Book Title: Jainism in Buddhist Literature
Author(s): Bhagchandra Jain Bhaskar
Publisher: Alok Prakashan

Previous | Next

Page 145
________________ ( 126 ) the Saddaniti refers to the Titthiyas. It shows the vitanda was utilized at that time by all schools of thought, since the term Titthiya was applied to both the samanas and the Braha maņas. The discussion through which knowledge is gained about doctrines is called the Vada; that which is only for gaining victory over the opponents is Jalpa; the debate where the quibbles (chala) analogues (jati) and respondent's failures (nigrahasthana) are utilized to vanquish the opponent is called vitanda in Nyaya system and was used to defend their own views by right or wrong means.15 The Buddhist tradition also could not escape being influenced by this practice. The old logical compenda like the Upayahṛdaya, Tarkasastra, etc. appear to have allowed the use of quibbles analogues etc. for the specific purpose of protecting the Buddhist order, but Dharmakirti, realising that it was not in keeping with the high standards of truth and nonviolence, completely denied their usage in the Vadanyaya. Hence, Dharmakirti refers the qualities of the debater who speaks more or less than necesssary. Therefore he accepts only the two Nigrahasthānas, Asadhanañga and Adoṣodbhāvana forvadi as well as prātivādi.16 The Jainas, on the other hand, lay more stress on truth and non-violence. They think of the Vitanda as Vitandibhasa,17 Akalanka rejects even the Asadhananga and Adośodbhavana in view of the fact that they are themselves the subjects of discussion. He then says: a defendent should himself indicate the real defects in the established theory of a disputant and then set up his own theory.18 Thus he should consider each item from the point of view o' truth and non-violence. The above fact is supported by Pali literature which contains references to the logical discussions of that period. Some adherents of Jainism had also participated in such discussions. Saccaka, Abhaya and Asibandhakaputta Gāmiņi are the main characters who took an active part in them.

Loading...

Page Navigation
1 ... 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326