Sagardatt and Lalitang Rasaka

Author(s): Shantisuri , Ishwarsuri, Shilchandrasuri, H C Bhayani
Publisher: Kalikal Sarvagya Shri Hemchandracharya Navam Janmashatabdi Smruti Sanskar Shikshannidhi Ahmedabad
Catalog link: https://jainqq.org/explore/001476/1

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sAgaradatta-zreSThi-rAsaka lalitAMga-caritra-yasaka DILALITIREDITAL zrI hemacaMdgAcArca kalikAlasarvajJa zrI hemacandrAcArya navama janmazatAbdI smRti saMskAra zikSaNanidhi ahamadAbAda | use only Jain Education international www.jalne

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sAgaradatta-zreSTha-rAsaka And lalitAMga-caritra-rAsaka

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sAgaradatta-zreSThi-rAsaka And lalitAMga-caritra-rAsaka TWO REMARKABLE OLD GUJARATI POEMS THAT CONTINUED THE APABHRAMSA RASAKA I RASABANDHA GENRE IN THE 15TH - 16TH CENTURY Text edited by Acharya Vijayashilchandra-suri Introduction by H. C. Bhayani kalikAlasarvajJa zrI hemacandrAcArya navama janmazatAbdI smRti saMskAra zikSaNanidhi ahamadAbAda 1998

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sAgaradatta-zreSThi-rAsaka And lalitAMga-caritra-yasaka Two Old Gujarati Poems edited by Acharya Vijayshilchandrasuri - prata : 350 kiMmata : rU. 65 00 prakAzaka : kalikAlasarvajJa zrI hemacandrAcArya navama janmazatAbdI smRti saMskAra zikSaNanidhi, ahamadAbAda, 1998 prAptisthAna : sarasvatI pustaka bhaMDAra 112, hAthIkhAnA, ratanapoLa, ahamadAvAda-360001 mudraka : kriSnA grAphiksa kirITa harajIbhAI paTela 966, nAraNapurA jUnA gAga, ahamadAbAda-360 013 (phona : 7484393)

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ekamAtra ane ananya apabhraMza rAsAbaMdha 'saMdezakarAsa'nA saMpAdaka mahAmanISI jinavijaya muninI puNya smRtimA

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rAsAbaMdho guNaM rasANaM veddha-goTThIzu / (svayaMmRdeva) suNiti vasaMti, poDha puraMdihiM rAnsu / sugarivi lADaha, huu takkhaNi pahiu nirAsu / / (hemacaMdAcArya)

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prakAzakIya pUjya AcArya zrI vijayasUryodayasUrIzvarajI mahArAjanI preraNAthI sAhityika ane saMskArapoSaka pravRttionA uddezyone laIne sthapAyelA 'zrIhemacandrAcAryanidhi'ne, tenI pratyeka satpravRttimAM, nAmAMkita vidvajjanono pUro sahayoga hamezAM sAMpaDato rahyo che, te tenuM sadbhAgya che. A. zrIvijayazIlacandrasUrijI tathA suvikhyAta bhASAvida DaoN. harivallabha bhAyANI-A banne mahAnubhAvonA saMyukta parizrama vaDe taiyAra thayela prastuta prakAzana paNa AvA sahayoganuM ja suphaLa che. be apragaTa paNa atyaMta mahattvapUrNa evI madhyakAlIna rAsakRtionuM A saMpAdana ane te vize DaoN. harivallabha bhAyANInI saMzodhanAtmaka, paricayAtmaka tathA mArgadarzaka noMdho dharAvatuM prastuta prakAzana, vidvAno tathA jijJAsuonA karakamalamAM mUkatAM amo ghaNA harSanI lAgaNI anubhavIe choe. A prakAzana, kRtio vagere vize kAMI paNa kahevU te amArA adhikAra bahAra- gaNAya. ame to A prakAzanano amane lAbha maLyo te badala amArA TrasTane gauravAnvita anubhavIe chIe, ane AvAM zodhapUrNa prakAzanono lAbha DaoN. bhAyANI jevA vidvAno taraphathI amone maLyA ja kare tevI prArthanA karatAM viramIe chIe. ___ zrI harajIbhAI paTele sarasa mudraNa karI ApyuM te badala teono AbhAra mAnIe chIe. tA. 16-4-98 TrasTI gaNa : ka. sa. zrIhemacandrAcAryanidhi, amadAvAda

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PREFACE The quantitative and qualitalive contributions of the Jain Munis to continuing of Sanskrit, Prakrit and especially Apabhramsa literary trends and types down to the later period of Medieval regional literatures (with of course some timely changes) have not been adequately assessed due to various reasons - one of which is obviously a large amount of works remaining so far unedited and unpublished. New works of the type Phagu, Barahamasa, Kakka or Matrka etc. which have been published during recent years present a few such instances. Two Rasakas also, which are being published herewith, are similar illustrations. We can draw attention to some recent examples: The Phagus published in some issues of the Anusamdhana periodical and the Barahakkharakakka and Dohanuvekkha recently published by the Parsva Educational and Research Foundation, Ahmedabad. Rasaka or Rasabandha The Rasaka or Rasabandha was second important genre in Apabhramsa literature besides the Sandhibandha. It was quite distinct in theme, form and structure from the latter and enjoyed the same vogue. It was a sort of lyrical composition of moderate length reminding us of the Sanskrit Khandakavya like e.g. the Meghaduta. It was predominantly a lyrical form. In one of its types it employed one traditionally fixed metre for the general body of the poem and a variety of choice metres for the purpose of variation. In the face of its popularity as can be gathered from definitions and extolling reference of the earliest Prakrit prosodists (Svayambhu proclaims it as a veritable elixir to the gatherings of the dilettanti), it is very strange that not a single name of any of these early Rasakas, let alone their actual specimens or excerpts, is handed down to us. And for the later times too, we have very little to relieve our ignorance about this important class of Apabhramsa poems. It seems that there were

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vii even some Prakrit and Sankrit Rasas. But none has come to light so far. Its vigour can be judged from its later continuations. Having undergone continuous and basic trasformation the Rasaka persisted in some of the New Indo-Aryan literatures down to the end of the nineteenth century (and as Rasas, it is even currently a popular poetic form of composition). There are hundreds of Rasas in Early Gujarati and Rajasthani, most of the preserved ones being works of the Jaina authors. Bur for Apabhramsa all we have got is (1) a tenth century reference to one Ambadevaya rasa of Devadatta which was probably a Jain religious poem; (2) Atweith century reference to one Manikya-prastarikapratibaddha rasa; (3) A unique thirteenth century poem, Samdesa-rasaka, from the pen of a Muslim author; (4) One small didactic Jain Rasa of the twelfth century, devoid of any literary significance. The Samdesa-rasaka of Abdala Rahamana(SR.) is a charming Data-kavya or Saidesa kavya of 223 stanzas distributed over three Prakramas (sections). But this division rests entirely on the development of the theme. After the prefatory section, we are introduced in the second section to a Virabini s chance meeting with a traveller, through whom she sends a message to her husband who had failed to return from abroad on the promised date. In spite of the overworked theme of love-in-separation, the poet has succeeded in imparting to it some genuine freshness, and a very facile handling of diction and metres gets the lion's share of this credit. In using one metre for the general frame and more than twenty pupular metres for variation, the Samdesa-rasaka suppiles us a typical and the only preserved example of a genuinc Rasabandha. That it is from the pen of a Muslim poet frurther adds to its uniqueness. It gives us some idea of the sensitive delineation of sentiments (especially of love), intense lyricism and richness of metrical types that was characteristic of the Rasabandha. The Upadesarasayana-rasa of Sinadattasori (1076-1155 A.D.) is a sernion in eighty verses prasing the genuine spiritual guide (guru) and genuine religious practices and denouncing the spurious ones. It is not a real represantative of a Rasaka poem, but a late specimen of a popular literary type pressed in the service of religious preaching. It is straight way composed in one single metre without any structural arrangement of parts that usually characterize the Rasaka form. A number of cita

