bhuvanenduH-au bhRgvIza:-sa bhuvanezaH-hAham bhRGgaH-ikAthAbhArAklIM bhuvneshaanii-aaN|hriiN bhRGgInAyaka:-ya bhuvanezI-uAhrIM bhRnggiish:-e|gaasaah bhUH-chAtrAolAvAla . bhRGgaza:-ikAklIM bhUtam-uphreisphreiM bhRtiH -za bhUta:-ukha bhekI-ma bhUtakampA -u bheraNDA -I bhUtadhAtrI-lAla bhairv:-e|gaangaaddaasaah bhUtadhAriNI-Tha bhairavI-iRAghAjATha bhuutnaath:-e|gaasaah bhogadA-ja bhUtapa:-o bhogabIjam-da bhUtabhavyabhavattithi:-OM bhogikAntaH-TAyAya bhUtamAlA-chAja bhoginI-(aM)oga bhUtari:-cha bhautik:-e|aiN For Private and Personal Use Only

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152 varNabIjakoSA zabda zabda . artha zabda artha bhautikAsana:-ai maghavA-ila bhaumajaH-Da maghA-gha bhauvam-:(aH) maghAbhUH-lAbI bhramA-hAtha maGgalA-ilAka bhramaNa:-ikAThAbhAklIM maGgakho-Dha bhramadhya:-i mabbA -Sa bhramamANa:-iDAklI mavASADhA-Sa bhramara:-NAma mabbAsthA-Sa bhramA-dhAbhAya / maJjarI-ThADa bhramAvaha-ikAklIM maMjughoSa:-kAmAka bhrAnta:-ikAklIM maTham-glom bhrAntacAra:-ikApalI maThasaMjJaH-glauM bhrAntivArakaH-da mayaH-ham bhrAnti:-DANAta maNibandhaga:(na:)-ga bhrAmaka:-kAtAmA klIM maNibandhapadAtmaka:-ja bhrAmaNa:-kATAklIM maNDalama-ma bhrAmarI-bha maNDala:-ma bhrAmarIbIjam-bharalasa maNDukA-ma mataGgaH-mAkroM bhrAmA-o matidA-e bhrakuTI-dAma mattA-bAyAhama // ma / / mattaka:-ma ma:-kAmA mattanAzana:-ya makara:-ta mtti:-ii|ghaadhaab makaraketana:-balI matsya :-pa mkrdhvj:-ikaag| mathureza:-AjAvalI gAvalI madana:-ikAGAmAklI makaradhvajA-tra mdnaa-imaae|ghaacaatt makaradhvajAstram-TalUma madarekhA-e makhAntakA-Ga madavihvala:-ja mdvihvlaa-ng|j madAlasA-tra madinI-ga madhujit-ukloM madhuripu:-AuAklIM madhuvrata:-la madhusUdana:-AuAUAvalI madhyakarNaka:-ta madhyabhinnAmadhyaliGgaH-ba mana:-DhApa manasija:-ikAklIM manasvinI-(aM)Ana manu:-au manogatam-a . manojJama-chIM manodhatiH-R manomanI-uAjha manobhUH-kAklIM manoratha:-RAjha manoramA-R manoharI-hrIM manohArI-chIM mantrA -ma mantranAtha:-o-o mantramanuH-svAhA mantrapUjA-cha mantravidyAprasUnayuk-OM mantrazakti:-AGiAcAcha mantrasUH-OM For Private and Personal Use Only

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varNabIjakoSaH zabda zabda artha atha zabda mantrAdyaH-OM mhaakaal:-e|gaaddaamaas| mahAmati:-nAza mantrAdizakti: mahAmAtA-svAhA mantreza:-oma mahAkAlI-kAkha mahAmAyaH-Ima mandaH -dha mahAkUrcam-hUM mahAmAyA-AIThAhrIM hrIM mandagamA-A mahAkSobha:-kSa mahAyAtrA-Tha mandAkinI-la mahAMkuthabIjam-krIma mahAratha:-Tha mandAkSam-hrIM mahAjIva:-ma mhaaraatri:-aao| (aM) mandAsyam-hrIM mahAjvAlA-thA mahAraudrI-R manmatha:-iAukAmA mahAjvAlI-Ta mhaalkssmii:-au| (aN)|sh zAvaloM mahAmanu:-ca mahAlakSmIpurezaH-ha manmathasthAmahAtejA:-kSa mahAvijayA-zyom manmathA-ja mahAtripurabhairavI-la mahAvidyA-U manmathAdhipa:-u mahAtripurasundarI-:(a:) mahAvidyezvarI-U manmathAnam-klI mahAdevaH-ka mahAvedasAra:-OM maparaH-za mahAdhana:-ma mahAzaktiprasAdaH-hanIm marIci:-lAghApa mahAdhanvA-Ta mahAzrIbIjam-zrama mrut-aa|e|ttaaddhaataay mahAdhvaniA-ca mahAsarasvatIbIjamSosAya mahAnanta:-Ga kalahhahnaIma marutvAn-ila mhaanrH-e|gaasaah mahAsiMhaH-hasakSamrom marudgaNaH-ra mahAnala:-R mhaasen:-:(aH|ngaatt martyaratnam-mlUm mahAnAdaH-cA mahiSaghna:-ca malayA-ya mahAnizA-A mahiSaghnI-ja malinam-hai mahApatha:-Tha mahI-uAlAla mallavaryA-gha mahAparA-sahasahalaka mahIdhraH-da mastakabIjam-svAhA laIsalavaUIm mahoruhaH-(aM) mastika:-ta mahApreta:-hasahoma mhesh:-aaii| kATha mahAkaccha:-rU~ mahAbAhuH-bAma mahezazaktiH -hrIM mahAkrAntA-lAlaM mahAbila:-AkhAhAha mheshvr:-ai|:(a:)|k| mahAkAmakalA-la mahAbrAhmI-a mahAkAya:-U mahAbhairavI-jha mahezvarI-iva For Private and Personal Use Only

