Book Title: Descriptive Catalogue Of Manuscripts Vol 02
Author(s): Shripad Krishna Belvalkar
Publisher: Bhandarkar Oriental Research Institute

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Page 146
________________ C. Hemacandra with red tilaka and hole for string; the side margins algo have red tilakas; red chalk used to mark new sūtras. The leaves are numbered with the numerical figures on the right, and with letters on the left hand side. Incomplete. Age-Considerably old in appearance.' Author - Malayagiri, the same prolific Jain writer who has written commentaries on व्यवहारसूत्र,-पञ्चसंग्रह, सप्तटीका, कर्मप्रकृति etc. etc. See index of authors, given in Dr. Peterson's 4th and 5th Reports. Dr. Kielhorn notes - "The instance अदहदरातीन्कुमारपालः | on fol. 255b proves that the work was composed in the reign of कुमारपाल, between 1143 and 1174 A.D. Subject - An independent grammar, consisting of original aphorisms and a Vịtti by the same author. Fol. 8b इति श्रीमलयगिरिविरचिते शब्दानुशासने वृत्तौ द्वितीयः संधिः समाप्तः। 13b तृतीयः संधिः । 18a चतुर्थः संधिः । 26b पंचमः संधिः। Fol. 34b इति श्रीमलयगिरिविरचिते शब्दानुशासने नाम्नि प्रथमः पादः समाप्तः। 47b इति श्रीमलयगिरिविरचिते शब्दानुशासने वृत्तौ नाम्नि द्वितीयः पादः समाप्तः । 55b. नाम्नि तृतीयः पादः। 69b चतुर्थः। 82a पंचमः। 92b षष्ठः । 107a सप्तमः। 123a अष्टमः। 140b नवमः1 Fol. 147a इति श्रीमलयगिरिविरचिते शब्दानुशासने वृत्तौ भाख्याते प्रथमः पादः समाप्तः । 159b द्वितीयः। 166b तृतीयः। 176a चतुर्थः। 191a पंचमः। 201a षष्ठः 1 210a सप्तमः। 218b अष्टमः। 226b नवमः । 233a दशमः॥ "Fol. 24tb इति श्रीमलयगिरिविरचिते शब्दानुशासने वृत्तौ कृति प्रथमः पादः समाप्तः । 251a द्वितीयः। 259b तृतीयः। 275a चतुर्थः । The rest is incomplete. On Fol. 118b - occurs - इति शाकटायनं । शाकटायनशब्दो लोकेषु सुष्टु प्रथते इत्यर्थः । again, on Fol. 96a अनुशाकटायनं वैयाकरणाः। उपकालिदासं कवयः। तस्मादन्ये हीना इत्यर्थः ।। Dr. Kielhorn suggests that these instances as well as certain technical terms “would seem to show that the work is clearly related to the grammar of शाकटायन". The second instance at any rate may refer to the ancient Terra as much as to the modern.

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