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viii tions occurring in Bhoja's Srngaraprakasa strongly suggests that Bhoja was quoting from some Ap. Rasakas. A shorter variety of Rasaka, a lyrical song to accompany a circular group-dance is also described by the prsodists and this has continued with periodical changes in its form and function down to the present day in certain western and central regions of India. As stated at above there is not one but several aspects from which the SR. proves to be of considerable importance and interest. The literary form of the SR. is so novel as to bestow on it the distinction of being the first Ap. text of its kind published so far. As the title of the SR. indicates, it is a Rasaka type of poetic composition. By this one would be instantly reminded of the Rasa compositions the exuberance of which in the Old Western Rajasthani literature is so remarkable. But the form of the present Rasaka is, as the treatment below indicates, altogether different from that of the OWR. Rasas. There are two prosodists who at all take any notice of the form. The addition they make to our knowledge, though meagre, is quite welcome in view of the general paucity of information relating to the structural side of the Apabhnasa poetry. Of these two prossodists one is far. The portion IV 27 to IV 38 of his fa evidently, though not expressly, deals with a few Apabhrsa metres, strictly so called. This small section, after treating dohA, mAgadhikA, mAtrA, raDDA, aDillA and ends up by defining the 4 form at 37-38. We come to know from this that two different types of rAsaka were familiar to virahAGka. Vis. IV 37 says that rAsaka is constituted with vistAritakas or dvipadIs closed with vidArI. All these peculiar terms are defined by virahAGka at the beginning of the II of the Vjs. But our concern is with the second type of 4%, treated at lv 38. There we are told that that which is built up with many aDilAs or duvahaas, with many mAtrAs, raDDAs and DhosA is called by the name TH. A definition essentially similar but supplementary in details is advanced by svayaMbhU. In his svayaMbhUcchaMdas while closing the treatment of Apabhrmsa metres, he thinks his worthwhile to say something regarding the form and the last four stanzas (VII 49-52) of the Sc. are devoted .

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to that end. At VIIT 49 1 it is said that in poetry the TH composition with its ghattAs, chaDDaNiAs, paddhaDiyAs and other choice metres proves of great charm to the people'. But immediately following this is defined a 21 moraic metre called Th which probably suggests that this particular metre found special preference in the Tal compositions. Sc. 51-52 give illustrations of this rAsAchaMda.6 H. C. Bhayani NOTES 1. The upadezarasAyanarAsa of jinadattasUri published in the apabhraMzakAvyatrayI (GOS. XXXVII) is on the lines of the OWR. THIS. cf. also KP. pp. 34-35. 2. Of course, to some degree we have to make an exception of the Epic, which the Sc. and the Ch. trat at considerable length, though here also much is still lest desired. 3. aDilAhiM duvahaehi va mattA-raDDuhiM taha a DhosihiM / bahuehiM jo raijjai so bhaNNai rAsao NAma / / 4. ghattA-chaDaNiAhi paddhaDiA[hiMsa-aNNarUehiM / rAsAbaMdho kavve jaNa-maNa -ahirAmo(mao?) hoi / / 5. ekkavIsa mattANiha Nau uddAmagiru / caudasAi vissAmaho bhagaNavirai thiru // rAsAbaMdhu samiddha eu ahirAmaaru / lahuatialaavalANaviraiamahuraaru // The text appears corrupt and obscure at several places. In handling numerous metres and types of rhymed prose. Hence possibly the claim that LC. is rAsaka-cUDAmaNi, the crest-jewel of the rAsakas. 6. The information given here is reproduced from 'Apabhraisa Lan guage and Literature', p. 37-38 and Samdesarasaka, Introduction, p. 76-77.

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CONTENTS Preface vi-ix zAntisUri-kRta sAgaradatta-zreSThi-rAsaka IzvarasUri-kRta lalitAMgacaritra-rAsaka II

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zAntisUri-kRta sAgaradatta-zreSThi-rAsaka

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. by by CONTENTS Introduction The Manuscript Material and the Editing of the Text. Authorship and Date The Form and Stucture. The Form. The Structure Description of the Metres and Rhyming Prose Types : in their Order of Occurrence. Language, Style and Literary Assessment. Works on the Story of Sagaradatta. by by hm d w The Text l

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[3] INTRODUCTION The Manuseript Material and Editing of the Text The text is based on its only known MS. that is in the MSS. Collection of the Oriental Research Institute, Baroda (No. 4719 ) from which a xerox-copy of the MS. was acquired. The description of the MS. is as follows. 6 leaves (1 - 6 a). 16 lines per folio. 48 to 52 letters per line. Clear, bold hand-writing. Copied by and large carefully. End : dAnopari sAgaradattarasakathA saMpUrNAM / zubhaM bhavatu zrI zramaNasaMghasya zubhaM bhUyAt / / lekhaka zreyaMvat zrI / / For the character of the perserved text, scribal errors and their correction etc. in the edited text see remarks made in the Introduction to LC. Authorship and Date The sAgaradatta zreSThi-rAsaka was written in about 1460 A.C. by zAntisUri, disciple of 31146 arif belonging to Samdera Gaccha. His Guruparampara is : 791146ffaf () - ufan () - Tiff() fur (8) mutta (?)-4fTER (2)--31796R. His disciple was $uft, the author of fait -Tn. His inscriptions dated V.S. 1503 and 1552 are known. He was living till V.S. 1597. He was also the author of 70 fireature (150 verses). Sources of information : (1) Begining of the SSR. (2) The information given by L.B. Gandhi (Qunted in no. 3. (3) Jain Gorjar Kavio crevised edition) 1, p. 196-197. (4) Gujarati Sahityakos, p. 432. Form and Structure Form Santisuri has unusually followed the moded of Apabhramsa Rasabandha as represented by the Sandesarasaka. Besides employing two or three metres modes as principal, he hes ased numerous other metres for variation and in this matter he has depended upon the prend it. the other two features which SSR. shares with SR. are the descrip

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[4] tion of reasons and that of the caure. Remarkably, the reasons are described in terms of the changes in the day to-day living of the peopletheir food, dress, routine activities, festivals, customs etc. This gives us a realirtle picture of the common life of Santisuris times. Structure Description of the Metrcs and Rhyming Prosc Type and Their List in Order of Occurrence For the definitions of aDilla, kuMDaliyA, gAhA, ghAta (which is the same as vastu of LR.), cAli, dUhA, (choTaDA dUhA), paddhaDI (which is the same as rAsau of LR.) bhujaMgaprayAta, maDilla, SaTpada, siloga and rAsau (which is the same as 46 st of LR.) see LR. Introduction. Only HICO 2541 and lacchIhara are peculiar to SSR. What is called mAlatI-rUpaka here is the same as bhrAmarAvali (Prakrta Pairngala 2, 154; Vrttajati-samuccaya, 4, 61) each line of which is made up of five sagaNa (uu-, uu-, uu-, uu-, uu-). mAlatI is a different metre (Velankar, Chandonusasana, p. 361). lacchIhara is defined at Prakrta Paimgala 2, 127 as each of its four lines having four ragaNas (-1-, -1-, -u-, -1-). It is known as kAminImohana, sragviNI etc. in other manuals of metres. (Velankar, p. 215). It should be noted that in the nomenclature of the metres Santisuri and Isvarasuri follow somewhat different traditions. 23 gAhA The Order of Occurrence of The Metres and the Rhyming Prose Type 1-6 gAhA 19-22 bhujaMgaprayAta 7-8 rAsAbaMdha aDilla 24-26 ghAta 10 gAhA 27-30 gAhA mAlatI-rUpaka 31 lacchIhara 12 SaTpada 32-35 ghAta 13-16 paddhaDI 36 gAhA 17-18 gAhA 37-40 paddhaDI

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41-42 43 44-47 48-49 50 51-56 57 58-73 74 75-79 80-82 83-88 89 90 91-99 gAhA rathoddhatA rAsau gAhA SaTpada cAli dUhA cAli gAhA dUhA ghAta maDilla dUhA ghAta rAsau [5] 100 101 102-104 siloga 105 106 107 108 109 gAhA kuMDaliyA ghAta dUhA gAhA ghAta duhA choTaDA dUhA cAli ghAta kuMDaliyA 110-111 112-124 126-127 128-130 131-137 rAsau 138 gAhA 139-147 cAli Language, Style and Literary Assessment The language of the gAhA, rathoddhatA, siloga is Prakrit. that of ghAta. SaTpada, aDillA, maDilla bhuMjagaprayAta, kuMDaliyA is Apabhramsa. That of the dUhA, afe is Old Gujarati. Bur there is generally some admixture in most of the cases. Because of the influence of the prAkRta paiMgala, some forms of the Old Braja also can be seen. Due to the long coverage given to the topic of Sadrtuvarnana (vv. 13-47) the SSR. clearly shows that its model was the earlier Rasaka works like the Samdesarasaka. It was a very favourite topic in the Medieval regional languages also (e.g. in the Kavya of Early Hindi, mAdhavAnalaH kAmakaMdalA - prabaMdha etc.). In the description of the seasons in SSR. consderable scope is given to the seasonal change in the general day-to-day life of the people and especially to the change in the fooditems suitable to cach season. Similarly, like the Samdesarasaka, we

