Alamkaradappana

Author(s): H C Bhayani
Publisher: L D Indology Ahmedabad

Page 35

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Revealing of several things and activities simultaneously constitutes the figure Sahokti. When a figure is composed on the basis of (the theme of) great prowess — that figure is Ürjā.
[ ujjā jahā :] visattho ccia geņhasu, vaisiaạe vegga-nivaļiaṁ khaggam | paharaṁte pați-paharaṇamuna karesu ņa sāmattham(?) 1187 The illustration of Űrjā:
Do take up confidently your sword which falls forcefully on the enemies. By striking him in return who strikes show your strength (?).
sahotti jáhā : şiddāe samā lajjā, sarira-sohāe saha gaā kitti samaaṁ taha aņuraaņi, tie vaddhamti ņisāsā || 88 The illustration of Sahokti :
Her modesty is gone along with sleep; her physical charm is gone along with her fame; and along with the night-time her sighs increase.
uvamā jattha ņiņhavai thadā sā avaņnhui hoi| piie a aisaeņaṁ, pemāisao bhaņeavvo || 89
Wherein the simile is concealed that figure is Apanhuti. Wherein extreme love (is expressed) that figure should be called Premātiśaya.
avaņhui jahā : ņahu ucca-vidava-samthia-pahittha-kalaamthi-kala-rava
ppasaro suvvai vaņa-vilasira-pupphacāva-mahuro ravo eso || 90 The illustration of Apahnuti :
Really, what is heard is not the spreading sweet notes of the joyous cuckoo perched on a lofty branch. This is the sweet twang (of the bow) of the flowry-arrowed one who sports in the park.