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154 varNabIjakoSA zabda , artha zabda artha zabdamA artha mahendra:-lAza mAnadA-la hoM (harayUM mahotsavA-u mAnadAkAzI-A mAlavapriyA-tha mhodrii-e|o mAnava:-:(:) mAlava:-gha mAMsama-lAla mAnasI-u mAlavezvaraH-gha mAMsAtmA-la mAninI-gha mAlA-I mA-zrIM mAnI-ma mAlAmayI-ya mAgraga:-kSa mAnuSI-Na maalinii-ai|or:(aH) mAtaGgaH-hAkAkhAjAma mAjhyA-mAlAmlhoM ghAmAhrIM kraoNklIM. mAyavI-la mAlinIbindu:-ma mAtarizvA-TAyAya maayaa-aa|iaaii||Raal mAlUraH-kSoM mAtA-lAla lA:(a:)okhAmAya mAhendrAdrinivAsinI-za maatRk:-e|ai kSAhrIM hlIM mAhezI-tha mAtRkanTako-da mAyAkalA-I maaheshvrii-iaauaae|kaakh mAtRkalA-:(a:) mAyAtmajaH-gha mitAnandA-(a), mAtRkA-ai mAyApuram-bha mitram-hAe mAtRkAdha:-a mAyApurahara:-bha mitra:-ma mAtRkAnta:-kSa mAyApurezvarI-ma mithunodayA-R mAtRkAsU:-OM mAyAvI-la mIna:-dhApAya mAtRkezvaraH-ai maayii-au|v mInaketana:-ikAkloM mAtrA-bAda mamottaram-u monaketu:-kloM mAtrAkarSiNI-au mAra:-iAkAklI mInaketvastram-strI mAtrAdvAdazI-ai mArajA-cha mInezvara:-dhApa mAtrAntajIvana:mArasama-a mukuTama-Ta mAda:-ikoklIM mArAgni:-R mukuraH-i mAdana:-ka mArutA-ikATAThAyAya / mukunda:-AuTAkloM mAdanA-e mArutezvara:-ja mukta:-R mAdinI-ma mArutezvarapIThasthA-ja muktakezI-auja maadhv:-|i|ukloN mAgaNa:-Na mukti:-authAhA mAdhavI-ghAlAva mArja:-AukliI mukhm-:(:)|kaattaadhaa maartnndd:-naamaahyauN| yAvAkSa For Private and Personal Use Only

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Shri Mahavir Jain Aradhana Kendra zabda mukhaja:-A mukhada: - Ja mukhaniSThu : :-va mukhabinduH-ba mukhaviSNu:-ba mukhavRntam - A mukhaveSTanam - A mukhI - eo ka mukhezvarI -: (a:) mukhya:-kSa, mugdhA - Na muJjakezI-avala muNDam-o muNDadharaH -ca muNDamAlinI-o -rAla artha mut-Ta mudrA - o muralIdharaH - aau|kliiN murAri:- o -nra musalI - muhUrtAdirUpA-ja muhAkaH - i mUkaH -Ga mUrcchA-pa mUrti: - Isa mUrdhaja:- kAtha mUrddha bIjam - eN mUrdhA - A|| svAhA mUlam-bha mUlA-pa www.kobatirth.org rajatants: zabda mRga:-U mRgapiplu :- ai|| sAdrI mRgalocanA - strI m mRgavAhanaH - TAya / ya~ mRgAGka:-'(aM) mRDa:- e|gA sAha mRNAlinI-bha mRta - hrIM mRtadevI-la mRtA-o mRttikA - hrIM hrIM mRtyu: - kAJa za artha mRtyukArakaH - za mRtyudeva:- za mRtyuJjaya: - e| ga |sa | ha / jUM mRtyuJjayapraNava:-haM mRtsnA - hrIM mRdvIkA - hrIM mekhalA - ca meghaH--R / lR nAma lAva meghadhUmraH- la meghnaadH-l|caah meghapuSpam -- va meghavAn - ila meghavezma - A / kha ha / ha~ meghazyAmaH -ha meghazyAmA-la meghAnandA-gha mecakra:-na meda :- va meSAdi:-a meSezvarI-na meSTha somaH -pa mokSam OM mokSa:-mau mokSadaH- OM mokSabIjam -e| o mocA- dhAla 155 zabda medinI - cAlAla medhaa-aaii|Raal|ludhi megha:- R / na meru: - lASAkSa, merugiri:- la merubandha: - kSa meSa:- aRRAnAha movikARR modakaH-ba modanaH-ka modavardhana. - pha modA-ThAla modika:- la e modinI - Aka artha moSaNa:-na mohakaH-upa moha: - i| ka|pha| ya | lAla mohanI - ( a ) mohana: - iAu | kAna | klIM mohanAtrAo mohinI - I | kAla | e | ai / ga moharUpiNI-o mohavardhana : - ika phAva klIM

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256 varNabIjakoSaH zabda artha zabda artha zabda artha mohavAsinI-ja yAdi:-ma raktaprakAzaka:-ra // ya // yAminI-nApha raktadaMSTra:-cha yakArAnta:-ra yAminIpati:-chAsAdrauM raktapaTa:-ba yakSeza:-Dha yAmunaH-ya raktamukhI-krI yakSezvaraH-ha yAmuneyaH-ya raktA -ha yaju:kriyA-ja yAmyA -:(a:) rakSa:-nASAkSa yajJaH-Aya yuk-(ma.) rakSaNAdhipa:-u yajJakara:yukta:-kSa rakSopadhAriNI-sa yajJakriyA-Ta yukti :-ca rakSovidAriNI-sa yajJasUtram-bha yugama-phaTa raja:-Ta yajvanAmpati:- aisA droM yugandhara:-ba rajogiri:-Ta yati:-kha yugAntaH-yAkSa rnyjinii-e| (aM) yadi -kha yugAntakAraka:-sphe raNatkAzIvibhUSaNA-: ydunaath:-| uklIM yuvatiH-strI rti:-aaiaaii|kaaRaiau yamaH-obAmAzASa yuvA-la :(a.)|khaagaajhaaddh yamabIjam-mam yogagamyA-U NApASAkrIM klIM yamamukhI-ta yogamAtA-la ratijJAnam-Na yamasAdhana:za yoginI-RA:(a:) jhaad| rtinaath:-i|o|kaaklii yamAntaka:-egAsAha dhAyAMchiI ratipatiH-ikAvalI yamezvara:-ma yoginIpriyaH-DANa ratiprada:-au yamojezaH-ya yoginIpriyakRta-Na ratipriya:-aukAlI yaza:-:(a:) yoginIpriyaGgam-Da ratisukha:-ja yazaskarI-ya yogezvara:-u ratIza:-ja yazasvinI-ya yoddhA-va ratIzvaraH-o yAkinI-:(A) yoni:-e|eN ratnam-I yAtrAnivAraka:-ra yonibIjam-sauH ratnakRSNA-ra yAda:pati:-rU~ yonimantra:-iMhriIM ratnagarbhA-lAla yAdava:-AuAkloM yaunaveza:-la ratnajAtIza:-kha yAdaveza:-ka ratnadA-e yAdasAmpati:- raktam-yArANAraM ratnamAlikA-Da For Private and Personal Use Only