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[6] have here Vana-raji-varnana also (vv. 91-96). The story element is just one constituent of SSR. In this matter also Santisuri's Rasaka significantly differs from that of Isvarasuri's LR. which gives equal importance to description and narration. Works on the story of Sagaradatta Accarding to JGK. there are three more Rasas in medieval Gujarati on the story of Sagaradatta. Sahajakirta belonging to the Khartara Gaccha wrote in V.S. 1675 (=1619 A.C.) Sagarasresthi-katha at Vikramapura (i.e. Bikaner) containing 13 Dhalas and 232 verses The theme is mentioned as Supatradana (vol. 2, pp.399-400; no. 1340). Hiranamda or Hiramuni belonging to the Loka-Gujarati Gaccha wrote Sagaradatta-rasa in V.S. 1724 (=1668 A.C.) at Jalora. It contans 25 Dhalas and 704 verses (Vol. 4, p. 343, no. 3343). Lalcamara belonging to the Vijaya Graccha wrote Sagaracamdra susita-copai in V.S. 1799 (=1743 A.C.) at Citakheda (Vol. 5 p.364, no. 3973)

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The Text sAgaradatta-zreSThi-rAsaka vimala-kara-kamala-parimala-milaMta-rolaMba-maMgalArAvaM / amiya kamaMDalu-pANi- paNamAmi sarassaiM devi // 1 siddhattho siddhattho, pasiddha- pallIpurAlae vIro / siddhattharAya-putto, siddhatthaM dehu mahu vayaNaM // 2 siri AmaevasUrI-sarassa-paya--pauma juyalaM vaMde / lacchI- sarassaIo, supasannA jassa sevAe // 3 chaMdaMtara-kallolaM, vanna-jalaM saMtisUriNA mahiyaM / sAyaracariyaM sAyara-sarisaM sarasaM nisAmeha // 4 nayarI nayariyanAhA- buha-guru-kavi-keu-maMDiyArAmA / amaraurI iva mahurA, rehai tiyasa-vva AharaNA / / 5 jatthidaM. nIla-maNi-nimmiyANa suramaMdirANa / kiraNa liheriyaM (?) piva, pikkhaMtA, ravi-rahaturayA na callaMti // 6 rAsAbaMdha tahiM rAju karai rAjA jayaMtu, rANI jaimAlA-taNu kaMtu / vairiya, visahara- paMkhirAu, vairiya-paMcANaNa-aTThapAu // 7 vairiya-maya-galaTa gaMdhahatthi, vairiya-sAyara-sosaNa-agatthi / alavesaru dANe sujANu, mahimaMDale Ugiu avarU bhANu // 8 aDilla gaMbhIrima-guNa-nijjiya-sAyaru, niy-vaannutt-pvitt-disaayru| dutthiya loya-saphala-- AsAyaru, sattha-vAhu tahiM nivasai sAyaru // 9

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[ 8 ] gAhA ai- pINunnaya-sihiNA, dIhara- nayaNA pasattha- bAhuliyA / suviyakkhaNA susIlA, sIlamaI gehiNI tassa // 10 mAlatI-rUpaka nakneha - nihANa - samullasiyaM hasiyaM, tiya tikkharuDakkhaviyakkhaNayaM taNayaM ( ? ), siMgA - rasAlataruM ahasaM ( ? ), aiha rehai mANiNi juvvaNayaM taNayaM // 11 SaTpada sasivayaNI - sahayAru bAhu sakkhavama bhAsai vilu niyaMbaha biMbu thorathuDa - thANu payAsai / aMguli - sAhaMtaraI nayaNavara - patta - lahakkau naha - phullihiM phulliyau ahara- maMjarI - mahakkau ghaNa - pINa - pauhara aMbahala, bahuva- suraya- rai - rasa - bhariya | daTThai maNu kassa na ulhasai, para vasaMta - saMpai variya // 12 paddhaDI pAvasa- kAlu pahuttau itthaMtarihi uttara- disi sattapaDu abbhaya aMbarihiM ( ? ) / kaMsAriya kurarayaMtiya tivariya rasi rasaiM daddura - sari duraraM taha kolAhalu karai // 13 pahuvi hari - misi mehaha saMgami uddasai vAra vAhala bahakaiM vaNasaI ullasaI / bappIhaya- sari kAmiNi priu maNi saMbharaI sughariya-kAya - pamuha paMkhiya mAlau karaI // 14 - kiraNu sahasakaru sohai gayaNayali kAlaMbiNi DuMbaNa (?) kiri bhAyaNu sira kamala / paMthiya ghara sumaraMtaha jhUraiM nisihiM bhari ghu gajjaMte dhujjaI mANiNi muddha Darai // 15 siu rasu varisAlai mAlai - mAliyai

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[9] sAyaru sadhaNu suhillau heli hiMDoliyai / kiMba- kusuma-dhammillau UDhaNi kaMbaliya Arattiu kiri sajjai gayaNihiM vijjuliya // 16 gAhA pAvasa-kAlAgamaNe, jhijjai niccaM pi sAyaro jalahI / eso puNa acchariyaM, savisesaM riddhimAvahai // 17 saraya-riU suha heU, loyANaM jaNiya-loyaNANaMdaM / dhaNa-dhanneNa samiddho, saMta-vva samAgao bhavaNe // 18 // bhujaMgaprayAta jayA sIyalA reha pariyANi vallI (?), mahI maMDave laggayA tAra hullo / phalaM vaDDae paidiNaM punnisi, mUlapAyammi pAyAlamiMdo(?) // 19 suhA mAruyA pINayaMte jaNANaM, piu nimmalaM nijjharaM nIra-vANaM / nahAbhoya-bhAe uio agatthI, mayaM pAvae nibbharaM bhadda-hatthI // 20 sare ghara-ghare ciMdiNI ghummayaMtA, ti-gAmINi ucchalira dIsaMti mattA / milI pAmarI caccarI diti tAlI, raliyAmaNI rAtaNI, ramai bAlI // 21 sarai caMda- kaMtI-maNI amIya-dhArA, harai mANiNI mANa-saMmANa-sArA / sasI nimmalo sAhu-cittaM va ditto, imo eriso sarayakAlo nivitto // 22 gAhA do gaMbhIrA majjAya-pAlaNA caMdavayaNi-raMgillA / na hu sAyara-jalahINaM, muNijjae aMtaraM kiMpi // 23 ghAta sirihi bhairava, sirihi bhairava, vahai arahaTTa akkhaMti diTuMbhu kiri, bhariya ritta rittiya bharijjai / pAmevi saMpai viula, kivaNi kimai gArava na kijjai / / riddhihi jaMta--calaMtiyaha, laggai khaNu na muhuttu / khAu pIu vilasau vasuha, saMpattau hemaMtu // 24 vAsu vAsai, vAsu vAsai, vasuha vAsei

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[10] maruau mahi mahamahai, mahila sIsi dhammilla kijjai / jaNu veNI-visaharaha vasaNa-kajji vammiya muNijjai / aha lAvanna-sarovaraha, o dippai sevAlu / karai aNanna gesalau, taNutara sihari visAlu / / 25 tikkhu bhoyaNu, tikkhu bhoyaNu, kaDuGa kAsAu taMbola-raMgiya, aharu, ai suraMga vara cIra pahiraNi / kalayaMThi jima kalayalaI,suraya-gamiNi ekaMti taNa-maNi geya-gamakki hi cheya-paNi, re gihi rayaNi ramaMti sIlama sAyaru struhiNu (?), ima hemaMtu gamaMti // 26 gAhA teyaM sUrassa hayaM, ucchaliyaM dhUli-dhUmarI-paDalaM / he hemaMta ! na-yANasi, sisira-dalaM AgayaM bhuvaNe // 27 divaso kao na lahuo, majjha payAvo vi ittha sisireNa / iya saMkio diNeso, sattAso bhamai bhIo vva // 28 riddhI vi vumasakkA (?) jaDayA pisuNavva sisira-saMtassa / hiyae DajhaMti ghaNaM, paMkupattANa juttamiNaM (?) // 29 daiya-saMdaMsaNeNaM, bhamareNa samaM rayaM rayaM jINaM / sisire vi kumuiNINaM, hima-dahaNaM juttamasaINaM // 30 // lacchIhara sukaDDiyaM duddhayaM tivi vaDhaM kiddhayaM, sakkarA-siddhayaM vallahI-diddhayaM / ruppa- sovanna--kaccolae ANiyaM, sAyaro sAyaro muMca so mANiyaM / / 31 ghAta siMghakesara, siMghakesara, jhagara-dala-maTTha bIvAlaya vajjaNaya, muttiyAya moyaga murakkiya sokucciya saMkuliya, seva guNaya maMDiya supakkiya / suhAlIya dahItharA, khajjA sattapuDAI dhariya ghalahala ghIya sauM, gheura galala jimAI // 32

