Alamkaradappana

Author(s): H C Bhayani
Publisher: L D Indology Ahmedabad

Page 28

Where the words of usual discourse are used purposefully to convey oneness then that figure is called Atiśaya.
aisaālamkāro jaha : jai gaṁdha-milia-bhamaram na hoi avaamsa-campaa-pasūam | tā keņa vibhāvijjai kaola-miliam paham tissā || 55 The illustration of the figure Atiśya :
If bees had not gathered (attracted by) the fragrance of the Campaka flower used as ear-ornament, who could have observed it, as its colour was commingled with the colour of her cheeks ?
vigae vi ekka-desa-guņamtareņam tu samthui jattha || kirai visesa-payadaņa-kajjeņaṁ so viseso tti || 56
Where a quality disappears from one part, if it is praised through attribution of another quality with a view to bring out speciality, that figure is Viseșa.
Viseşālamkāro jahā : na-vi taha nisāsų sohai piāņa tambola-rāa-pacchaio | jaha piaama-pio paņdaro-vi aharo pahāyammi || 57 The illustration of the figure Visesa :
The lower lip of the beloveds, which is at night covered with betel leaf-juice does not appear as beautiful as when it appears in the morning deeply kissed by their lover even though then it is deprived of colouring.
jattha niseho vya sasihia (?) kirai visesa-taṇhāe | so akkhevo duviho hoạta-vakkamta-bheeņa || 58
Where something is negated ..... with some specific purpose, the figure is Aksepa. It is of two types : Bhavat and Apakrānta.