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Shri Mahavir Jain Aradhana Kendra zabda ratnAkara: - ratnAvalI - la | M artha ratha:-tha radanI - krAM rantideva :- au klIM radhinI - e ramaH - izka | ravi | klIM ramaNa: - i| e | kA klIM ramaNI-za ramaNIyakabIjam - va ramamANaH - i / ka / klIM ramA - I| uAe / (aM) | gAja / ||zrI ramAkAntaH - i| ki / klIM ramezaH -Ta rambhA - zrIM ramyoSita- e ramyA - chIM rayaH-cha varNa-tra rayA-ja ravaH-va ravagI:-gha ravi: - (aM) | khaga | phAra ravibIjam - u ravimada - (aM) ravisvara :- a raNa ( sa ) nA - : ( a ) / krIM rasa:- bhAbhAva rasajJA-krI www.kobatirth.org zabda varNabIjakoSa ! artha rasanAyaka : - e|gAsIha rasA - lAkrIM rasAkarSiNI-R rasAkA-krI rasAlA-krI rasikA - krIM rasitam - Ta rAkinI - e rAkinIbIjam - ra rAga:-ja rAjaka:-ma rAjagRhezvaraH - Ta rAjabIjam - bhrama rAjabhUti:-Ta rAjamandiram - Ta rAjasI-o rAjA - ai / / Ta sa | drau rAjIva: - kra rAtriH- tAba rAtrinAtha :- 6 | kAklIM rAtrirUpiNI-Tha rAtrivAsa: - (aM) rAma:- e| ja rAma: - e / ja rAmajAsya: - e rAmaTha: - gloM rAmabIjam - rAM rAmarudra:- e rAmA- khIM rAmAtmaja:- a zabda rAya :- cha rAva:-nAkra rAvaNa :- ha rAhu:- ai rAhubhedI - au | klI rindhikA - u ruk - pha rukmiNI - zrI ruciram - rA rudrabhayaGkarI - i rudramUrti:-R rudrayoginI - ma hadrazekharA-la rudrANI - ija 157 artha sTU - kha ruNDI - e rutiH-u rudra:- e ka ga / mAsAha rudraka:- la rudracaNDI - rudraDAkinI - (aM) rudradarzI - e ruru: - : (a:) ruSonmattA-kSa rUpam-bha dAla rUpavarSiNI-U rUpiNI - DADha rekhA - pa recikA-RR reNukA-Da

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zabda artha 158 varNavIjakoSaH zabda artha zabda artha reta:-kloM lambodarI-jAna rerihaann:-e|gaasaah lamboSThaH-la revtii-(aN)|raal lamboSThI-jAau roganAzinI-Ta lalanA-krIMnI rogI-ja lalavAka-la rociSmatI-la lalATa:-bAThAha rodhinI-a lalATaja:romaharSA-:(a:) lalitam-chI rohiNIpatiH- aisAdrI lalitA-strI rohinniish:-ai| sAdrI lalitAbIjam-sklahrIM rohitAzva:-rAraM lvkaadhiHraudrH-thaahauN|hriiN lavaNam-dhAnAla raudrI-RAnApha lavA-(aM) rauraveza:-ra laharI-bAva lAkinI-aila lakulI-ha bAGgalI-lAchATa lakulIza:-ha lApaka:-Da lakSmaNa:-I liGgam-khAe~ lakSmI:-mARAkhAlAvAzrIM lipsaH-va lakSmIgaNeza:-grI lipsA-jhAU~ lakSmIrUpA-jha lutkadhAriNI-Dha lakSmIvAna-ma luptakeza:-la lakSmIsahaja:- aisAdroM lU cakaH-la laghuprayatna:-la lekha:-kSa ljmaa-aae|dhaassaahriiNstrii lekhaka:-o latA-e lekhaSabha:-iAla lAbIjam-e lekhA-hrIM lambapayodharA-:(a) lelihA-ai lambavakSojA lokanAtha:-kAmA lambodara:-ghAGASAga lokabandhA-lI lokeza:-kAmA lobhavardhana:-ikAkSAvaloM lomazA-o lomahAriNI-au lolA-yAkrI lola:-thAda lolaakssii-ii|paaph lohita:-pAkSAhrIM lohitA-ai ||v // vaMza:-Ta vktrm-laa:|k vakratuNDA-dha vaca: vatra:-mAla vajrakAya:-kSa vajradaNDa:-la vajradhaka-la vajrapANi:-iAla vajraprastAriNI-(aM) vajrAkSI-va vajrAMga:-ga vajrAyudhaH-lAe vajriNI-RAchATa vnii-i|aumaal|phtt vajrazI-U vajrezvarI-DApha vaTakabIjam-vAM vanam-vAsvAhA vanamAlI-AuAklI For Private and Personal Use Only