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[11] sakala dIvau, sakala dIvau pavara pallaMku navaraMga-pariyachi Dhaliyaha, sarUva hiyaI sama tulAI usIsaI bihuM gamaI, paTTakUla-ochADi chAiya / galla-masUraya dhUvahaDi, agaru bahakkai jAi / maNa vallahaha melAvaDai, khaNa jima rayaNi vihAi // 33 nAgavallI, nAgavallI- patta suvisAla sAlAgara pUgavara, khaMDiyA yaM caMdaNi rasAliya kappUra parimala-bahula, khaira-sAsa-rasi raMgI lAliya / bAliya ahara-amIrasahi, mAhi milai kallolu sAyaru sisiri samANayai, raMgi rayaNi taMbolu // 34 caMda-chattihi, caMda-chattihi, sUra-dIveNa / malayAnila- hayavarihiM, bhamara bhaTTa jaya jaya bhaNaMtA koila kiri vaMsadhara, navala-nAda-misi guNa thuNaMtA / paMkhiya camara DhalaMtayaha, avania vAsihi ThAo jasu hiyale zveya(?) saMtosayaru saMpaI ....... // 35 gAhA kamalaM kamalAvAsaM, daDhaM suNiUNa sisirakAleNa / daiyAvarAha kuvio, samAgao mAhavo turiyaM // 36 paddhaDI nava-nava-bhAra vaNassai, vihasai viviha-pari sisira-siyAlu pulANau, riu- kesarihiM Dari / kesuya-suma caMcuppama, pupphihiM rattuDiya nAha-samAgami puhavi ki, oDhI cunnaDiya // 37 kahai ki koila kalaravu, karatiya aMba-vaNi juvvaNu mANau mANiNi, chaMDau mANu maNi / ruNajhuNu bhamara bhamaMtaha, kamalihiM rasu liyaiM diyavara veu bhaNaMtaha, kaNa-vatti ki karaI // 38

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[12] rAsa ramaI rasi bAliya, tAliya diti kari kAma-vihaMgu jagAvai, gAvai gIu sari / phullaha jholi bharijjai, hisimisi hiMciyai siMgaha chaMTaNi neha-mahIruha siMciyai // 39|| mahura mahura sari vajjai, vINa pavINa-jhuNi / samau vasaMta samANaI, sAyaru sasiMvayaNi // 40 gAhA sAmittaM saMpattaM, piya-vaggANaM ca pUriyA AsA / riddhI kayA nayANaM, mA ruyasu vasaMta jaMto-vi // 41 bhamarA kamalammi gayA, nayaMti kAlaM jahA tahA-vi tayA / majjha viNA kaha hohI, piyavaggo teNa jhUremi // 42 __rathoddhatA jAmiNI virahiNI va dubbalA, vAsaro nava-paya-vva dAruNo / niddaya-vva tavaNo vi tAvago, juttameva riu-rAu niggamo // 43 rAsau erisi unhAlai ghora- kAli, sAyaru nivasai aTTAla-mAli / laDasaDai malahIDa (?) mayaNa muMdhi, callaMta pavaNa sIyala sugaMdha // 44 ai accha sukomala kappaDAI, hisimisi hallaMta gha gaDamaDAI / dhui bahula gugguluvaha chaMTaNAI caMdaNa- sovanna(vilevaNAI ?) // 45 aMbaliya dakkha sakkaraha pANa, sikkiriya supADala elayANa / vAsiya vAsiya jala sIyalAI, vici vici chuTTijjaI nimmalAI // 46 aMbA-rasa aMbaya kannalAI, ghiu khaMDa-rasiNa nibbhara milAi / aposiya (?) acchayai maMDayANa, bhoyaNa nippajjai dhannayANa // 47 gAhA paMcaviha-visaya sukkhaM, pAlaMto cha-riu bhoya-cakkavai / cha-cca rasA cha-ssattI, cha-cca guNA sAyaro lahai // 48 dhammassa suo attho, atthassa mAhava-naMdaNo kAmo / attheNa hao dhammo, ubhayaM pi hayA sa-kAmeNa // 49

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[13] SaTpada tarala -- nayagNi ghari taruNi, jAma muha kamalu palovai / mayaraddha AkaNNu dhaNuhi, saru tava Arovai java jaMpai sasIvayaNi, mahura-maMjula miya- vANihi / tava ghummaMta paDaMti, jaMta bhajjaMta gha bANihiM AliMgaNa-raMga-anaMta rasi, AsaNa gatillaNa lahari / sAyaru jhaMkholiu jaga-payaDu, hemaMta- kuMbhiNi bhamari // 50 ( cAli ) na hu eve puNa visesu, na hu karai kiMpi kilesu / iku citti kAmu rasAlu, sahu anna mannai (asAru ) // 51 bhogaviya koDia vAra, nahu toi jANai sAra / jaM jAsu hityaM di, taM teNa sayalu vi khaddha // 52 vANutta nava-sayAI, dhaNa haravi bhicca pulAI / nihi kalasa jovai jAma, iMgAla pekkhai tAma // 53 AbharaNa savi vikkAI, ghara raccha rehaNi jAi / jai lacchi gaya savvaMga, tA hUA niddhaNa caMga // 54 dasa sahasa lai dInAra, amha biMbu diu suvicAra | aDa bhaMji jima tima Aju, kivi bhaNaI kari nija kAju // 55 rayaNamau nAbhi - malhAru, sAyaru bhaNai suvicAru / jiNi aMgi caDai ju phullu, tiha kavaNu kijjai mullu ||56 dUhau dharasu rali kukhIvANiya (?), jo uppAvara atthu / mahurau mahurA jema muhi, pari paramatthu aNatthu // 57 hiva cAli suyaNa te hu ji gehu te naru hu ji dehu / viNu lacchi sahu tima toi, vatta-i na pucchara koi // 58 iku appaNau nahu loi, iku atthu vallahu hoi /

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[14] niya-kajji bahali karAi, viNu kajji Tali kari jAi // 59 pAghaDI jasu vari cIri, pA ghaDI sahu na sarIri / pahiratau je kaMthAhi, tasu aMgi Ahi kivAhi // 60 je pauDhatau cau bAri, tiha nahiya ghari cau vAri / jasu vINa vAi vi daMta, siya vINa vAivi daMta // 61 jasu kaMThi sohai mAla, so karai TAkara-mAla / jo dAni bhArI hatthu, tiha huA ubhArI hatthu / / 62 jo bhaMjatau jaNa-kaTTha, so jAi bhaMjaNa kaTTha / jiNi khaDaha lopu na kiddha, nai-khaDaha tiNi khaDu liddha // 63 jasu sIsi sIkiri hoi, tasu khasara sIkiri joi / jiha camara vijjai nAri, tiha hattha ghAsai nAri // 64 jo sumANatau vara pAna, ANai su mAthai pAna / jiha hutau varu aMbAju, soi jima ghara ghare bAju / / 65 ditau navapau palaMka, su ji phiriA valaMka / parakhatu ju pANi haMDa- nirakhai su pANI- haMDa // 66 ima dukkhi dullau thAi, sAyaru ghaNau sIdAi / taralacchi vigaya vilAsa, nirakhai ti ranni nirAsa // 67 je malapatI payapAla, te paribhamai paya pAla / hAraDai jiha mana- khaMti, hA raDai nisi ekaMti // 68 bapu ta kalA jiha kAni, tiha tar3a kalai rulai vAni / siri rAkhaDI jasa sAra, tiha karai koi na sAra // 69 sovanu kaDi jasu suttu, kAMtai su saMkaDi suttu / jeha kahiyaM daddha nahiya heli (?), te vahai nIra duheli // 70 je jImatI pakavAnna, te dukkhi huI eka rAni / jiha ahara suramA suraMga, tiha ahara paDI suraMga // 71 karatI ja kari bhiMgAri, hiva karai lobhiM gAri / je pahiratI paravAla, ti rAhavai para bAla // 72 jiya jima ji mAnI sAhi, te rulai niku nIsAhi /

