Geet Vitrag prabandh

Author(s): A N Upadhye
Publisher: Bharatiya Gyanpith
Catalog link: https://jainqq.org/explore/020343/1

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gItavItarAgaprabandhaH saMpAdaka DaoN. A. ne. upAdhye, ema. e., Di.liT. 'prakAzaka bhAratIya jJAnapITha For Private And Personal Use Only

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mANikacandra di. jaina granthamAlA : granthAka 53 zrI-paNDitAcArya-viracitaH gItavItarAgaprabandhaH sampAdaka DaoN. A. ne. upAdhye, ema. e., DI. liTa. prAdhyApaka, jainavidyA aura prAkRta, maisUra vizvavidyAlaya, maisUra prakAzaka bhAratIya jJAnapITha For Private And Personal Use Only

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mANikacandra di. jaina ganthamAlA granthamAlA sampAdaka DaoN. hIrAlAla jaina va DaoN. A. ne. upAdhye prakAzaka bhAratIya jJAnapITha pradhAna kAryAlaya bI/45-47, kanaoNTa plesa, nayI dillI-1 prakAzana kAryAlaya durgAkuNDa mArga, vArANasI-5 prathama saMskaraNa vIra nirvANa saMvat 2498 vikrama saMvat 2029 san 1972 mUlya tIna rupaye mudraka sanmati mudraNAlaya vArANasI For Private And Personal Use Only

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MANIKCHANDRA D. JAINA GRANTHAMALA : N. 53 GITAVITARAGAPRABANDHAH of PANDITACARYA Edited by Dr. A. N. Upadhye, M. A., D. LITT. Professor of Jainology and Prakrits University of Mysore, Mysore. Published by SHARATIYA JNANAPITHA For Private And Personal Use Only

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Manikchandra D. Jaina Granthamala General Editors : Dr. H. L. Jain & Dr. A. N. Upadhye Published by Bharatiya Jnanpitha Head Office B/45-47, Connaught Place, New Delhi-1 Publication Office Durgakunda Road, Varanasi-5 First Edition V. N. S. 2498 V.S. 2029 A. D. 1972 Price Rs. 37 For Private And Personal Use Only

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GENERAL EDITORIAL As I look back on our associations over the last thirtyfive years, I can see how my friend and colleague, Dr. A. N. Upadhye, now Professor of Jainology and Prakrits in the University of Mysore, is inspired by one academic objective, namely, to bring to light unpublished works in Sanskrit, Prakrit and Apabhramsa and put them and their authors, by his studies, in their proper perspective in our literature. He was associated with me in the publication of Dhavala; and later, both of us brought out the editions of the Tiloyapannatti, Parts I & II (Sholapur 1943 & 1951) and Jambudiva-pannatti-samgaho (Sholapur 1957). He has a number of such publications to his credit; to mention some: Varangacarita of JataSimhanandi (Bombay 1938); Kamsavaho and Usaniruddham of Rama Panivada (Bombay 1940-41 ); BrhatKathakosa of Harisena ( Bombay 1943 ); Candralekha of Rudradasa (Bombay 1945); Lilavai of Kutuhala (Bombay 1949 ); Anandasundari of Ghanasyama ( Delhi 1955 ); Kuvalayamala of Uddyotana Parts I-II (Bombay 1959 and 1970); Vilasavai-kaha (partly, Kolhapur 1970 ); etc. I had lent Dr. Upadhye my transcript of the GitaVitaraga as early as 1939; and whenever we met, we discussed about its publication. When I read the summary of it given by him in his paper published in the Journal of Shivaji University, Kolhapur, I wondered at the rich biography of Vrsabhanatha the poem contained. I For Private And Personal Use Only

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gItavItarAgaprabandhaH urged Dr. Upadhye to bring out an edition of it without waiting any more for the discovery of a Sanskrit Comme ntary. Here it is now with an exhaustive Introduction so usual with his editions. The date of the author is more precisely fixed; and the detailed analysis of the contents given by him is very helpiul to understand this Prabandha. The Gita-Vitaraga is a worthy addition to the Manikachandra D. J. Granthamala in which the late Pt. Nathuram Premi brought to light so many unpublished works. We are grateful to Shriman Shanti Prasadaji Jain and to his enlightened wife Smt. Ramaji for so generously patronising this Granthamala. It is both an opportunity and a challenge to all earnest workers in the field of Jaina literature. Many small and big works in Sanskrit, Prakrit and Apabhraisa still lie neglected in Jaina Bhaodaras; and we earnestly appeal to our scholars to edit them and present them in a neat form : this is a duty which we owe to our Acaryas who have left for us a great heritage in our literature. I thank Dr. A. N. Upadhye for giving us a neat edition of the Gita-Vitaraga which really enriches this Series. It will give me immense pleasure if at least some of these songs are set to music and go on record for the benefit of the faithful listeners. To be an expert in music is rare : but desire for music is universal. Balaghat : 10th July, 1972 -H. L. Jain For Private And Personal Use Only

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PREFACE As a student of Sanskrit Hons., at my B. A ( 1928 ), I was well acquainted with the Gita Govinda of Jayadeva. When the manuscript of the Gita-Vitaraga (GV) belonging to my uncle, described as S below, fell in my hands, I felt much interested in it; but it contained only the bare text, without any commentary to explain it. Anyway my desire to study it continued. In 1938, I received a transcript of GV from Mysore through the good offices of my friend Shri N. Anantarangacharya. When Dr. Hiralalji Jain noticed my interest in it, he gave me his copy, in 1939. A little later, I borrowed the Arrah manuscript of GV with the Kannada Commentary. I wanted to see, if I get a Sanskrit Commentary of GV anywhere. A good edition of the GV was weighing on my mind. I placed all my material at the disposal of two of my friends, but they did not show much interest in it. Somehow, this material was kept aside by me for many years, due to other pre-occupations. Later, I contributed a paper "The Gitavitaraga of Panditacarya" to the Journal of the Shivaji University, Kolhapur, 1969. At last, without waiting any more for getting a Sanskrit Commentary, I decided to edit the text myself, using the material which I had in my hands. The Introduction describes the manuscript material and gives available details about Panditacarya, the author, who wrote it at Sravana Belagola, in c. 1400 For Private And Personal Use Only

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Shri Mahavir Jain Aradhana Kendra 8 www.kobatirth.org gotavItarAgaprabandhaH A. D. The contents of the Prabandhas are analysed in details, and the Adipurana of Jinasena is shown to be the main source for them. The Gita-Govinda of Jayadeva has served as a model for the GV; both of them are compared and contrasted. The metres used in this poem are duly tabulated. This edtion has its limitations. It is hoped that some expert in Sangita will study the Astakas and shed light on their metrical and stylistic qualities. My thanks are due to all those who lent me the material and allowed me to keep the same with me for nearly thirty years. The credit of getting this work edited by me has to go to my colleague Dr. Hiralalji Jain, who was keen that it should be published as early as possible. Acharya Shri Kailassagarsuri Gyanmandir Mysore-6. July 3, 1972. I record my sincere gratitudes to Shriman Shanti Prasadaji Jain and to Shrimati Ramaji for their patronage to the Manikachandra D. Jaina Granthamala, in which the unpublished works in Sanskrit, Prakrit, Apabhramsa, etc., are seeing the light of day and thus their authors are being rescued from oblivion. Panditacarya completed the GV in Sravana Belagola (Mysore); and it is a happy coincidence that I am completing this edition in Mysore on the quiet and inspiring campus of the University of Mysore, so significantly called "Manasa Gangotri". "karmaNyevAdhikAraste" For Private And Personal Use Only -A. N. Upadhye.

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viSayAnukramaH 1. mahAbalasya saddharmaprazaMsAvivaraNam 2. mahAbalasya vairAgyotpAdanam 3. lalitAGgasya vanavihAravarNanam 4. zrImatIjAtismaravarNanam 5. vajrajaGghapaTTakathA vivaraNam 6. zrImatI saurUpyavarNanam 7. zrImatIvirahavarNanam 8. bhogabhUmivarNanam 9. Aryasya guruguNasmaraNavarNanam 10. zrIdharasya svargavaibhavavarNanam 15. marudevIvarNanam 16. SoDazasvapnavarNanam 11. suvidhiputra saMbodhanam 12. acyutendradivyazarIravarNanam 13. vajranAbhistrIvarNanam 14. sarvArthasiddhivimAnavarNanam .... w x 9 4 7 10 12 15 17 20 22 25 27 m 30 33 35 37 40

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10 gItavItarAgaprabandhaH 17. prabhAtavarNanam 18. bhagavajjanmAbhiSekavarNanam 19. bhagavatparamaudArikadivyadehavarNanam 20. bhagavadvairAgyavarNanam 21. bhagavattapo'tizayavarNanam 22. bhagavatsamavasaraNasAlavedIvarNanam 23. bhagavatsamavasaraNabhUmivarNanam 24. bhagavadaSTamahAprAtihAryavarNanam 25. bhagavato mokSagamanaM granthakartuH paricayazca Index of Verses For Private And Personal Use Only

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INTRODUCTION 1. Mss. Material The Jinaratnakosa' has noted a number of Mss. of the Gitavitaraga (GV), also called Jinastapadi, from Arrah, Humch, Poona, Mysore and Belgol. A Ms. containing a Kannada commentary is reported from Moodbidri." For the present edition the following Mss. are used: A: A paper Ms. (folios 124,21.5 by 15.5 cms.) in Kannada characters from Arrah. It gives its title as Gitavitaraga-prabandha. The text is accompanied by a Kannada commentary. The concluding colophon is given at the end, in this edition. In the same Ms. is included, at the end, the bare text of GV written in a different hand (folios 26). The concluding colophon is the same; but it opens thus : zrIkesApuradapArzvajinendrAya namaH This Kesapura is a part of Kolhapur. Obviously this Ms. is copied in Kolhapur. S: A paper Ms, ( folios 41-71, stitched at the left hand and ) containing only the text and written in Kannada characters. It belongs to the collection of my uncle, the late Babaji Upadhye of Sadalga (Dt. Belgaum). 1) H. A. Velankar : J inaratnakosa, BORI, Poona 1944. 2) K. B, Shastri : Kannada-prantiya Tada-patriya Granthasaci, p. 252, Banaras 1948. For Private And Personal Use Only

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12 gItavItarAgaprabandhaH It has only 24 Prabandhas. It is dated Saka 1801 (+78), i.e.,A.D. 1879. M: A Devanagari transcript of the text of GV from a palm-leaf Ms. (dated Saka 1680, i.e., A. D. 1758), No. 2721, from the Oriental Library, Mysore. It records some variant readings noted perhaps from another Ms. there, No. 1025. This transcript was sent to me in 1938 by my friend Shri N. Anantarangachar, M. A., Mysore. It has an opening Mangala verse like this: vanditvA zrIvRSabhAdhIzaM vRSabhaM vRSabhadhvajam / sadgItavItarAgAkhyagranthavyAkhyAM pracakSmahe // Its concluding colophon runs thus : iti zrImadabhinavacArukIrtipaNDitAcAryavaryasya kRtI (praNIta) gItavItarAgAbhidhAnASTapadIvyAkhyAnaM samAptam / This possibly indicates that originally the text is copied out from a Ms. containing a Sanskrit commentary. Then the copyist gives some details about himself thus : svasti zrIvijayAbhyudayazAlivAhanazakavarSa 1670 etatsaMkhyAtaparimitazrIbahudhAnyasaMvatsarajyeSThabahuLa 2 guruvAre zrI-hAsana-pure sakaladuritahara-zrIpArzvanAtha-jinanikaTe zrImadabhinavacArukIrtipaNDitAcAryapraNItazrIgItavItarAgAbhidhAnaprabandhaM paritoSeNa zrIbaNDigere gavuDara maga nAgaNNana pustakakke bhadraM bhUyAt / Lately I was able to inspect personally both the palm-leaf Mss. from Mysore (Nos. 1025 and 2721 ) referred to under M. Some details may be noted here. The Ms. No. 1025 is a bundle of palm-leaves of different sizes. It contains works like the Astapadi, i.e., Gita For Private And Personal Use Only

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INTRODUCTION 13 vitaraga, Ratnamanjusa ( Chandoviciti? ), Purusarthasiddhyupaya, Ratnakarandaka, Sastrasarasamuccaya, Vimsatiprarupana, Tribhangisamgraha. The first 19 folios (19th folio is broken at the left end) cover the Astapadi, written in old-Kannada script. It contains only the text, but still begins with the verse vanditva etc. It is incomplete ending with dipais ca dhupais ca (XXV. 2). Folios after 19 are missing. The colophon of XXIV on the last page agrees with that of the printed text with minor orthographical differences. The Ms. No. 2721 is smaller in length. Its first 102 folios are covered by the Gitavitaraga and the subsequent ones have the Jnanacandra-satpadi. It is written in OldKannada script. It has the same Mangala verse and the concluding colophons, as reproduced under M above. It contains a Kannada commentary along with the text: the opening Mangala verse, however, is in Sanskrit. On the whole, in the Kannada explanations, this commentary agrees with that in the Arrah Ms. used by me. There are some differences at the end. It gives, unlike the Arrah Ms., the meaning of the verse svasti-sri-Belagula etc. (XXV. 15). It gives the usual colophon at the end of the work: iti srimad abhinava etc. It does not give the colophon : iti srimadrayaraja etc. found in the Arrah Ms. I could not detect any name of the author of the Kannada commentary here. H: A Devanagari transcript of the text from a Ms. in Jaipur (No. 11, Bankivaloka Mandira) so kindly placed at my disposal by my friend Dr. H. L. Jain, Jabalpur. For Private And Personal Use Only

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Taalatia: B: A printed edition of the text with Bhavartha in Kannada brought out by D. Padmanabha Sharma, published by H. C. Nagaraj, Bangalore 1965. The Sanskrit text is rather indifferently printed in Kannada script. 2. Text-Constitution The text of GV, in this edition, is carefully constituted after studying the Mss, material described above. All these Mss. bristle with scribal errors and slips which are ignored. Sometime the Voc. deva etc. are written as deva; in the Kannada Mss. 1 is usually written for l; distinction between cerebral and dental n is not maintained; in some cases long and short vowels are not clearly marked out; and the sibilants s, s and s are not always distinguished. There are minor differences in the colophons. All the Mss. do not give the Raga etc. of the Astapadi :H simply writes ragah; A, Mand S some time mention it; B gives it but often differs from the rest. One cannot say what Raga the author himself gave for a certain Astapadi; these readings, therefore, have been relegated to the foot-notes. Then a few important variants are given. The text and the Kannada commentary in A have different readings. This is rather strange. Some of them are noted. At the close of some chapters there are salutations to some Tirthakara etc. They are ignored, because they are not found in all the sources. The readings of Astapadis have presented a special difficulty to the Editor who is not sure of their metrical patterns and who is quite ignorant about Ragas. His text of the Asypadts should be treated as tentative. For Private And Personal Use Only

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INTRODUCTION 15 The foot-notes, besides presenting some various readings, give also a few synonyms of out-of-the-way words; and these are based on the Kannada commentary in Ms. A. This commentary has helped the Editor to fix the text more definitely in the light of the interpretations offered by it. Still the Editor has some doubts about the readings here and there. He earnestly hopes that other scholars will offer their suggestions, especially on the Astapadis. 3. Commentaries on the GV It is quite likely that a few commentaries were written on the GV i) The Jinaratnakosa notes a Tika by another Carukirti (taking the name of the author himself as Carukirti ). ii) The transcript of the Mysore Ms., M above, has an opening verse which belongs possibly to a Sanskrit commentary, because it is composed in Sanskrit. This is further confirmed by its colophon (see under M above ) which is in Sanskrit and specifically mentions vyakhyanam. iii) The Arrah Ms., A above, used by me contains a Kannada commentary. It does not specify the name of its author. Its opening Margala is in Sanskrit, and it closely resembles the one found at the beginning of M. It seems that a Kannada commentary too could have a Mangala in Sanskrit; this is true of Bommarasayya's Kannada commentary (see below ) also, because the details about Bommarasa etc. are couched in Sanskrit verses. This commentary gives a word-for-word explana For Private And Personal Use Only

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16 Acharya Shri Kailassagarsuri Gyanmandir gotavItarAgaprabandhaH tion in Kannada which is quite helpful in understanding the text. iv) Shri D. Padmanabha Sharma refers (in the Introduction to his edition, see B above) to a Kannada commentary written by Bommarasa of Bunahalli ( mod. Bhuvanahalli, Dt. Mysore) He was a Jaina-Brahmana of the Vatsagotra. His father's name was Cannayya, and his two elder brothers were Padmanabha and Devacandra. He completed his Kannada commentary in Saka 1764, i.e., A. D. 1842. A note on the palm-leaf Ms mentions January 20, 1844 : perhaps the author himself prepared a copy two years later. It is quite likely that the Kannada commentary in the Arrah Ms. has much in common with Bommarasa's commentary. These two deserve to be compared. 4. Panditacarya: the Author The colophons give the name of the author as Srimad-Abhinava-Carukirti-Panditacarya-( varya )1, and the concluding verses, Pandita-varya and Panditacaryavarya. Srimad and Varya are obviously honorific. Carukirti is the common title of the Bhattarakas of Sravana Belgola; and the term Abhinava is generally prefixed to the newly consecrated Bhattaraka. So it is better, for the sake of brevity, that we take the author's name as Panditacarya. He was born at Simhapura (according to the Kannada Commentary in the Arrah 1) In some Mss. the term, Varya, is omitted, 2) Somehow this commentary does not quoted below. explain verse No. 15, For Private And Personal Use Only

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INTRODUCTION 17 Ms., Cictambura, i.e., mod. Chittamur, Tamil Nadu ) or Chittamur, where, at present, there is a Jaina Magha. Being a Bhattaraka at Sravapa Belgola he got the designation Carukirti.2 The colophon from the Arrah Ms. qualifies Carukirti as Ballalaraya-jiva-raksapala which needs some elucidation. As mentioned in two inscriptions at Sravana Belgola ( Nos. 254 ( 105 ) of 1398 and 258 ( 108 ) of 1432 A. D), one of the Gurus of the local Matha, Carukirtipandita, is said to have cured the Hoysala king Balla!a I (A, D. 1100-1106) of a terrible disease and thence to have acquired the title Ballala-jiva-raksaka ( E. C., Bangalore 1923, Intro. pp. 31, 63 ). This event is described with some different details in the Biligi Inscription of Saka 1515 or A, D. 1592-3 (See Sri Panjeyavara Nenapagi, Puttur 1952, Part 2, pp. 18-9). The teacher here is men. tioned as Carukirti Panditadevacarya. One of his successor-pupil was Srutakirtideva who made his pupil Aggala compose the Candraprabhapurana the date of the composition of which is 1189 A. D. (Karnacaka Kavicarite, Vol. I, pp. 323 f., Bangalore 1961). Panditacarya composed the GV at Sravana Be!gola in the holy presence of Bahubali-jina (i.e., the famous 1) The Arrahms. containing the Kannada commentary has a concluding colophon (after verse No. 15 ) from which this point is explicit : zrImadrAyarAjagurubhUmaNDalAcAryavarya mahAvAdivAdIzvara rAyavAdipitAmahasakala vidvajjanacakravartiballALarAyajIvarakSApAla ityAdyanekabirudAvalivirAjita-zrImad-belagulasiddhasiMhAsanAdhIzvara-zrImadabhinavacArukI tipaNDitAcAryacaryapraNIta-gItavItarAgAbhi 171991 ! 19: I ( with minor corrections ). For Private And Personal Use Only

