________________
806
THE INDIAN ANTIQUARY.
[NOVEMBER, 1894.
Text.
Karanamalalankara. Kahiyai gumpha paramparú
karana-mala hóta! Nitihi dhana, dhana tyága puni, tá ta' yasa uddyóta 11
138
!!
Translation.
The Garland of Causes. [Sahitya-darpaņa, 728.]
When something mentioned first is spoken of as the cause of what follows, and this again of what comes next, and so on, like a necklace, it is the Garland of Causes, as for example:
From virtue cometh wealth, from wealth generosity, and from generosity illustrious glory.'
Text.
Ekavalyalankara. Grahata mukta pada riti jaba
ekávali taha' múni I Driga sruti para, éruti bahu para, báhu jánu 18. júni II 139 H
Translation.
The Necklace. [Sahitya-darpaņa, 730.]
When there is a succession of objects (each qualifying) the last mentioned, it is the Necklace, as for example:
Know that his eyes (are long reaching) to his ears. His ears (are long reaching) to his arms. His arms (are long reaching) to his knees.'
Text. .
Maladipakalankara. Dipaka ékávali milai
mala-dipaka nama! Káma-dháma tiya-hiya bhayan tiya-hiya kau tú dháma # 140 11
Translation.
The Serial Illuminator. [Sahitya-darpana, 729.]
When the Illuminator (v. 83), and the Necklace (v. 139) are united, it becomes the Serial Illuminator, as for example: -
• The Lady's heart is the abode of love, and thou art the abode of the lady's heart.' (Here both the lady's heart and the hero are given the same attribute of being an abode, each on a different account. The reason in each case being the peculiar qualities of each. It is there an example of the Illuminator : and there is a succession of objects each qualifying the one preceding it; therefore it is also an example of the Necklace.]
Text.
Saralan kåra. Eka eka té sarasa jaha'
alankára yaha sara Madhu 86. madhuri hai sudha
kavitá madhura apara 11
141 11