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atha zabda vandimocanam-jhi vapuH-za vara:-da varadA-thAva varA-ekhAtra vraak:-e|gaasaah varAkI-e varAdaraH-ja varAnuja:-la varAyudhA-e varArohA-ai varAhaH-na variH -ha vrunn:-ii|kaav varuNeza:-sa vareNyaH-vAsa vareNyA-Ta vreshvr:-e|gaasaah vargAnta:-kSa vadhika:-Ga varNakarNa-Na varNataraNi-na varNarAT-kSa varNAnta:-kSa vaNinI-ai varta:-ai vartakaH-3 vardhamAna:--AuAkloM vadhinI-Na vahIM-tha varNabIjakoSA zabda artha vahi:-rAra vahizuSmA-ha~ valakSagu:- aisAdroM vallabhaH-pha vallI-e vaza:-ra vazinI-AoAlU vazI-ya vazyatrivarATakI-heM vazyam-vauSaT vazyA -u vapaTakArA-Ga vaSaTkArI-ca vaSTa-va vasanama-ai vsuH-e|gaasaah vasudhA-mAyAlAhI vasudhAtrI-ja vasundharA-RAlAla vasumAn-ai vasusvara:-ai vastram-esauma vastrabIjam-o . vadvijAyA-sthAhA vahIza:-Ga vA:-vAva vAkapati:-A vAkapradA-RAtra vAgIzvaraHvAgIzvarI-ikAai zabda artha vAgurA-prIM vAgmI-yAprI vAGkaH-rU~ vAcAla:-ya vANI-AaigAcAhrIM vANIza:-ya vaatH-aaii|ddh vAtabIjam-u vAtatti-hrIM vAtudA-prI vAdanI-(aM) vAdyaH-lAsa vAnaraH-ya . vAntaH-U vAntadA-prIM vApI-ya vAmakaH-la vAmakarNa:-U vAmakaraNa:-ja vAmakaroTikA-Ta vAmakapola:-la vAmakukSiA-pha vaamgnnddH-laal|e vAmajanA-ai vAmajavikA-o vAmajAnuvAsa:-tha vaamdev:-e|kaagaadhaasaah vAmadormaNibandhaga:-ja vAmadormUlam-ca vAmana:-AuRaiSAmalI For Private and Personal Use Only

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160 varNabIjakoSA zabda martha zabda artha zabda vAmanIka:-vI vAraNA-A vAstoSpati-dAla vAmapanmUlam-ta vAraNArNam-hrIM vAsyA-Ta vAmapAdasthita:-ha vAraNI-R vAhanama-gha vAmapAdaMgulitalagA-ja vArAMnidhi:-6 vAhinIpati:-rU vAmamaNimadhyaga:-na vaaraahii-aaoe|caat vAlikama-gloM vAmalocanam-I vAri-vAvaM vi:-:(aH) vAmalocanA-R vAricArakA-va vikaTam-cha vAmazakti:-ta vArijam-ThaH vikarAla:-(aM) vAmazAkhAmUla:-jha vArijA-ai vikarAlI-(aM) vAmazrutiH-U vArida:-va vikAmA-u vAmaskandhaH-cAla vAridhi-rU~ vikRta:-o vAmahastAgragaHvArinidhi:-rU~ vikRtamukhIvAmahastAMgulitalagaH-jha vArirAzi:-rU vikRtA-kSa vAmahastAMgulimUlam-jhAda vaarunnH-k| vikRtAkRtimaNDala:vAmahastAMgulyagragaH- pAruNam-kAva vikRti:-ANikAkha vAmA-nAstriI vAruNika:-va vighnam-i vAmAkSI-Io vAruNI-RArAza vighnapa:vAmAMsagata:-va vArtA-dAdha vighnraaj:-aa| vAmI-jhAna vArtAdA-prI vighnavAraNam-phaT vAmoda:-ja vAdhi: vighnahartA-uAkSa vAmoruH-thAsa vArSa:-kaM vighna hAriNI-kSa vAmorunilayaH-ta vArSika:-kra vighnahat-u vAmorumUlaga:-ta vAsa:-vAhAsI: vighneza:-ADha vaayvii-ai|o|shaass vAsaMkarI-o vicitraa-:(:)|caakriim vAyu:-khAGAjhATADhAsAyaM vaasnaa-ii|e|ai|eN vijayA-ARAharUphem vAyupUjyA-prIM vAsavaH-la vijayAbIjam-zno vAyuvegI-ya vAsinI-la vijayI-u vAyusakhaH-rAraM vAsu:-AuoklIM vijJAnAtmA-(aM) voraNa:-khAkrAM vAsudevaH-AuoklIM viduSI-o vaarnnm-e|aiN|kraaN vAstudevatA-(aM) vidyA-AikARAgAca For Private and Personal Use Only

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varNavIjakoSA zabda - artha zabda artha zabda artha vidyAdharaH-la ghiratiH-e vizvamohinI-ema vidyAvIjam-kSarasarahI viralA-Ta vizvambharA-kAlAla vidyAmukhI-(aM) virATa-jhAOM vizvayoniH-kha vidyujjihvA-AgAja virAviNI-Sa vizvarUpa:vidyut-TASa viruddhadhI:-na vizvarUpiNI-DAca vidyati:-pa virUpA-hAla vizvahA-ma vidyezvarI-o virUpAkSI-R vishvaa-Raae| vidhaataa-aa|kaaAUM virodhinI-u vizvAtmaka:-A vidhiH-kAmAkAva vila:-tha vizvAtmikA-la vidhu:-iAlam vilAsinI-uAlAstrI vizvAdya:-:(:) vinadA-TATha vivaram-tha vizvAntaH-ja vinasa:-na vivarNA-ja vizvezo-au vinaayk:-aa|:(a)ghoss / vivasvAna-e bisbhii-suul vindhyAdizikharasthitA-8 vizalyA-3 viSama-DAma vipulam-za vizAkhI- viSaghnI-i vipulA-lAla vizAla:-la viSayecchAbhogavatI-Ga vipracittA-U vizAlAkSI-kha viSTarAGgI-ja vipriyaH-pha vizAlArdhA-ka vissnnu:-i.:(:)|haakliiN vibhAvasuH-gArAraM vizikha:-chAdA viSNumAyA-ai vibhuuti:-jaaai|ttaatthaahriiN viziSTarI-R viSNuzakti:-zrIM vimattaH-ma vizuddhimAn-R viSNuzayanam-ArA:(a.) vimaladhita:-la vizvam-la|OMmAnAnamaH visuH-dha vimalA-kAcAlASAlU vizvagarbhA-ca vismitA-lU vimalAkRti:-Ta vizvatomukhI-la vihagaH-pha vimuktaka:-bha vizvapsA-rAra vihvl:viyt-:(:)|ngaatraamaa vizvabIjam-la vodhi:-mAlU zAha vizvamardanA-auM vItihotra:-rAraM virajatiH-ja vizvamAtA-ga vora:-IyAhrIM. virajA-AjhiAna vizvamAtRkA-Rai vIraka:-tAza virajeza:vizvamUrti:-ma vIrapoTha-na For Private and Personal Use Only

