Book Title: Chandralekha
Author(s): Rudradas, A N Upadhye
Publisher: Bharatiya Vidya Bhavan

View full book text
Previous | Next

Page 21
________________ CAMDALEHA girl as Candralekhā. It was a surprise and joy for all. The goddess told the Queen that Candralekhā was destined to be the wife of a Cakravartin and that, therefore, she should consent to her being married to Mānaveda. She assented to it. Mānaveda and Candralekhā were duly wedded; and thus all the ambitions of the king are fulfilled. iii) SYNOPTIC ANALYSIS OF THE PLAY The scenic division, which has no special reference to the canons of Indian Dramaturgy, is primarily meant for the convenience of following the events of the play. The entrances and exits, the place of action and independent episodes, narrated or acted, have served as the guiding principle. The play is enacted possibly in the Natyaśālā attached to the palace of king Mānaveda, the audience consisting of the learned people in the royal court at whose instance it was being performed. Manager's Prelude (sthāpanā) Scene 1 (I.1). Recitation of the benediction (nändi). Scene 2 (I. 1. 1-). Enters the Director (sūtradhāra), salutes Pärvati and Siva, and hears the commencement of the play. Scene 3 (I. 4. 7-). Enters the Assistant (pāripārsvaka); both of them discuss the nature of Sattaka, its author Rudradāsa of the Pāraśava family (described), his teachers Rudra and Srikantha (described), the flavour of Prākrit, enactment of the Sattaka at the instance of the learned assembly of king Mānaveda (described elaborately) and the gist of the plot that in this play Mănaveda marries Candralekhā, the daughter of the king of Angas, who brings to him universal monarchy. Entrance of King and Queen announced. Exeunt. [The seasonal back-ground of the play is Vasanta or Spring, i. e., the two months, Caitra and Vaišākha. There is a reference to breezes of Caitra at I. 24; and Vișuvotsava, at the beginning of the year, is being celebrated (IV. 1.1 etc.). ] Yavanikāntara I [The action in this Yava. begins possibly late in the afternoon. The bard announces evening at I. 37. 9, and the King also refers to it, I. 40-41.] Scene 1 (1. 13. 5-). Metropolis, possibly a hall in the palace. Enter King and Queen with retinue. The King broods Jain Education International For Private & Personal Use Only www.jainelibrary.org

Loading...

Page Navigation
1 ... 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174