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JAINA BIBLIOGRAPHY
P. 13. Mediaeval Sculpture: Terracotta plaques from paharpur. The fine stone sculpture-Tirthankara from Bankura shows the earliest traditions.
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P. 14. There are fine examples of Jain sculptures from Orissa. Two fine examples of Jain Tirthankaras in the best traditions of mediaeval Central Indian
art.
P. 19. Tirthankara: Jain Tirthankaras in early Kushan sculpture with Śrivatsa mark-this mark in its later changed shape occurs on the chest even in mediaeval sculpture all over Northern India except in Bengal and South India.
A. M. ANNIGERI, A Guide to the Kanada Research Institute Museum, -Dharwar, 1958.
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Pp. 18-20. Stone images-Jain.
Two Tirthankara images from Lakkundi near Gadag Pärshvanatha from Amminabhävi in Dharwar Taluk. Brahmadeva from old Hubli, inscribed Padma
vati.
Pp. 26-32. Metal Images-Jain.
Adinatha-seated against an elaborately carved prabhavali which checked with small figures of 71 Tirthankaras-an inscription on the back of the pedestal mention Prabhendu (Prabhachandra) of Yapanlya-sangha. Nandiśvaravaradvipa with thirteen Siddhas inscribed. Padmavati-Brahmadeva from Häduvalli-BahubaliKüşmanḍint from Häduvalli, Collection from Haduvalli includes several Tirthankara images-Sambhananatha, Ajitanätha, Mallinatha, Puspadanta, Puspadanta, Samtinatha, Sitalanatha, Supärsvnätha, Sumatinätha, Vasupujya etc. Some inscribed.
of
Sumatinatha from Gujarat-with a Nagari inscription of (A. D. 1479).
Parsvanatha inscription mention on Kantikirti of Müla Sangha (14th-15th century A. D.),
Jain Education International
v. s.
v. s. 1536
Manastambha-from Hirebasti at Hädunalli inscription of 1484 A. D. mentions that kind Saluvendra of Haduvalli erected Chandraprabha basti and made gifts of land etc.
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