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varNavIvakoSA zabda artha vIrasandha:-ba vIrA-Ta vIriNI-Dha vIreza:-ya vRNA-(aM) vRkaH-na vRkodarI-haM vRkss:-(aN)|:(a:) vRttama-Tha vRtrana:-za vRddhiH -R vRzcika:-cha vRSaH-zASa vRSA-uAcha. vRSAkapi:-rAra vRSTi:vRSThibIjam-kra vedaH-ra vedadhArA-OM vedamastaka:-OM vedamAtA-iTha vedamUtti:-la vedamUrddhA-OM vedasaMjJaka:-va vedAdi-OMOM vedAzvaH-la vedhA:-kAma veza(Sa)vatI-sa vezyA-OMAnI. zabda artha zabda artha vaikuNThA-lAma shktiH-aa|ii|Raalaaai| vaitAlika:-ple (aN)|kaakhaakliiN| vaidyuta:-e, vaivasvatAntakaH-krU hasaurAhasauM vaizva: zaktikhecarI-rU vaizvAnaraH-rAe~ zaktipraNavaH-pha vaiSTarazravAH -kha zaktIza:-ta vaissnnvii-u|RRaur zaktyAkarSiNI-au sAkalahrIM shkrH-iaal| (aN)|l vaiSNa va:-A shngkr:-uaae|gaaddaashaasaah vyaktaH-la zaGkA-sAsauH vyaktA-(aM) zaMku:-auoNya phreM vyagrA-o zaMkubhadra:-ya vyAkRtam-ha zaGkha-za vyAghrapAda:-uDa zalabhRt-AuAklo vyApikA-la shngkhinii-e|ghaannaanaam vyaapinii-ii|au khApAla zacI-e vyAThi:-a zacIpatiH-ila vyAmohada:-jha zatakratuH-hAla vyAla:-da zataghnI-ghrI vyom-aa|uaalaa (aN)|kh| zatadhAmA-AukliIM . nnaahaakssaa|hN zatadhatiH-iAkAmAlAka ruyomanAmikA-da zataparvanivAsa:-kAmAka vyomavaktrA-U zatapaveza-lAbI vyomarUpA-R zatamanyuH-hAla vyomarUpiNI-u zatahadA-Sa vyomAkAra: zatAnanda:-kAmAka vyomAtItA-R zatAvartaH-AukliI vyoSam-hrAM hrIM- zatAvartI-AuAklIM ||sh / zatruH-ta :zaktaH -la zatrughna:-u veSA-ka For Private and Personal Use Only

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Shri Mahavir Jain Aradhana Kendra zabda zani :- chAtApa zanikumbha:- ba zapharI-pa zabda :- ya zabdabrahma-OM zamanA-U artha zampA zambarAriH - izka | klIM zambhu :- e|gadhazasi / ha / haM zambhuda:-haM zambhustrI - e zaya:-ba zayyAsvara:-A zarH-phaT zerajammA - GANaM zaraNArtibhidA-e zarat-sa! so : zarabhI-i zarIrAkarSiNI -: ( a ) zarma - esao zarmA-za | sAzaM sauH / haM zarva - jAma zarvarIpatiH- porAdrA~ zarvarIzaH - aicha / sa / drA~ zalamalI - i I zavabIjam - dra zaza:- -(ai) zazadharaH - ai| chaM / sa / dra zazabinduH- A| u / klIM zazAGkaH- ava zabda www.kobatirth.org afata koSaH zazAGkadhAriNI-o zazinI - R / e| aiza zaziprabha:- ma artha zazipriya:-pha zazI - (aM) ||Tha| phasa zasIna:-Ta] ya] ya~ zastama - (aM) zastram-ya | phaT zastrAdiH - phaT zAkinI - aura sa zAGkarI-RR zAGkalA-ghroM zAkhA - jAha zAkhAntarAkRtiH-- Dha zakhinIpriya:-na zAkhI - (aM) zAkhoktA-ja zANa:- ha zAnta:- o zAntiH - 3 | I | u | U kA Da zAntikaH-o zAntikRt-la zAntibIjam - svAhA zAndulaH---va zAntyatItAkalA-hU zAmbhavam - rU~ zAradA-e zArGgabhRt - Au / klIM zArGga-a | u ga | klIM zArGgaza:-ga zabda zAmbhava:- Ga Na zAmbhavI - alavi zAlAkSI-U zAlikA-ghrIM zAlikI-ghrIM zAligI :-Ga zAlinI - NaM zAmmalI - iGa zAzvata :-dha zAstA-za zikhaNDikA - vaSaT zikhaNDinI - zikhaNDI - ka zikharam - mloM zikharI-da zikhA-na 163 jatha zikhAbIjam - vaSaTa zikhAvAn - ra| ra~ zikhivAha: - va zikhI - ta |pha||lAra zitikaNTha:- e| gaha zinI-ura zirasija:-tha zirA - namaH zipiviSTa:- e / ga] soha zira:- (aM) | ka | hAhA zirobIjam - svAha zirobhramaH -gha ziromAlA-R biroruhaH-ka

