Book Title: Sambodhi 2013 Vol 36 Author(s): Jitendra B Shah Publisher: L D Indology AhmedabadPage 87
________________ Vol. XXXVI, 2013 The Oral Traditions of Epics in Gujarat 79 Devnārāyan born from a lotus and he with the help of divine cow salorā killed Ranā, took revenge of the family. The story bears 103 main story motifs15 After analyzing the story and discussing its motifs I have shown the Bhili text is missing some details and links of the story. My discussions and the comparative study of Gujara no Arelo and Bagadāvat of Rajasthan provides the missing links of the story.16 Arelo Here, in Bhili tradition the form is known as Arelo. Any religious and mythological stories sung by Bhil-Sadhu are known as 'Arelo'. Generally Arelos are sung during Navaratri to Diwali. On the last day of Badraprad. Bhili Sādhu moves from village to village and Arelos are narrated sung. There is walking narraticn, on invitation of Mukhil-the head of village-they go with their team, invitee offers wine and sacrifices a goat (which is a part of the ritual performance). The main singer-narrator, having his finger in his ear walks fast, half running, which is called in Gujarati Apbhramsh 'Hindvu' means to walk. Dr. Bhagavāndās Patel wrote that 'Arelo' is derived from 'Hindvu'. This seems popular etymology. Dr. Shantibhai Acharya, A linguist and folklorist derives it from '55' id verb, the meaning is to please. He also cites 'Agnimide Purohitam (Rigved 1.1.1.) means Purohit praises Agni.17 Performance ... The last Arelo narrator-singer Gamār Jivabhāi Zalabhāi, residing in the border village of Gujarat and Rajasthan had his father's old Tambur. He was . 'assisted by main Ragi and other 10 assistants. The Jharmaria, dance-songs were performed with a group including 10 ladies. At present the tradition is semi-dead. There is a trained group, who can on any academic invitation and sponsorship performs some parts of it. The printed text of this epic is now useful for the young learned generation. 6. Rathor-Varta This epic is Bhili version of Rajasthani Pabuji-Pat-Katha. The Pabuji Pat Kathā is heroic narrative poetry which has been inscripted and edited.18 The Pat-Kathā is more ritual, religious story of Pābuji, a Lok-dev-a folk deity of Rajasthān and Gujarat. It is narrated by Bhopā-Bhopi with the help of Pat-Pad (A long clothe on which the relevant incidents are painted). 'Pat' is not just a aiding medium of the story narration, as it was prevailed in Pakrit story of Jain Education International For Personal & Private Use Only www.jainelibrary.orgPage Navigation
1 ... 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328