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18 gItavItarAgaprabandhaH Gommatesvara ). He specifies his spiritual lineage thus : Kundakundanvaya, Pustaka-gaccha and Desi-gana. He describes this work as Gitavitaraga-prabandha, Vrsabhanatha-vara-carita and Gita vitaraga: thus this poem GV is divided into Prabandhas and deals with the life of Vrsabhanatha, as indicated by the alternative titles used by the author himself. He composed it, being urged by prince (rajaputra ) Devaraja of the Gangeya family. The following verses, at the close of GV, deserve our special attention in this regard. gAGgeyavaMzAmbudhipUrNacandro yo devarAjo'jani rAjaputraH / tasyAnurodhena ca gItavItarAgaprabandhaM munipazcakAra // 13 drAviDadezaviziSTe siMhapure labdhazastajanmAsau / beLagoLapaNDitavaryazcakre zrIvRSabhanAthavaracaritam // 14 svastizrIbeLagoLe dorbalijinanikaTe kundakundAnvayeno bhUstutya: pustakAGkaH zrutaguNabharaNaH khyAtadezIgaNAryaH / vistIrNAzeSarItipraguNarasabhRtaM gItayugvItarAgaM zastAdIzaprabandhaM budhanutamatanotpaNDitAcAryavaryaH // 15 Panditacarya does not specify when he completed the GV. So one has to depend on the external evidence to fix the date of this work. i) The date of the commentary of Bornmarasa is 1842-44. and we know that one of our Mss. is.dated 1758. So the GV is to be assigned to a period earlier than 1758 A. D. ii) The author of the Sanskrit commentary on the Parsvabhyudaya? of Jinasena mentions himself as 1) Ed. N. S. Press, Bombay Is09. For Private And Personal Use Only

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INTRODUCTION 19 Panditacarya Yogirat. The way in which he specifies his association with Belgola is more or less identical with that found in GV.1 It is further stated that Panditacarya Yogirac was a Guru of the Jaina Matha at Sravana Belgola in Mysore.' So it is quite likely that the same Panditacarya has composed the GV and the San commentary on the Paravabhyudaya. The former was written when he had just become a Bhattaraka, hence his title Abhinava-Carukirti; but the latter was composed at a mature age when he had became famous as Yogirat and when his successor was more or less nominated. It is at the request of his sunu, pupilsuccessor that he wrote the commentary.' This commentary is assigned to a date later than Saka 1321, ie., A, D. 1399, because it frequently quotes Nanartharatnamala of Iruga Dandanatha who served under Harihar II (Sake 1321 ). So we can assign Papditacarya sometime between A. D. 1400-1758. iii) The two Sravana Belagola inscriptions noted above, namely, Nos. 254 ( 105 ) of 1398 and 258 ( 108 ) of 1432 A. D., give us some details about our author. Abhinava Panditacarya caused to be made an epitaph in honour of his departed Guru in 1398; and he is being addressed as Panditendra Yogiraja by his pupil Sruta 1 ) star. 2012-f9fezifenlaghetata: 1 zrIpAdAmbujamulasyaH paNDitAcAryayogirAT // tanmunIndramatiprauDhaprakaTIkaraNotsukaH / tadvyAkhyA prArthitazcakre nijasundarasU nunAga 2) Vide thc English preface to the edition noted above. 3) See the footnote No. 7 a bove. For Private And Personal Use Only

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20 Acharya Shri Kailassagarsuri Gyanmandir gItavItarAgaprabandhaH muni who took Sallekhana in 1432 A. D. So we have here two dates, A D. 1398 and 1432 in the career or Panditacarya. iv) Then this GV was written for Devaraja of the Gangeya family. In this context we may study Sravana Belgola inscriptions Nos. 337-41 which mention SrimadAbhinava-Carukirti-Panditacarya of the Mulasamgha, Desiya-gana, Pustaka-gaccha and Kundakundanvaya. Some time the name is shortened as Srimat Panditacarya or Srimatu Pandita-devaru. No. 337 refers to his lay disciples Bhimadevi who was the queen of Devarayamaharaya who seems to be the same as Devaraja at whose request the GV was composed. According to R. Narasimhachar (E. C., II, Intro. p. 29) this Devaraya is most probably the Vijayanagar king Deva-Raya I (1406-16), and the period of this epigraph may be about 1410. The GV calls Devaraja as Rajaputra; and if this is to be taken in its strict meaning, the composition of GV might be put by about c. 1400 A. D. and the commentary of the Parsvabhyudaya might have been composed near about 1432 A. D. when the epigraph already calls our author Yogiraja. J. The GV: Its Contents Summarised The contents of the Gitavitaraga may be presented, in short, here: i. The author seeks shelter of Vrsabha, the first Tirthakara, who shines with omniscient knowlege, whose instructions are an elixir and who has crossed the ocean of Samsara. In his earlier births, he was 1 King Jayavarman, 2 Mahabala Vidyadhara, 3 Lalitangadeva, 4 Vajrajangha, 5 Arya, 6 Sridhara, 7 Suvidhi, 8 Vajra For Private And Personal Use Only

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INTRODUCTION 21 nabhi, 9 Lord of Sarvarthasiddhi, and, at last, he was born as 10 Vrsabha, the son of Nabhiraja of Saketa, and came to be endowed with infinite vision, knowledge, power and happiness ( ananta.catustaya ) ( 1-3). When Mahabala was ruling, assisted by his four ministers (Svayambuddha, Mahamati, Sambhinnamati and Satamati), at Alaka, the minister Svayambuddha enlightened him that his royal status, wealth, paraphernalia, pleasures etc, were all the fruits of his having practised Dharma ( 4, *1-8). Svayambuddha triumphantly refuted, through cogent arguments, the Ekanta, Sunya and other views held by other ministers. Thus he achieved his object of correctly enlightening the king; and thereafter, proceeded to pay respects to the shrines of vinas on the mount Meru ( 5-6 ). ii. Svayambuddha learnt there, from a great saint, how his master (i, e., king Mahabala ) had incurred a Nidana, or remunerative hankering, in his earlier birth; how he would one day be the first Tirthakara; and how his duration of life was short now. He returned to the metropolis and attended on the king, who was plunged in pleasures like a god, with a view to instructing him on the path of religion. He informed the king (as advised by the great saint that he (the king ) had a dream earlier night in which he was thrown in mud by his wicked ministers but was put on a jewelled seat by himself (Svayambuddha ): this enabled the king to see the light of religion within the short span of his remaining life ( 1-4). He appealed to the king ( 4, *1-8 ) to give up his possessions, relinquish all pleasures, eschew sinful For Private And Personal Use Only

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22 maatacar: thoughts, and direct his mind towards Liberation. Impressed by Svayambuddha's words, the king abdicated in favour of his son, practised Samlekhana ( voluntary submission to death ) and was born as god Lalitanga (5). iii. Lalitanga visited many charming piaces and enjoyed pleasures in the coinpany of his beloveds under most exhilerating environments ( 1, *1-8). The divine couple, Lalitanga and Svayamprabha, enjoyed pleasures to their hearts' content; and they were reborn in the Purvavideha territory (2). iv. Lalitanga was born as king Vajrajangha in Puskalavati in the town of Kumudakheta and Svayamprabha as princess Srimati there in the town of Pundarikini ( 1 ). While sleeping on the terrace during one moonlit night, Srimati fell in swoon hearing the divine drum which reminded her of Lalitanga (in the earlier life ). After regaining consciousness, she lavishly described the personality of Lalitanga who was physically attractive, charmingly decked and captivatingly fine (2, *1-8). In her separation, even pleasant environments became painful (3). She urged her companion Pandita to enable her to meet him whose portrait she would give to her ( 4 ). v. Pandita assured Srimati that she would soon find out her beloved like the sharp intelligence of a gifted poet spotting slesa. With her heart set on the mission of her friend, she reached, with that portrait, the prosperous town of Utpalakheta (= Kumudakheta) and entered the temple of Jina there. Prince Vajrajargha noticed that portrait, was reminded of the earlier birth and wondered over the significance of it (1-3): who is it that has For Private And Personal Use Only

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INTRODUCTION 23 painted here the associations and environments of the Sriprabha-vimana ? (*1-8). Pandita explains that it was princess Srimatt, your beloved of the earlier life ( 4 ). vi. Pancita requested Vajrajaugha to meet Srimati and relieve her from the pangs of separation. She went on describing the physical charms and captivating graces of Srimati, and appealed to him to rise to the occasion (1, *1-8, 2). vii. While Vajrajangha stood in the temple mentally perturbed and as if come down from the sky, Pandita spoke to him in conventional poetic expressions how Srimats was suffering in separation and spending all her time, with her heart set on him (1, *1-8). He was pleased to hear all this : in exchange for the portrait brought by Pandita, he gave his own portrait which she carried to Srimati. Srimati was thrilled with joy, and highly complimented Pandita on her skill aud achievement. In due course, the parents brought about the wedding of Vajrajaugha and Srimati who proved a worthy and lovely couple ( 2-5). They sported happily during all the seasons and made their wedded life quite fruitful. One night, during winter, the windows of their bed room were closed; and they were suffocated to death by the smoke of incense burnt there. Due to their merit of annadana to a Monk, they were subsequently born in the Bhoga. bhumi (6-7). viii. They were born as a couple in the Kuruksetra, to the North of Meru, where they enjoyed all the facilities and comforts afforded by the wish-fulfilling trees (Kalpavsksas ). That Arya had all the luxuries of Indra. One For Private And Personal Use Only

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gItavIvarAgaprabandhaH day he welcomed two Carapa saints, Pritimkara and Priyadeva, alighting from the sky (1, *1-8, 2-3). ix. Arya was full of fraternal feelings for the Carapa saints; and he enquired of them the reason for it. It was explained to him that Pritimkara was, in an earlier birth, the minister Svayambuddha, while he was king Mahabala; and that he came now to instruct him in the path of religion. Arya praised to his beloveds the virtues of saints like Pritimkara which generate indifference to the world, heighten reverence for religion and lead one to the bliss of Liberation (1-2, *1-8). He added further that, as king Mahabala, he was enlightened in the past; and now he is being served with the nectar of religion by the great Teacher who is a veritable mine of obliging virtues. Thus, feeling all the while indebted to the Teacher and meditating on piety, he was born, at the end of his career, as god Sridhara in heaven ( 4.6). x. In the Isanakalpa, in the Sriprabhavimana, Sridhara woke up, as if from sleep. Immediately the attendant-gods reminded him of his assignments in heaven, incidentally dilating on his routine of bath, worship, diversions etc. (I, *1-8). At the end of his career. he was reborn as Suvidhi, a son to Sudssti and Saundaryananda, in the town of Susima in the Mahavatsa territory of Purvavideha (2-3). xi. Suvidhi was a fine and merited Ksatriya. Once, in the company of his maternal uncle Abhayaghosa, he paid respects, to his joy, to the Tirthakara Vimalava. hana. Following Abhayaghosa, he accepted renunciation and instructed his son Kesava on the duties of a ruler For Private And Personal Use Only

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INTRODUCTION 25 ( 1, *1-8). Prince Kesava abhorred royalty like poison and wanted to follow the example of his father. Knowing this, Suvidhi continued to stay in the family life ( having recollected tbat Kesava was his beloved Srimati of the earlier life ). Observing fully the duties of a Sravaka, he renounced worldly ties and was born as Acyutendra after Samadhimarana ( 2-5 ). xii. As Acyutendra, he shone beautiful with physical charms and ornaments ( 1, *1-8). He enjoyed the usual pleasures available there, and was, in due course, reborn as Vajranabhi ( 2-5). xiii. In the metropolis Pundarikini, prince Vajranabhi ( the son of Vajrasena and Srikanta ), so known significantly, had a loving beloved of lovely form, charming graces and religious inclination ( 1, # 1-8 ). He was equally full of virtues. As a result of his past Punya, he was a veritable god on earth. Understanding the nature of Samsara, he accepted renunciation, giving the kingdom to his son. He observed five great vows ( pancamahdvrata ), meditated on the sixteen topics / sodasabhavana ) conducive to the birth of Tirthakara, and, after relinquishing the body, was born in the Sarvarthasiddhi ( 2-5 ). xiv. As Ahamindra there, he enjoyed manifold glories and comforts ( 1, *1-8). He had a highly pious temper; he wore a garland round his neck; and he had unwinking eyes. He enjoyed happiness without any attachment. He had a pure physique and spotless character. At the end of his career, his soul came to the earth to be born as a Tirthakara ( 2-4 ). For Private And Personal Use Only

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26 gItavItarAgaprabandhaH xv. In the beautiful town Saketa, situated in the territory of Kosala, Vrsabha was born as the son of Nabbiraja and Marudevi (1-3). Marudevi was quiet in temper and respected by all: her physical form was matchless and her character pure ( 4, *1.8, 5 6). xvi. To herald the birth of a Tirthakara, Kubera showered jewels on the palace of Nabhiraja for a period of six months ( 1 ). One night, in the last quarter, Marudevi saw sixteen dreams, duly described ( 2. *1-8). She felt happy, wore white garments and shone with bright eyes ( 3 ). xvii. With a view to waking up Marudevi, divine bards sang sweet notes describing the advent of morning and its attendant charms. (1, *1-8). Then she left the bed, finished her morning rituals and approached Nabhiraja. She reported her dreams ( duly listed, 3 ) to him. He interpreted them that she would give birth to a Tirthakara. She heard him with great satisfaction ( 2-5). xviii. Marudevi ( who was carrying now) was respectfully looked after and comforted by Sri, 'Hri etc. Her movements became slow. On the due day, Vssabha was born; and there were spontaneous musical notes everywhere to celebrate the occasion (1-3). As the Tirthakara was born, Devendra's seat shook; and Indra arranged for the just born child a solemn birth-bath on the mount Meru in an elaborately divine manner (4, *1-8). The child was an embodiment of all that is glorious and noble; its body had a divine constitution; and it possessed many a virtue. xix. Vrsabha grew as a prince in the company of For Private And Personal Use Only

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INTRODUCTION 27 divine playmates. He soon developed a fine physique, wore costly ornaments, and was endowed with noble qualities (1, *1-8, 2-4). XX. He had two beautiful queens, Yasasvati and Sunanda. One day he was seated on the Lion-throne in the assembly, attended by his sons, named, Bharata and others. To strike the note of renunciation, Devendra sent the nymph Nilanjana who was highly proficient in dancing. But her life was short. Even while she was dancing, she disappeared like a flash of lightening; this led Vrsat ha to recollect, through his clairvoyant knowledge, how worldly things and relatives are anitya, momentary and fleeting (1-4, *1-8). Realizing that Samsara is attended with all sorts of sorrows, he abstained from the enjoyment of pleasures ( 5 ). Worldly pleasures end in pain : it is sheer ignorance to run after them with infatuation (6). Gods encouraged him in his thoughts of renunciation ( 7-8 ), honoured him, and confirmed him in his religious practices. Vrsabha renounced the world and solemnly accepted the Nirgrantha form of diksa ( 9-12). xxi He practised exemplary meditation, fasting for six months. He created thereby an atmosphere of peace, friendship and kindliness round about him, in the forest. To break his fast, he received food from Sreyankumara once in his tour. He bacame triumphant in his medita. tion in a park near Purimatala (1-2, *1-8, 3.4 ). xxii. He developed Kevala-Jnana or omniscience. Kubera constructed for him the Samavasarana (a Divine Hall for preaching ), in which all the living beings gathered together to hear him. Indras and others came there For Private And Personal Use Only

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28 Acharya Shri Kailassagarsuri Gyanmandir gItavItarAgaprabandhaH and offered solemn prayers to him (1.4). The Samavasarana had its attractions, designs, decorations and apartments : there was a golden pedestal and the pavement was of crystal ( 1-8,4.6). xxiii. That Samavasarana possessed Manastambhas, banners and wish-giving trees. It had twelve sectors. In it there were lakes, bowers and rivulets; divine. songs were being recited there (1-2). It was decorated in various ways, and was a charming place in every respect (*1.8). Its golden ground was being showered upon with flowers by the gods. Its glory surp.ssed even that of Mahameru (3-5). xxiv. The spot of Gandhakuti was scented all sweet with the natural fragrance of Vrsabha's body and of flowers showered and of incense burnt there. The lord shone bright, in the centre of the Samavasarana, on a jewelled lotus-seat without his feet touching its petals (1-3). The Gandhakuti occupied by him was lovely : it possessed various attractions and other Pratiharyas. All the dignitaries who were gathered to gether there were offering prayers to him ( *1.8, 4-8 ). XXV. The Samavasarana presided over by Vrsabha was a place for the pacification of the Karmas of Bhavyas. Devendra offered prayers to him specifying his specialities and super natural influences. Vrsabha attained Liberation on the mount Kailasa and became Siddha endowed with all his great religious characteristics ( 1-12 ). 6. The GV: Its Source The theme of GV is the career of Vrsabha beginning with his birth as Jayavarman and ending with his For Private And Personal Use Only

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INTRODUCTION 29 Nirvana. Naturally the source for this topic is the Adipurana' of Jinasena (c. middle of the 9th century A, D.) whom Panditacarya mainly follows for the various events. One can compare the details of each Prabandha with certain sections in the Adipurana. The descriptions generally included in the Astakas are not found necessarily in the same sequence, but can be spotted in some other contexts of the Adipurana. In some places common words and expressions can be easily detected. In fine, as far as I have seen, Panditacarya has not gone beyond the Adipurana for his contents. How the Sections from the GV correspond to the various contexts in the Adipurana of Jinasena can be seen from the following table : Gitavitaraga Adipurana 5. 14-26, 27 f.; also 156, 161, 5. 195; also 209, 213 f., 228, 253. 5. 259 f., 291-2, 289. 6. 26 f., 89-90, 124 f., 163 f., 170 f. 6. 173, 179; 7. 116 f., 124 f., 141. 7. 141 f. 7. 154 f., 159 f., 200-1 f.; 8.19 f.; 9. 1 f., 21 f. viii 9. 34 f., 94 f. Varanasi 1) Ed. Bharatiya Jranafitha, 2nd ed., Parts I-II, 19:3-65, For Private And Personal Use Only

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30 itagtauit : 9. 103, 105, 160 f., 172 f., 179 f., 185. 9. 94-5; 10. 121-2. 10. 123, 154, 158, 161f., 170. xii 10. 170, 176f., 205f. xiii 11. 8., 49f., 60f., 78, 94, 112. ivx 11. 113f., 125,143, 147f., 154. XV 12. 8, 10-11, 12f., also 79. xvi 12. 84f., 103f., 144f. xvii 12. 121f., 146, 153, 148f., 155, 162-3. xviii 12. 164; 13. 1-2, 13, 83f., 15.2f. xix 15. 4f. XX 15. 70; 17. 2, 6.8, 11f., 18., 44f. 47f., 67, 70, 93f., 181, 201. xxi 18. 6, 2 (cf. 2. 10 f.), 20, 88, 267. xxii 22. 11 f., 76 f. xxiii 22. 76 f. xxiv Also 9. 21; 23. 25, 29, 31 f. 116 f. XXV 105 109. For the descriptions of Pratiharya, Atisaya, Sodasa. karanas, etc., one has to consult different contexts in the Adipurana, because they are discussed more than once in various places. For Private And Personal Use Only

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INTRODUCTION Acharya Shri Kailassagarsuri Gyanmandir 31 7. The GV: Its Model For the metrical and poetic format Panditacarya is obviously indebted to the Gita-Govinda (GG)1 of Jayadeva (12th century A. D.) which has inspired many subsequent poets to follow his unique model. Panditacarya is closely following Jayadeva. The title GV is just like GG. The GG has 24 Prabandhas, so also the GV; the 25th, however, in the latter, looks like an appendage without the Astaka but adding a Prayer and some biographical details about the author. Somehow the Sarga division (which has some Vrttas, some Prabandhas and again some Vrttas) of Jayadeva is not found in the GV. The pattern of Prabandha system is almost alike in both : to begin with, there are some verses in Aksara Vrttas; then comes an Astapadi, of necessarily eight verses only (Astaka) in GV but sometimes (at least in two Prabandhas in the first Sarga) having more than eight verses in GG; and then a few more Vrttas, to conclude the Prabandha. In the GG the Vrtta and recitative come alternatively. The GG gives both Raga and Tala for the Astapadi, but GV mentions only Raga. In both the 1) Ed Venkateshwar Press, Bombay 1889; N. S. Press, 9th ed. Bombay 1949. A. B. Keith: A History of Sanskrit Literature, pp. 190f. 2) M. Krishnamachariar: History of Classical Sanskrit Literature, pp. 343f., Madras 1937. It is observed here that the cantos of GG correspond to the Kand is of the Bhagavata and the Astapadis to the 24 alphabets of Gayatri. 1) Panditacarya does not mention his name, as Jayadeva has done at the end of Astapadi. For Private And Personal Use Only