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[15] sasivayaNi pikkhivi dINa, ima cItavyu mani tINa // 73 gAhA savvaMga-riddhi-nAso, uvahAso nayara-loya-majjhammi / na tahA dummai citte, jahA kalattassa dAsattaM // 74 dahA jiha jIvaMtA ghara-gharaNi, para-ghari kammu karei / so kaha jIvai kiM na mura, dharaNi-bhAru karei // 75 dAsattaNu ekaM gamai, bIjau vitta-viNAsu / gharaNi rulaMtI pikkhi kari, hiu na phuTTa hayAsu // 76 jAyA kAiM jaga- mAhi, te jaNaNi kAiM jAiyA / jIhaM hoi na Ahi, kuNabA jIvevA taNI // 77 bhAgauM lAkaIM lohaDauM, sala--sUtrahiM saMdhAi / puNa bhAgau salu mANusaha, jima tima na-vi samarAi / / 78 sAla saMkhi salakI sayari, Aphe ANai aMgi / salu viha Dayau vivahAriyA, kimai na Avai aMgi // 79 ghAta iya vi kiviNa cittu ghaNa duNNu, (?) khAmovari pai bhaNai, dehi kaTTha kaTThihi paDaMta gha dAlidda dUhava daliya, uyaskajji ai raDakhaDaMta gha / jau dhuri laggu na saMpaData, tau mani duhu na karAI jA veyaNa cakkha, sA jAcaMdha na thAi 80 bhaNai kAmiNi bhaNai kAmiNi nisuNi bharatAra dhIrattaNu kaha gamisi, jai-vi vittu savvaMgu naTThau / kari sAhasu savva--guNa, samari paMca paramiTThi tuTThau // nala- haricaMdaha rAvaNaha, lacchi natthi kiM gehi / jIvaMtAM vali saMpaDai, sahUai sajjai dehi / / 81 dehi sajjai, dehi sajjai, vittu vali hoi

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[ 16 ] vallaha - jaNu saMmilai, rAja- riddhi sattaMga Avai jaNu jaNavai saMpaDa, putta mittu parivAra pAvai || jIvaMtAM vali pAmiyai, puhavihi bhadda - sayAI ima dhIrA mani dhIravai, vihuri na kAyara thAi // 82 maDila gayapuri- paTTaNi piyayama gammai, eha vatta maha piyayama gammai / cyAra sahovara mujjha vasaMtaya, desai davvu aNagga lu kaMtaya // 83 sAyaru bhai nisuNi khAmovari, kima hauM paMthi jAuM khAmovari / pAmuM pAru kema maggaMtaha, kima kima jIha vahai maggaMta // 84 hari hari dehi appaNa- kajjahi, bali nAyariya loya maggijjai / vasaNihi Dhukkihi lajja na kijjai, jima vajjai tima tima nacijjai // 85 lajja hoi jai viDu maggijjai, sA lai atthu tumha sahu jujjai / aha lajja uddhAri karijjai, to puNa appuNu vasaNu harijjai // 86 sIhaha sarisara koi na callai, abbhaDa gaya- ghaDa hatthu na ghallai / supurisu satthu na saMbalu jovai, sAhasu sattu hu iku avalovai // 87 cali nAha kaha appaNu harei, hauM jogavaNa karitu kaNaha re / amha ghari cita bha kari sumiNaMtari, diTTu dhaNAgamu maI sumiNaMtari // 88 dUhau Ali alattai Alihiu, hiyai ju satthika satthi paMthi palaTTara paMthiyaha, tahu ji satthiu satthiu // 89 ghAta iku mAuM piTThau ghara - sAru, saMbalu le saMcariu, paDhama dIhi ima citti citai, jai ajju jImisu kimai, tAma kalli kima kari vittai || ima nirasaNu calaMta gha, tijjA dIha - viyAli sAyaru sAhasa saMmiliu, pattu sarovara- pAli // 90

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[ 17 ] rAsau kaMthAri kauTTi kaMkAha kIra, kaMpIla kaDaha karapaTa karIra | kAluMbari kali kRtamAla kiMba, karamaMdiya kuMda keyai kuTuMba // 91 kiMkilli kasaMdaya kaMcaNAra, kaNavIra kuDya karaNIya kalhAra / kalakeli kamali kesUya karaMja, ralU araDusaya aha araMja // 92 akkhoDa agatthiya tarua liMba, uMbara jaMbIraya aMba jaMba | bala bIla bola vAuliya borI, bIjauriya khayara khArika khajurI // 93 vaDa varuNa vaDala veDala lavaMga, gaMgeTi gulha giriNiya kaDaMga | jAiphala jAi jUhIya apAra, dADima duma damaNA devadAru // 93 nAriMga pUga punnAga nAga, rAsi misimisI sima phaNasa sAga / sevaMtiya siMbala sirisa sAla, piMpala pasaraI vani sivini - jAla // 95 nAlera sohaMjaNa siMduvAra, rAiNi rattaMjaNi rayaNi sAra / hitAla tAla tAlIsa tAra, mINahala miraca maMdAra cAra // 96 caMpaya mucakuMdaya caMdaNAI, jiNi sari pari pasaraI parimalAI / tasa nimmala jali aMgholi dei, saMjoara sAyaru tava rasoi // 97 bhoyaha kajji uvi jAma, maNi ehu bhAvu uppannu tAma / iga- citti dANu jai jai divAi, tA saMpai saMpai jima na jAi // 97 sohaggu na pAmai dANa- hINu, viNa-dANu gayaMdu vi rulaI rINu / iNi paricitai saraha pAli, saMpattau muNivaru tINi kAli // 98 gAhA vittaM to na hu pattaM, patte patte na suMdaraM cittaM / cittaM vittaM pattaM, pAmijjai bahUva - punnihi || 100 kuMDaliyA sAyaru nirasaNu calio, muNivara diddhauM dANu / paratthu (?) bhaMjaNa duha- sahaNa, garuA ehu pramANu garuyA ehu pramANu, jANapaNi jagi adhikerA / ANi pIDa sahaMti, dukkha TAlaMti anerA /

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[18] sohaga-nihi gaMbhIra, vihuri puNa na havai kAyaru saMtisUri ima bhAi, sayala - guNa saMpai- sAyaru // 101 siloga kaMda-mUla-phalAhAro, dAru vva guNa-baMdhuro | ummagge pavaTTei, sAyaro pakkha - nimmalo // 102 sayAsigaI (?) nUNaM, sattAso sUra - sanniho ! mAsa cAraNa-rAsiM-vA, patto gayapuraM puraM // 103 sAlayA tassa cattAri, kIDaMtA mAliovariM / Aito paMthio tehiM, picchio sAyaro samaM // 104 ghAta dhUli - dhUsara dehu, dhUla-dhUsara pahasaMtu, karavattI jeTThiya kari, maliNa-vasaNa vihiva siNa dukkai / lillariya gaNavai sarisu, sIsama cIra- cIriya phurakkaI / phaTTiya tuTTiya vANahI, bhAriya melhar3a pAya sAyara - samuha ma calliya, takkhaNi cyArai bhAya // 105 dUhau jara niddhaNu to sayaNu jaNu, salahijjai mahi - loi / nikalu niu vi bIya-sasi, pUijjatau joi // 106 gAhA pAvaraNaM viNaeNaM, bhaiNI - daiyaM daiyaM (?) gharaMgaNe nettuM / nhANai bhattie puvvaM, vattaM pucchaMti (bhAI) (?) // 107 ghAta kahi lacchihiM, kahi lacchihiM, gamaNa-vittaMtau tau sAla ima bhaNai, ajja amha jasu jagi vadItau bhaNivaI vihaliyau, jai ri amha ghara- bAri pattau / jammu sahalu ajja ji huau bhariu sukiya- bhaMDAru ajja lacchi sukaya ca huya jau kijjai uvayAru // 108

