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SAHRDAYĀLOKA cchādanam ca prarocanā.
etāny avamțśe'ngāni Limbs of the Avamaría Sandhi are : apavāda = scandal, or censure; sampheta is rebuke or wrathful words; drava is disobeying the elders, or contempt. It is also called 'abhi-drava'. Śakti is prowess. Vyavasāya is effort. Prasanga is reverence. Dyuti is excitement (through censure). Kheda is dejection or depression. Nisedhana is impediment. Virodhana is opposition. Adhāna means comprehension. Chadana is concealment; forbearance. Prarocanā is foresight; precursion. In the fifth i.e. nirvahana sandhi there are 13 sandhyanga-s. Bharata observes...
bhūyo nirvahane śruņu. "sandhir nirodho grathanam nirņayaḥ paribhāṣaṇam, (95b; XIX) dhrtih prasada Ānandah samayo hy upagūhanam, bhāṣaṇam pūrva-vākyam ca kāvya-samhāra eva ca. prasastir iti samhāre jñeyāny angāni nāmataḥ. catuḥsasthir budhair jñeyāny etāny angāni sandhișu. punar eşām pravaksyāmi
lakṣaṇāni yathā kramam. The limbs are - sandhi i.e. junction or the seed coming to fruition. Nirodha also termed vibodha means reasonable search. Grathana is assembling, hint. Niranaya is ascertainment; paribhāsana is conversation. Dhrti is conformation of reason. Prasāda is graciousness. Ananda is 'joy'. Upagūhana is surprise. Bhāşana is pacification by words. Pūrva-vākya is restatement and kāvya-samhāra is termination due to attainment of goal.
It may be noted that Bharata's concept of Sandhi-s and sandhanga-s has been accepted by later theorists almost without any major change except sometimes, somewhere the names change or the number of sandhyanga-s in a given sandhi differs. So, we feel that along with original sources this concept will be discussed in greater details with a comparative and critical approach. We may note here that
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