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32 maatagings works, these song-units ( matra-vrita :) very often show units of four matras (with rhyme at the end of lines as in Apabhramsa ) in the first two lines, but the metrical analysis of the Dhruvapada presents some difficulties : more so in the GV the text of which shows much irregularity. The Prabandhas are 24 in both, the same being the number of Astapadis or Astakas. Besides them, the number of verses is 92 in GG and 140 in GV in different Vsttas. Pappitacarya follows in his songs more or less the patterns of Jayadeva but their placement is not in the same sequence in the 24 Prabandhas. Sometimes, in some lines, words, expressions and ring are identical. So Panditacarya draws his contents from Jinasena's grand epic and adopts the metrical and poetic format from Jayadeva's artistic poem. Jayadeva did strike a note of originality in Sanskrit Kavya poetry by the form of his GG. He has a sargabandha, but his poem contains rhyming and sonorously ringing songs which could be sung to a wider audience with catching melody and beat and with a rhyming chorus repeated. And such a form, with Krsna and Radha as hero and heroine, was bound to be popular and highly appealing. Mixing of Vittas and recitative songs, which eliminates monotony, reminds us of Ghatta coming at the close of Kadavakas in Apabhraiba. Krsna is Govinda, rightly a Prakrit form of Gopi + Indra rather than of Gopa + Indra; and this suits the atmosphere which Jayadeva has developed in his poem. Loving maidens flocking to Ksspa and embracing him affords ample context for the favourite sentiment of Srugara. There For Private And Personal Use Only

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[3] INTRODUCTION 33 are occasions for its depiction in privation. It is Radha and Krsna that are made to stand before us in all their moods, and in different contexts, seasonal settings and passional environments. Jayadeva is a devotee of Vispu whose charms in the incarnation of Krsna are presented by him in lovely grace, often with amorous touch, giving full scope to his poetic and musical potentialities. Panditacarya presents a different picture. His hero is a Tirthakara, Vrsabha-Jina, who is a Vitaraga, i e, one who is completely free from passions like raga, attachment etc. His theme is not confined to one birth but runs over ten births, partly on the earth (sometimes among Vidyadharas ) and partly in heaven. This selection of ten births only may correspond to the ten Avataras alluded to by Jayadeva at the beginning of his poem. The spirit of renunciation is writ large on the theme of Panditacarya, but after all he must make his poem engrossing and entertaining. So he introduces contexts of Ssigara in superhuman births. The pleasure movements of Lalitanga in the company of his beloveds in the park (iii) and the description of the beauty (a bit conventional ) of Srimati ( vii, in separation ) afford amorously entertaining contexts. The descriptions of two portraits give ample opportunity to the author to express some of his poetic ideas ( v-vii ). Panditacarya has for the back. ground of his theme a good deal of Jaina mythology and a pretty large number of concepts common in Jainism, viz , rebirth. efficacy of Karman, jati-smarana, conventional life in heavens, renunciation, Bhoga-bhumi, Kalpavrksas, sixteen dreams, the causes that lead the soul to For Private And Personal Use Only

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34 gottavItarAgaprabandhaH the birth of a Tirthakara, the atmosphere and details of the Samavasarapa, the atisayas, pratiharyas, etc. These ideas may appear a bit uncommon to a general reader: and this aspect of GV makes the poem somewhat difficult for understanding. 8. Metres in the GV The metrical pattern and the various Vittas used in the Gita-Vitaraga will be clear from the following details. GVi: 1-4 Sardula., Astaka *1-8, 5 Indra., 6 Malini. ii : 1 Sardula., 2 Upajati, 3 Mafini, 4 Indra., Astaka *1-8, 5 Malini iii : I Sardula., Astaka *1-8, 2 Upajati. iv : 1 Sragdhara, 2 Malini, #1.8 Astaka, 3 Sardula, 4 Malini. v: 1 Malini. 2-3 Upajati, *1.8 Ascaka, 4 Upajati. vi : 1 Malini, *1-8 Astaka, 2 Sardula. vii: 1 Indra, *1-8 Astaka, 2 Malini, 3-4 Sardula, 5 Upajati, 6 Sardula, 7 Malini. viii : 1 Sardula., *1-8 Astaka, 2 Upajati, 3 Vasanta. ix : 1 Malini, 2 Sardula., 3 Indra., *1-8 Ascaka, 4-5 Upendra., 6 Malini. x:1 Upajati, *1-8 Astaka, 2 Indra., 3 Upajati. xi :1 Malins, 2 Sardala., *1-8 Astaka, 3-4 Upajati, 5 Vasanta. xii: 1 Malini, 2 Upajati, *1-8 Astaka, 3 Vasanta, 4 Malini, 5 Indra. xiii : 1-2 Upajati, *1-8 Ascaka, 3 Malini, 4 Upajati, 5 Malini, 6 Sardula. xiv : 1 Upajati, *1-8 Astaka, 2 Indra., 3 Malini, 4 India. XV : 1-3 Upajati, 4 Malini, *1-8 Astaka, 5-6 Upajati. xvi : 1-3 Indravajra (The Kannada printed text is wanting in Nos. 2-3). 4 Upajati, *1-8 Astaka, 5 Upajati. xvii : Upendra., *1-8 Astaka, 2 Upajati, 3 Malini, 4 Upajati, 5 Malini. xviii: 1-2 Upajati, 3 Indra., 4 Upajati, *1-8 For Private And Personal Use Only

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INTRODUCTION Acharya Shri Kailassagarsuri Gyanmandir 35 Astaka, 5 Sardula, 6 Upajati. xix: 1 Upajati, 2 Malini, *1-8 Astaka, 3 Sardula. 4 Malini, xx: 1 Indra., 2 Upajati, 3 Malinf., 4 Upajati, 1-8 Astaka, 5 Malini, 6 Sardula., 7-10 Upajati, 11 Sardula, 12 Indra. xxi: 1-2 Upajati (some Mss. have only one here ), *1-8 Astaka, 3 Upajati, 4 Malini. xxii : 1-2 Upajati, 3 Malini, 4 Upajati, *1-8 Astaka, 5 Sragdhara, 6 Indra. xxiii: 1 Sardula., 2 Upendra., 1-3 Astaka, 3-4 Upajati, 5 Malini. xxiv: 1-3 Upajati, 1-8 Astaka, 4 Sragdhara, 5 Indra. xxv: 1-5 Upajati, 6 Indra., 7 Upajati, 8 Upendra, 9 Vamsastha, 10-11 Upajati, 12 Sragdhara, 13 Indra., 14 Aryagiti, 15 Sragdhara. The frequency of the Vrttas may be shown as below: Aryagiti: (1): xxv. 14 Indravajra (18): i.5; ii.4; vii.l; ix.3; x.2; xii.5; xiv.2,4; xvi. 1-3; xviii.3; xx.1, 12: xxii.6; xxiv.5; xxv.6, 13. Malini (26): i.6; ii 3,5; iv.2,4; v.1; vi.1; vii.2,7; ix 1,6; xi,1; xii.1,4; xiii.3,5; ivx,3; xv.4; xvii.3,5; xix.2, 4; xx 3,5; xxi.4; xxii.3; xxiii.5. Sardulavikriditam: (20): i.1-4; ii.1; iii.1; iv,3; vi.2; vii.34,6; viii.1; ix.2; xi.2; xiii.6; xviii.5; xix.3; xx.6, 11; xxiii. 1. Sragdhara (5): iv.1; xxii.5; xxiv.4; xxv,12,15. Upajati (55): ii.2; iii.2; v.2-4; vii.5; viii.2; x.1, 3; xi,3-4; xii.2,4; xiii, 1-2,4; xiv.1; xv.1-3,5-6; xvi.4,5; xvii.2,4; xviii.1-2,4,6; xix.1; xx.2,4,7-10; xxi. 1-2,3; xxi. 1-2,3; xxii. 1.2,4; xxiii. 3-4; xxiv. 1-3; xxv. 1-5,7, 10-11. For Private And Personal Use Only

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36 gItavItarAgaprabandha Upendravajra :(5) : ix.4-5; xvii.-1; xxiii,2; xxv. 8 Varsastha; (1): xxv.9. Vasantatilaka : (3): viii.3; xi.5: xii 3. This clearly shows that the author's favourite pattern is the Upajati. Some times he combines Vamsastha with Indravajra (xx.7). Next come Malini, Sardula. vikridita, Indravajra. Sragdhara and Upendravajra, Vasantatilaka, and Aryagiti, Experts tell me that the Astakas can be tuned to different Ragas and Talas, about which this editor is quite ignorant. Dr. Nemichandra, Arrah, has added an exhaustive note (in Sanskrit) on the GV in his Samskrtagiti-kavyanucintanam (Chowkhamba Vidyabhavana, Varanasi 1970). After adding a few words about the author and his age, the contents of the poem are indicated. Some of the Scenes are pointed out as strikingly poetic; and the different Alamkaras used by the author are discussed often indicating their contexts. The Ragas used in the Astapadis are set forth with their musical patterns, suited for different situations : this is a significant contribution to the study of this poem (which is being published here in Nagart characters) with a view to attracting a wider circle of readers (pp.126-40). Incidentally the items of cultural interest (such as the family life, food, clothes, conveyances, cultivation of arts etc.) are covered at the close of the book (pp. 224-28). Dr. Nemichandra informs me that a friend of his is adapting these Astakas to different Ragas: one can await the results. In the meanwhile, these Astakas can be analysed metri For Private And Personal Use Only

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INTRODUCTION 37 cally like Jayadeva's songs as is so eminently done by P. G.Gopalkrishna Aiyar in his paper 'The Gita-GovindaA Prosodic Study published in the Journal of Oriental Research, pp.350-365, Madras 1928. In this study one can equally appreciate the literary and stylistic graces and embellishments used by Panditacarya. 9. Panditacarya's Style etc. Panditacarya has a good command over Sanskrit vocabulary, Jaina paribhasa and metrical variety. His opening Margala is quite dignified and is much popular in the retualistic recitations in Jaina temples, in Karnataka. It runs thus, and has a compact expression : vidyAvyAptasamastavastuvisaro vizvairguNairbhAsuro divyazravyavacaHpratuSTanRsuraH saddhyAnaratnAkaraH / yaH saMsAraviSAbdhipArasutaro nirvANasaukhyAdaraH sa zrImAn vRSabhezvaro jinavaro bhaktyAdarAn pAtu naH // His story continues irrespective of the conclusion of a Prabandha. Further, the author has before him the excellent models of Jinasena and Jayadeva from whom he easily inherits ideas and expressions. Pandita is a skilful companion. She assures Srimati with nice similes that she would do her best to see that she meets Vajrajangha (v. 1): sukavivimalabuddhiH zliSTamarthaM vRNoti sunayavihitarAjyaM zrIravApnoti yadvat / nalinasubhaganetre melayiSyAmi tadvat patimiha tava kanye mA kRthAstvaM viSAdam // For Private And Personal Use Only

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38 gItavItarAgaprabandhaH This reminds us of Jinasena's verse (VI. 175 ) which runs thus : kave/riva suzliSTamathaM te mRgaye patim / sakhi lakSmIrivodyogazAlinaM puruSaM param // Srimati's description of her state of separation is put thus by Panditacarya (iv. 3): indurgharmakarAyate priyatame vAyuzca hIrAyate lepo'pi jvalanAyate kusumasanmAlAhijAlAyate / AvAso gahanAyate smaravazAddeho'pi kArAyate hA kaSTaM pativiprayogasamayaH saMvartavelAyate // This is suitably moulded on the following verse of Jayadeva ( iv. 8, 10): AvAso vipinAyate priyasakhImAlApi jAlAyate tApo'pi zvasitena dAvadahanajvAlAkalApAyate / sApi tvadviraheNa hanta hariNIrUpAyate hA kathaM kandarpo'pi yamAyate viracayazArdUlavikrIDitam / / In the recitative Astakas, Panditacarya often echoes Jayadeva, though he develops his turns of expression to suit his context. Panditacarya's song ( ii. 4. *2 ), ghanamaNimaNDalamaNDanaM sukhakhaNDanam janapadanijajanaraJjanaM tyaja mama deva nRpa / rAjAdhipa tyaja tyaja // compared with Jayadeva's ( I. 1. 2 ): dinamaNimaNDalamaNDana bhavakhaNDana e| munijanamAnasahaMsa jaya jaya deva hare / / For Private And Personal Use Only

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INTRODUCTION 30 The following passage from the GV expresses Vajrajangha's thoughts on seeing the portrait sent to him by Srimatr ( v. 3. *1-8). It is a good specimen of Pandita. carya's Astakas, and it is reproduced here for immediate reference : zrIprabhanAmavimAnasubhAsvaradezavibhAgavilAsaM dIprakanIlapinaddhamadaGgaNamedurabhUmivibhAsam / brUhi vyalikhadiha kA hi vikAsa smarati mano mama vihitavirAsam // dhruvapadam // 1 // zrIprabhapatinikaTasthamanoharanArIrUpamudAraM suprabhakisalayakalpamahIruhavIthInivahavihAram ||dhru0 // 2 // sarasijakuvalayakusumavirAjitakelisarovaratIraM marakatamaNicayaviracitarucimayadolAgehasuvAram // dhru0 // 3 // maNDapapallavatoraNamaNDalazobhita kRtigirijAlaM khaNDitavanitAkRtakakalahabhAvamaNDitavimukhavizAlam / / dhru0 // 4 // suragiritaTamaNirucigaNayavanikAvyavahitadampatirUpaM sarasajanitakopayuvaticaraNahatigiritaTagulmakalApam / / dhru0 // 5 // mAmabhiraJjitumAnatamastakarAjitavanitAlIlaM komalataracaraNau mama nanditumAnamadabalAkhelam ||dhru0 // 6 // acyutakalpasurendrakRtAdaralabdhasanmAnavistAra acitamerunagAdijinagRhavandanagamanavicAram // dhru0 // 7 // urasi mama vihitacaraNasulAJchanavirahitasakalavinodaM caraNasaroje natamakuTaM mAM tyaktvA sarasasumoham ||dhru0 // 8 // The text presents difficulties for interpretation here and there, especially in the Astakas. Had there been For Private And Personal Use Only

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40 Acharya Shri Kailassagarsuri Gyanmandir gItavItarAgaprabandhaH available any Sanskrit commentary, the task of constituting the text and interpreting it satisfactorily would have been easier. Any way, here is an earnest attempt to present the text as satisfactorily as possible in the light of the material used.1 1) This Intoduction is based on an earlier paper of mine: The Gitavitaraga of Panditacarya published in the Journal of the Shivaji University, Kolhapur, Vol I, 1967. For Private And Personal Use Only

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zrIvItarAgAya namaH gItavItarAga prabandhaH 0 [ 1 ] vidyAvyApta samastavastuvisaro vizvairguNairbhAsuro divyazravyavacaH pratuSTanRsuraH saddhyAnaratnAkaraH / yaH saMsAraviSAbdhipArasutaro nirvANasaukhyAdaraH sa zrImAn vRSabhezvaro jinavaro bhaktyAdarAnpAtu naH / / 1 1) A opens : zrIvItarAgAya namaH // zrIgItavItarAgaprabaMdha likhyate // zubhamastu || vidyAvyApta etc. B atha prathamaprabaMdhaH, mahAbalasaddharmopadezaH, vidyAvyAta etc. H atha gItavItarAgalikhyate / vanditvA etc. vidyAvyAta etc. M zrIH / zrImadabhinavacArukIrtimunaye namaH // nirvighnamastu / vanditvA etc. vidyAnyApta etc. S zrIvItarAgAya namaH / gItavItarAgaprabaMdha likhyate // zloka || vidyAvyApta etc. The verse vanditvA zrIvRSabhAdhIzaM vRSabhaM vRSabhadhvajam / sadgItavItarAgAkhyagranthavyAkhyAM pracakSmahe | really belongs to the commentary as in A; but it is found even in Mss. which do not contain any commentary. For vRSabhavajam AH have vRSacakrapam / For Private And Personal Use Only

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gItavItarAgaprabandhaH pUrvasmin jayavarmanAmanRpatiM vidyAdharAdhIzvaraM pazcAtsallalitAGgadevamamalaM zrIvatrajaGghAdhipam / Arya zrIdharanirjaraM ca suvidhiM kalpAntadevezvaraM cakrAdhIzvaravajranAbhijanapaM sarvArthasiddhIzvaram // 2 ma sAketAdhipanAbhirAjatanayaM kalyANapaJcAzvitaM prAptAnantacatuSTayaM jinavaraM sauvarNadehAvaham / saudharmAdizatendravRndavinata zrIpAdapadmadvayaM vande 'haM vRSabhezvaraM guNanidhiM saddharmacakrAdhipam // 3 meroH pazcimagandhile janapade vidyAdharANAM padasyAdreruttaradivisthate sadalakAnAmnA pratIte pure / rAjA zastamahAbalaH saciva kairyuktazcaturbhiH sadA rAjantaM samuvAca dharmasuphalaM buddhaH svayaMpUrvakaH // 4 3 bharitapayodhitaTapramitAva nibhAgaM * sarasacaritrakalatrasubhogam / bhUmipa tava dharmaphalena jaya dharaNIzapate khecarabhUpa jaya dharaNIzapate // 1 // dhruvapadam / kSitipatitatidhRtapAvanazAsanadharaNaM jita ripubalagajaturagAzaraNam / bhUmipa tava dharmaphalena jaya dharaNIzapate khecarabhUpa jaya dharaNIzapate // 2 // 2 ) BMS jinapaM, janapaH = - nRpaH / 3) A aSTapadaM / dezIrAge; B aSTaka rAga mAlavarAga; M rAga-saurASTra || AditALa | 4 ) A bhAgaH, bhoga:, B bhAgaM, bhogaM; S bhAgA, bhogA / For Private And Personal Use Only

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prathamaH prabandhaH marakatapavimaNikIlitabhUSaNadharaNaM" suruciracInasuvastrasugrahaNaM' bhUmipa tava dharmaphalena jaya dharaNIzapate khecarabhUpa jaya dharaNIzapate // *3 / / mRgaripudhRtamaNinirmitapIThanidhAnaM *mRgadharanibhasitacchatrapidhAnam / bhUmipa tava dharmaphalena jaya dharaNIzapate khecarabhUpa jaya dharaNIzapate / / 4 / / kamalamukhIkaradhutacamarIruhanikaraM / vimlcritrsuputrkvisrm| bhUmipa tava dharmaphalena jaya dharaNIzapate khecarabhUpa jaya dharaNIzapate / / 5 / / kanakasusarasijarAgamaNikozavizAlaM vinayaguNanikaraprApaNazIlam / bhUmipa tava dharmaphalena jaya dharaNIzapate khecarabhUpa jaya dharaNIzapate // 16 // dharaNipakarakamalakhagajitaripujAlaM sarasijanetrasulakSaNamUlam / 5) B kalpita for kolita / 6) Only H sugrahaNaM, rest saMgahaNaM / 7) mRgadharaH= candraH / 8) visaraH = samUhaH / 9) sarasijam = padmam / For Private And Personal Use Only

