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“Tātparya"
441 alupta-visargántaiḥ, alupta-visargāḥ śrūyamāņa-visarjanīyā antā yeşām tāni tathoktāni, taiḥ. hrsvaiś ca laghubhiḥ. samyogebhyaḥ pūrvaiḥ. atiricyate iti sambandhaḥ. tad idam atra tātparyam - pūrvokta-laksanam lāvanyam vidyamānam anena atiriktatām nīyate.
(Trans. K. Kris. pp. 348, 349, ibid) -
"By words without elision of the final aspirates and in euphonic combination with each other, and by syllables which precede conjuncts, 'grace' is enriched.” (I. 47)
In the 'brilliant' style, the quality of 'grace' gets enriched by the use of the following : words which mutually coalesce in harmonious combination; which contain final aspirate sounds without elision, i.e. with fully intonated aspirates at the end, and with short syllables preceding conjunct consonants. The idea is that besides the features already noted of grace' under the 'elegant, these new additions will enrich it in the 'brilliant'.
'Aucitya' and 'Saubhāgya' go with all the mārgas. 'Saubhāgya' is defined at V.J. I. 55 as - (pp. 69, ibid)
"evam aucityam abhidhāya saubhāgyam abhidhatte - 'ity upādeya-varge'smin yad artham pratibhā kaveḥ, samyak samrabhate tasya
gunaḥ saubhāgyam ucyate.” (I. 55) - ity evamvidhe asmin upādeyavarge śabdā”dyupeya-samūhe yad artham, yannimittam kaveḥ sambandhini pratibhā Śaktiḥ samyak, sāvadhāntayā samrabhate, vyavasyati, tasya vastunaḥ prastutatvāt kāvyābhidhānasya yo guṇaḥ sa saubhāgyam iti ucyate bhanyate.
tacca na pratibhā-samrambha-mātra-sädhyam, kintu tad-vihita-samastasāmagrī-sampādyam, iti āha -
"sarva-sampat-parispandsampādyam sarasā"tmanām, alaukika-camatkāra-kāri
kāvyaika-jīvitam.” (I. 56) sarva-sampat-parispanda-sampādyam sarvasyopādeyarāśer yā sampattiranavadyatā-kāsthā tasyāh parispandah sphuritatvam tena sampadyam nispādaniyam.
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