________________
684
JAINA BIBLIOGRAPINY LXVIII–221. Tejapāla's temple, Dilwara. Mt. Ābü ceiling, 1232 A.D. Cālukya).
LXXII-234. Pārsvanātha, Kannada 10th century (Pala and Calukya).
LXXX-255 (a & b). Two leaves of a manuscript of Kalpa sülra Gujrati, 15th century (Boston). Late Mediaeval.
LXXX–256. Jaina ceiling painting, Kāncipuram, 8th century, Late Mediaeval.
580
S. M. EDWARDES. Studies in Indian Painting by N. C. Mehta--Book--notice (Ind. Ant. Vol. LVI, 1927. Bombay).
P. 119. Pallava frescoes of Sittanvāsal, Gujarat and Rajputana style“Jain".
581
GHOSE, D. P. The Development of Buddhist Art in South India, (I. H. Q. Vol. IV. 1928).
P. 728. The Rail-the most singular feature of the early Buddhist and Jaina stūpas is the rail, upon which the artist devoted his most scrupulous attention and lavished all the splendour he could conceive.
582
HERAS Rev. H. Three Mughal paintings on Akbar's religious discussions (J. B. B. R. A. S., 1928, Vol III, Pp. 190---202)
Pp. 198-99. Jaina at Akbar's court-Akbar's acquitance with the Jain guru Hicavijaya surihis influence on Akbar's actions-Jain influence at Akbar's court continued till 1584-Vijayasena Sūri, Shānti Chandra Sūri and Bhanu Chandra Sūri continued Hiravijaya Süri's work.
.
583
ACHARYA, P. K. Fine Arts (I. H. Q. Vol. V, 1929). : P. 212. Buddhist and Jain stūpas surrounded with stone railings and decorated with gateways but these were obviously incongruous and later additions, and formed no essential parts of the main structure just like the other accessories such as stone umbrellas elaborately carved pillars and abundant statutary usually in the form of reliefs, representing scenes connected with their religions and showing the conversion of Buddhism and Jainism to idolatry.
Jain Education International
For Private & Personal Use Only
www.jainelibrary.org