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gItavItarAgaprabandhaH bhUmipa tava dharmaphalena jaya dharaNIzapate khecarabhUpa jaya dharaNIzapate // 7 // muvi dhRtasurapatilIlApAtra variSTha bhavasi mahAbala puNyagariSTha / bhUmipa tava dharmaphalena jaya dharaNIzapate khecarabhUpa jaya dharaNIzapate // 8 // ekAntazUnyAdimatAdhirUDhAn soddiSTasaddharmanirAsavAdAn / tAnmantripAzAna sujigAya vAdaiH saddhetubhUtaiH sacivAgraNIH saH / / 5 iti nijapatimohaM vArayitvA budhezaH samagatasacivAnAM mAnabhaGga vidhAya / abhimataphalasiddho mandarAgendrarAjajjinapatisadanAni prArcituM saMjagAma // 6 iti zrImadaminavacArukIrtipaNDitAcAryadharyasya kRtau gItavItarAge mahAbalasya saddharmaprazaMsAvivaraNo nAma prathamaH prabandhaH // 1 // [2] vanditvA ca jinAlayAnupagatau yogIzvarI pRcchaya ca prAgjanmAzritabhogagRddhijanitaM sarva nidAnaM prbhoH| eSyajanmani bhArate purujinezitvaM surendrAya'kaM zratvAtyalpakajIvitaM ca sa punaH pratyAgamatsvaM puram // 1 For Private And Personal Use Only

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dvitIyaH prabandhaH gatvA tamabhyetya surendralIlaM mahAbalaM bhogsukhaatilolm| udagrasaudhAgragataM suzIlaM dadarza mantriH pratibodhanArtham / / 2 kumatisacivavagaiH kardame pAtitaM taiH suruciramaNipIThe sthApitaM svaM tvayA vai| vigatakiraNadIpaM svapnake vIkSya rAjA gatadinaparayAme' vartate tvAM vilokI // 3 mndprbhaabhaasitdiipdRssttrmaasaavshissttaayurbhuunnrendrH| zrItIrthadevo bhavitA tametya saMbodhayeti vratipo jagAda // 4 *zritaramaNIstanamaNDalaM navakuNDalaM vitatalalitanavamAlAm / tyaja mama deva nRpa rAjAdhipa tyaja mama deva nRpa // 1 ||dhruvpdm / ghanamaNimaNDalamaNDanaM sukhakhaNDanaM janapadanijajanaraJjanam / 1) M sukhaadilolN| 2) parayAme = caramayAme / 3) M viloke| 4) AS gUrjarI rAge; B rAgagujjari-aSTaka; M rAgabhairavi // tALa-trivuDe / 5) B lulita for lalita / For Private And Personal Use Only

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gItavItarAgaprabandhaH tyaja mama deva nRpa rAjAdhipa tyaja mama deva nRpa / / *2 // parijanapurajanasevanaM nijapAvanaM nirupamasukhatarulAvanam / / tyaja mama deva nRpa rAjAdhipa tyaja mama deva nRpa / / 3 / / abhinavayauvanasundaraM kaphamandiraM ibhagatistrIjanakandharam / tyaja mama deva nRpa rAjAdhipa tyaja mama deva nRpa // *4 // amalanalinadalalocanA sukhamocanAmamitaduritabhavacAyanAm / tyaja mama deva nRpa rAjAdhipa tyaja mama deva nRpa // 5 // surucirazubhavRSanAzanaM duritAzanaM purukulamAnanidhAnam / tyaja mama deva nRpa rAjAdhipa tyaja mama deva nRpa / / 6 / / samavanitAkRtabhUSaNaM zivadUSaNaM samararipuvihitaroSaNam / / 6) VlU to cut | 7) kaphaH= zleSman / 8) cAyanAm =vistArakArakAm / For Private And Personal Use Only

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tRtIyaH prabandhaH tyaja mama deva nRpa rAjAdhipa tyaja mama deva nRpa // 17 // tava nikaTe suhitA vayamiti bhAvaya zivakuzale matimAnaya / tyaja mama deva nRpa rAjAdhipa tyaja mama deva nRpa // 8 // iti nijasacivoktaM pathyamAdhyAya citte sapadi tanayavaye kSiptasAmrAjyabhAraH / sakalabhuvanavandyAM prApya sallekhanA vai divijapalalitAGgo 'jAyataizAnakalpe // 5 iti zrImadabhinavacArukIrtipaNDitAcAryavaryasya kRtau gIta__ vItarAge mahAbalasya vairAgyotpAdano nAma dvitIyaH prabandhaH // 2 // [3] IzAne nijanandane kulagirau merau ca vakSArake jambUzAlmalibhUruhAdyupavane nandIzvare kuNDale / iSvAkAragirau svayambhuramaNe jAyAsametaH sadA krIDArtha vijahAra devalalitAGgo gItagoSThayAdibhiH // 1 sulalitacandanapallavasaMgamakomalakamalasamIre alikulavimilitakokilakUjitamerunikuJjakuTIre / 1) AS vasaMtarAge; B rAga-vasaMta bhairavi; M rAga-vasanta / 2) BMSdeg vimalita / For Private And Personal Use Only

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gItavItarAgaprabandhaH vyaiharadatisurabhibharitavasante nartanasaktajanena samaM nijatrirahisurasya durante // 1 // dhruvapadam / unnatamadanamanohara viharavadhUjanajanita vilApe 'sannatamadhukara sumasamavAya nirAkulabakulakalApe / vyavaharadatisurabhibharitavasante nartanasaktajanena samaM nijavirahisurasya durante // 2 // dviradasamUha sumRgamadanibhaguNasuSamatamAla kamAle smaravaza citavibhedanamadananakharasamakiMzukajAleM / 4 vyaharadatisurabhibharitavasante nartanasaktajanena samaM nijavirahisurasya durante / / 3 / / manasija parivRDha hai magadAnibhacampakapuSpavikAse vinatendindirapATa livi sarakRtAtanu tUNavibhAse / vyaharadatisurabhibharitavasante nartanasaktajanena samaM nijavirahisurasya durante // 4 // ratipatibhUpaticAmarata tinibhavi dalitakusumarasAle ati surabhIkRtadigvanitA mukhamalayaja paGaktivizAle / 3 ) S vyavahadaghati / 4) M-reading kalApe / 5) sumam = puSpam / 6 ) B bhedanamanmathasa khisama / 7) haima-gadA- nibha / 8) kRta-atanu-tUNa | For Private And Personal Use Only w

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tRtIyaH prabandhaH vyaharadatisurabhibharitavasante nartanasaktajanena samaM nijavirahisurasya durante // 5 // kAmividAraNakrakacamukhAkRtiketakidanturitAnte komalakisalaya nicitasumaJjulabhUruha nivahasukAnte / vyaharadatisurabhibharitavasante nartanasaktajanena samaM nijavirahisurasya durante // 6 // surabhibharitakusumAsavalaghusaridabhinatabhRGgakadambe surasavidhRtaphalanikarakalitajambUdharaNiruha nikurumbe'| vyaharadatisurabhibharitavasante / nartanasaktajanena samaM nijavirahisurasya durante // 17 // suragirinandanaprabhRtimanoharavilasadudyAnasaMghAte suraparivRtalalitAGgasuro divijottamaviharaNapUte / vyaharadatisurabhimaritavasante nartanasaktajanena samaM nijavirahisurasya durante // 8 // svayaMprabhAvaktrasarojabhRGgo bhuJjanyatheSTaM divijAtabhogAn / saMtyajya dehaM suradampatI tau| babhUvatuH pUrva videhadeze // 2 iti zrImadaminavacArukIrtipaNDitAcAryavaryasya kRtI gItavItarAge lalitAGgasya vanavihAravarNano nAma ___ tRtIyaH prabandhaH // 3 // 9) H dharaNI nikuruMbe / For Private And Personal Use Only

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gItavItarAgaprabandhaH [4] vatyante puSkalAkhye lalitakumudasatkheTasaMjJe pure 'bhUd bhUmIzo vanajaGgho vimalasucaritaH sarvasaundaryavaryaH / jAtA tatraiva kanyA guNamaNinikarA puNDarIkiNyabhikhye cakrezasyAtmajA sA suravaravanitA zrImatIti pravittA / / 1 zazadharasitasaudhe nidritA sA nizAyAM divijapaTaharAvaM zrUyamANA shubhaanggii| aparimitagamULa jJAtapUrvaprapazcA vyalapadamitaduHkhA paNDitAbhikhyayAmA // 2 candanaliptasuvarNazarIrasudhautavasanadharadhIraM mandarazikharanibhAmalamaNiyutasannutamakuTamudAram / kathamiha lapsye divijavaraM mAnini manmathakeliparam // 1 // induravidvayanibhamaNikuNDalamaNDitagaNDayugezaM candiradalasamaniTilavirAjitasundaratilakasukezam / kathamiha lapsye divijavaraM mAnini manmathakeliparam / / 2 / / 1) pravittA=prasiddhA / 2) amA = sh| 3) A rAmakriyArAge / ytitaale| B rAgakaitAragauLa / , M rAgavasanta gurjari; S rAvakriyArAge / 4) candiracandra / For Private And Personal Use Only

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caturthaH prabandhaH zAradazazadharavadakhilahlAdanakArakavadanasukAntaM bhUrimanoharanarmakathanarasasyandilapanavarazAntam / kathamiha lapsye divijavaraM mAnini manmathakeliparam / / 3 / / keliraNanmaNigaNaghRNiraJjitahArakadambakabhAnaM bAladivAkarakAzavibhUSaNazobhitavatsadharenam / kathamiha lapsye divijavaraM mAnini manmathakeliparam // 4 // vividhamaNiracitabhUSaNabhUSitakomalatarabhujadaNDa suvizadasadamalasarasaguNanikaranidhinikSepakaraNDam / kathamiha lapsye divijavaraM mAnini manmathakeliparam // 5 // sphuradantyakAJcanaviracitarasanAvivalitamadhyazarIraM varavajrasAra zirISasukomalavAmajaGghoruyugeram / kathamiha lapsye divijavaraM mAnini manmathakeliparam // 6 // mRdulasaralatalacaTanavilolitavimalakamalasamapAdaM sadamalacelasadazcalacazcalamakhulakelivinodam / kathamiha lapsye divijavaraM mAnini manmathakeliparam / / *7 / / yojanaparimitadiksurabhIkRtadehabhRdabhinavakAmaM vyAjarahitanavarasabharitAmarabhogapayonidhisomam / 5) vatsadhara + inam / For Private And Personal Use Only

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gItavItarAgaprabandhaH kathamiha lapsye divijavaraM mAninimanmathakeliparam // 8 // indudharmakarAyate priyatame vAyuzca hIrAyate lepo 'pi jvalanAyate kusumasanmAlA 'hijAlAyate / AvAso gahanAyate smaravazAdeho 'pi kArAyate hA kaSTaM pativiprayogasamayaH saMvartavelAyate // 3 iti nijahRdayasthaM samyagAvedya sarva mama patilalitAGge melanaM prApayeti / gatabhavacaritArtha paTTake saMvilikhya sakalaguNasamRddhe prArthaye paNDite tvAm / / 4 iti zrImadaminavacArukIrtipaNDitAcAryavaryasya kRtau gItavItarAge zrImatIjAtismaraNavarNano nAma caturthaH prabandhaH // 4 // [5] sukavivimalabuddhiH zliSTamartha' vRNoti sunayavihitarAjyaM zrIravApnoti yadvata / nalinasubhaganetre melayiSyAmi tadvat patimiha tava kanye mA kRthAstvaM viSAdam // 1 6) hIrAyate = vajrAyate 7) B gandho 'pi, H dIpo 'pi for lepo 'pi c) The second parts of lines two and three are inter changed in some MSS. 1) BM shissttmrth| For Private And Personal Use Only

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paJcamaH prabandha: tayArpitaM paTTakamAdadhAnA sakhISTakAryAnayanAttacittA / uttuGgasaudhotpalakheTakAkhye prApanmahApUta jinAlayaM sA // 2 zrIvanajaGgho naranAthaputro jinAlayaM prApa tu vandanArtham / tatpaTTakaM vIkSya mumoha pazcAttatpaTTakArtha samuvocadittham / / 3 zrIprabhanAmavimAnasubhAsvaradeza vibhAgavilAsaM dIprakanIlapinaddhamadaGgaNamedurabhUmivibhAsam / behi vyalikhadiha kA hi vikAsa smarati mano mama vihitavirAsam // 1 // dhruvapadam zrIprabhapati nikaTasthamanoharanArIrUpamudAraM suprabhakisalayakalpamahIruhavIthInivahavihAram / brUhi vyalikhadiha kA hi vikAsa smarati mano mama vihitavirAsam / / 2 / / sarasijakuvalayakusumavirAjitakelisarovaratIra marakatamaNicayaviracitarucimayaDolAgehasuvAram / brUhi vyalikha diha kA hi vikAsa smarati mano mama vihitavirAsam // 3 // 2) A dhanvAMzi rAge; B rAga-zaMkarAbharaNa; M rAga-mukhari; s dhanvAzri raage| 3) virAsaM=prakAzayuktam / 4) suvAraM susamUham / For Private And Personal Use Only

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Shri Mahavir Jain Aradhana Kendra 14 gItavItarAgaprabandhaH maNDapapallavatoraNamaNDalazobhitakRta girijAlaM khaNDitavanitAkRtaka kalaha bhAvamaNDitavimukhavizAlam / brUhi vyalikhadiha kA hi vikAsa smarati mano mama vihitavirAsam // *4 // suragiritamaNirucigaNayavanikAvyavahita dampatirUpaM sarasajanitakopayuvaticaraNaha tigiritaTagulmakalApam / brUhi vyakhidiha kA hi vikAsa smarati mano mama vihitavirAsam // 5 // 5 mAmabhiraJjitumAnata mastakarAjitavanitAlIlaM " komalataracaraNau mama nanditumAnamadabalAkhelam / brUhi vyalikhadiha kA hi vikAsa smarati mano mama vihitavirAsam // *6 // acyuta kalpasurendra kRtAdara labdha sanmAnavistAraM arcitamerunagAdi jinagRha vandanagamanavicAram / brUhi vya likhadiha kA hi vikAsa smarati mano mama vihitavirAsam // *7 // 5) A lIlAM / 6 ) AM khelAm / urasi mama vihitacaraNa sulAnchanatrirahitasakalavinodaM caraNasaroje natamakuTaM mAM tyaktvA sarasasumodam / brUhi vyalikhadiha kA hi vikAsa smarati mano mama vihitavirAsam // 8 // For Private And Personal Use Only

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SaSThaH prabandhaH zrIvanadantAkhyanarendraputrI tvayoktajanmAntarasatkalatram / zrImatyabhikhyA guNaratnapAtraM paitRSvaseyI likhitAtra citram // 4 iti zrImadabhinavacArukIrtipaNDitAcAryavaryasya kRtau gItavItarAge vajra japaTTakArthavivaraNo nAma paJcamaH prabandhaH // 5 // [6] gatabhavamilitAM tAM vajradantAtmajAtAM virahadahanadagdhAM zrImatI prauDhakAntAm / tvadabhigamanalInAlocanaM prArthyamAnAM sapadi subhaga gatvA khaNDitAM rakSa bhUpa // 1 sevitAM navayauvanAyatarUpakAnticayena AvRtAM nijadehabhAnuvisAraNAvaraNena / dhara dhara kRtAdaramAnasena / / 1 // rAjitAM jitavajulAmalapAdapallavakena bhrAjitAM bhramarAlisevitapAdapadmayugena / dhara dhara kRtAdaramAnasena / / *2 // bhAsitAM dhRtamArabANadhijAnuyugmadhareNa kAzitAM smarahastidanta nibhorurUpavareNa / dhara dhara kRtAdaramAnasena / / *3 // 1) B mohakAntAm / 2) AS mALava gauDarAgeH; B rAga-kalyANi; M rAga-kAmbhodi / For Private And Personal Use Only

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gItavItarAgaprabandhaH saMgatAM sikatAcayAbhasumadhyazobhanakena aGgitAM suzirISapuSpamRdUDhabAhuzubhena / / ghara dhara kRtAdaramAnasena || *4 // nanditAM smarapUrNakumbhapayodharAtizayena saundarA nayanadvayAzcitavaktrapadmasumena / dhara dhara kRtAdaramAnasena // 5 // bhUSitAM mukhavAsanAdhRtanAsikAvibhavena / yoSitAM maNimutpalAGkitakarmakAntitatena / dhara dhara kRtAdaramAnasena // 6 // lAlitAM zazikhaNDasaMnibhakAntisaMniTilena lolitAmalinIlakuntalagranthikAracanena / dhara dhara kRtAdaramAnasena // 7 // kAminIM dhRtahAranU puracArubhUSagaNena zrImatI sakalAbhirAmakasAdhubhUriguNena / dhara dhara kRtAdaramAnasena / / *8 cUtAzokasumallikAjakumudavAtapraphullaprasUnaughAsAditatigmasAyakacayAnprANopahArodyatAm / bhRGgArabdhasujhaMkRtAnviSamagAnmAropaya tvaM vRthA cApe puSpamaye manobhava makA vijJApyate 'dya prabho // 2 iti zrImadaminavacArukIrtipaNDitAcAryavaryasya kRtau gItavItarAge vajrajaGghasya zrImatIsaurU pyavarNano nAma SaSThaH prabandhaH // 6 // 3) vAsanA+ adhRta / 4) B mukha for maNi / For Private And Personal Use Only

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saptamaH prabandhaH [7] tatrava caityAlayapaTTazAlAmadhyAsitaM vibhramamAnasaM tam / vyomAvatIrNa viva vanajaGgha sA paNDitApItthamuvAca vANIm // 1 kuNDalimaNDalamaNDitaviSamiva daNDayatIha samoraM caNDayate 'khaNDamaNDalavidhumitra piNDitacandanasAram / tava virahe sA mugdhA bhUmipe tava virahe sA mugdhA bhUmipa kAmakalambadarAdivi cintanayA tvayi snigdhA / / 1 / / saMtataviracitasumanazarAdiva tava zaraNe suvilolaM svAntajamarmaNi varma tanoti sa zarazarajacchadajAlam / tava virahe sA mugdhA bhUmipa tava virahe sA mugdhA bhUmipa kAmakalambadarAdiva cintanayA tvayi snigdhA / / *2 // amitasumanazararacitasutalpaM lAsyakalAkamanIyaM yamamiva tava sukhamanubhavanAya tanoti sumanazayanIyam / tava virahe sA mugdhA bhUmipa tava virahe sA mugdhA bhUmipa kAmakalambadarAdiva cintanayA tvayi snigdhA / / *3 // 1) A gUrjare rAge; B rAga kAverI; M rAga paMtuvarALi; atha gurjari rAge yati tALe / 2) AMS bhUpa for bhUmipa / 3) kalambadarAt = bANabhayAt / zarazarajaM-bANakamalam / For Private And Personal Use Only

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gItavItarAgaprabandhaH dharati vikampitalocanajalavahamAnananalinamadhIraM sarasija miva nalinI rajanIpihitahimanikarajaladhAram / tava virahe sA mugdhA bhUmipa tava virahe sA mugdhA bhUmipa kAmakalambadarAdiva cintanayA tvayi snigdhA / / *5 // vahati vilasadativirahadahanabharazyAmalamukhamavikAzaM tuhinakiraNamuparAgapihitamiva kSaNadA' vigatavibhAsam / tava virahe sAmugdhA bhUmipa tava virahe sA mugdhA bhUmipa kAmakalambadarAdiva cintanayA tvayi snigdhA // 5 // svapati sukisalayaviracitazayane mRduvinyastazarIrA svapati virahaduHkhasahanavizaktavAgniniviSTAdhIrA / tava virahe sA mugdhA bhUmipa tava virahe sA mugdhA bhUmipa kAmakalambadarAdiva cintanayA tvayi snigdhA // 6 // abhimatagItamaNitumatisaundaraparivAdanImAdAya nabhasi zazinamabhivIkSya jahAsIdvINAmeNabhayAya / tava virahe sA mugdhA bhUmipa tava virahe sA mugdhA bhUmipa kAmakalambadarAdiva cintanayA tvayi snigdhA // 7 // anudinamapi tava patitA pAvanamRdutarapAdasaroje manasijanibhabhavadamalaguNaughaM dhyAyati hRdayapayoje / tava virahe sA mugdhA bhUmipa tava virahe sA mugdhA bhUmipa kAmakalambadarAdiva cintanayA tvayi snigdhA / / *8|| 5) kSaNadA = rAtriH / 6) niviSTA + adhorA / For Private And Personal Use Only

