Book Title: Vaishali Institute Research Bulletin 2
Author(s): G C Chaudhary
Publisher: Research Institute of Prakrit Jainology & Ahimsa Mujjaffarpur

Previous | Next

Page 44
________________ OUR ANCIENT RHETORICIANS ON PLAGIARISM IN POETRY DR. R. P. PODDAR Plagiarism in poetry essentially involves lifting without acknowledgement the individual imaginative creation of some former poet. Vămana touches this subject in course of his treatment of Ideas (Artha) for poetry. He puts the Ideas in two categories (1) having no previous source (Ayoniḥ) and (ii) inspired by previous source (Anyachāya Yonib). A poet making poetry with an Idea imbibed from some previous source cannot be condemned if he brings into play his creative imagination and is not altogether out to deck himself in borrowed feathers. Literature of the past is a legitimate source of Ideas for all poets. Anandavardhana's reflections upon the subject are precise and thorough. He not only approves but also pleads for the new ways of expressing the expressed Ideas. No poet can claim to be entirely independent in the matter of Ideas He is inevitably engrafted to the literary traditions of the past. Hence it is natural that he should be frequently inspired by the imaginative perceptions of his predecessors and often tempted to adopt them with certain modifications. Thus there may be similarities in poetry but the wise should not always treat the similar as identicall for a good poet seldom fails to give a new turn to his borrowings. Anandavardhana put these similarities into three categories : (1) reflection-like (pratibimbavat), (II) portrait-like (alekhyā kāravat) and (III) like two similar individuals (tulyadehivat). A new poetic creation may be simply a mirrored reflection of some old one or it may be an imitation like a portrait or it may be similar to the latter just as two individuals of the same genus are similar. The mirrored reflection has no individuality of its own. Its soul lies in the object of which it is a reflection and in itself it is lifeless. The portrait also has very little individuality. But each of the two individuals belonging to the same genus has a separate soul and distinguished individuality in १. सम्वादास्तु भवन्त्येव बाहुल्येन सुमेधसाम् । नैकरूपतया सर्वे ते मन्तव्या विपश्चिता ॥ EFELETTE (.%) Jain Education International For Private & Personal Use Only www.jainelibrary.org

Loading...

Page Navigation
1 ... 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342