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[19] dUhau kaha AyA kaha AvisyAM, vahilA sajjaNa-vAri / nAUM vali vali hoisai, haMsa ki vAyasa sAri / / 109 dUhA choTaDA e sahuai jANiyai, puNa kIjai kAhu / vAhau na phabaha jai kiri, vAra sahasa dasa vAhu // 110 je achaI amha kuladevI, te lakSaNi atigADhai / aNapUrchi ve vAtau, ghara bAhiri kADhai // 111 cAli tau pUchavA lAgI ima sAyara saMbhAlI, rAti-same behu pahore eka Ave bAlI // 112 jima caMdra sUryanAM maMDala, tisAM kAni kuMDala mAthai ratnamai-khacitu suvaNamai mauDu // 113 ju aMdhArA- syauM dhAI mAMDai, Adizakti mahAmAyA vaccha huM kAMi samarI, koi araNAvai vayarI // 114 moDu moDodhAM, locanu deuM AMdhAM duSTha damuM, tribhuvana bhamuM // 115 cAcari causaThi-syauM caupaTa ramuM, aparAdha na khamuM chAMDau lAja, bhaNu kAja // 116 kahuM te paramesarI, tauM dAridra-gaja-kesarI jeha tUThI, tIhaM amI cAra vUThI // 117 jIha kIdhau ku-pasAu, tIha pheDiu ThAu sAMbhali svAminI kuladevI, ghare Avyau vihalau bahinevI // 118 paDiyau chai apAi, jau kAI apAi, tau UdharAi tINa khevi, bhaNai devI // 119 kAuM taI bhalu, puNa-nu UpArjatA gADhauM duheluM dhana-pasAi kIjai caMgA, dhaNa-hINA nIThai te ruMgA // 120

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[20] jeha jeha kaDhe jimijjai, dravya-nau resu teha syau na khamijjai je hui bANu tehU rAkhai paDatau kANu // 121 je jIva-hai vAlhau thAi, te ImaI kima laMkhAi kAuM marmu, mAge dharmu / / 122 sIkha AlI, Apa cAlI sUrya Ugyau, sAyaru jAgyau // 123 hauM mokalAvesu, kahisu kuladevati-nau Adesu kahuM te vAta, sAMbhali rAta // 124 gAhAM jaM saravarassa tIre, muNiNo dANeNa ajjiyaM sukayaM / tiha tiya bhAyaM dijjai, lijjau maNa-vaMchiyA lacchI // 125 ghAta tINi vayaNihi, tINi vayaNihiM, kuviu maNi sAhU / sAlaya -pai ima bhaNai, ariri amha jai dhammu vaMchau / tA amhi ghari callivauM, eha davvu tumha gahi acchau / / dhamma--pasAi dhaNu ghaNau, jagi appahaNaka hoi / dhammavaDai dIdhA taNau, pADu na khamai koi // 126 tavai gayaNihi, tavai gayaNihi, kemu Aiccu, ujjAsu cAu-disihi, jharai amiu kahi kema sasiharu / majjAiya pAlai jalahi, kema dhAri varisai su-jalaharu // ajju dhammu vecau kimai, lacchI- lobhu kare / mahi-maMDalu bhArI bhaNI, tA kima sesu dharei // 127 kuNddliyaa| calliu sAyaru satthavai, citti dharI saMtosu dhute dhammu ju masiyauM(?), dahai sudussahu rosu / / sosu upajjai aMgihi agaru jima nahu mui vAsu nIvaThiu (?) raMgihi / sAyaru saMbala-hINu jAi jima tima pahu Thilliya /

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[21] suha duha sahuai sahai suyaNa jau paMdhihi calliya // 128 pattau citti su citavai, mahurAuri- ujjANi / viDhisyai gihiNi dhura lagai, jaMtaha ritai pANi, ghariNi bahu kalahu karesyai dukha-daddha paha saMta chuhiya bhoyaNu navi desyai / komala kara pakkhi(?) liyai, nai majjhi vahaMtau / cIra-khaMDi gaMthiya tayaNu, ghara- aMgaNa pattau // 129 pikkhiu liddhai bhAri, priu jau gharaNihi ghara-bAri / harisiya tau karavaya nayaNi, agghu diyai tiha dhAri muddha maNaraMga rahakkai, bhAru sIsa bhattAra gahivi ghara- bhittari mukkai / jovai uttAvaliya, diTTha baMdhava- ukkaMkhiya / diyai bahu AsIsa, rayaNa-gaNa nimmala pikkhiya // 130 cAli ikku rayaNu lei ucchaTTi, gaI rayaNa-pArikha- haTTi / navalakha--mUla karAI, tiNi khevi tIta (?) apAi // 131 jei vaDau karai visAhu, tiNi gauravisyai sAhu / saya-sahasa- pAkihi tilli, tiha diddha majjaNai mulli / / iga tatti nIrahiM nhANu, pahirAvi vattha ikatANa (?) / cUDiyA cau cala cAlu, sovannu maMDiu thAlu // 133 mahamahai rUDI sAli- sovanna, silI muga-dAli / chamakAviya vara zAka, nIpajai anna- vipAka / / 134 jImivA baiThau sAhu, puNu Upannau mani dAhu / e riddhi iNi kima kiddha, kai devatA iha siddha // 135 jai sahaja sIlaha bhaTTha, tA ahaha devI ghaTTha / tiya taNau siuM vesAsu, sUtA ji jovai sAsu // 136 Agaliya alIya aNAi, tiya-cariya keNa jaNAi / jimavyauM gyauM vIsAri, maNu laggu iNi vicAri // 137

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[22] gAhA bAlattaNammi jaNao, juvvaNa-samayammi rakkhae bhattA / vuDDhattaNammi putto, sunnA nArI viNassei // 138 cAli kAlamuhu vallahu pikkhi, bolAvyau haraNakkhi / kahi nAha kariu pasAu, tumha citti kavaNu visAu || 139 tumha ea asaMbhama lacchi, amha dahai bahu taralacchi / iku vikiyAM piya rayaNu, kAlauM ma karisi vayaNu // 140 iku lavasu gayau te mAhi, aTha lakkha chaiM tiha mAhi bIjA ji kevi asaMkha, te rayaNa chai saya - saMkha // 141 moTTaliya jovai jAma, savi rayaNa pekkhai tAma / bapu ! dAna - phala jagi joi, jiNi dvikhada mANika hoi || 142 tiha rayaNa lagi hoi riddhi, jaga-mAhi payaDa prasiddhi / je nAsi gayA vANiutta, ti milai Apai vitta // 143 nihi- kalsa je aMgAra, te hUyA sovana - sAra / je dAsa le gayA dAsi, te save AvyA pAsi // 144 vali ullasaMti vilAsa, savi pUravai jagi Asa / maMDiyA ji sattUkAra, dhana sukRta bharai bhaMDAra // 145 kAravai bahu prAsAda, navakhaMDa niravai nAda / usi (?) bhavaNa subhara bharAI, disi vidisi aphala phalAI || 145 sAyaru anai sasivayaNi, bhari bhogavai diNa - rayaNi / marudevi-naMdaNu dhannu zrIAdinAthu prasannu || 147 dAnopari sAgaradatta - rAsa - kathA saMpUrNa // zubhaM bhavatu zrI zramaNasaMghasya || zubhaM bhUyAt // lekhaka zreyaMvat //

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IzvarasUri-kRta lalitAMgacaritra-yasaka

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CONTENTS Introduction The Manuscript Material and the Editing of the Text. Authorship and Date. The Form and Structure. The Forin. The Structure. Description of the Metres, Rhyming Prose Types etc : (1) The Order of Occurrence. (2) Alphabetical List of Metres with Definitions and Remarks. Language, Style, Literary Assessment. Works on the Story of Lalitamga. The Text