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drA! zuklA-lAdhIM eriilngkaa banda , artha zabda : artha zabda zirontyagam-svAhA zItala:- esAda zUra:-DhANApAmAva zilI-thAma shiitaaNshuH-e| sAdA zUrpaka:-gAga zilocayaH-thAda zukraH-zAsa zUrpakarNa:-khAgAkroM shiv:-aaje| kAga zuktiH-Ta zUlA-dAphaTa GAnApAmASAsAhola zukA-sAlAboM shuuldhrH-e|gaasaah zivakIttana:-AuAkloM zukrabIjambos zUladhAtrI-dha zivakhecarI-haskhaphroM zukla:-lAsA shuulinii-iilaaai|kh zivadarzanam-ga shuulii-e|naajaadaasaahaakroN zivadA-la zuciH-lAaichArAvAzAra zRGgam-mloM zivadUtI-RAlu zucismitA-la zRGgArI-kraoN zivapraNava:-ho zuddhaH-lAla RGgI-tAda zivaprasAda:-hauM zuddhagAmI-ta RNi:-kroM zivapriyA-lAhrIM zuddhataruH-la zekhara:-I zivabajarI-hrIM zuddhabukhipravartaka:-aiM zema:-kSa zivazaktimayam-hasoM zuddhi-ta zeSa:-Ana zivA-iukAlAna zuddhimAtA-au zeSaka:-ya __TADhAdASAhrIM zubham-zAzaM zeSadarzana:-au zivAtmaka:-dha zubhA-eTa zeSabIjamzivAdi:-A zubhAMghriH -Da zeSA-kha ziveza:-(aM)ola zubhrA-lANa zala:-da zivottamA-u, zivottameza:- shubhraaNshu:-ai| sAdA~ zailaziviram-rUM zivottama:-iAcAca zumbhamadinI-o zailendrajA-lu zizupriyaH-Ga zuSkalA-jrI zaivam-I ziSTam-ya zuSmA-rAvAra shocisskesh:-| ziSyaH-pha zUkaraH-NAna zobhA-phAha shiighrm-ai|y zUkarabIjam-hUM zoSiNI-o zIghrapANiA-ya zUdraH-kAlApa zaukram-la zItabhAnu:- e sAdra zUdrapraNava:-oM zauri:-chAthAdhAna shiitmriici:-e| sAdA zUnyam-'(aM)okhAThAha zauryam-u shiitrshmiaa-e| sAdA bArASTasauM zmarI-namaH For Private and Personal Use Only

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varNabIjakoSaH zabda artha SaNmukha:-uUAthApATa SaSTihAyana:-krI SaSThagocarA-kha SaSThI -u SaSThIzapuravAsinI-va SoDazAMzu:-lAnauM SoDazAtmA-OM SoDazAci:-lAvoM ||s|| zabda artha zabda artha zmazAnam-A zrIza:-AukliIM zmazAnavAsinI-krI zrIzA-ra zmazru:-hUM zrozalavAsinI-ra zyAmamukhI-R zrIhariH-AuAkloM shyaamaa-Raal|kii|dhriil shrti:-uaao| (aN)|AUM zraddhA-Auekha zratipatha:-OM zramaH-gha zratibIjam-OM dhavaH-u zreSThaH-IR zravaNa:-u shresstthaa-e| zravaNA-ma zrAtA-u zrI:-AuAchAra zrotram-ta shriiknntthH-aae|goshaasaah zvasana:-TAyAya zrIkara:-AukliIM / zvApada:-A zrIkarI-ra zvAsarUpiNI-ca zrIkAntaH-AukliIM __ zveta:-SAsAlAnauM zrIgarbha:-AukliI zvetaratha:-sAlauM zrIgRham-zrI zvetavAhana:- aisAdA zrIdhara:-AuAlAoklioM zvetA-:(a)sa varNa-cha zvetAkSa:-sa zrIniketana:-AuAkloM ||ss // zrInivAsaH-AukliIM SaTkarNa:-o zropati:-AukliIM SaTcakra:-u zrIpurapITham-ka SaTatarka:zrImAn-ukloM SaTpadA-o zrovatsa:-AukliI SaDdIrgha:-AIU~. zrIvatsabhRta-AukliIM aiN|auN|aH zrIvatsalAnchana: SaDabhijJaH-gha mAuAklI Sar3aNa:-OM zrIvarAhaH-AukliIM SaDAnana:-GASA zrIvidyAra SaNDalA-Sa saMkrandana:-ila saMjJA-kAGa saMmohanaH-la saMyogaja:-kSa saMyojaka:-kSa saMvartanam-dhra saMvattikA-za saMsthinI-Ga saMhArabIjam-phaT saMhAriNI-lATa saMhArIsaMhRtiH-(aM) sakalA- hrIM saGkarNa:-va saGkhyakaH-Ga saJjinI-(aM) st-ai|aumaadaay satI-DAda stym-o|AUM satyakA-kAmAka satyAnta:-au For Private and Personal Use Only

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atha zabda artha satvAtmikA-(aM) sadanama-vAva sadA-Tha sadAgatiH-TAyAya sadAnandaH-kAmaka sadAyogI-AukloM sadAziva:-gApAva. phoM sphroM sadyAnta:-Ga sadyojAteza:-o sanada-kAmAka~ sananda:-sa sanahA-sAdhI sanAtana:-AuAvalI sanAda:-(aM) sandhyA-jhoToza sdhyaanttii-e|gaasaah samdhyArAma:-kAmaka sannati-(aM)nimaH sanmanA:saparaH-ha sajihvaH-rAra saptaturagaH-cha saptamAtra:-OM saptAciH-rAra saptAzva:-ma saptikaH-cha sapharI-pha samavartIsamastA -hrIM varNabIjakoSaH zabda artha samA-lAcAcha sarvagaH-gAGa rAmAzvarA-la sarvagati:-kSa samAsanam-TaMThaMThAThaH sarvajambhiNI-ja samIra:-TADhAyAya svjny:-e|gaasaah samIraNa:-TADhAyAya sarvatarkavijitA-Ta samudra:-ruva . sarvatomukham-vAva samudrajA-kAzrI sarvatomukhI-bAra smudrnvtaat:-e|7|| sarvadAhaka:-pa sAdA sarvadIta:-da samudrasubhagA sarvadehAzrayaH-ha sampattibIjam namaH sarvapAcakaH-Na sampUrNamaNDalA-au sarvapIThezvarI-Tha sambalam-vAvaM sarvapriyaH-ta sammUDhA-:(ma:) sarvapriyatamaH-ca saraH-vAba sarvavargAnta:-kSa sarama-vAva sarvavarNAnta:-kSa sarasI-u sarvavAgIzvarI-ca sarasvatI-AkAkhAca sarvabIjaka:-sauH nAsAai sarvabhAvanI-ja sarasvAn-ru. sarvabhujamadhyama-cha saritpatiH-1 sarvamaGgalA-AausvoM saridAmpati:-ha sarvamantrezvarI-Ga saridvarA-la sarvamitram-Ta sarilam-vAvaM sarvayonika:-sa srojii-kaam| sarva rakSitA-gha saroruhanivAsinI-zrI sarvaraJjinI-ba sarpa:-thAda sarvalA-gha sarpAkAra:-da srvvshngkriisrv:-e|gaattaanaasaah sarvavidyezvarI-gha sarvakramaH-ba sarvavidrAviNI-ga For Private and Personal Use Only

