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verse (102) from
's. The verse describes how two separated lovers pine for each other by looking at each other and drink love through eyes. Hemachandra notes that the fact that the union of Kadambari with Candrapiḍa did not result for fear of breaking a pledge, also typifies this variety of Abhilaṣavipralambha which arises from or dependence.
The next variety (II. 7) is called Manavipralambha which is twofold; Praṇayamāna and Irṣyāmāna. Praṇayamāna (a) means anger arising from the disregarding of one's love. It is possible in the case of both a man and a woman. Parvati is angry with iva, so he bends down to appease her; but in doing so, his matted hair reveals the Ganges (another woman concealed); so, Parvati kicks him. This verse (103) illustrates Pranayamāna of a woman. The next verse (104) explains it in. relation to a man's offended love. It is cited from the Uttararamacarita (3.38) wherein Rama is described as getting angry with Sita who was late in coming home, being attracted and delayed by the sports of swans. Another verse (105) illustrates how both the lovers get angry with each other at the same time. It gives a very fine description of angry lovers : both pretend to be asleep (3) but are intent on hearing. each other's sighs controlled with great effort.
Irṣyamana (anger due to jealousy) which is the second variety of Manavipralambha is possible in women alone. In the next verse (106), which illustrates Irṣyamana, an indignant Parvati rebukes Lord Siva thus: "You are bowing down before Sandhyā (a lady); you are also carrying shamelessly on your head a Nadi (a female person); Laxmi is now churned out of the ocean - take her, why do you swallow poison? Don't touch me, you voluptuous one !"
Sūtra II. 8 deals with Pravasavipralambha ( fagsı ), the third variety of Vipralambhaśṛngara. It is caused by important work, a curse or a flurry (R) or excitement due to some panic such as an invasion or a hurrycane. Pravasa (a)
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