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134 Mammața's three grounds (K.P. VIII. 72) may be compared
with Hemachandra's three grounds : (1) Lakşaņa-vyabhicāra
(2) Antarbhāva (3) Doșābhāvatva. 135 (A) Yuvateriva etc. Vāmana's, and
(B) Yadi bhavati etc. VKAS 31. 2 ff.
Bhoja quotes these verses and adds a third of his own to these to emphasize the view that it is only when the body poetic has already the beauty of the Guņas that it can be beautified by the addition of Alaikāra. Vide
Dr. Raghavan's 'Bhoja's śr. Pr.,' p. 301. 136 Cf. Dhv. Al. II. 7 (gloss) and Locana thereon. 137 Ānandavardhana's word Ārdratā (Dhv. Al. 11.6 f and 11. 8)
is explained by Abhinava (Locana p. 207) as Softening of the heart and removal of properties such as anger,
fierceness, etc. 138 Vide Viveka, p. 290. 139 Dr. V. Raghavan, 'Some Concepts of Alaskāraśāstra',
p. 139. Also read 'Bhoja's Śr. Pr.' pp. 291-92-93, for
first differentiation between Guna and Alamkāra in Dandin. 140 'Some Concepts of Alamkāraśāstra', p. 139. 141 Ibid, p. 141. 142 Ibid, p. 143. 143 Ibid, p. 144. 144 lbid, p. 146. 145 Ibid, p. 190 (cf. Rudrata 11.9 ff).
146 Dhv. Al. III. 6 also endorses this 'change in the fixed
nature of composition'. N.B.: Samghatanā is under discussion here. Viśvanātha also (S.D. IX. 5) follows this lead. So Hemachandra is in good company,
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