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zabda artha sarvavIrezvarIsarvavyApI-U sarvazaH-ga sarvasaMkSobhiNI-kAgha sarvasaMjJaHsarvasamartha:-Dha sarvasamudbhavaH-e sarvasammohinI-ca sarvasiddhIzvarI-ja sarvastambhinI-cha sarvastrotA:-Tha sarvasvAmI-Da sarvahara:-gha sarvahisaka:-pa sarvAkarSiNI-ghAkSa sarvAGkAgamaH-jha sarvAGgasAgara:-kSa sarvAMguliH-na sarvAtmA-kSa sarvAdi:-ga sarvAntaka:-kSa sarvArthasAdhinI-ga sarvAlaGkArasaMyutaH-ca sarvAllAdinI-Ga sarvezvarIbojam-jhamyarUM sarvaSTa:-tha sarvoktaghaTanAvalI-ja sarvonmAdinI-Ta sarvopakAraka:-kSa sulam-vAva varNabIjakoSA zabda artha zabda salilam-vAya sAmagaH-sa sava:-vAva sAmagarbha:-bAuAklI savakartA-kAmaka sAmayoni:-krI savamukha:-rAra sAmbu:-rU~ savaram-vAva sAbhrAjyabIjam-hasaum savilAsinI-U sAraH-TAyAlAya rAvyacandra:-tha sAraGgatiH -ga savyavAhumUlam-ca sAraNaka:-sa savyasvara:-U sArasa:- aisAdA sazikhA-pha sArasvata:sahajAtmA-sa sArdhabalA-dhrIM sahasrabhuja:-kha sAdhazRGgam-kro sahasravadana:-AukliIM siMhanAda:-na sahasrAMzu:-ma siMhanAdinI-au sahasrAkSA-la siMhabIjam-hasakSbhrIM sahA-lAla siMhabharavI-ma sAkSo-la siMhAsyA-a zAgama: siMhikA-DADha sAgaraH-vArU~ sihinI-ba sAgaramekhalA-lAla sitabhAnuH-1(aM) sAgarA-RAna sitasindhuH-la sAMkhyayogodbhavA-ja sitajihvaka:-:(:) sAgarAmbaram-rAra siddhdevH-e|gaasaah sAJcalA-U siddhlkssmii:-0(aN)|j. sATTahAsapadezvarI-jha siddhasindhu:-rU~ sADhipuSpam-ta siddhApagA-la sAdhuH-cha siddhAmbA-cha sAnubIjam-glo siddhiH-khAgAADha sAnumAn-da siddhidA-Dha sAnulomAgrasandhikA-3 siddhipradaH-ga For Private and Personal Use Only

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Shri Mahavir Jain Aradhana Kendra 168 zabda siddhezvarI-Ta siddhayarNava:- Dha* siddhayAkarSiNI-A sindhu: - rU~ sindhujanmA - ai | |sa / drAM sindhuraH - krAiM artha sindhuratilaka:-krau sindhusutA - zrIM sipra: - ai / cha | sAdrAM sItA-Tha sukezI -: (a:) sukham-va sukhAza: - TAya | ya~ sugam-ya suganta:-ta sugrIvaH- va sughorabIjam - va sutrAmA- jhAla suddazAGa sudhanyA - la sudhA-0 (aM) vAla* sudhAkaraH - ai| / sA drau sudhAdhAraH - ai| cha | sAdrI sudhAnidhi: - ai| sudhAbIjam - hrIM sudhArazmi:-drAM / sodrI sudhArasamayI-sa sudhAvarSI - kAma ka~ sudhAsUti: - ai | |sa | drau sudhAsravA-valIM www.kobatirth.org afat anter zabda sudhAzu :- aicha / sA sudhI:-Tha sunandA-Tha sunAsIra:- la sundara:- i| cha sundarI-abhI: / ta supUjyA - prIM suprasAdaH - e|ga | sAda subhaga:-za subhagA - Au |e / : / za sumanA:- i sumAlinI-la sumukhaH - JaTAbha sumukhI - (aM) / jAna sumukhezvarI- -pAra suyukti:- -cha suyuktikA - ca sura:- jhAha surajyeSThaH- kaam| ka~ artha suratA-U suradIrghikA - suranadI - suranimnagA - lu surapati:- ila surapuram-dha surabhi:- ThAva surabhI-R suravartma - A|kha| hA ha surazreSThaH-Ga surasA -: (a:) | Da zabda surAsiddhA-la surAntaka: - hUM surApagA-la surArihA-pa surUpiNI - surezvaraH-aI surezvarI - AjaSa sulApinIca suvAsA - sa suzakti: - e suzikhA-pha 2 sulocana: -Ga suvarNabindu: - auvalIM suSamA-ha suSiram-tha sutI-Da susutA-cha susmitA - a susvana:- ya suH - eN artha sukaraH -na sUkSmaH - iAlAla sUkSmA -aa| ii| lR / e|ai sUkSmeza :- I suti:-cha sUteza: - au sUtram -U sUtrAtmA-ya sUraH- kADha | ma ova

