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Jain Education International
xviii
No. Name of the metre
Type
No. of Pädas
in a stanza
Rhymescheme
No. of morās per
Pāda
Gaņa-scheme
Employed in which Sandhi?
Remarks
6. Jambhettiä
b/d
-u
4 + den.
, Jagana forbid
48
SamaCatuspadī
7. Gandhodakadhärā
4
a/b, c/d,
13
6 + 4 + uuu
Here it occurs in all cases as a pair of stanzas with occasional indication of musical notation.
=No. 1 in Part 1 (Identical with the odd Pada of the Dohā). =No. 24 in Part I. The text calls its Paddhaçiã-duvai. This is slightly different from all the four varieties described in the Chandonušāsana, ch. IV.
8. Pāranaka
15
4 + 4 + 4 + uuu
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PAUMACARIU
9. Nidhyāyikā
4 + uuu (or u --) + 4 + – u (or uuu) + - u – (or uuu -)
10. Doha
b/d
13,11
6 + 4 + uuu, 6 + uu — (or 1- -) + u
B. Metres Employed in the Main Body of the Kadavaka.
(a) The Principle Metres.
11. Paddhadia
(Padihatika)
Sama-dvipadi
2
alb
16
4 + 4 + 4 + u-u
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22; 23 (13); 24 (9,1 =No. 22 in Part I 10); 25 (2, 5, 9, 10, 17);- 27 (15); 29 |(9, 10, 11); 30 (8-1
[Part
