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from the expressed or the indicated or the suggested sense. It may be noted that the second factor according to Mammaṭa is Boddhavya i.e, the person spoken to, but Hemachandra puts Pratipadya or Viṣaya in its place. However, Mammata's gloss mentions Pratipadya for Boddhavya or Bodhaitavyaḥ.
The above ten circumstances or factors, when closely analysed, reveal that, while Vaktyvaiśistya and Pratipadyavaisiṣṭya belong to the things themselves, Kaku or Anyasannidhi are themselves peculiar.
Under Sūtra 21 of Chapter one, Hemachandra illustrates Vakträdivaisistya. He next illustrates the combination of Vaktrvaisiṣtya and Boddy avaiś stya in Atta etha i.e., Svaśruratra sete etc., and remarks that the knowledge of Vakta and Śrota in the verses reveals Vidhirupavyangyartha by the word Seṣva, 'you sleep.'
In this manner, we can have combinations of two or three factors, such as, in Kasya va na bhavati... etc. (p. 62, gloss). However, this statement is rather loose, as we know that only some of the factors can combine, not all. At the end of these examples, Hemachandra notes that in the above examples, we have the Vacyartha as Suggestor, i.e., the suggested meaning proceeds from Abhidha. Consequently he gives one illustration (Verse 30) of Amukhyasya Vyañjakatvam: Kathayanti sakhi subhagaṁ kṣaṇe kṣane etc. (cited by Mammața), where, due to Viparitalakṣaṇa, the lover's fault is suggested. In another instance (37), Vanijaka hastidantaḥ kutoasmākaṁ vyäghrakṛttayaḥ etc. (cited in the Dhvyanyāloka p. 299). The Vyangyasya Vyanjakatvam is illustrated. "O you merchant, how do you expect us to have tiger-skin or tusks of elephants in our house (for sale) when our daughter-in-law with her face covered with dishevelled hair is moving about in the house?" Here the adjective Lulitalakamukhi i.e., with untidy hair on her face, suggests that the son of the speaker is ever and anon in dalliance with his wife and it is further suggested that the son,
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