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varNabIjakoSaH zabda zabda artha zabda . artha sUrya:-lAmASa stambhanam-namaH svanam-Ta sUryamaNlA-la, sUryAsta:-Sa starama:-kraoN svanitam-Ta sRSTi:-AuAlAka stamminI-mAa svapnAvatI-haklaehIM sRSTikarmA-u strIpraNava-auM svabhUH-AukAmAkAklI senduvat-gha strIbIjam-prI svayambhUH-kAmA sevaka:-ya sthANuH-lAbhAthAdhAvAha syaMvarA-prIM sevakA-u sthAnadevI-tha svara:-:yAya saMndhavam-na sthAyI-TATha svarATa-cANAOM som:-ai| dhAyAsAdrI sthaavr:-e|gaasaah svarAdi:-AOM somam-bAva sthitiH-chAjha svarApagAsomapA:-kaNa sthira:-NAjada svarUpA-sa somapriyA-Ga sthiraprasAdaH-sloM svarezvara:-a somasindhu:-AukliIM sthirA-au|gAjAbhAlAla svagaratnam-slU saukhyadA-tAsa sthUladantaH-ra svApagA-la saukhyadu:svaprabandhaka:-(aM) snuhI-ca svarNaretasovallabhA-svAhA sauparNI-gha spaza:-rASa svarNavedha:-() somagabhrUH-(aM) sparzana:-TAyAya svadhuno-la saubhAgyabIjam-soM sparzAkaSiNo-u svanaMdI-la saubhAgyA-(maM) spRhA-UM svarvApI-la saumyaa-Re|:(a:) smara:-:kATAkAhAklIM svasti-u sauraH-cha smaraNama-ga svAtItA-Ga saurAnanda:-3 smrhrH-e|gaasaah svAtmavedinI-e sauSmakam-namaH smitaH-tha svAtmazakti:-ja skanda:-kaTa smRti:-jAgAjADAla svAntanam-a skandam-hA~ smRtyAkarSiNI-e svAyambhuvamanupitAstanama-jAThaThama syandanam-vAvaM kAmAka stana:-jAja sraSTA-ka yAka svarATa-ila stanadvayam-Tha:: svaguhyaH-i svAhA-oGa stanabI jam-ja svacchanda:-ka svAhAmAlA-R stamberama:-krA svdhaa-auN| (aN)|tr svedajAtmA-o For Private and Personal Use Only

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varNabIjakoSa: artha zabda artha zabda artha ||h // haritam-hasauM himArAti:-rA haMsa:-mAyArAsAha haridazva-mAya - hiraNyamayI-ka haMsagA-U haridrA-dhAhasaurAhasauM hiraNyapuravAsinI-sa haMsadA-R harisarga:-:(:) hiraNyapuram-sa haMsaratha:-kAmAka narihaya:-DAla huGkAraH-lU haMsavAhana:-kAmAka harSakAminI-la hutabhuka-rAraM haMsinI-yAra havi:-:(a) hRtabhuka-rAe~ haGkArI-jha havyavAsitA-la hRcchAlI-ya hanu:-hAsvAhA havyavAhana:-rAra hajjaH-jAma handhra :-haM hasta: hRta-aiyAzASAhAnamaH hayagrIvaH-hasauM hastinApuranAyaka:-na hRdayam-gAnAyArAnamaH hr:-e|gaaghaasaahaasvaahaa hstii-shaakrauN|pro hRdayAtmA-namaH haaN|phtt haavinii-0(aN)|d haram-phaTa hAnta:-hai hRbIjama-:(a:) haracUr3AmaNiH- aisAdro hAraH-R hammaDala:harajAyA-hrIM hAriNI-ja hRSita:-ma haradhvani:-Tha hAsita:-ma hRSIkezaH-AulAbAklI harapriyA-hrIM hiMsA-R hRSTi:-au hrruupH-e|gaasaah hiMgubIjam-glauM heti:-phaTa harazekharA-la hinnddii-e|gaasaah hemazaGka:-klIM hariH-AulAtAhAklI hita:-U herambabIjam-guM hariNaH-hasauM . himadyutiH-aiAisAdrIM hrAdinI-zASa hariNAGkaH- sAdrI himAdritanayApatiH- hrii:-aa|hriiN hariNAkSI-zrIM egAsAha hlAdiga:-ca hariNI-hasoM varNabIjakoSA samApTha: hRdyam-ya For Private and Personal Use Only

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kucha pramukha prakAzana tantragranthamAlA 1. zivasvarodaya ( mUla evaM aMgrejI anuvAda sahita ) 15.00 2. mantra mahodadhi ( naukA saMskRta evaM mohinI hindI TIkA) 150.00 3. mantra mahodadhi ( mUla, naukA TIkA, aMgrejI anuvAda) zIghra 4. kAmaratna tantra (mUla evaM hindI anuvAda), pepara baika 20.00 sajilda 25.00 5. kulArNava tantra ( mUla evaM aMgrejI anuvAda ) 6. hindI mantra mahArNava (mUla evaM hindI anuvAda) devatA khaNDa, mizra khaNDa, zIghra devI khaNDa 175.00 vArANasI tAntrika TeksTsa sIrIja 1. mAtRkAbheda tantra ( mUla evaM saMskRta TippaNI sahita ) 15.00 2. tripurAsArasamuccaya (nAgabhaTTa kRta evaM govindAcArya ko saMskRta TIkA) 8.00 dhanavantari granthamAlA 1. baGgasena saMhitA ( mUla, hindI anuvAda evaM pariziSTa sahita) 150.00 katipaya anya prakAzana zRGgAra tilaka (rudraTa) sahRdayalIlA (ruyyaka) 15.00 (mUla evaM hindI anuvAda ) bauddha tarkabhASA ( mUla evaM hindI anuvAda sahita ) 8.00 svapna kamalAkara (mUla evaM hindI) adbhuta rAmAyaNa (maharSi vAlmIki kRta) sajilda 16.00 pepara baMka 12.00 zanistotrAvali 2.00 tripuratApinyupaniSada aura tripuropaniSada (mUla evaM hindI anuvAda) 3.00 Complete works of Gosvami Tulsidas ( Set of 6 Volumes ) A Metrical English Translation Per Set 250.00 Indological Reference Series 1. Encyclopedia of Yoga : Ram Kumar Rai 100.00 ( With 8 colour plates, numerous line drawings and charts etc.) 2. Dictionaries of Tantrasastra (Tantrabhidhanam ) Text with English Translation : Ram Kumar Rai 50.00 3. Encyclopedia of Indian Erotics : Ram Kumar Rai 80.00 prAcya prakAzana 74 - e, jagatagaMja, vArANasI-221002