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230
THE INDIAN ANTIQUARY.
[SEPTEMBER, 1894.
Translation. Classification of Heroines according to Powers of Self-command. [Sahitya-darpana, 102-106, where only the Adolescent (madhya) and Mature (praudha) heroines (vv. 11, 12) are so classified.]
(1) Dhirá, she who possesses self-command. She is able to conceal her anger (when her lover is unfaithful).
(2) Adhírá, she who does not possess self-command. She is unable to conceal her anger.
(3) Dhiradhira, She who partly possesses, and partly does not possess self-com. mand. She can sometimes conceal her anger, and sometimes cannot.
Text.
Trividha mána. Sahojaihúsi khélité
vinaya-vachana musikyána i Púi parai piya ké misai
laghu, madhyama, guru mans 11 24 11 Iti Nayaka-nayikadi-bhoda-varnana-nama dvitiyah prakabah 11 2 1
Translation.
The three kinds of Indignation. [Not in Sáhitya-dar paņa.]
Indignation (mána) is of three kinds, viz., laghu or light; madhyama or moderato: and guru or severe. The first is easily dissipated by a smile or dalliance; the second is reduced to a smile by humble words; and the third by the beloved falling in a basement) at the Jody's feet.
End of the Second Lecture, entitled the Classification of Heroes and Heroines. ATHA BHÅVA-HÅVÅDI-VARŅANA-NAMA TŘITIYA PRAKASAŅ.
LECTURE III. THE EMOTIONS AND OTHER CONSTITUENTS OF FLAVOUR.
Text.
Sattvika-bháva. Stambha kampa svara-bhanga kahi
vivarņa abru svoda 1 Bahuri pulaka aru pralaya gani
afha-u sattvika bheda 11 25 ||
Translation.
The Eight Involuntary Expressions of Emotion. Sálitya-dar paņa, 166. These all fall under the head of ensuants (anubhava), vide v. 39,
post.]
These are
(1) Stambha, arrest of motion. (2) Kampa (or vėpathu), trembling. (3) Svara-bhanga, disturbance of speech, (4) Vaivarnya, change of colour. (5) Aśru, tears. (6) Svada, perspiration.
Pulaka (or romanche], horripilation or thrill. (8) Pralaya, fainting.
