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Khandalavala, Karl, 'Leaves From Rajasthan,' Märga, Vol. IV; No. 3, Bombay, 1950, pp. 16-17. For the foreign origin of the costume see Lalit Kumar, 'A Dance Scene From the Devagarh Temple, Lalit Kalā, No. 28, pp.49-50. For a detailed discussion on this style see Lalit Kumar, 'The Caurapancashika Style: the Origin, Provenance, and Chronology of Documents,' Kalā (Journal of the Indian History Congress), Vol. VIII, New Delhi 2003, pp. 99-114 Losty, Jeremiah P., 'Some Illustrated Jain Manuscripts, 'The British Library Journal, 1/2, London, 1975, pp. 55-56, figs. 19-20. Shah, U. P., More Documents, fig. 56-57. For illustration see Pratapaditya Pal, The Peaceful Liberators: Jain Art of India, Thames and Hudson: Los Angeles County Museum, 1994, fig. Cat. 90 A, 90 B, and also see 91. Khandalavala, K., Chandra, M. and Chandra, P., Miniature Painting From the Sri Moti Chandra Khajanchi Collection, New Delhi, 2960, pp. 23-24. Ibid., fig. 14-17. Majmudar, M. R., "Two Manuscripts Illustrated in the Western Indian Style During Hiravijaya Suri's Time - Abhidhana "Namamala and Uttaradhyayana Sutra,' Bulletin of Baroda Museum and Picture Gallery, Vol. XV; Baroda, 1952, p.16. Kumar, Lalit, 'Gujarati Paintings of the 16th-17th Century,' p. 94. Ibid., pp. 98-99. Ibid., p. 99; also see Kumar, Lalit, 'On the Style of Adhaidvipa Cloth painting of the Sixteenth and Seventeenth Century,' in Pravin Parikh et al (ed.) Prof. H. G. Shastri Felicitation Volume, Ahmedabad 1994, pp. 142-145, fig. 1-5. The author is grateful to his friends Dr. John E. Cort (USA) and Mr. Alfred Jacobsen (Amsterdam) for their suggestions incorporated in this article.
35. 36.
37. 38. 39.
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