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૨. વૃત્તોની વૈચિત્ર્યમય રચનાઓ
વો હૈયે તારે?
રહ્યો એ આધારે: પ્રિયે તેમાં મારે પ્રણય દુનિયાંથી નવ થયો
નવા સંબંધોને સમય રસભીને પણ ગયો. ( Manimaya Senthi, by Nhanalal D. Kavi., Kotalank Karyo, Part 1 pp. 62-63).
Note :--This combination was first devised by Manisbankars R. Bhatt; so claims Mr. Ramnarayan Pathaka in his introduction to Purvalapa (collection of Manishankrra's poems) at p. 46 thereof. The claim is based on the poem entitled udgara. A look at it, however, shows that it is a further combination of 37727 FCT fraftoft (which I shall soon illustrate) and the खंड शिखरिणी of Nhanalal's Manimaya Senthi. This pare खंड शिखरिणो came into being in this Poem in 1898 and in Narsinhrao's poems in A. D. 1907.
(c) अभ्यस्त शिखरिणीः
प्रिये पादाम्बुजे,
हले त्हारा ओजे, विधाते ! गेबी ए तव सुतनु ! आछा रसरूपे समर्पलु लेजे जीवन रसखोळे, अनुपमे
घनविभवमा विद्युत हसेः ..
जलधिजलमां को नदी लसेः ऊँचे व्योमान्तमा झळहळतो ज्योति ऊँ? वसेः
सखि हारी मूर्ति हृदयभवने एम विलसे. (Indakumara, Act. I scone II pp. 27-28 by Nhanalal D. Kavi)
Note:-Mr. Nhanalel like Manishankara Bhatte in his poem, Udgara, has combined here अभ्यस्त with खंड शिखरिणी, the first
