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ARCH., ARTS, & MUSEUM REPORTS
100
HAVELL, E. B. Indian Architecture. London, 1913. P. 197. Jain architecture.
101
JOUVEAU DUBREIL, G. Archeologie du sud de l'Inde. 2 Vols. Paris, 1914. (Annales du Musée Guimet, Bibliothèque d'Etudes, Vols. 26, 27).
37
Vol. 1, pp. 30-32. Buddhist and Jain monasteries-Vihāras of Udayagiri-Kharavela inscription.
Vol. 1, p. 69, 93. Rāņi-gumphā, Udayagiri.
Vol. 2, p. 2. Jain images.
Vol. 2, p. 58. Appar, formerly a Jain.
Vol. 2, p. 59. In the time of Manikyavatchakā (800 A.D.) a struggle between Buddhism and Jainism in Ceylon.
Vol. 2, p. 93. Balabhadra.
102
COORMARSWAMY, A. K. Notes on Jaina art: ceiling-painting at Kelaniya Vihāra. 1914.
103
GOPINATHA RAO, T. A. Elements of Hindu Iconography.. Vol. I, 2 parts. Madras, 1914.
Pp. 220 221. All over India the images of the twenty-four Tirthankaras of the Jains are found in the attitude of a Dhyani Buddha-The Jain images are completely divested of clothing and are stark naked; though they may sometimes have ringlets of hair on the head, there is not enough of it for a knot. The Srivatsa mark is, according to the Brihat-Samhita, required to be shown in the figures of the Jain Tirthankaras.
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