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saptamaH prabandhaH iti nijanipuNoktyA vanajaGgha prasAdya punarapi rasayuktaM paTTakaM tena dattam / adhikabharitamodA svIkRtA sAvadhAnA laghu nijapuramitvA kanyakAya sma datte // 2 taM dRSTvA ciramAkalayya pulakavyAptAGga yaSTirmudA tuSTAveti nijAtmarakSaNaparAM tAM paNDitAM zrImatI / dugdhakSIrakucapravezanipuNe strIrUpasaMdhAritaprajJa kauzalabhUmike mama pateranveSaNe tatpare / / 3 SaTakhaNDAdhipate madIyatanayazrIvajrajacAya te svasnIyAya suvajrabAhuravadaddehIti tAM zrImatIm / tacchavA nijacetasi sthitamidaM pRSTaM tvayA sAdhviti cakrI prINitamAnasaH subhagajAmAtre dadau kanyakAm // 4 janmAntarapremaniviSTagAtrau surUpalAvaNyakalApapAtrau / parisphuratpadmadalAbhanetrI surejatuH kAmanirekasUtrau / / 5 vallImaNDapazobhite kRtagirau padmAkare kahici. ccUtAzokasumallikAdikusumairAkIDane krIDitau / sarvartuprathitorubhoganicayaistRptendriyau dampatI lebhAte tanayAnsu vIryaviditAnaSTAnavatyAmitAn // 6 // adhipihitagavAkSe dhUpite zItakAle nibiDabharitadhUme vAsagehaprasuptA / 7) nireka = niHsandeha (?) For Private And Personal Use Only

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gItavItarAgaprabandhaH 'valitagalanadhUmau prApaturmRtyumetau munipakazipudantyA prApnutAM bhogabhUmim // 7 iti zrImadabhinavacAruko tipaNDitAcArya varyasya kRtau gItavItarAge zrImatIvirahavarNano nAma saptamaH prabandhaH // 7 // [ 8 ] meroruttaradiksthite kuruvarakSetre subhogAkare jAyete sma hi dampatI surasamau bAlArkacaJcatprabhau / keyUrapramukhoddhabhUSaNadharau suvyaktavAgbhUSaNa pUrvopArjita puNya pAkajanitAnbhogAnabhuktAM sadA / / 1 varamaNivisaraNakiraNavizAle ' suraramaNIyakavanaghanajAle rAjita Arya rAjito rAjito viSaye varadhIdharaH / / 1 / / suruciramaNikhanivinigatamAne marakatatatidharadavanivitAne / rAjita Arya rAjito rAjito viSaye varadhIdharaH // 2 // 8 ) B vigata for valita / 1) A aSTapada / kaMnaDagILarAge; B rAga- vasaMta; H rAga-deza kSi; S kaMnaDagaulirAge / For Private And Personal Use Only

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aSTamaH prabandhaH . kanakakamalasumadhUlipidhAne ghanasadamalajalakhAtanidAne / rAjita Arya rAjito rAjito viSaye varadhIdharaH // 3 // kusumarasavidhRtavAtanivAse kusumitasuratarurAjivibhAse / rAjita Arya rAjito rAjito viSaye varadhIdharaH // 4 // amRtasadRzarasadhRtamadirAGga kamanamadhuraravabhRtatUyoGga / rAjita Aya rAjito rAjito viSaye varadhIdharaH // 15 // kaTakamakuTacayacitabhUSAGga sphuTitakusumasughaTitamAlyAGge / rAjita Arya rAjito rAjito viSaye varadhIdharaH // 6 // nirasitatimiravisaradIpAGge vrvidhurvighRnnijitdiiptyaangge| rAjita Arya rAjito rAjito viSaye varadhIdharaH / / *7 / / saidanasadazanadagRhalepAru sdmlvitrnnpttpaatraangg| 2) sad + azana + da / For Private And Personal Use Only

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Shri Mahavir Jain Aradhana Kendra 22 www.kobatirth.org gItavItarAgaprabandhaH rAjita Arya rAjito rAjito viSaye varadhIdharaH // 8 // Acharya Shri Kailassagarsuri Gyanmandir evaMvidhairbhoga cayairupeto dazAGgakalpadra masaMpradattaH / kadAcidAryaH surabhUruhAlau vihArayAmAsa surendralIlaH // 2 prItikaraM sutapasaM priyadevasaM cAkAzacAraNamunI paramAvadhIddhau / vyomAvatIrNaravibimba nibhau samIkSya bhaktyA pratrandya yatipau vinivezya pIThe // 3 iti zrImadabhinavacArukIrtipaNDitAcAryavaryasya kRtau gotavItarAge mogabhUmivarNano nAmASTamaH prabandhaH // 8 // [ 9 ] munipatimabhivIkSya premabASpArdranetro muhurapi tamapRcchad gadgadotkaNThavaktraH / muni kulatilaka tvaM bAndhavo vA dRDhaM me vada vicalati cittaM pRSTavAnitthamAryaH // 1 tacchrutvA punarityavocadamale vaidyAdhare janmani vatsyavaH smarasi tvameva saciva buddhaM svayaM pUrvakam / mAM jAnAhi mahAbalastvamagamaM dAtuM sudharma tavetyuktvA mokSasukhapradaM sutrimalaM dattvA yayau sanmuniH // 2 For Private And Personal Use Only

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navamaH prabandhaH prItiMkare meghapathe gate 'smin smRtvA punastasya guNAnvinItAn / jAyAsameto 'malavAkprasUnaistuSTAva cAyaH suguNAnurAgaH / / 3 amalaguNabharasamyaktvavikasanamupalAti samalavimIlitazaGkAGkarakamapi lunAti / sujanasamAgamalAmo mama preyasi samAgamalAbho / / *1 ||dhruvpdm / malanicitatanukAMkSAdalanamapi cinoti militamunivicikitsAkaraNamavaminoti / sujanasamAgamalAmo mama preyasi samAgamalAbho / / 2 / / kumatijanitavimUDhajananamapajahAti zramaNajanazabalAcAralavamapidadhAti / sujanasamAgamalAmo mama preyasi samAgamalAbho / / *3 // zrutadharasadamalAcAravinayamupaiti yatinikarakRtavAtsalyabharaNamupayAti / sujanasamAgamalAmo mama preyasi samAgamalAbho // 4 // 1) AS a ( A ) sAvari rAge; B rAga-aThANa / 2) B matijahAti For Private And Personal Use Only

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gItavItarAgaprabandhaH paramajinamatabhAsapravaNamupalinAti niraghasukhadamokSe nilayamabhivRNoti / sujanasamAgamalAmo mama preyasi samAgamalAbho // 5 // dharati zivasukhasAre duritamapanihAya harati hRdayanivAse davathumapanIya / sujanasamAgamalAmo mama preyasi samAgamalAbho // 6 // surucirasuparamAnandathumanukaroti bharitasubhagamanovRttikaramanudhinoti / sujanasamAgamalAmo mama preyasi samAgamalAbho // 7 // sujanasadasi yogyatvabharamapi dadAti nijajanitazubhasaubhAgyadharamupadadhAti / sujanasamAgamalAbho mama preyasi samAgamalAbho // 8 // mahAbale bhogasukhAtilole vinaSTasaddharmapathapraviSTe / surakSya dharmAmRtadAyako 'dya sametya sanmAgemabodhayanme / / 4 gururvidhAtA gurureva dAtA guruH svabandhuguNaratnasindhuH / gururvinetA gurureva tAto gururvimokSo hatakarmapakSaH / / 5 For Private And Personal Use Only

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dazamaH prabandhaH nijagurupadapadmaM prekSamANo manobdhe duritjyjmoksssthaansNnystcittH| vimalatarasudRSTiM bhAvayan jIvitAnte samajani suraloke zrIdharo devvyeH||6|| iti zrImadaminavacArukIrtipaNDitAcAryavaryasya kRtau gItavItarAge bhAryasya guruguNasmaraNavarNano nAma navamaH prabandhaH // 9 // [10] IzAnakalpe sukhadAdanalpe sa zrIdharaH shriiprbhkaabhryaane| suptotthitaM vetyabhivIkSyamANaM surAH samIkSyAhurudAravANIm // 1 // zubhasuraloke prabharitaloke zubhatarapuNyavipAka abhimatazobha prabhutamalAbha pramuditavizvasunAka / sukalaya deva prakaTasubhAva smarasamarUpavibhAra sukhapadajAta sarasavinIta sarabhasakAryamudAra || 1||dhruvapadam 1) sukhadAt + analpe 2) A aSTapada / dezavarALe rAge; B rAga-mohana; M rAga-ketAri gauLa; S rAga dezavagaLi / 3) M shubhkr| For Private And Personal Use Only

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gItavItarAgaprabandhaH bandhuratIre saundaranIre mandasugandhasamIre nanditasAre rundragabhIre candrakiraNanibhagaure / sakalaya deva prakaTasubhAva smarasamarUpavibhAra sukhapada jAta sarasavinIta sarabhasakAryamudAra // 2 // parimalabharite 'mRtajalanicite darasuvidalitasaroje varamaNikIlitamakuTavibhUSita sarasi savanamabhirAje sukalaya deva prakaTasubhAva smarasamarUpavibhAra sukhapadajAta sarasavinIta sarabhasakAryamudAra / / 3 / / udakatarUdbhavasadamalarasanavadadhighRtakSIrasamAjA muMditasurokapradalitazokapradayakajinapatipUjAm / sukalaya deva prakaTasubhAva smarasamarUpavibhAra sukhapadajAta sarasavinIta sarabhasakAryamudAra // 4 // surucirabhAvotkarazritasevAM suratativiracitasenAM purujinamArga varasukhasarga viracitapuNyavidhAnAm / sukalaya deva prakaTasubhAva smarasamarUpavibhAra sukhapadajAta sarasavinIta sarabhasakAryamudAra || *5 // bhAvajadhIrabhAvitanArAcAvilulitazubhagAtra sevitalepa pAvanarUpa jiivnjaannnetr| sukalaya deva prakaTasubhAva smarasamarUpavibhAra sukhapadajAta sarasavinIta sarabhasakAryamudAra // 6 // 4) sura + oka / 5) bhAvajaH = manmathaH / 6) jIvanajaM= kamalam / For Private And Personal Use Only

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dazamaH prabandhaH patimatiraktiM nutavarazakti dhRtanijavallabhikAliH kRtazRGgAra bhRtabhRGgAra jitaratisubhagasulIlaH / sukalaya deva prakaTasubhAva smarasamarUpavibhAra sukhapadajAta sarasavinIta sarabhasakAryamudAra / / *7 // maJjalarAvaM puJjitabhAvaM pazcitanRtyavilAsaM raJjitaveSaM siJjitabhUSaM kaJjadalAkSivibhAsam / sukalaya deva prakaTasubhAva smarasamarUpavibhAra sukhapadajAta sarasavinIta sarabhasakAryamudAra / / *8 // itthaM suroktaM sakalaM vidhAya sa zrIdharastatra sukhaabdhitiirnnH| cyutvA tataH pUrva videhabhUmau putraH pavitraH suvidhirbabhUva // 2 deze mahAvatsaviziSTanAmni vare susImAnagare sudRSTeH / saundaryanandAkhyapartivarAyAM sallakSaNopetamanoharAGgaH // 3 iti zrImadaminavacArukIrtipaNDitAcAryavayasya kRtau gItavItarAge zrIdharasya svargavaibhavavaNano nAma dazamaH prabandhaH // 10 // 7) vallabhikA - AliH / For Private And Personal Use Only

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gItavItarAgaprabandhaH [11 ] lalitamRdulagAtraH satkalArAzipAtraH sarasijadalanetraH kSatriyaH khyAtagotraH / ripukuvalayamitraH puNDarIkAbhavaktraH guNamaNidhRtasUtraH sattvarakSAcaritraH // 1 sa zrImAn suvidhirjagAma vimalezasyAntikaM vandituM cakrezA nijamAtulena sahasaM prAya' prmodaavhH| dRSTvA dIkSitamAtula svayamato dIkSAmavAptuM sthitaH vAcaM sadvinayAnvitaM svatanayaM provAca vai kezavam // 2 dharmakathanaparavacanavilAsa nirmalasukhakarajJAnadhareza / yAmi vanaM bho yAmi vana nandana rAjye matimAdhehi // 1 // dhravapadam / sadamalacaritanikaramaNihAra padakamalavinatajanatAdhAra / yAmi vanaM bho yAmi vanaM nandana rAjye matimAghehi / / 2 / / anusaraNayutasujanadivijendra kunysrnnirtkujnymendr| yAmi vanaM bho yAmi vanaM nandana rAjye matimAdhehi // 3 // 1) A aSTapada / gUrjari rAge; B rAga-madhyamAvati; S rAga gurjari rAge / 2) kujana-yamendra For Private And Personal Use Only

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ekAdazaH prabandhaH svajanapadajanitasusacivavarga svaja nitaripuSaDvargatrisarga | yAmi vanaM bho yAmi vanaM nandana rAjye matimAdhehi || 4 || nijakulalasadasijIvanalola vijitasakalaripuraNamukhalIla / yAmi vanaM bho yAmi vanaM nandana rAjye matimAdhehi || 5 || dhArmikakulacaraNAdiguNADhya nirmadazamaM dadharmadhareDya / yAmi vanaM bho yAmi vanaM nandana rAjye matimAhi || 6 || parivRDhasacivotsAhajazakte karirathahayanaravarabalazakte / yAmi vanaM bho yAmi vanaM nandana rAjye matimAdhehi // 7 // sunayanicayayutajanapadavarya jananayanavanajaghanavanasUrya / yAmi vanaM bho yAmi vanaM nandana rAjye matimAdhehi || 8 || pitroktavAkyaM vinizamya putro rAjyaM tavaitadviSavadvibhAti / 29

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Shri Mahavir Jain Aradhana Kendra 30 www.kobatirth.org gItavItarAgaprabandhaH mamApi tadvatpratibhAti tAta tvaM tiSTha sarvAmarze viziSTaH // 3 Acharya Shri Kailassagarsuri Gyanmandir tiSThAmi no cedahameva nAsmItItthaM nijastrAntagataM nivedya / sa kezavo dAracaro vyaraMsItputrasya mohAtsadanIbabhUva // 4 ekAdazorunilayo vinivRttasaMgaH kaupInakhaNDakadharo 'titapaHkRzAGgaH / ante samAdhividhisAtkRta dehabhAraH kalpe 'cyute divijasaMghapatirbabhUva // 5 iti zrImadabhinava cArukIrtipaNDitAcAryavaryasya kRtau gItavIrAge suvidhiputra saMbodhano nAmai kAdazaH prabandhaH // 11 // [12] marakatamaNimukhyaprollasatsarvaratnairamalakanakapaTTairanvite maJcayugme / mRdutaravaratalpe dabhravastraprasAre' sadamalamaNibimbaM vA sma saMjAyate saH // 1 evaM samutpannasurezvarasya dvAviMzatIddhAmbudhijIvitasya / 1) dabhra = sUkSma / For Private And Personal Use Only

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dvAdazaH pravandhaH tapobalAdArjitapuNya kasya zarIramAbhAdatisaundaraM tat / / 2 suratarusurabhibharitakusamavaramAlikA prmsurgirishikhrnibhmkuttmaulikaa| bhAti hemamayadharaNatanUghRNijAlikA // *1 // dhruvapadam / paramazabhatarujanitaphalasadRzamaJjalA ssbhrnnnikrkirnnsmuuhbhulojjvlaa| bhAti hemamayadharaNatanUghRNijAlikA // 2 // sara bhibharaghRtakumumitasuratarubhAsitAsmaravRSabhasuSamazubhalakSaNavibhAsitA / / bhAti hemamayadharaNatanUghRNijAlikA // 23 // alikulakasamamalinakuntalavibhAjitA alimilitanalinanibhanayanamukharAjitA / bhAti hemamayadharaNatanUghRNijAlikA // 4 // kharakiraNazazikaranibhakarNakuNDalA zaradamalaghanasadRzavarahAramaNDalA / bhAti hemamayadharaNatanUghRNijAlikA // 5 // kaTakakeyUrabhUSitabAhuyugalAlitA ghttitlsdNshkaanycitjghnlolitaa| bhAti hemamayadharaNatanUghRNijAlikA / / *6 // 2) A guMDakriya raage| yati tAle; B rAga-darbAra; S guMDakri rAge / 3) B vidhRta for dharaNa / For Private And Personal Use Only

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gItavItarAgaprabandhaH kanakakadalIstambhasadRzorusaMyutA sunkhrucislilbhvnlinyugcaayitaa| bhAti hemamayadharaNatanUghRNijAlikA // 7 // divijanArInayanasparzahRdayaMgatA navakAntividhRtadivijendreNa sNgtaa| bhAti hemamayadharaNatanUghRNijAlikA / / *8 // sAmAnikAdidazabhedasuraughavandyo mitrAmaraiH sahajabhogasukhAbhinandyaH / puNyaprabhAvajanitAmbarabhUSaNADhyo divyA surendrapadavI ciramAvasatsaH / / 3 sulalitataraveSA divyayoSAH subhUSAH parimalasumamAlAH zastrakhelAH sucelAH / mRdularavanilInArabdhagAnAH sumAnAH paramasukhanidhAnaM ninyurainaM nijenam / / 4 kalpe 'cyute kalpatarUpazobhe kalpAntyajendraH pravibhujya bhogAn / tyaktvA svadehaM nijajIvitAnte zrIvaJanAbhirjanapo 'janiSTa / / 5 iti zrImadaminavacArukIrtipaNDitAcAryavaryasya kRtI gItavItarAge acyutendradivyazarIravarNano nAma dvAdazaH prabandhaH // 12 // For Private And Personal Use Only

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prayodazaH prabandhaH 33 [13 ] jambUmati dvIpavare videhe prAgAzrite dharmadharorudeze / supuSkalAvatyabhidhApratIte zrIpuNDarIkiNyabhavatpurI sA // 1 tadrAjadhAnIpativasenAcchIkAntikAyAstanayo 'bhijane / vAGkarAliGgita nimnanAbhiH sa sArvabhaumaH kSitipAgragaNyaH // 2 maidanamanoharabharitasuyoSA sdlikulmilitprimlvessaa| kAcidamalaguNAkarA yuvatI varapatimuditA || *1 // dhruvapadam / inaghanasaMgamalasadadhikArA stanayugalopari viclithaaraa| kAcidamalaguNAkarA yuvatI varapatimuditA // 2 // kuTilacaladalakaniTiladalenduH pttutrtossjnitjlbinduH| kAcidamalaguNAkarA yuvatI varapatimuditA // 3 // 1) A aSTapada / paMcamarAge; B rAga-haMsAnaMdi; S rAga / pNcmraage| 2) inaH= cakrin / For Private And Personal Use Only

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14 gItavItarAgapravandhara maNDitakuNDalamajukapolA khnnddithNsvdhuugtiliilaa| kAcidamalaguNAkarA yuvatI varapatimuditA // 4 // kSitipatilocanabhAjanahasanA vitatavikUjitatatiyutarasanA / kAcidamalaguNAkarA yuvatI varapatimuditA // 5 // malayajakalkaviliptasadaGgA lalitajalajadalavicaladapAGgA / kAcidamalaguNAkarA yuvatI varapatimuditA // 6 // dhuticayanicitasumRdutanusArA patimatihitadaguNAbdhigabhIrA / kAcidamalaguNAkarA yuvatI varapatimuditA / / *7 // anaghajinapapadayajanavilolA jinamunijanapadavinamanazolA / kAcidamalaguNAkarA yuvatI varapatimuditA // 8 // vilulitaguNasAraH satyavANIsudhAraH ripukulabaladAro vishvvidyaavicaarH| jitasakaladharerA pUrNapuNyAnusAraH zamitamadanaghoraH sArvakAruNyadhAraH // 3 For Private And Personal Use Only

