Book Title: Sumati Jnana
Author(s): Shivkant Dwivedi, Navneet Jain
Publisher: Shantisagar Chhani Granthamala

Previous | Next

Page 267
________________ 244 Sumati-jñāna planets). Stylistically, the image belongs to 11th century AD. This image has a beautiful contour with a very lucid and smiling face. Ajitanatha Antiquity No. : AY 21 Find spot : Charampa Measurement : 3'9" X 2.07" X 1'01" Date : c. 9th century AD Material : Chlorite stone. Ajitanatha, the second Tirthankara (Pl. 34.1) of Jaina pantheon is seated in yogasana on a visvapadma pedestal supported by two seated lion figures on either side. It is noteworthy that, sitting images of Ajitanatha are very rare in other parts of the country. He is generally found in khadgasana or kayotsarga pose. The conventional lanchhana, elephant can be seen on the central portion of the pedestal. His face is completely disfigured. He wears elongated kundalas and his hair is arranged in curls. A big halo is depicted on the back portion which is again topped by a chhatra with the branches of kevala tree. Flying vidyadharas are depicted with garlands in their hand. Bharata and Bhahubali are also present here with their attributes. It is to note that, there are cut marks on the chest, shoulder, arms, legs, halo and side portion of the slab. According to R. P. Mohapatra, “These cut marks are certainly a deviation from the other school of Jaina art if these are purposely effected by the artists "16. Same scholar also opines that, these cut marks represent the severe penance practiced by the Jaina Tirthankara. If this fact is true then these images could be fashioned like the emaciated uddha figure from Gandhara. But the above facts are not correct because apart from the ody, these marks are present on the halo, on the side portion also. In the words of · Praharaj, “it may be the work of the local wood cutters who used the stone for sharpening teir axes."17 From close observation of these images, the above statement seems to be orrect. The origin of Ajitanatha's symbol (elephant) and his name can be traced in the Jaina xts. According to the text, his mother saw an elephant in her dream. It is to note that, lephant in India is always connected with royal power. Jaina texts also mention that the word “Ajita" as not conquered by sin or by any heretics. . Padmaprabha Antiquity No. : Not Available Find Spot : Not Known Measurement : 1'6" X 1'00" Date : 12th century AD Material : Chlorite stone. The 6th Tirthankara, Padmaprabha is seen standing in kayotsarga pose, flanked by two attendants. His mark of cognizance, lotus is carved below the pedestal. The prabhavali is Jain Education International For Private & Personal Use Only www.jainelibrary.org

Loading...

Page Navigation
1 ... 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468