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310
THE INDIAN ANTIQUARY.
[NOVEMBER, 1894.
When there is a question and an answer, it is the second (variety of the figure of the) Reply; as for example, Bihari-sat'sai, 12:Bála kahá ani thai
loyana koyana má ha Lala tiháré drigani ki
pari drigani md chha ha || 146c II HE (she is angry at his unfaithfulness) : -'My girl, what is this redness in the pupils of thine eyes'?
Sus (his eyes are red after a night of unfaithfulness): - Darling, the red reflection of thy (weary) eyes has fallen into mine.' As the Sahitya-darpaşa requires, this is an unlooked for reply!)
Text.
Vikalpalankara. Hai vikalpa yaha kai waha-i
shi vidhi kau biritanta 1 Karihai dukha kau unta aba
yama kai pyarau kanta II 147 N Translation,
The Alternative. (Sahitya-darpaņa, 738.]
It is the figare of The Alternative when a statement is made in the form of either this or that,' as for examplo:
Either death or (the arrival of) my dearly beloved will put an end to my woes.'
[The Sahitya-darpana makes the ingenuity of the opposition between the two terms an essential of the figure.)
Text.
Samuchchayalankára. Dôi samuchohays, bháva bahu kahu eka upajai sanga Eka kája cháhai karyar
hwai aneka eka unga 1| 148 | Tua ari bhájata girata hai
phiri bhdjata satarái Yauvana vidyd madana dhana
mada upajáwata di I 149 11 Translation.
The Conjunction. [S&hitya-darpana, 739.]
The figure of The Conjunction is of two kinds :-(a) When several conditions are simpl. taneously produced. (6) When several (causes) desire (or are each sufficient) to produce an effect, and in each case the effect is of the same nature. Examples are : -
(a) Thine enemy flees, falls, again flees in blind terror.'
(6) Budding youth, Knowledge, the God of Love, Wealth, each comes and produces the intoxication of love in her.'
(Here each is sufficient to produce the effect.]
Text.
Karakadipakalankara. Karaks-dipaka Eka mé.
kerama tê. bhdva aneka Jati chitai awati ha'satí
púchhata báta vivéka 11
160 ir