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catuvRzaH prabandhaH supUrvapuNyArjitacakralAbhaH SaTkhaNDasImAGkitarAjyabhAraH / dazAGgabhogAmbudhipUrNa candraH zakrasya lIlAM nitarAM babhAra // 4 Acharya Shri Kailassagarsuri Gyanmandir jananamaraNajAtaM duHkhamAlocya citte sunayatanayavarye nyastasAmrAjyalakSmIH / nijagurujinaMpAnte tyaktasarvopadhiH san / sakalabhuvanavandyaM jainarUpaM dadhau saH // 5 zastaiH pacamahAvrataiH samitibhiH guptintrayeNApi ca yuktaH SoDazabhAvanA jinapatizrIpAdamUle sadA / dhyAyaMstIrtha karatva puNyamamalaM saMpAdayansanmunistyaktAhArazarIrako yamadharaH sarvArthasiddhi yayau // 6 iti zrImadaminacacArukIrtipaNDitAcAryavaryasya kRtau gItavItarAge vajranAmistrIvarNano nAma trayodazaH prabandhaH // 13 // [ 14 ] jambUvaradvIpasamAnamAne dyulokasaudhApravirAjamAne / saMsArajIvAkhilasaukhyalIne jajJe 'hamindraH parame vimAne // 1 For Private And Personal Use Only

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gItavItarAgaprabandhaH vimilitakiraNe samuditaramaNe suratanughRNivalaye / sumaNiviracite zobhanabharite subhagavisaranilaye / reme surapo lasadavanau suvazI jitAGgajavaro / reme // 1 // dhruvapadam / parimalabharite ghRNigaNanicite taralitamaNibhAsane suratarukusume sadajira suSame suratatinivasAsane / reme surapo lasadavanau suvazI jitAGgajavaroM / reme // 2 // I supihitagagane surakujagahane sudhavalaruciruSite apagatamaline 'ruNamaNipuline sarasijavanabhUSite / reme surapo lasadavanau suvazI jitAGgajavaro | reme // *3 // surapasamAse Dita jinavAse munisamasuramahite viracitanAze zikhara vibhAse marakatagirisahite / reme surapo lasadavanau suvazI jitAGgajavaro / reme || 4 || mandasamIre gandhasadhIre saundarajalavisare nanditasAre gandhakuTIrAnandadhunikarabhare // reme surapo lasadavanau suvazI jitAGgajavaro / reme || 5 || 2 saralasudhUpe varamaNikutupe suraramaNIyadhare nirupamalIne paramavizAle karajitazItakare / reme surapo lasadavanau suvazI jitAGgajavaro / reme || *6 / / 1 ) A aSTapada; B rAga - hiMdoLa | 2) kutupa, bed (?) For Private And Personal Use Only

Page #78
caturdazaH prabandhaH dhanatarasAle kanakajanAle baiMnitasadanasarale anaghasamAle sanayanakhele dinamaNinibhatarale / reme surapo lasadavanau suvazI jitAGga jvro| reme // 7 // caramavimAne virahitamAne purumaNicitazayane sarigamagAne sarasezAne penitajinapasadane / reme surapo lasadavanau suvazI jitaanggjvro| reme // 8 // AhAradehAbhazarIralIlo mandAramAlAzcitamUrdhacUlaH / zuklAkhyalezyAhitacittazIlo reme 'hamindro 'marasaukhyajAlaH // 2 ruciramaNisaveSo ninimeSo viyoSaH paramasukhacayADhyA nAkajeDyaH sareDyaH sadamalatanubhAno 'nuttarenaH sukheno vyalasadakhilavaryaH zuddhacaryaH suvIryaH / / 3 jIvAdhivAsatrasanADipUrNadivyAvadhijJAnasuvikriyaddhiH / prAgjanmasaMpAditasArvapuNyaH SaNmAsapUrva bhuvameSyatIti // 4 iti zrImadaminavacArukIrtipaNDitAcAryavaryasya kRtau gItavItarAge sarvArthasiddhivimAnavarNano nAma caturdazaH pravandhaH // 14 // 3) A-com ghanatarasAre kanakajasAre / 4) vanita = sNgt| 5) panita = stuta / For Private And Personal Use Only

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gItavItarAgaprabandhaH [15] jambU dramAsaMjanabhAsamAne dvIpe shshaangkojjvlbhaagmaane| sadbhAratakSetravare pratAne sakozalo 'bhUd viSayA pradhAnaH / / 1 ratnorusAlA calaketulolA rathyAvizAlA jinagehamAlA / narendralIlA dhRtaratnamAlA sAketasaMjJA racitA surezA // 2 tasyAM nagaryAM jitadevapuyA~ saMpUrNacaryA pramadAbdhitaryAm / salIlanAyoM paritoSakoM zrInAbhirAjo virarAja varyaH / / 3 manukulapatikAntA dehalAvaNyakAntA vidhukarasamazAntA kIrtibhAgAptabhAntA / purujinapatimAtA pUrNa vidyAbdhipotA guNanutamarudevI punnyraashiprjaataa||4 saMdaruNakisalayacaraNayugena mRdusarasijajayadhRtasubhagena / sA vanitA suvirAjitA subhagA vanitAsu virAjitA // 1 // dhruvapadam / 1) AsaMjanaM = saMbandhaH / 2) M sukozalAkhyo viSayaH / 3) A aSTapada; B rAga-begaDe; S rAga toDirAge / For Private And Personal Use Only

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paJcadazaH prabandhaH vartulakAntimRdUrubhareNa cittajabANadhivRttidhareNa / sA vanitA suvirAjitA subhagA vanitAsu virAjitA // 2 // maJjulakAJcIveSacayena puJjitakAntasumadhyazubhena / sA vanitA suvirAjitA subhagA vanitAsu virAjitA // 3 // nalinasubisanibhabhujayugalena dalitasurataruviTapacalena / sA vanitA suvirAjitA subhagA vanitAsu virAjitA // 4 // vicalitahAravilAsa zivena 'kucayugavilasadurovibhavena / sA vanitA suvirAjitA / subhagA vanitAsu virAjitA // 5 // zazadhararucidharasuSamamukhena vizadakumudadalanayanasakhena / sA vanitA suvirAjitA subhagA vanitAsu viraajitaa|| 6 // alikulakuntalabharaniTilena vilasitazazidalasamakuTilena / sA vanitA suvirAjitA subhagA vanitAsu virAjitA // 7 // For Private And Personal Use Only

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gItavItarAgaprabandhaH kuNDalamaNDitazrutiyamalena khaNDitakumatavacanasubalena / sA vanitA suvirAjitA subhagA vanitAsu virAjitA // 8 // surUpalAvaNyavizuddhakAntizrImadvibhUtyAdiguNaiH zacIvaM / janekSaNAnandavidhAyinI sA virAjitA komalasArasAkSI // 5 keyUraveSAdivibhUSitAGgA piiyuusspuurnvvtprsNgaa| pativratAyuddhaguNaughasaMgA vibhAsitA kAntipayastaraGgA / / 6 iti zrImadaminavacArukIrtipaNDitAcAryavaryasya kRtI gItavItarAge marudevIvarNano nAma paJcadazaH prabandhaH // 15 // [ 16 ] yakSezvaro devapaternidezAt sArdhatrikoTipramitAni pUrvam / 4) B guNaH prabhUtaiH / mahatsukhAnandavidhAyanAnA virAjitA / pU 5) B ra for sAra / For Private And Personal Use Only

Page #82
SoDazaH prabandhaH ratnAni saMdhyAtritaye 'pi mAbhyaH SaDbhyo vavarSa kSitipAGgaNeSu // 1 aiSekadA puSpavatIzamAtA gaGgAdisattIrthapavitratoyaiH / saMsnApitA ziSTasarAGganAbhiH zizye nijezA saha bhUSitAGgA // 2 zubhrAmbarA zubhrasubhUSazobhA shubheddhpusspvrjmaalybhaaraa| zubhracchadastrIsamalIlayAnA zubhnAMzukacchAditamazcayAtA / / 3 manoharAkhye varatUryayAme svapnAn zubhAn sA samapazyadetAn / gajAdhipAdInvRSabhezvarasya pratApazAntAdiguNaprakAzAn // 4 maidajaladhRtasurakarisitasadibhaM sadamalakalaravapANDuravRSabham / vIkSitA harivIkSitA lokavinutapAdakamalA / / *1||dhruvpdm / 1) B om. verses Nos. 2 and 3. 2) puSpavatI + IzamAtA / 3) A aSTapada; B rAga-rAgamAlike / 4) M alone adds harivIkSitA alter vokSitA in all the verses. For Private And Personal Use Only

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Shri Mahavir Jain Aradhana Kendra Rong Fu gItavItarAgaprabandhaH aruNajaTAdhRtamRgapatimamalaM kariyugasnApitavaratanukamalam / vIkSitA harivIkSitA lokavinutapAdakamalA // 2 // surabhibharitasumamAlA yugalaM kiraNavibhAsitazazadharamamalam / vIkSitA harivIkSitA lokavinutapAdakamalA // 3 // nirasitatimirakaravimatitigmaM * sarasi vilAsitamInakayugmam / vokSitA harivIkSitA lokavinutapAdakamalA // 4 // candanacarcita kumbhasuyamalaM nanditasarasijavApImatalAm / vIkSitA harivIkSitA lokavinutapAdakamalA // 5 // taraGga vilolitajaladhimamAnaM kaririputatidhRtapIThaM bhAnam / vIkSitA harivIkSitA lokavinutapAdakamalA || 6 || 5) timiraka- ravi / 6 ) B poThasubhAnam, M poThavibhAnam / For Private And Personal Use Only

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saptadaza: prabandhaH bhUmyavatAritanAgavimAnaM vyomAbhAsitadevakhayAnam / vIkSitA harivIkSitA lokavinutapAdakamalA // 7 // sarasijamarakatavaramaNitAnaM virahitadhUmakamagninidhAnam / vIkSitA harivIkSitA lokavinutapAdakamalA // 8 // svapnekSaNAtuSTaviziSTacittA romAJcaka prAtidivyagAtrA | zubhrAmbara bhrAjitasatkalanA virAjitA lolakuraGganetrA / / 9 / / iti zrImadabhinavacArukIrtipaNDitAcAryavaryasya kRtau gItavItarAge SoDazasvapnavarNano nAma SoDazaH prabandhaH // 16 // [ 17 ] vilInanidrAM ca vibhAta tUryAM kalAravavyApitakarNazobhAm / prabodhayAmAsuriti prabhAtaprazastapAThaH surabandidevAH // 1 // Acharya Shri Kailassagarsuri Gyanmandir 7) A surucira for sarasija / For Private And Personal Use Only 43

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gItavItarAgaprabandhaH 'vidalitasarasijaviracitasAJjali vAgamadiha suvibhAtaM sadamalakaravidhaM dharati rajanI nijamukhamiva lasakAntam / lokavinatacaraNAmburuhe vimalAnaghasuguNasamUhe devi lalitazayanaM mRdu muzca sukomalatarazubhadehe / / *1 // dhruvapadam / vigalitakiraNakalApakalAdharalokanajanitaviSAdaM jagadabhinandaya tAvakavadanasadvidhunA kAraya modam / lokavinatacaraNAmburuhe vimlaanghsugunnsmuuhe| devi lalitazayanaM mRdu muzca sukomalatarazubhadehe // 2 // mandakarairiva digvanitAspRzadinduH pravasito bhAti mandradhvaniyutasArasavRndaM stuvadiva tvAmabhirauti / lokavinatacaraNAmburuhe vimalAnaghasuguNasamUhe devi lalitazayanaM mRdu mubca sukomalatarazubhadehe / / 3 // viralitatArAtatiriva rajanI truTitasumuktAhAraM "suravabhramararavavyAjAnalinI stauti hi te guNasAram / lokavinatacaraNAmburuhe vimalAnaghasuguNasamUhe devi lalitazayanaM mRdu muJca sukomalatarazubhadehe / / 4 / / rajanIvirahadagdhacakrAhvayayugamanati sarassu taraGga rajanIpativihatakokamithunamabhivAJchati mitramabhAgam / 1) A aSTapada; B rAga-bilahari / 2) A comm. sadamalazazinaM / 3) A comm. spRzadvidhuH / 4) A varita, but in the comm. surava / For Private And Personal Use Only

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saptadazaH prabandhaH lokavinatacaraNAmburuhe vimalAnadhasuguNasamUhe devi lalitazayanaM mRdu mubca sukomalatarazubhadehe / / 5 / / caraNAyudhadhvaniranalanikara iva dahati viTAGgakuTIraM sarasijagandhavahatparito 'pi saMvAti sugandhasamIram / lokavinatacaraNAmburuhe vimalAnaghasaguNasamUhe devi lalitazayanaM mRdu muJca sukomalatarazubhadehe // 6 // 'suradigvadhUdaravisaradarbhakavadudeti visrkrsuurH| karatatisenA prasarati purata essyddineshsaarH| lokavinatacaraNAmburuhe vimalAnaghasuguNasamUhe devi lalitazayanaM mRdu muzca sukomalatarazubhadehe // 7 // vikasitavadanAM vIkSya kamalinImetyutpalinI mlAniM mAkandamadhurasapapikagaNo 'yaM tanute paJcamagAnam / lokavinatacaraNAmburuhe vimalAnaghasuguNasamUhe devi lalitazayanaM mRdu muJca sukomalatarazubhadehe // 8 // itthaM prabuddhA surabandipAThAravaiH prabhAtakriyayA viniitaa| avocadetya pramadAmalAGgI zrInAbhirAjasya samIpameSA // 2 karivRSaharipadmAH puSpamAle ca somaM ravizapharayuge satkumbhayugmaM ca vApI 5) AM samIraH / 6) digvadhU + udara / For Private And Personal Use Only

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Shri Mahavir Jain Aradhana Kendra 46 gItavItarAgaprabandhaH jalanidhiharipIThe nAgalokaM vimAnaM maNigaNamanalaM nirdhUmamadrAkSamIza // 3 zrutvA satIvAcamuvAca rAjA devi tvayA dRSTagajAdhipAdyAH vadanti tuGgAdiguNAbhirAmaM vRSAdhinAthaM samavApsyasIti // 4 jitapakamRduvANI nIlanAgAbhaveNI vimalataracaritrA vizvanArIpavitrA / iti nijapativAcA saMzayadhvAntamocAM zravasukhakRtapoSAM zrUyamANA tutoSa // 5 iti zrImadabhinava cArukIrtipaNDitAcAryavaryasya kRtau gItavItarAge prabhAtavarNano nAma saptadazaH prabandhaH // 17 // [ 18 ] zrayAdIndradevIbhirupAsyamAnA garbhArbhakenApi virAjamAnA / svabandhuvargeNa sadeDyamAnA' babhau marAlapramaMdAbhayAnA // 1 1) H sadejyamAnA / 2) pramadA + Abha - yAnA; H pramadebhayAnA | For Private And Personal Use Only

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madazaH pravandhaH caMtrAkhyamAse varakRSNapane sadbrahmayoge nvmiidinaadau| aje jinendro vRSabho mahAtmA surAsurendrArcitapAdapadmaH // 2 geheSu zaGkhAH prathamAmarANAM bhaumAmarANAM sadaneSu bheryaH / jyotiSkaloke paTunAdasiMhAH svargaSu ghaNTAH svayameva reNuH / / 3 jJAtvA surendro jinapasya janma svapIThakampapramukhoddhacihnaH / sAdhaM surendraiH sasurairjinezo janmAbhiSekaM kurute sma merau // 4 'navanavatidazazatasuyojanavirAjite kSitibhRti vicalitajalavAra: navamaNisuzailapatisAnugata nirjharajalavadamarAbdakRtapUraH / babhau cArumerau bhUSitasudhAzanasamUhe babhau cArumerau babhau jinasavanapAvane mahadamitabhAsanotsphAra parimalasunikarabAhaH / babhau cArumerau // *1 // dhruvapadam / cUlikAmaulidhRtavaranaraparAjitAdindramaNibhRtigamanazIlaH 3) A aSTapadaM; B rAgamalayamAruta / 4) vAra:=pravAhaH / 4) A artesafores for but in the comm, in the text above. For Private And Personal Use Only

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gItavItarAgaprabandhaH lIlayA svAbhigataparamajaDatAM jahAseva vizadatarajalalolaH / babhau cArumerau bhUSitasudhAzanasamUhe babhau jinasavanapAvane mahadamitabhAsanotsphAraparimala sunikrvaahH| babhau cArumerau // 2 // bhadrazAlAdivanataruvasanazobhite jinapatanurucivisarapUtaH bhadratoyena yutagaganasutaraGgiNIpariha sitbinduttipaatH| babhau cArumerau bhUSitasudhAzanasamUhe babhau jinasavanapAvane mahadamitabhAsanotsphAraparimala sunikaravAhaH // babhau cArumerau / / 3 / / hasitasuravAsakairjinanilayabhAsite vizadatarasutaraGgaphenaH / lasadamalajalavAhapRthulataragamavegasuvicalitadivijavarasenaH babhau cArumerau bhUSitasudhAzanasamUhe babhau jinasavanapAvane mahadamitabhAsanosphAraparimala sunikrvaahH|| babhau cArumerau // 4 // munikhacarasevanAjinavadabhirAjite kamaladalarucibharitadhAraH kndnghktheliikislysughRnnivisrvidrumaanggurmilitsaarNH| babhau cArumerau bhUSitasudhAzanasamUhe babhau jinasavanapAvane mahadamitabhAsanotsphAraparimala sunikrvaahH| babhau cArumerau // 5 // 6) A visara, but cornm. nicaya, B ghRNinicayavisara; HS visara / For Private And Personal Use Only

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aSTAdazaH prabandhaH caraNacayapAlitasukurubhUmisevite sphaTikAsanakiraNagauraH vararatnabhUmitalakAntigaNapUraNAnmaNikIrNajalanidhi gabhIraH / babhau cArumerau bhUSitasudhAzanasamUhe babhau jinasavanapAvane mahada mitabhAsanotsphAraparimala sunikrvaahH| babhau cArumerau // 6 // kandaranivAsitAmarayugalasevite 'ruNamaNidhutizoNa - kaantH| saundaryanIlamaNitalabhAnumelanAdyAmunajalAbhasubhagAntaH / babhau cArumerau bhUSitasudhAzanasamUhe babhau jinasavanapAvane mahadamitabhAsanotsphAraparimala sunikrvaahH| babhau cArumerau / / *9 // prINitAzeSasuraramaNIyadezake kusumarasapUrNamadhusAraH zoNamaNimarakatadyotatativyAptasacchukanivahasamarucira bhaarH| babhau cArumerau bhUSitasudhAzanasamUhe babhau jinasavanapAvane mahadamitabhAsanotsphAraparimala sunikrvaahH| babhau cArumerau / / *8 // niHsvedaM virajo 'malaM nirupamaM kSIrAccharaktAnvita saMsthAnaprathamaM suvaJavRSabhaprAzliSTanArAcakam / 7) B nirujo, ma nirjo| For Private And Personal Use Only

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gItavItarAgaprabandhaH saurUpyaM sahajoddhagandhabharitaM sallakSaNenAkitaM sadvIrya priyavAksametamanaghaM dadhe zarIraM prabhuH / / 5 sauvarNagAtraH zatapatranetro dyaakltrstrijgtpvitrH| nAbhIzaputro nutasaccaritro reje jinezaH suguNakapAtram // 6 iti zrImadaminavacArukIrtipaNDitAcAryavaryasya kRtI gItavItarAge bhagavajanmAbhiSekavaNano nAmASTAdazaH prabandhaH // 18 // [19] sAkaM surendraprahitaH suraughaiH samAnarUpaiH smvessdhaaraiH| samAnalIlaiH samasupralApaibheMje jinezaH sa sadRgvayaskaiH // 1 vadanavijitacandro dehasatkAntisAndro vinatasuranarendro vishvpunnyaudhrundrH| hRdayanatamunIndro divyvaanniisumndro| jayatu purujinendro viSTarabhrADmRgendraH // 2 8) A babhre, but the com. ddhe| 9) B pAtraH / For Private And Personal Use Only

