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Sumati-Jnāna spiritual beauty. K. P. Nautiyal has dated this specimen to c. 10th century AD.
One more Tirthankara image is seated in dhyana mudra is also preserved in the Gujari Mahal museum (No.114), Gwalior. This icon is important from iconographic point of view. In this sculputre chauri bearer attendants, garland bearers and the vidhyadhara figures are shown on either side of the stele. The chhatra above his head is very prominent. It is flanked with an elephant figure on either sides as if guarding the same. The Tirthankara is shown seated on a beautiful lotus seat. Carving is in bold relief, slightly smiling expression, half closed eyes, smoothness and delicacy in limbs, ascribe it to be a best example of about 12th century AD.
A sculputre of Tirthankara Adinatha is installed in front of the Teli-ka-Mandir. Here the image of Adinatha is standing in Kayotsarga mudra and small figures of 24 Tirthankara are shown in Parikar. Exquisitely carved halo is seen at its respective place. The chhatra is depicted as usual and flying vidhyadharas are shown in the above parikar (Pl. 37.2).
Another image of the same characters is installed in the auditorium of scindia school. In this image, 24 small Tirthankara figures are depicted in the parikar and pedestal of image. The specimen may be called as Jina chaubisi. The lips, elongated eyes, leonine chest and elasticity of lines of the figure, tend to ascribe this figure in c. 9th Century AD.
An image of parsvanatha is preserved in the scindia schoot compound is noteworthy. Only bust of the image is preserved. It has a usual serpent hood over his head, garland bearer vidhyadharas, yaksha and Gandharva figures are depicted on the stele. T shown in dhyana mudra with half closed eyes. The curly hair has a topknot (usnisa) over his head. The art style speaks to keep safely this figure in c. 8th century AD.
Some important Tirthankara images are noticed from the Teli ka mandir compound at Gwalior Fort. One of them is the image of Bahubali. This image is shown in kayotsarga mudra. His shoulders are rather broad but the torso and limbs are slightly raised. The ears are long. His hair is combed backward with incised pattern and thickly curled hair locks can be seen prominently over his shoulders. A meandering creeper in high-incised relif entwines his legs and arms. This image of Bahubali is carved from all the sides (front and back) (Pl. 37.3).
Second is an image of Tirthankara which is shown in Kayotsarga mudra. His curley hair has a topknot (usnisa) over his head. His two attendants are exhibited near his legs standing in dvibhanga pose on either side. Artistically this image is also carved from both the sides. This is a unique example of Jina found from the Gwalior fort.
The Tirthankara images are not noticed only from the Teli-ka-mandir compound but also noticed from the Temple. A Tirthankara image is noticed from the Jangha portion of the Teli ka Mandir. Unfortunately it can not be identified with any of the Tirthankaras.
An important sculpture of the Tirthankara is noticed from the Gwalior fort, which has been identified as Neminath, on the basis of a small figure of sankha along with a cakra. Tirthankara is shown in Kayotsarga mudra. The prominent parasole along with the Gandharvas
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