Studies In Sanskrit Sahitya Shastra

Author(s): V M Kulkarni
Publisher: B L Institute of Indology

Page 23

Sanskrit Sahityaśāstra
The sub-divisions of Tulyadehitulya are:
1. Visayaparivartah-When an idea, expressed by an earlier poet with reference to one object of description, is connected by a later poet with another object of description it gains new appearance. And it gives us this variety.
2. Dvandvavicchittik-When a later poet appropriates only one of the two aspects of a thing described by an earlier poet, we have this variety.
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3. Ratnamālā-is that variety wherein the ideas of an earlier poet are interlaced or interwoven with new ones.
4. Samkhyollekhah-We get this variety when a later poet gives a description based on that of an earlier poet but with a striking difference in number.
5. Calika-After describing the idea of an earlier poet if the later poet adds some striking sense to it we have this variety. Culika, again, is two-fold: Samvadini (in correspondence with) or Visamvadini (not in correspondence with the original idea).
6. Vidhanapahāraḥ-Presenting a negative statement affirmatively.
7. Manikyapunjab-Arranging together ideas from different verses in a concise
manner.
8. Kandaḥ-Expressing the basic idea in its various aspects.
Surananda approves of this kind of borrowing (Tulyadehitulya) as it reveals some originality (lit. polish. Ullekha) on the part of borrowers. For Sarasvati in the case of the poet, polishes in a striking way any ordinary jewel of 'artha' and makes. it highly precious."
The sub-divisions of Parapurapraveśasadṛśa are :
1. Hudayuddham-Transmutation of an idea based on some reasoning, found in an earlier poem, supported by a counterbalanced reasoning.
2. Pratikañcukam2-Presenting the same matter which appears different on account of a different mode of expression.
3. Vastusancaraḥ-Substituting the standard(s) of comparison in the original by one's own.
4. Dhatuvadaḥ-Transmutation of a figure of word into a figure of sense. 5. Satkarah-Transforming the matter by elevation.
22 This Surananda belonged to the Yayavariya gotra to which Rajasekhara himself belonged. He was probably Rajasekhara's senior contemporary.
23 A similar thought is expressed in the Dhvanyaloka (1.6):
सरस्वती स्वादु तदर्थवस्तु निष्यन्दमाना महर्ता कवीनाम् । अलोक सामान्यमभिव्यनक्ति प्रतिस्फुरन्तं प्रतिभाविशेषम् ॥
24 Lit.
25 Lit. 26 Lit.
'ram-fight'..
a different dress'. Alchemy.