Book Title: Atmavallabh
Author(s): Jagatchandravijay, Nityanandvijay
Publisher: Atmavallabh Sanskruti Mandir

View full book text
Previous | Next

Page 127
________________ 14 The Jain temple is sanctified by the presence of the Jina image. The image of the Tirthankara is the focus of worship by the faithful, approached with reverence, treated almost (but not quite) as a living god. An image which has undergone the ritual consecration is highly venerated and must receive daily worship and care. Such an image is a great responsibility for the guardians of the temple: if the services of a permanent pujari, a temple custodian, are not available the community must make arrangement for the daily attention to the image the ritual bathing, offerings and worship, and the arati ceremony of waving lights before it. HODOD05 9.09.09 12 DE The Jina image is most commonly depicted in a seated position. Usually the full lotus' (padmasana) posture is shown, the right foot on the left knee and the left foot on the right knee, the hands laid in the lap, right over left. The 'half-lotus' posture with the right foot under, not over, the left knee is sometimes seen, more often with images from south India. Although, according to Jain tradition, twenty-one of the twenty-four Tirthankara achieved enlightenment in the standing posture of meditation (kayotsarga), this is not so frequently depicted in Jain iconography. Standing figures are, however, by no means rare: when shown standing the Jina figure is in a natural rather relaxed, position, indicative of meditative detachment, with the feet slightly apart and the arms hanging by the sides. The sculptural convention makes the arms rather long and the shoulders (as with the seated figure) broad. The Digambara image is completely naked in the tradition of Digambara monks): the Svetambara often show the Jina clothed in a simple garment and the image may be adorned with a crown and jewels. Usually, but not always, there is a diamond-shaped, four-petalled Srvatsa symbol on the chest of the Jina image, this symbol and the absence of a dot on the forehead, as well as the total nudity of many Jain images, distinguish these from the Buddha images with which they can sometimes be confused Conventionally the ear lobes are elongated, the hair of the head is carved THE IMAGES OF THE TEMPLE

Loading...

Page Navigation
1 ... 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300