Book Title: Sandesha Rasaka
Author(s): Abdul Rahman, Jinvijay, H C Bhayani
Publisher: Bharatiya Vidya Bhavan

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Page 104
________________ quantities less common): or alternatively ~~~+~+8/~+~++~~ contact/~+==++~~ GRAMMAR The individuals are represented as under (the two stanzas 86, 87 and the one stanza 204 are included in the calculations): 1. (morae 1.-2.) has two forms: 33 206 2. (morae 3.-6.) has five forms: ~ 104 -VV 86 183 This shows that the 3. (morae 7.-10.) has four forms: 179 www 62 71 - 23 Jain Education International 717 72 C 13 56 -- 18 is permitted in this . Here the is forbidden. 4. (mora 11., or morae 11.-12.) is made up of one or two short syllables according as the caesura falls after the 11. or the 12. mora. The proportion of the two is 190 (56%) 144 (43%). 134 ~~ 55 Exceptions:-56d, 57a, 58a (all the three occurring in the section listing tree-names), 1306 and 1546 have the caesura after the 14. mora. Cf. the T of the 14-moraic caesura treated at So. VIII 50 and Ch. V 2. For 47c, 187b, and 188d see 1 A word of explanation seems necessary for this spinning out of the five (6 +4 +4 +4 +3) s given by the into seven. The two implications of the principal of -division in general are that firstly the closing mora of a preceding and the opening mora of the following it cannot be replaced by a heavy syllable i. e. the separate individuality of each of the two morae is to be preserved (cf. AM § 19.) and secondly, the common patterns of the various constituent s when viewed in a lot are to be indicative of the general rhythm of the metre if any. In the case of the stanzas in the SR. the formal analysis shows that it conduces to precision and lucidity to split up the first and the third of the each into two and as this can be done without any detriment to the underlying principal, seven are set up. For precedences Ch. V 31 versus 32 (cf. HP. p. 189) and ALSDORF's treatment of the g (see § 11 below) can be pointed to. For Private & Personal Use Only www.jainelibrary.org

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