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ekonaviMzatiH prabandhaH nIlabhRGgAcitameruvadalinibhalolakuntalamakuTe 'Gga khelAlambitasuratarukusumasanmAlAlaMkRtamuttamAGgam / dadhe vRSabhajino lalitAmalaghRNibharitamanupama zarIram // 1 // dhruvapadam / sulalitavANIkrIDAcalanibhamilitasuSamaniTileraM aliyutakamalajadalanibhatArAkalitanayanayugadhAram / dadhe vRSabhajino lalitAmalaghRNibharitamanupama zarIram || 2 || caNDakiraNavidhumaNDalaviyadiva kuNDalizravayugabhAsaM piNDitazazisarasija samazubhaguNamaNDitavadanavilAsam / dadhe vRSabhajina lalitAmalaghRNibharitamanupama zarIram // *3 // maJjulacampakakusumasamAyataraJjitanAsAsAraM puJjitanAyakamaNigaNarAjita siJjitavakSohAram | dadhe vRSabhajino lalitAmalaghRNibharitamanupama saMgatasurataruviTapa dvitayalasadaGgadhRtamujayamalaM maGgaladevIhaMsasa rassubhagaMgatanAbhisadmalam / dadhe vRSabhajino lalitAmalaghRNibharitamanupama 1 ) A aSTapada | vasaMtarAge; B rAga siMhendramadhyamaH / 2 ) B mAlAlaMkaraNottamAGgam / zarIram // 4 // For Private And Personal Use Only zarIram // 5 //

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gItavItarAgaprabandhaH zaradambudAJcitamerunitambavadurumekhalasunitambaM paramAndolAstambhayugAyatasarasorudvayabimbam / daH vRSabhajino lalitAmalaghRNibharitamanupamazarIram / / *6 // smarasumataGgajabandhArgalasamapurujaGghAyugaleraM paramajagacchIbhAgyagRhAyitacaraNanalinayugabhAram / dabhre vRSabhajino llitaamlghRnnibhritmnupmshriirm||7|| hIravRSabhanArAcasakIlanasAratarAsthisaMghAtaM ghoraviSAsidhanaMjayadoSajavAravibAdhAdhAtam / dadhe vRSabhajino lalitAmalaghRNibharitamanupamazarIram // 8 // sArAdhAravisAragaurarucirAkArAbharArAjitAkSIrApUritavAridhIrasalasaddhAreNa vibhraajitH| lIlAlambanalambitAmalacalanmAlyena sallAlitaH 'caJcatkAJcanapazcanAvitaraNanmaJjIrasiJjAnvitaH // 3 sahajaruciralIle yauvanenAptalolo vimalacaritamUlaH saumyakAruNyazIlaH / sadamalaguNajAlo bhAtamandAramAlo manukulamanupAlo vyArucannAbhibAlaH // 4 iti zrImadaminavacArukIrtipaNDitAcAryavaryasya kRtI gIta vItarAge bhagavatparamaudArikadivyadehavarNano nAmaikonaviMzatitamaH prabandhaH // 19 // 3) M sakolita / 4) pazcana = (?) vistAraH / For Private And Personal Use Only

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viMzatiH prabandhaH [ 20 ] candrAnane sarva kalApUrNe candrArkasaMkAzavibhAlalATe / indIvarAhayau suyazasvatIsaunande hi jAte purudevarAme // 1 athaikadA zrIvRSabhezvaro 'sau mahAsabhAyAM hariviSTarasthaH / sutairvRto 'bhAdbharatezvarAdyaiH pUrvAdritiSThadvidhuvatsatAraH // 2 sumukuranibhagaNDAM candravimyAmatuNDAM navarasasukaraNDAM nartane supracaNDAm / ghRNijaladhitaraNDAM lolanIlAJjanAkhyAM divijapatirapIzo bodhanAya hAnInaTat // 3 nIlAJjanAtyalpa nijepsitAyuvidyullatAvadvisasAra sUdyaH / dRSTvAvadhijJAnavilocano 'sau nininda saMsArazarIrabhogAn // 4 Acharya Shri Kailassagarsuri Gyanmandir 'pravicalitataDidiva zarArudehe iha kaSTamalanicitamAMsagehe / duranurAgaM mA kalaya dehin / / 1 / / dhruvapadam | 1 ) A- com. B to'bhUddha / 2 ) A aSTapada; B rAga bhairavi / 3) zarAru = nAzazIla / For Private And Personal Use Only

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Shri Mahavir Jain Aradhana Kendra 54 gIautvarAgaprabandhaH * vizararucighRtasAMdhya kAntisaraNe iha kaSTanazana yauvanasubharaNe / duranurAgaM mA kalaya dehin || 2 | vikasavanakusumasamanAzazIle iha kaSTavikalitazubhAtilole // duranurAgaM mA kalaya dehin // 3 // tanayaparijananicayabandhamUle iha kaSTaghanaduritaghorajAle / dragnurAgaM mA kalaya dehin || 4 || maraNavanacaranikara bhImagahane iha kaSTajaraNavanadAvadahane / duranurAgaM mA kalaya dehin // 5 // svaracitasurakRta bahuduHkhabharite iha kaSTanarakagativipuladurite / duranurAgaM mA kalaya dehin // 6 // carmakulabharitapRthupUtisadane iha kaSTadharmahatadhUrta madane / duranurAgaM mA kalaya deddin || 7 || strItanujama linasukhamilitavAse iha kaSTajAta nija kuzalanAze / duranurAgaM mA kalaya dehin / / 8 / / 4) vizara = nAzazIla / For Private And Personal Use Only

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viMzatiH prabandhaH narakajanitaduHkhaM sarvatiryagjaduHkhaM manujajananaduHkhaM devalokAntyaduHkham / maraNasamayaduHkhaM samyagAlocya citte purujinapatirAyaH kAmabhoge vyaraMsIt / / 5 "bhogA bhogijabhogavadviSadharAH prANApahArA bhuvi saMpaccApi hi sAMdhyarAgasubhagA vidytprbhaacnyclaa| AyuSyaM tRNasaMcayAgrajalavatpAtonmukhaM prANinAM saukhyaM vAbchasi jIva tatra kimaho mohagrahAkrAntavAn // 6 alabdhaparyAptakamukhyayoniSu bhramana bhraman duHkhanivAsabhUmiSu / jAto'smi sattIrthakaratvapuNyo muhyAmi ced vyarthaphalaM prapadye // 7 itIha vairAgyapare jineze nairgranthyamAptuM kRtamAnase hi / tathaiva saarsvtvhnimukhyaa| aajgmurtyntsurejymaanaaH||8 laukAntikAbhikhyasuraSidevAH samIpamAgatya sugndhipusspaiH| abhyacyaM tatpAdapayojayugmaM tuSTAvuretasya guNAnuraktAH // 9 4) A bhogisubhoga but com. bhogijabhoga / For Private And Personal Use Only

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56 gItavItarAgaprabandhaH aSTAdazadvirjaladhIddhakoTimiteSu kAleSu gateSu dev| naSTaM sudharma punarAviretuM' kAlo 'yamevAtra na saMzayo 'sti / / 10 ityuktvA nijakAryametadakhilaM laukAntikAste gatAH pazcAcchIvRSabhezvaraH sa bhagavAn dvaiguNyavairAgyavAn / prAptAbhISTamatena devapatinA dIkSAbhiSekIkRto devo maGgalabhUSaNAzcitatanurjAto nijAtmapriyaH // 11 ratnaiH kRtAM sacchibikAmadhiSTaH siddhArthasannAmavanaM praviSTaH / tanmadhyadezasthazilAsupaTTe nirgrantharUpaM sa dadhe viziSTaH / / 12 iti zrImadabhinavacArukIrtipaNDitAcAryavaryasya kRtau gotavItarAge bhagavadvairAgyavarNano nAma viMzatitamaH prabandhaH // 20 // [ 21 ] AjAnukAlambitadIrghabAhurdayAsudhAsArasupUrNadehaH / 5) M punarAvizeti / 6) B pIThe, M ghtttte| For Private And Personal Use Only

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ekaviMzatiH prabandhaH 'nAsAgravinyastasulocanehaH sarvArthasaMdoha vicArakohaH / / 1 SaNmAsaparyantakRtopavAsastapovanAbhogadhRtAdhivAsaH / nijAghrisaMnamrasurAsurezaH tasthau nijadhyAnabhare munIzaH // 2 *jinatanujanitasubhAnuvitatitatavanasadavanighanadeze muniptipdvnjaannnibhphlvintsuvntrukaashe| sa dadhau yogamasamamudAraM 'vidalitamadanakuvibhubalavinicayavinamadamarapativAraH ||1||dhruvpdm / virahitaghoratarakSakanakhadhRtakarizizunikaravibhAse harivanitodarajanitArbhakagaNakSIradakariNIkAze / sa dadhau yogamasamamudAraM vidalitamadanakuvibhubalavinicayavinamadamarapativAraH // 2 // puSkariNImupagamya subhaktyA puSkarakusumamAdAya puSkarasumasamajinacaraNArcitapuSkaradharasamudAye / 1) vicAraka + UhaH / 2) A aSTapada; B rAga-kAMbodhi / 3) A com. vibhuja for kuvibhu / 4) A vara, but com. dhara; puSkaradharaH - gajaH / For Private And Personal Use Only

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. gItavItarAgapravandhaH sa dadhau yogamasamamudAraM vidalitamadanakuvibhubalavinicayavinamadamaraparivAraH // 3 // krUrakaNTakalagnaromanicayacamarIruhadhRtamRgajAlaghorAkhilanivAraNasamuditasArasadayaha rilIle / sa dadhau yogamasamamudAraM / vidalitamadanakuvimubalavinicayavinamadamaraparivAraH // 4 // daramIlitadRSTimRgazizuprakaTitapurujinazAntavitAne surucirazAntarasApUritatanuhariNArinikaranidhAne sa dadhau yogamasamamudAraM vidalitamadanakuvibhubalavinicayavinamadamaraparivAraH // 15 // aganibhajinapadavanajasupUjanavigalitasumatarubhAne vigataduritamunisadamalaguNakulasugamanutimadhupagAne / sa dadhau yogamasamamudAraM vidalitamadanakuvibhubalavinicayavinamadamaraparivAraH / / 6 / / cittajajayijinazAntaguNAyatacittavadahigaNarAse mattamayUrArabdhakalApasunatenatAnavilAse / sa dadhau yogamasamamudAraM vidalitamadanakuvibhubalavinicayavinamadamaraparivAraH // 7 // gujanivAsitasuravaniteritamaJjalajinanutigaure punyjitkusumpraagviraajitkjsrovrvaare| sa dadhau yogamasamamudAraM vidalitamadanakuvibhubalavinicayavinamadamaraparivAraH // 8 // 5) H guNakulalalitaroti madhugAne / For Private And Personal Use Only

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dvAviMzatiH prabandhaH varSAn sahasrAnpramitAn sa kRtvA tapo 'tighoraM jinakalpayogam / zreyaH kumAreNa vitIrNabhakto vihArya dezAn jinapaH kadAcit // 2 paramapurimatAlasyAntike sarvazobhe kusumitazakaTAkhyodyAnake plakSamUle / purujinapatirIzaH pUrvadiksammukho'sau duritaripuvitAnaM dhyAnakhaGgairjaghAna || 3 iti zrImadabhinava cArukIrtipaNDitAcAryavaryasya kRto gItavItarAge bhagavantapo 'tizaya varNano nAmaikaviMzatitamaH prabandhaH // 21 // [ 22 ] ghAtiprarUDhAmbudharaughanAze kaivalya satkAntijinendrabhAnau / prakAzamAne sati devarAjo vijJAya kaivalyasamudbhavaM saH // 1 dattvA mudAjJa dhanadasya jainIM sabhAM sudivyAM racanAbhirAmAm / samastabhavyAlipadAvagAhA~ tvaM kArayeti prajighAya deveT // 2 1) H pravidhAya M pravijigAya S pravijaghAya / For Private And Personal Use Only 59

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Shri Mahavir Jain Aradhana Kendra 60 www.kobatirth.org 4 Acharya Shri Kailassagarsuri Gyanmandir gItavItarAgaprabandhaH sakalabhuvanabhavyaprANivRndena vandyaM kumatiracita hetusvAgamAdyairanindyam / jinapatipada sevAtatparairAbhinandyaM samavasaraNametannirmiNoti sma vitte // 3 gajAdhirUDhairvRSabhezabhaktaiH saudharma varyapraNutAmarezaiH / stutiprasaktaiH suphalADhya hastailoki sarvajJasabhA subhArtA // 4 3 sArAmalamaNivisaravisaradamarAdhipacApasulIla dvAropAntavirAjitatoraNapUritadhUlI sAlam / virarAja sakalaharSa karaM suranarahRdayaMgamavAsa jinapatisamavasaraNamatiruciravilAsam ||1|| dhruvapadam // pazcita kiraNasupUrita surucirasaMcitazobhanasaMgaM kAJcanarUpadhRtAyataparilasa dabcita vediyugAGgam / virarAja sakalaharSakaraM suranarahRdayaMgamavAsa jinapatisamavasaraNamatiruciravilAsam // 2 // bhUrimahAmaNihAracayAzcitatoraNa bahirantarAlaM dvAracatuSTayagopurabhUSitasArAruNamaNisAlam / 2) A-com. and B gajAdhivAhaiH purubhaktibhAjaiH sodharmavaryapramukhAmarezaiH / 3 ) M zubhArtA | 4 ) A aSTapada; B rAgamadhyamAvati / 5 ) B suzIlaM / For Private And Personal Use Only

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dvAviMzatiH prabandhaH virarAja sakalaharSa karaM suranarahRdayaGgamavAsaM jinapatisamavasaraNamatiruciravilAsam // 3 // sarasa sunartana nipuNanivezana suragaNikAja nakhela "zaradambudanibhagaura tridharAbhRtavaranATakazubhazAlam / virarAja sakalaharSa karaM suranarahRdayaGgamavAsaM jinapatisamavasaraNamatiruciravilAsam // 4 // purumaNimAlAmaGgalatoraNasuranavanidhicayabhAsaM nirupamakAntasuddemamayerita sulalitavedivikAsam / virarAja sakalaharSakaraM suranarahRdayaGgamavAsaM jinapatisamavasaraNamatiruciravilAsam // 5 // 8 navanidhimAlyasumaGgalatoraNanivahavilolitadhAraM ' dhavalacaturgopura zikharAnvitanavazAlAvRtisAram | virarAja sakalaharSakaraM suranarahRdayaGgamavAsaM jinapatisamavasaraNamatiruciravilAsam || 6 || sulalitamaNimaya mAlAmaGgalakulacitadvAra vizAlaM vilasadamalatanugaganavicumbitakaladhauta vedisuvelam / virarAja sakalaharSa karaM suranarahRdayaGgamavAsaM jinapatisamavasaraNamatiruciravilAsam // 7 // 6 ) B naipuNyavezana, M naipuNyanivezana / 7) A zaradabda, BM zaradabdha / 8 ) B vilolana / 9 ) H kAJcana for kaladhauta | For Private And Personal Use Only 61

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gItavItarAgaprabandhaH marakatamaNikRtadaNDavidhRtakarasuradauvArikakAntaM sarasijamaNigopuracitasphaTikavaraNAvRtasadupAntam / virarAja sakalaharSakaraM suranarahRdayaGgamavAsaM jinapatisamavasaraNamatiruciravilAsam // 8 // "dhUlIzAlorukhAtA kanakamayamahAvedikAyugmabhAsA ratnaprAkAraveSA sitasuragaNikAnATyazAlAvibhUSA vedIddhA rUpyazAlA naTanasuravadhUnATyazAlA suvedIsphATikyaprAMzuzAlA samavasaraNabhUH pAtu naH sarvakAlam // 5 sopAnarAjipravirAjamAnA bhRGgAratAlAdivibhAsamAnA / bhaumAmarAdipratihArabhAnA jainI sabhA pAtu natAn sadA naH // 6 iti zrImadaminavacArukIrtipaNDitAcAryavaryasya kRtau gItavItarAge bhagavatsamavasaraNasAlavedivarNano nAma dvAviMzatitamaH prabandhaH // 22 // mAnastambhajinAlayaughanicitaM satkhAtikAprAvRta vallIbhUmivirAjitaM jinatarUpetairvanairanvitam / nAgAdidhvajabhAsitaM suratarustomena saMzobhitaM hamyadvAdazakoSTakairvilasitaM janaM sadaH pAtu naH // 1 10) A khAtA, com. kAsA; kAzA / For Private And Personal Use Only

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prayoviMzatiH pravandhaH sarovaraiH satsalilailatAntakaprazastagehaiH kRtazailarAjibhiH / dhvajaiH saridbhiH suragItakaiH stavaivirAjitaM naH pratipAtu satsadaH // 2 'tuGgasugopurabhAsitakAJcanamAnastambhanidhAnaM maGgalasaMdhRtacaityapadAyatajainanivAsavibhAnam / vyarucadanAmalamaNimayasamavasaraNabhUtalam // dhruvapadam / vimalataTAzritahaMsanivahakRtazobhanarAvavirAjadamitakamalakumudAlivilolitajaladhRtabhUmivibhAgam / vyarucadanAmalamaNimayasamavasaraNabhUtalam // 2 // maJjalaguJjanmadhukarasevitaraJjitakusumavikAsaM vyacitavallImaNDapalInasupuJjitakusumakubhAsam / vyarucadanayoMmalamaNimayasamavasaraNabhUtalam // 3 // alizukakokilakekIsuravakhagakulakalakUjanarAgaM kalilavijayajinapratimAtatatarulalitasadupavanabhAgam / vyarucadanAmalamaNimayasamavasaraNabhUtalam / / *4 // kariSasragvasanAmbujahaMsakaharizikhicakraviziSTaM garuDanicitamaNistambhadhRtadhvajadharaNImAgagariSTham / vyarucadanavyomalamaNimayasamavasaraNabhUtalam // *5 / / anupamasiddhapratimAdhiSThitaghanataravudhna pradezaM vinatasurAsurapUjitasurataruvanadharaNIsunivezam / vyarucadanAmalamaNimayasamavasaraNabhUtalam / / 6 / / 1) A aSTapada; B rAga-suraTi / 2) B pradAyaka for padAyata / For Private And Personal Use Only

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Shri Mahavir Jain Aradhana Kendra 64 gItavItarAgaprabandhaH anaghAnantaguNAkaravidhurita jinapatizcaraNavinamraM jinanava kevalalabdhi susUcaka sunava stUpakakamram / vyarucadnarSyAmalamaNimayasamavasaraNabhUtalam // 7 // jinamukha vidhuvIkSaNa mukulitavanajAkara kasamAnaM munisuranaramRganikaraniSevitadinamaNyazmasubhAnam vyarucadanarthyAmalamaNimayasamavasaraNabhUtalam // 8 // / trimekhalAlaMkRtamuddharatnaivinirmitaM pIThamudArakAnti / babhau sumeruH prabhupAdasevAkRte svabhaktyA svayameva cAyAt // 3 cAmIkaraughaprathitapradeze suraiH saharSAtpravisRSTapuSpaiH / gandhAndhasaMlIna madhuvratAliH sauvarNasatkAntirivAbabhau hi // 4 zazikhara kiraNAdijyotiraudhAvRtatvAtsakalabhuvanamadhyodbhAsitatvAcca pITham / smaraharavibhavasyoddhAraNAcchrIjinasya jagadadhikasumeroH saMpadaM tvakcakAra / / 5 iti zrImadabhinavacArukIrti paNDitAcAryavaryasya kRtau gItavItarAge magavatsamavasaraNabhUmivarNano nAma trayoviMzatitamaH prabandhaH // 66 // 3 ) AM karaNAya for svayameva / For Private And Personal Use Only

