Book Title: Study of Civakacintamani
Author(s): Vijaylaxmi
Publisher: L D Indology Ahmedabad

View full book text
Previous | Next

Page 95
________________ 82 Study of Civakacintamani landscape cannot be used as the kind of love of another lindscape. If so used it is known as Tinaimayakkam. There are five kinds of love, Punartal (union), Pirital (separation), fruttal (waiting), Utal (love quarrel), and Irankal (wailing); they are attributed to Kurinci (montage), Pālai (arid), Mullai (pastoral), Marutam (agricultural) and Neyatal (littoral) respectively. These kinds of love are allotted according to the nature of each landscape. Puņartal is the love of Kuşinci land, for hills afford more opportunities than any region for courtship and clandestine meetings. The Perumpolutu (major time) assigned to this kind of love is Kūtir (the cold season) and the Cirupol utu (minor time) is Yamam (midnight) which is the suitable time for clandestine union. This kind of love has always been described in poems as taking place before marriage. The love ascribed to Neytal, the littoral land, is Irankal (lamenting), for often the women of this region wail for their husbands who have gone to sea to fish in the evening. Erpāļu (sunset) is the minor time for Neytal, since once it is sunset, the roaring of the sea, the returning of beasts and birds to their homes etc. make the lady-love wail for her husband, Ūtal (love quarrel) is the love of Marutam, the agricultural land which is the richest of all lands. Owing to the prosperity of the land, man have enough time to spend on recreations and they often spend their time with harlots. After spending their time with harlots, the men return home and this causes the wives to have love quarrels with them. As this often takes place either in the late night or in the dawn, the minor time allocated to Marutam land is Vaikarai (before sunrise) and Vitiyal (sunrise).1 Pirital (separation) is the love for Pālai, the arid land, where men frequently leave their wives and take up occupations such as highway robbery, soldiering, marauding, etc. Here the separation includes the separation of lovers as well as the separation of couples from their parents when they elope. The major time for Pālai is Vēnil (summer) and the minor time is Nappakal (mid-day), the time suitable for highway robbery etc. Iruttal (waiting) is the kind of love for Mullai, the pastoral land where the lady-love waits patiently for her lover to come back after the successful completion of his errand. As the rainy season is the time when the husband is expected to come back, the major time of Mullai is Kār and the minor time is Mālai. Whenever a poet wants to describe one of these themes, he also describes the particular natural surroundings. For example, if a poet wants to depict the union of two lovers, he has to select Kuriñci landscape as his background setting. Apart from these five kinds of love, 3 there are Kaikkilai (one-sided love) and Peruntiņai (unequal love), which are not particularly ascribed to any land. In Kaikkilai, the one-sided or un-reciprocated love, the hero wants to get the love of an immature girl who cannot understand or reciprocate his feelings. Peruntiņai is the unequal or inappropriate love, when a hero takes to the mounting of Matal4 (mounting on a 1 Tolkāppiyam, Por., Akat., cut. 8. 2 lbid, loc. cit. cut. 9, 3 Ibid, loc. cit, cuts. 50, 51, 4 Ibid, loc. cit, cut. 54. Jain Education International For Private & Personal Use Only www.jainelibrary.org

Loading...

Page Navigation
1 ... 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248