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RAVI HAJARNIS
SAMBODHI-PURĀTATTVA
sideways horizontally ears are shown. Treatment of the ears in medieval Nandis is arranged sideways horizontally just below the joint of horn porn portion.
Reference: 1. O. P. Sharma, "Bull in Indian Art and Literature”, Journal of Uttar Pradesh Historical
Society, Vol. V (New series) 1957, Part-I, p.22. 2. Swami Satyananda, "Origin of Cross', Calcutta, p.13. 3. Brion Marcel, (Trans.) Gaute Hogarth, 'Animals in Indian Art' London, 1959, p.16. 4. Bharat K. Iyer, 'Animals In Indian Sculpture', 1977, Bombay, p.20. 5. Jacques (Trans.) Carter Anne. Man and Beast- A Visual History', 1964, London, p.14. 6. Ibid, p.42. 7. Ravi Hajarnis and verma, “Sābarkānthā māñ mali āvela Gufācītro”, Kumar, Feb 1979, also
by the same authors, "Sabarkanthā nāñ citronun Samayñnkan" (Gujarati) Vidyapitha, July
August, 1980. 7a. See for detail Ravi Hajarnis, 'Some Pre-historic Rock-Paintings in Sabarkantha, Rasikbhai
Parikh commemoration Vol. (Ed.) Patel and shelat, Ahmedabad, 2006, p. 478. 8. Atharvaveda, 9, 4, 9 9. Saptapatha Brahman, 2, 5, 3, 18. 10. Rigveda 2, 33, 15. 11. V. S. Agrawala, “Siva Mahādeva-the great god”, p.14. 12. Kumārasambhava, III, 41. 13. Rāmāyana VIII, 16-24. 14. Vāyu Purana, 77.63; Matsya Purana, 60-49; 95.3; 112-21; 132-18; 133.60-5; Bhāgvata
Purāna, X.63.6; IV. 2.20-26; Vāmana Purana, ch. 67. 15. T.A.G. Rao, Elements of Hindu Iconography, Vol.II, Parts-1, 2, Madras 1914. p.455. 16. Ibid, p.455-458. 17. N. P. Joshi, “An interesting image of Nandi with his consort", Summaries of Papers, All
India Oriental conference, Srinagar, 1961, p. 136. 18. J. N. Banerjee, The development of Hindu Iconography, (Second Edition), Calcutta, 1956,
p.153. 19. Ibid, p.180 20. Ibid, p.182. 21. Kumārasambhava, V.80.
