Alamkaradappana

Author(s): H C Bhayani
Publisher: L D Indology Ahmedabad

Page 41

thevovamāi sahiā,(a)samta-kāraņā guņāņujoeņa | avivakkhia-sāmatthā, uppekkhā hoi sāisaā || 113
With a slight touch of Upamā, attributing non-existing qualities due to some connection, lacking in intention of stating all (parts) is Utprekṣā excelling in poetic beauty.
uppekkhā jahā : disai päria-saṁkho-vva malaa-mārua-naremda-samcalaņel dara-dalia-malliā-maula-lagga-muha-guṁjiro bhamaro || 114 The illustration of Utprekşā :
The bee, humming while its mouth is stuck to the Mallikā bud slightly open (blossomed) appears like the conch that has been blown at the march of the king, the Malaya breeze.
vivihehi alamkārehi ekka-miliehi hoi samsitthi : āsisālamkāram, āsivvāaṁ ca bhanamti || 115.
Saṁsrsti results when different figures are combined into one, and the figure Āśis is said be in the form of a statement of blessing.
samsitthi jahā : tujjha muhaṁ sasi sasimuhi taha tujjhamba-nava-pallavā
calaņā| thaņaā tuha jala-kalasa-vva suņdarā kaṁ na mohamti || 116 The illustration of Samsrsti :
Omoon-faced girl, your face is the moon and your feet are fresh leaves of mango; your breasts are beautiful like water-pitchers. Whom they would not fascinate ?
āsisā jahā : āsisā samtattassa-vi saala-kalusāi tumha ņāsaṁtu | dia-guru-tavasi-kuārim-siaaņa-suaņehim diņņā u || 117 The illustration of Āśis : May the blessing given by the Brāhmaṇas, the preceptor, ascetics,