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Vol. 1-1995
A Glimpse into the....
Notes and References : 1. Cf. the Prabandhacintamani or The "Wishing Stone of Narratives,' composed by Ācārya
Merutunga, translated by C. H. Tawny, Asiatic Society, Calcutta 1899, pp.106-107. 2. lain me, "24649lyRanuntold (444€ 1125' 42 23 182," $imiz graud AU SHAS,
1985, 4121 9682. Cf. Mallikamakarandanāțaka by Rāmacandra, Ed. Muni Punyavijayaji and "Introduction", Notes, etc. by V. M. Kulkarni. L. D. Institute of Indology Series, (No.) 91, Ahmedabad 1983. p.25. Rādhā Vallabh Tripathi, translation in Hindi, Natya Sankrit Parishad Publication. Nilanjana S. Shah, A Note on Hii of the play T F (Personal Note · 1993). uggtfgutery, H ufell 4 BALLOHLE HOU, 64141512 So doncc. प्रबुद्धरौहिणेय and मल्लिकामकरन्द - हिन्दी अनुवाद: राधा वल्लभ त्रिपाठी, संस्कृत परिषद्, सागर विश्वविद्यालय, सागर (म.प्र.) 1863. Fertya fara urugenfat: Nātyaśāstra, G.O.S. Vol. 1, Baroda, p. 248 Ullāgha-Rāghava Nātakam by Someśvaradeva. Ed. Muni Punyavijayaji and B. J. Sandesara, Oriental Institute, Baroda 1961.
Ibid., Act 7, p. 136. 11. Qayla (asu 643, mlima-l gaz : ilsiles 247 aizglas 2464474, ale240 USLUH, BHELALE 8848.
p.52. There is some controversy regarding these Chāyānātakas which need detailed discussion. See carta a$4748,"144244 1914-4125 2478914-11CU", Sul, 344ELULE 201422. 96co, 4 €2-92. LE405:14 :, in collaudy. 221,"reldri size 4.25", Sheta 231, (Gujarātī); 4. 40-90, 93ERL 9684. Y. 28, 30, 31. A. M. Upadhyaya, Kävyānusasana of Acārya Hemacandra - A Critical Study, Ahmedabad 1987. pp. 421-424. These rasas are : Dombikā, Bhāna, Prasthāra, Singaka, Bhanika, Purāņa, Ramakridā, Hallisaka, Rāsaka, Gosthi, Śūgadita, and Rāgakävya. See Govardhan Panchal, Bhavai and Its Typical Aharya-Costumes, Make-up, props of the Popular Dramatic Form of Gujarat, Ahmedabad 1983. Usha Bhise, “The Technique of Medieval Sanskrit Drama,” Journal of The National Centre for the Performing Arts, Bombay Vol. VIII, No. 4, December 1979. Trišastiśalākāpuruşacarita of Acārya Hemacandra. Translated by Helen M. Johnson, Oriental Institute, Baroda 1949; also, ferfercayafta, fed $121, PAMELLE (a.si. 2080 (S. do 1668); and that by Jainendra Prasāraka Sabha, Bhavnagar 19 ?. For the numerous technical dramatic terms in this passage, see the works on dramaturgy, the Nātyaśāstra, the Bhävaprakāśa, the Dasarūpaka, and Keith's The Sanskrit Drama.
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