Book Title: Sambodhi 1998 Vol 22 Author(s): Jitendra B Shah, N M Kansara Publisher: L D Indology AhmedabadPage 60
________________ OUTSTANDING LINGUISTIC FEATURES OF THE SATTAKAS Chandramouli S. Naikar From time immemorial, drama' is the most attractive of all the literary forms because it pleases and appeals to all tastes of mankind 2 It is indeed a reflection of all that man observes, thinks, feels, experiences and identifies himself with Sanskrit Drama being of divine, legendary origin, it has evolved through many centuries in the past by great poets like Bhāsa, Kālidāsa, Śūdraka and Bhavabhuti When compared to these literary luminaries, the Prakrit playwrights ie, Sattakākaras like Rajasekhara and others though lesser poets, their dramatic compositions or Sattakās have a peculiar charm of their own and deserve to be studied for whatever they are worth There are six Sattakäs that have come down to us They are as follows 1 The Karpūramañjarī of Rajasekhara of the 10th century A. D 2 The Rambhāmañjarī of Nayacandra of the 15th century A D 3 The Candralekha of Rudradāsa of the 17th century A. D . 4 The Vilasavati of Märkandeya of the 17th century A D (second half) 5 The Śrngāramañjarī of Visvesvara of the 18th century A. D (first quarter) 6 The Anandasundari of Ghanaśyama of the 18th century A. D (first half) Karpūramañjarī composed by the great poet and rhetorician Rajasekhara belongs to the 10th century AD is the earliest And the Vilasavati of Märkandeya is known to us only by reference A thorough linguistic study of these Sattakās can be substantial enough for an exclusive dissertation But, it is impossible to give here an adequate idea within the limited space and restricted canvass at our disposal, of the infinite variety and beauty of these cameos of thought and feeling Therefore, only the outstanding linguistic peculiarities of features of the Sattakas have been noted here For this purpose we shall take up the first Sattaka ie the Karpūramañjarī Karpūramañjarī: Scholars have discussed at length and controversy over the language in generalPage Navigation
1 ... 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279