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[ 25 ] INTRODUCTION The Manuscript Material and Editing of the Text *** -- H. C. Bhayani According to the Jain Gurjara Kavio (Second edition, p. 221), three Mss of LC are known :(1) From the Patan Bhamdar collection, (2) from the Samgha Bhamdar collection and (3) The Bhandarkar Research Institute collection. The present edition is based on the xerox-copy of the Ms. from the Saingha Bhamdar. According to my information the Patan Bhamdir Ms. is a copy of the Sangha Bhamdar Ms. Similarly the xerox copy of the Ms. from the Bhandarkar Research Institute Collection, which | acquired and examined is a duplicate of the Patan Bhamdar Ms. The Ms. is numbered 83/2024. It contains 28 leaves. 14 lines per folio. 38 to 44 letters per line. Clear, bold handwriting. Beginning : ft aefATRY TH: 11 End : gfast foaia I TH ATT HITHRI Shfuquara 11 It is followed by list of the metres used in the work. In the Ms. the leaves comtaining vv, 129-151 are missing. So it cannot be said where the second Adhikara ends and the third Adhikara begins Due to usual scribal practices, there are numerous orthographic errors in the Ms. such as s or s for $, tad for od or vice versa, omission or addition of Anusvara, omission or repetition of some letter or word. confusion between 3, 3, ?, ?, , etc. In several cases a line or iis part is missing. Such obvious citors have been corrected. Where there is somc doubt about the textual reading it has been indicated by a querry, The errors in the designation or the numbering ctc. in the case of metres also have been corrected. The meaning of a number of lines also is not clear. Authorship and Date lalitAMgacaritra or rAsakacUDAmaNi was written by Isvarasuri in 1505 A.C. Isvarasuri was also called Devasundara. Isvarasuri belonged to the Samdcra-gaccha. His Curu-parampara is as follows : yazobhadrasUri - zAlisUri (1) - sumatisUri (1) - zAMtisUri (1) -- IzvarasUri

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[ 26 ] (?) - priftif () - guftuf () - grifauft () - $ercaF (). According to a stone inscuption dated V.S. 1597, isvarsuri, the author of LR. inaugurated the setting up again of the icon of the Tirtharikara Rsabhadeva in a temple at Nadalai. That icon was said to be established there originally by Yasobhadrasuri in V.S. 964 through his Mantra-sakti, but was possibly destroyed or became dilapidated during the course of time. His stonc inscription of V.S. 1557 and an inscription on metal image dated V.S. 1560 are also known. Isvarasuri has written numerous works in Sanskrit and Old Gujarati. They are : 1. wa-farer-4920-Frau, . afstanafa or 72 suufo (v.s. 1561), 3. sit4181915 or frost 14$ (v.s. 1564), 4. G4791-79 (1275),5. fifcurfa-gufetti (73 to 76 verses), 6. yazobhadrasUriprabaMdha or phAlgu-ciMtAmaNi, 7. medapATa- stavana (saTIka), 8. sumitra-caritra (V.S. 1581), 9. TA -TIA (6 verses). Of these Nos. 2, 3, 5, 9 are obviously in Old Gujarati. Nos. 1, 4, 6, 7, 7 were possibly in Sanskrit. lalitAMgacaritra was written is dazapura (in mAlavadeza) at the request of Pumjaraja, who was the chief minister (1470-414705) of king Nasira, son of Gyasuddina, ruling at #546 in A ach. Pumjaraja belonged to the zrImAlavaMza. He was son of sonI and rAyajIvana. His wife was saMsAradevI. His brothers were muMjarAja and madana who were also ministers. puMjarAja himself had some literary works to his credit besides being a man of literary taste and patron of literature. Sources of information : (1) Concluding Puspika at the end of the first, third and fourth Adhikara of LC. (2) The information first given by C.D. Dalal (quoted in no. 3). (3) Jain Gurjara Kavio (revised edition) 1, pp. 219-221. (4) Gujarati Sahityakos, p. 26. Thus as regards the theme LC. is different from the Samdesarasaka which has an event as its theme and which is devoted to poctic treatment of that event and comequently qualifies like Taco as a gust. LC. on the other hand is as observed before a caritakAvya. One more point to be noted is the feature of dividing the poem into sections based on the divisions of the theme Samdesarasaka is di vided into three Prakramas, while le is divided into four Adhikaras.

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[27] Influences from the previous Tradition The fact is that as can be seen from the Introduction to santisuri's HTTG-T740, the latter is isvarasuri's model for his LC. He surpasses his Guru's poem in metrical richness, descriptions etc. Besides, isvarasuri has quoted from Utarani (v. 116), Helite (v. 40-41) and from 3469141611 (v. 180-181). Some Dohas are borrowed from the Apabhraisa illustrations given in the Siddhahema (8-4) e.g. v. 466-467. Several other Dohas are obviously borrowed from those that were popular and current during his times. v. no. 100 is possibly borrowed from the TAT&Tut of ifgarca (v. 67). At several places the author gives Pratikas only of the verses which must have been familiar. The following number of verses are not given in full in the MS. but only Pratika words are quoted : (1). Reference is given to the Mangala Gatha of the HTRGA DGTH. 12. It off9 HITS TOT 80 13. for ab-hocfe f413 po 14. The preifa go 104. stas fafarafai 80 180-181. pratIkas cited for two Gatha's of the upadezamAlA. 186. Only the pratIka is given : jaM ciya vihiNA lahiyaM. 188-189. Only the talis of the cel are cited. 196. Only the sailon is given.

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[ 28 ] Form and Structure 1 The Form In the concluding Puspika the work is referred to as cafeteria787-afta, as 145- 4f0-qua-voist and as crccain-afta-14. At the end of the third Adhikara it is called You - 979122- -- Social CICISTINafat and TF- Titafu. In the beginning it is called afatin-147- afei. Thus, LC. is a f an cast in the mould of 1947. The principal feature that qualifies it to be called a TH is the use of numerous metres, with two or three metres dominating. Another peculiarity, not known so far from the previous tradition regarding the THC is free use of types of rhymned prose, besides the Prakrit, Apabhramsa and postApabhramsa metres. The poet revels in showing his skill in handling numerous metres and types of rhymed prose. Hence possibly the clain that LC. is rAsaka-cUDAmaNi 'the crest-jevel of the rAsakas.' Thus as regards the theine LC. is different from the Samdesarasaka which has an event as its theme and which is devoted to poetic treatment of that event, and consequently qualifies like Haga as a gust. LC. on the other hand is, as observed before, a Elftatotoh. One more point to be noted is the feature of dividing the poem into sections based on the divisions of the theme. Samdesarasaka is divided into three Prakramas, while LC, is divided into four Adhikaras. 2. Stucture General Observations. LC. is composed mostly in various metres (mostly Ergas and a few quiqas). Besides there are a few passages in rhymed prose and for a few passages a classical T is mentioned indicating the melody in which they were to be sung. Of the 26 metres used gAthA, dUhA, paddhaDI and cAli are in a majority. The language of the gAthAs and the autaus (1472021, pierfabilisa, FHITI) is Prakrit. Besides there are passages in rhymcd prosc. In many Old Gujarati texts, the sections called 50s and ads which were composed is some Matra-vitta and sung in

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[ 29 ] some popular Desi melody, many a time some clasical Raga is also mentioned, the characteristics notes of which marked the mode of singing that particular 50 or 6. In LC. four Vs. are mentioned according to which certain verscs are to be sung. LC, follows in its choice of metres the Bardic tradition as against the Classical Apabhramsa tradition (See SR. Indtroduction, p. 48-49). In the Apabhramsa Rasakas the standard metre was TAIAT45/17674. Instead in LC., as mentioned above, dUhA, paddhaDI and gAthA are preferred. For variation metres also we can see the influence of the Bardic tradition, represented by the Mini-US). As the text of LC, is based on the only one available manuscript, we have a number of lines which are metrically irregular. *** Description of the metres, Rhyming Prose-Types etc. 1. They occur in the following order. I Adhikara (vv. I to xx) 1-5 Gatha Duha 7 Gatha Satpada 9 Sataka (= Sardulavikridita) 10 Gatha 11 Duha 12-13 Gatha 14-16 Duha 17 Gatha 18-21 Bhujamgaprayata 22 Concluding Satpada 23-26 Gatha 27 Salpada 28-31 Gatha 32-39 Paddhadi 40 Duha 41-42 Doha + Kundaliya 43-44 Gatha 45-56 Cali 57 Rasaulau 58-59 Gatha 60-62 Duha 63 Gatha 64 Kundaliya 65-69 Gatha 70-71 Duha Vastu 73 Adilla 74 Hataka 75-76, 77-78, 79-80 Savaiya, (Divaddha) 81 Concluding Satpada 82-91 Gatha 92 Duha 72

