________________
224 'The Laws and Practice of Sanskrit Drama', p. 30. 225 Dr. Gupta critically reviews Dandin's views on Kathā etc.
Vide 'A Critical study of Dandin', pp. 124-126. 226 Hemachandra's varieties include Bhoja's Akhyāyikā,
Nidarśana, Pravahlika, Manthullika, Manikulya, Kathā, Parikathā, Khandakatha, Upakathā, Bșhat-kathā and Akhyāna. Hemachandra also adopts tne Sakalakathā of Ānandavardhana, He mentions the Upakhyāna variety in
the commentary (p. 463). Vide, Bhoja's Śr. Pr., p. 619 etc. 227 pp. 708-709. 228 i.e. pp. 449-466 of the revised edition (1964). 229 Bhoja's Śr. Pr., p. 312 230 Vide Hemachandra's gloss (pp. 455-460) and the Viveka
Vyakhyā (pp. 455-460) which represent the passages in
question. 231 Bhoja's śr. Pr., p. 315. 232 lbid, pp. 403-404. cf. K.A.S. p. 460 (Gloss and the Viveka). 233 Bhoja's śr. Pr., pp. 404-405.
Chapter Nine 234 Quoted in 'Language, Thought and Culture', p. 32. 235 Ibid, pp. 121-22,
236 Ibid, p. 132. 237 Quoted in French by R. Gnoli (The Aesthetic Experience
According to Abhinavagupta, (Intro.). Tr. fr. the French by Achille Forler, Director, Alliance Francaise, Ahmedabad (1984).
238 "Meditations on A Hobby Horse etc. pp. 5 & 11.
510
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