________________
[K. II.]
14. way of pun.
२४७
The names of the patron and the writer are given by
SANDHI: 3:
The general of the Sandhi introduces the topic of besmearing the body of the Jina with fragrant things. The praise of this form of worship continues upto line 12 of the K. 1. The of the Sandhi and the generally have the same metrical form. It is 6+8+ 13 = a+b+c. where a and b rhyme and c rhymes with [6+8+13=d+e+f.] f of the second line.
[K. 2.]
8.
2. Accordingly चंदण is redundant in 1 2. जोअर = sk. योगेन. If we take raff then we should take for at which would be better.
[K. I.]
7.
Better to read मुमाणुसजम्मु and सो to connect with जो (1.5.)
IO.
Read with B. सुरत-परतखयत्त-पहुत्त
A.
sk. सुरत्व नरत्व लगत्व-प्रभुत्वम् ; in the text does not give sense and is metrically incorrect. B. g is a better reading than a (A.) in the text.
=
जह = यदि introduces the desire of the queen.
9.
fa
ff and gfafe as in B. are better readings; A. has and gf as in the text. A. has that tendency throughout to write Pres. 3rd pl. by instead of f. Hemacandra recognises as the termination of Pres. 3rd, pl. and A. has a tendency to drop agent. This way alone can A, be defended.
14-15. fafour fa Mark. nom, pl. neu. cf. G. K. 2. with K. 3. by araf in K. 3 line 1.
[K. 3.]
= Both the persons came down. tant, a in l. 14 connects the
2. णास – runs away; cf. G. नासयुं similarly भग्गठ cf. G. भाग्यो ran away; the past tense to represent the present tense,
3. जाइ- sk, जायया समझसाइ sk. ससाध्वसया. In the place of जाइ, B.S art would be still better.