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caturviMzatiprabandhaH [ 24 ] jinendradehasya nisargagandhaiH surAbdasaMvRSTasumau ghagandhaiH H / sunyApta sadhUpaviziSTa gandhaiH sugandha bhRd gandhakuTI cakAze / / 1 samastagandhaughanivAsabhUmivizvaprakAzaprasarAdhidevI / trailokyazobhA savAlayo vA yA saMpadaM sarvanutA sma dhatte // 2 tadgandhakuTyA bahumadhyadeze vibhAsamAne maNisiMhapIThe / hemAravindasya sukarNikAyAmaspRSTapAdo jinapo rarAja // 3 Acharya Shri Kailassagarsuri Gyanmandir maNighRNimaMjasa janitAmaraca pikalApakabhAsuraM ghRNigaNacumbitalambita caTulitai jaTilita kesariviSTaram / virarAja gandhakuTItale sevitajanatAlIle // 1 // dhruvapadam / sumarasagandhasadandhakamadhukaramadhuraravaughasupUraNaM amarasugaGgAsaMgataraGgaja laMgata kusuma suvarSaNam / virarAja gandhakuTItale sevitajanatAlIle / / 2 / / 1 ) A aSTapada; B rAgamAlike / 2) B puJjitaM for maJjula / 3) Bom caTulita / For Private And Personal Use Only

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Shri Mahavir Jain Aradhana Kendra 66 gItavItarAgaprabandhaH aruNakusuma kisalayacayacita sadazo kAnokaha saundara suravasubhRGgavihaGganicaya ruciruciravilAsamandiram | virarAja gandhakuTItale sevitajanatAlIle // 3 // surucira himakiraNe raNakiraNa sunikarabharitavibhAsuraM varamaNidaNDakamaNDitamauktikamaNDalacchatra sumeduram / virarAja gandhakuTItale sevitajanatAlIle // 4 // kSIrasuvAridhinIramarAlakarAbhasugaura vipUrNakaM sArasusArasavIkSaNayakSa kSiptava lakSa prakIrNakam | virarAja gandhakuTItale sevitajanatAlIle / / 5 / / muditabhujaGgabhugakavihaGgavizaGkitamegharaveGgitaM mRduravaraGgamRdaGgakadundubhimandraravaM hRdayaM gatam / virarAja gandhakuTItale sevitajanatAlIle || 6 || suranaramunivaratanu kiraNa visaravisaraNa vijitAbhirAmakaM paramaudArodArazarIrasukaramaNDalamadhivAmakam / virarAja gandhakuTItale sevitajanatAlIle // 7 // ghanataralokAlokasurUpanirUpaNagauravabhUSaNaM munigaNabhavya zravya suse vyakadivya mRdunavyaghoSaNam / virarAja gandhakuTItale sevitajanatAlIle // 8 // yogIzAH sAndrabodhAH suravaravanitAH sArthikAH zrAvikAzca jyotirbhImoragANAM priyatamavanitA bhAvanA bhaumadevAH / 4 ) Bom vilAsa | M ciramanojJavilAsa / 5) B vibhAbharasAram, M vibhAbhAra for meduram / 5) vAmakaM = manoharam / For Private And Personal Use Only

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aSTapadI jyotiHkalpAmarendrA naramRganivahA bhaktivandArulolAH koSThAni prAvasante purujinamabhitaH kumalIbhUtahastAH / / 3 saddhamacakrapratibhAsamAnaM nAgAdikASTadhvajarAjamAnam / zrIgandhakuTyA parizobhamAnaM trimekhalApIThamabhAdvimAnam // 4 iti zrImadaminavacArukIrtipaNDitAcAryavaryasya kRtau gItavItarAge bhagavadaSTamahAprAtihAryavarNano nAma caturviMzatitamaH prabandhaH // 24 // [25] evaMvidhA divyasabhAM jinezo mahAyaratnaprathitAM dhneshaa| samastabhavyaprazamapradezA vizeSasastotramukhaH surezaH / / 1 trimekhalaM pIThamathAdhigamya divyAmbugandhAkSatapuSpahavyaH / dIpaizca dhUpaizca phalaiH sadadhyerabhyaya' tuSTAva sureza ittham / / 2 6) HS have only 24 Prabandhas. For Private And Personal Use Only

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Shri Mahavir Jain Aradhana Kendra 68 gItavItarAgaprabandhaH * caturbhirabhyastazata pramANagavyUtisukSemajuSe namaste / abhre-vihArAya caturmukhAya pradhvastajIvaughanibarhaNAya || 3 upadravAbhAvavibhojanAya prazasta vidyAvibhave namaste / chAyAvihInAya samaprasiddhanakhoddhakezAya guNAkarAya // 4 aspandanetrapravibhUSaNAya ghAtikSayotthAtizayAya tubhyam / sarvArthasanmAgadhabhASaNAya samastajIva priyamitrakAya / / 5 sarvartusatpuSpaphaladrumAya satsaMmukhInAmalabhUtalAya / anvIyamAnAnilabhAsanAya niHzeSabhavya pramadAkarAya || 6 marutsukhedhatsurabhIraNAya sugandhimeghAmara varSaNAya / sadRbdha hemAmbujasaM cayAya zAlyAdisasyAtatabhUmikAya // 7 1) saMmukhInaH = AdarzaH | 2) surabhi + IraNAya / For Private And Personal Use Only

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aSTapadI zaratsarovadvimalAnakAya sunimalIbhUtadigAnanAya / parasparAhUtasuradhvanAya nirastasUryA ticakrakAya / / 8 anantabodhAmalaratnasindhave samastabhavyAmburuhAbjabandhave / dhamomRtasyandanatuSTajantave / namo namaste hataduSTakantave / / 9 itthaM surezA nutapAdapadmaH sahasrapatrAJcitapadmasadmaH / vihRtya dezAn sa sukozalAdIn sahRtya vaihAravidhi kadAcit / / 10 mAghAkhyamAse varakRSNapakSe caturdazIzasta tithau dinAdau / kailAsazaile hatakarmazatrujagAma mokSa vRSabho jinezaH / / 11 samyaktvajJAnadRSTisphuradavagahanAnantavIryaprabhAvaH sUkSmADhyo 'guruladhvabAdhaguNasaMtapto 'malo nishclH| nirdvandvo nirupadravo nirupamo nirdhatakarmadramo nirlepo niragho niraJjanavaraH siddhaH sadA pAtu naH // 12 gAGgeyavaMzAmbudhipUrNacandro yo devarAjo 'jani rAjaputraH / tasyAnurodhena ca gItavItarAgaprabandhaM munipazcakAra / 13 For Private And Personal Use Only

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gItavItarAgaprabandhaH drAviDadezaviziSTe siMhapure labdhazastajanmAsau / beLaguLapaNDitavaryazcakre zrIvRSabhanAthavaracaritam / / 14 svasti zrIbeLaguLadorbalijinanikaTe kundakundAnvayeno bhUstutyaH pustakAGkaH zrutaguNabharaNaH khyaatdeshiignnaaryH| vistIrNAzeSarItipraguNarasabhRtaM gItayugvItarAgaM zastAdIzaprabandhaM budhanutamatanotpaNDitAcAryavayaH / / 15 iti zrImadrAyarAjagurubhUmaNDAlAcAryavaryamahAvAdavAdIzvararAyavAdipitAmaha-sakalavidvajjanacakravartiballALarAyajIvarakSApAlaketyAcanekavirudAvalivirAja (mAna) zrImadvaLaguLa-siddhasiMhAsanAdhIzvarazrImadaminavacArukIrti-paNDitAcAryavaya praNItagItavItarAgAmidhAnoM STapadI smaaptaa| 3) This colophon is copied from A. M ends there: iti zrImadabhinavacAruko tipaNDitAcAryavaryasya kRtI praNIta gotavItarAgAbhidhAnASTapadIvyAkhyAnaM samAptam / Then there is the colophon of the copyist. 4) A samApta:. But at the and of the here text in A. samAptA [ nir ] vighnamastu / bhadraM bhavatu / For Private And Personal Use Only

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INDEX OF VERSES 20.10 25.5 21.1 14.2 5 2.5 * aganibhajinapada acyutakalpasurendra athaikadA zrI adhipihitagavAkSe anadhajinapapada anaghAnanta anantabodhAmala anudinamapi tava anupamasiddha anusaraNayuta abhinavayauvana abhimatagIta amalaguNabhara amalanalinadala amitasumanazara amRtasadRzarasa aruNakusuma aruNajaTAdhRta alabdhaparyAptaka alikulakasama alikulakuntala alizukakokila 21.6 aSTAdazadvirjaladhI 5.7 aspandanetra 20.2 AjAnukAlambita 7.7 AhAradehAbha 13.8 iti nijanipuNoktayA 23.*7 iti nijapatimohaM 25.9 iti nijasacivoktaM 7.*8 iti nija hRdayasthaM 23.*6 itoha vairAgyapare 11.23 itthaM prabuddhA 2.*4 itthaM surezA 7.7 itthaM suroktaM 9.1 ityuktvA nijakAryam 2.5 inaghanasaMgama 7.*3 induravidvayanibha 8.5 indurdharmakarAyate 24.*3 IzAnakalpe 16.*2 IzAne nijanandane 20.7 udakatarUdbhava 12.4 unnatamadanamanohara 15.*7 upadravAbhAva 23.*4 urasi mama vihita * 20.8 17.2 25.10 10.2 20.11 13.*2 4.*2 * * 10.1 4W0 * 3.*2 25.4 5.*8 For Private And Personal Use Only

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gItavItarAgaprabandhaH 8.2 kSIrasava 21.24 1.*2 13.*5 24.25 12.25 22.4 6.1 2.2 25.13 21.*8 ekAdazorunilayo ekAntazUnyAdi evaMvidhAM evaMvidharbhoga evaM samutpanna eSaikadA saMdhyA kaTakakeyUrabhUSita kaTakamakuTacaya kanakakadalIstambha kanakakamalasuma kanakasusarasija kandaranivAsitAmara kamalamukhIkara karivRSasrag karivRSahari kAminI dhRtahAra kalpe'cyute kalpa kAmividAraNakrakaca kuTilacala dalaka kuNDalamaNDita kuNDalimaNDala kumatijanitavimUDha kumatisacivavagaiH kusumarasavidhRta keyUraveSAdi keliraNanmaNigaNa 11.5 krUrakaNTakalagna 1.5 kSitipatitatidhRta 25.1 kSitipatilocana kSIrasuvAridhi 12.2 kharakiraNazazikara gajAdhirUDhaH 12.*6 gatabhavamilitAM 8.*6 gatvA tamabhyetya 12.17 gAGgeyavaMzAmbudhi 8.* guJjanivAsita guruvidhAtA 18.7 geheSu zaGkhAH ghanataralokAloka 23.5 ghanatarasAle ghanamaNimaNDala 6. 8 ghAtiprarUDhAmbu 12.5 caNDakiraNavidhu catubhirabhyasta 13.*3 candanacarcita 15.8 candanaliptasuvarNa 7.1 candrAnane sarva 9.3 caraNacayapAlita 2.3 caraNAyudhadhvani 8.4 caramavimAne carmakulabharita 4.*4 cAmIkaroghagrathita 18.3 24.8 14.7 2.*2 22.1 19.*3 25.3 16.25 41 20.1 18.*6 17.*6 14.*8 20.7 23.4 For Private And Personal Use Only

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Shri Mahavir Jain Aradhana Kendra vijajayijina cUtAzokasumallikA cUlikAmolidhRta caitrAkhyamAse jananamaraNajAtaM janmAntaraprema jambudrumAsaMjana jambUmati jambUdvIpa jipikamRduvANI jimanujanita jina mukhavidhu jinendradehasya jIvAdhivAsa jJAtvA surendro tacchrutvA punariti tatraiva caityAlaya tadgandhakuTyA tathApitaM paTTakaM tadrAjadhAnI tanayaparijana tava nikaTe suhitA taraGgavilolita tasyAM nagaryAM taM dRSTvA viramAkalayya tiSThAmi no ced www.kobatirth.org INDEX OF VERSES 21.7 6.2 18.2 18.2 13.5 7.5 15.1 13.1 14 1 17.5 21.*1 23.*8 24.1 14.4 18.4 9.2 7.1 24.3 52 13.2 20.4 2. 8 16.6 15.3 7.3 11.4 Acharya Shri Kailassagarsuri Gyanmandir tuGgasugopura trimekhalaM pITham trimekhalAlaMkRta dattvA mudAjJAM daramIlitadRSTi divijanArInayana deze mahAvatsa ticayanicita drAviDadeza dviradasamUhasumRga dharaNipakarakamala dharati vikampita dharati zivasukhasAre dharmakathanapara dhArmikakulacaraNa dhUlIzAlorukhAtA nanditAM smarapUrNa narakajanitaduHkhaM nalinasubisa navanavatidaza navanidhimAlya nijakulalasadasi nijagurupadapadmaM nirasitatimira nirasitatimira niHstredaM virajo'malaM For Private And Personal Use Only 76 23.1 25.2 23.3 22.2 21.5 12. 8 10.3 13.7 25.14 3.3 1.7 7. *4 9.6 11.1 11.6 22.5 6.*5 20.5 15.*4 18. * 1 22.6 11.5 9.6 8.7 16.4 18.5

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gItavItarAgaprabandhaH 22.23 19.*4 23.*3 10.*8 24.1 5.*4 13.*4 13.*1 3.4 nIlazRGgAJcita nIlAJjanAtyalpa paJcitakiraNasupUrita patimatirakti paramajinamata paramapurimatAla paramazubhatarujanita parijanapurajana parimalabharite'mRta parimalabharite parivRDhasacivotsAha pitroktavAkyaM puramaNimAlAmaGgala puSkariNImupagamya pUrvasmin jayavarma pravicalitataDid prINitAzeSasura prItikaraM sutapasaM prItikare meghapathe bandhuratIre saundara bhadrazAlAdivanataru bharitapayodhitaTa bhAvajadhIrabhAvita bhAsitAM dhRtamAra bhuvi dhRtasurapati bhogA bhogijabhoga 19.1 bhUmyavatArita 20.4 bhUrimahAmaNihAra 22.*2 bhUSitAM mukhavAsanA 10.*7 maJjalakAJcI 9.*5 maJjulacampaka 21.4 maz2ulaguJjan 12.*2 maJjularAvaM puJjita 2.*3 maNighRNimaJjula 10.*3 maNDapapallavatoraNa 14.*2 maNDitakuNDala 11.*7 madajalaghRtasura madanamanohara 22.*5 manasijaparivRDha 21.*3 manukulapati 1.2 manoharAkhye 20.1 mandakariva 18.8 mandaprabhAbhAsita mandasamIre marakatamaNimukhya 10.*2 marakatapavimaNi 18.*3 marakatamaNikRta maraNavanacara 10.6 marutsurodyat malanicitatanu 1.*8 malayajakalka 20.6 mahAbale bhogasukha 15.4 17.*3 V MY MY 14.*5 12.1 1.*3 22.*8 20.*5 25.7 9.2 13.*6 For Private And Personal Use Only

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INDEX OF VERSES 15.*2 21.3 7.*5 23.*2 21.*2 20.*3 17.*8 17.*2 15.25 17.21 mAghAkhyamAse mAnastambhajinAlaya mAmabhiraJjitumAnata muditabhujaGga munikhacara munipatimabhivIkSya mRgaripudhRtamaNi mRdulasaralatala meroruttaradisthite meroH pazcima yakSezvarI deva yogIzAH sAndrabodhAH yojanaparimita rajanIviraha ratipatibhUpati ratnaH kRtAM ratnorusAlA rAjitAM jitavaz2ulAmala ruciramaNi lalitamRdulagAtraH lAlitAM zazikhaNDa lokAntikAbhikhya vatyante puSkalAkhye vadanavijitacandro vanditvA ca varamaNivisaraNa 25.11 vartulakAnti 23.1 varSAn sahasrAn 5.*6 vallImaNDapako vallImaNDapazobhite vahati vilasadati 18. 5 vimalataTAzrita virahitaghoratarakSaka 1.*4 vikasavanakusuma 4.*7 vikasitavadanAM 8.1 vigalitakiraNa vicalitahAra vidalitasarasija 24.3 vidyAvyAptasamasta 4. 8 vimalitakiraNe viralitatArA 3.5 vilInanidrAM 20.12 vilulitaguNa 15.2 vividhamaNiracita vizararucidhRta 14.3 zaratsarovad 11.1 zaradambudAJcita 6.*7 zAradazazadhara 20.9 zazadhararuci 4.1 zazadharasitasodhe 19.2 zazikharakiraNa zastaiH paJcamahAvrataH 8.1 zubhasuraloke 14.1 17.14 17.1 13.3 4.*5 20.*2 25.8 19.6 4.*3 15.*6 4.2 23.5 13.6 For Private And Personal Use Only

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6.4 7.*2 12.3 19.3 22.*1 yumnaa haangg zritaramaNIstana zrIprabhanAmavimAna zrIprabhapatinikaTa zrIvajrajaMgho zrIvajradantAkhya zrutadharasadamala zrutvA satIvAcam zryAdIndradevIbhiH SaTkhaNDAdhipate SaNmAsaparyanta sakalabhuvanabhavya sadanasadazanada sadamalacarita sadaruNakisalaya saddharmacakra samavanitAkRta samastagandhodha samyaktvajJAna saralasudhUpe sarasasunartana sarasijakuvalaya sarasijamarakata sarovaraiH sat sarvartusatpuSpa sa zrImAn suvidhiH gItavItarAgaprabandhaH 16.3 sahajaruciralole 2.^1 saMgatasurataru 5.*1 saMgatAM sikatAcayAbha 5.*2 saMtataviracita sAkaM surendra 5.4 sAketAdhipa 9.*4 sAmAnikAdidaza 17.4 sArAdhAravisAra 18.1 sArAmalamaNi 7.4 sukavivimalabuddhiH 21.2 sujanasadasi 22.3 sunayanicayayuta 8.*8 supihitagagane 11.2 supUrvapuNyAjita 15.*1 sumukuranibha 24.4 suragirinandana 2.*7 surabhibharitakusumAsava 24.2 sumarasagandha 25.12 suranaramunivara 14.*6 suratarusurabhi 22.*4 suradigvadhUdara 5.3 surapasamAseDita surabhibharadhRta 23.2 suragiritaTamaNi 25.6 surabhibharita 11.2 surucirabhAvotkara 9. 8 11.8 14.3 13.4 20.3 Mr. Tx 3. 8 3.*7 24.*2 24.*7 12.*1 17.*7 14.4 12.*3 WRGE For Private And Personal Use Only

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INDEX OF VERSES 8.2 2.*6 9.*7 24.*4 20.*8 4.*6 19.*7 7.*6 suruciramaNikhaNi surucirazubhavRSa surucirasuparama surucirahimakiraNe surUpalAvaNya sulalitacandana sulalitataraveSA sulalitamaNimaya sulalitavANI sevitAM navayauvanAyata sopAnarAji sauvarNagAtraH strotanujamalina sphuradantyakAJcana smarasumataGgaja svajanapadajanita svapati sukisalaya svapnekSaNAtuSTa svayaMprabhAvaktra svaracitasurakRta svasti zroveLaguLa hasitasuravAsakaiH harivRSabhanArAca 3.*1 12.4 22. 7 19.*2 3.2 20.*6 25.15 18.4 22.6 18.6 19.*8 Please correct and read : 7.1 a tatraiva 15.1 a jambUdramAsaMjana 15.*2a vartulakAnti 16.9 // 5 // 17.1 // 1 // 18.2 caitrAkhyamAse nIlazRGgAzcita 21.2 d (p. 59 ) // 3 21.3 d (p. 59 ) // 4 For Private And Personal Use Only

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DO00000 TEL65 COOOODE TERRAN bhAratIya jJAnapITha uddezya jJAna kI vilupta, anupalabdha aura aprakAzita sAmagrI kA anusandhAna aura prakAzana tathA loka - hitakArI maulika-sAhitya kA nirmANa saMsthApaka zrI zAntiprasAda jaina adhyakSA zrImatI ramA jaina mudraka : sanmati mudraNAlaya, durgAkuNDa mArga, vArANasI-5 For Private And Personal Use Only