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[ 30 ] 243-244 Duha 245-246 Shortened Duha 247-254 Cali 93-94, 95-99 Paddhadi 100 Udgatha 101 Paddhadi 102 Vastu 103-104 Gatha 105-113 Paddhadi 114-115 Duha 116 Satpada 117-122 Gatha 123-127 Duha 128 Gatha 129-150 Lacuna in the MS. II Adhikara (Leaves missing, (vv. xx to 254) 151-152 Gatha 153-160 Adilla-Madilla 161-162 Boli (Rhyming prose) 163 (lines) (called Suda) 164-169 Gatha 170-174 Duha 175 Gatha 176 Vastu 177 Duha 178 Satpada 179 Duha 180-181 Gatha 182-185 Paddhadi 188-189 Duha 190-195 Paddhadi 196 Satpada 197-222 Gatha 223 Satpada 224-237 Cali 238 Vastu 239-242 Cali III Adhikara (vv. 255-350) 255-258 Gatha 259 Duha 260 Gatha 261-264 Rasaka (= Rasavalaya) 265 10 pairs of rhyming prose lines called 4794 fol lowed by a remark in prose. v. 266-268 Sagpada 269-273 Cali. 274-281 Paddhaoi 282 Adilla 283 Gaganagati (=Harigita) 284 Padakulaka (=Vadanaka) 285 Gaganagati 286 Padakulaka 287 Gaganagati 288 Adilla 289 Gaganagati 290 Satpada 291-292 Gatha 293-294 Satpada 295-296 Gatha 297 Vastu 298 Duha 299-302 Paddhadi 303 Duha 304-305 Paddhadi 306-312 Siloga

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[31] 313-315 Gatha 316 Duha 317-329 Paddhadi 330 Gatha 331-334 Naraca 335 Satpada 336-337 Gatha 338 Padakulaka 339-345 Tribhamgi 346-350 Sragvini IV Adhikara (vv. 351-576) 351-352 Gatha in 353-365 Paddhadi 366-368 Kurdaliya 370-375 Gatha 376-379 Rodilla 380 Satpada 381-385 Purvi vayana 386-388 Alimganaka 389-396 Gatha 397-409 Paddhadi 410-412 Gatha 413-416 Kumdaliya 418-428 Cali 429-433 Duha 434-437 Gatha 438 Dumila 439 Adilla 440-441 Rodilla 442 Naraca 443 Padakulaka 444 Gaganagati 445-447 Yamaka-boli 448-456 Paddhadi 457-461 Ahuthiya Duha 462-464 Sahi-nama Duha 465-470 Duha 471-475 Sorathiya Duha 476-482 Paddhadi 483-484 Gatha 485 Duha 486-496 Paddhadi 497-503 Gatha 504-509 Cali 510-511 Vastu 512-515 Cali 516-518 Gatha 519-525 Paddhadi 526-527 Duha 528-529 Gatha 530-552 Cali 551 Rasaulaau 552-576 Cali* In the concluding 410401 in the MS. is given an incomplete list of the Metres etc. used in LC. It is as follows : 377 THT aftarafa geroen, (3) CEI, (P) Hica, (3) 4243, (8) sfat, (4) THIBCI, () a (9) G9914-677, (c) $104, (8) 3f58 (80) AfCH, (88) marfait, () ifsste aic, (83) Seci, (28) qurtalci, (84) 44001, (?) ECCT GET(P6) HRBT. Of these $cag o , fitontefalisht, quhelisi were used possibly in the missing portion.

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[ 32 ] 2. The Alphabetical List of Metres and Rhyming Prose types with Definitions and Remarks offsho (v. 73, 79, 162, 282, 288, 439. 6 + 4 + 4 + - Matras per line. Once in a while we find a Guru or only a Laghu for the last two Laghus. In v. 79 one Yamaka for a, b. another for c, d. In v. 282 one Prasa for a, b another for c d. In v. 288 there is one Yamaka for a, b. another for e, d. In v. 439 there is Yamaka for a, b. Praasa for c, d, Thus LC. follows the later KD. tradition according to which the two-Yamaka type is called Adilla, the one Yamaka type is called Madilla. Emendation: See for 5 in 79 d. 31f5s combined with Hiss (v. 153-160). In v. 153 there is one Yamaka for a, b, another for c, d, In v. 154 there is one Yamaka for all the four lines. In vv. 155-160 mostly there is different Prasas for a. b. and c, d. There is comsiderable confusion regarding the occurrence of 446h or prAsa in the case of aDilla and maDilla and regarding their presence and the comsequent distinction between 34fse and HISA. For. the discussion sce SR. Introdution, pp. 50-53. 315 70 (v. 383-388) has six Sa-ganas ( -) per linc. In the LC. instances the final Guru of the Sa-ganas can be replaced with two Laghus. For its discussion see KD., p. 112. It is also used in Jinaprabha's 34fGGgfra (v. 5). Isvarasuri was thus familiar with the latter and followed it for using Aliganaka. Clou. See under fel. Eset (v. 42, 64, 367-368). It is a compound metre made up of dUhA and kAvya. For the characteristics of dUhA see under Th. To has 24 Matras per line divided as 6+4+4+4 +6. The words of the last line of ci are to be repeated in the beginning of the first line of 71124, and the words of the first two lines of the cel are to be repeated, usually in reverse order, in the last line of $121. Referrences (K. 31. pp 1 146. Velankar, p. 355. SR. Introdiction, p. 58.

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[ 33 ] gaganagati v. 283, 285 287, 289, 444. This is the same as fi defined at CK. 18, PP. 1, 191. It has 28 Matas per line divided as 4+5+3+4+3+4 + - -. The metre called z() defined at PP. 1, 149 is different. Referrence, Velankar, p. 346. Te 1-5, 7, 10, 12-14, 17, 23-26, 28-31, 42-44, 58-59, 63, 6569, 83-91, 103-104, 117-122, 128, 151-152, 164-169, 175, 180-181, 186-187, 197, 212, 255-258, 260, 291-292, 295-296, 313-315, 330, 336337, 351-352, 370-375, 389-396, 410-412, 434-437, 483-484, 497-503. 516-518, 528-529. First line: 4 + 4 + 4 + 4 + 4 + 4 + 6 Second line: 4 + 4 + 4 + 4 + 4 + ~ + 6 The second and fouth Caturmatras have the form u - u or u, uuu Jagana does not occur in the odd Caturmatras. anfer 45-56, 213-222, 224-237, 239-242, 247-254, 265, 269, 273, 418-428, 504-509, 512, -515 530-550, 552-576. It consists of pairs of rhyming lines. Each line has twelve Matras, divided as 2 + 3 + 4 + - The last four Is has the form y tribhaMgI 339, 341, 343, 345. It has 32 Matras per line, divided as 10 + 8 +8 +6, the last two Matras being made up by a Guru. There are three Yatis in the line: after the 10th, 18th and 26th Matra, thus dividing each line into four parts. The first three parts rhyme. Line a rhymes with b, and c, with d. Jagana is banned. In LC. each Tribhamgi stanza, except the last, is followed by a Padakulaka stanza and the latter is linked up with the following Tribhamgi stanza by repeating some word from the end portion of its line in the beginning of the first line of the former i.c. it has kuMDalI or ullAla. dumilA v. 438. According to PP. each line is made of 32 Matras divided as 10 814, with the first part rhyming with the second, and a rhyming

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[ 34 ] with b, and c with d. The instances of fel in SR. conform with this definition. But the LC. instance does not have clearly discernible caesuras, nor internal rhymes. Each of its line is made up of 8 HS Reference PP. 1, 197, SR. Introduction, p. 66-67. v. 6, 11, 15-16, 40-41, 60-62, 70-71, 92, 114-115, 123-127, 170-174, 177-179, 188-189, 243-244, 259, 298, 303, 316, 413, 429-433, 460, 470, 485, 526-527. It has 13 11 Matras in each half. They are divided as 6 + 4 and 64+ Reference: SR. p. 62-64. v. 462 and 463 are called sahi-nAmA dUhA, because the words sahinAma occurs at the end of their first line. (1) v. 245-246. The text seems to be irregular. Each line seems to have 19 Matras divided as 13 + 6. v. 457-459 are called dUhA ( ahUThiyA). The first half contains 24 Matras (13+ 11), The second line contains 20 Matras (13+ 7). As the fourth line has 7 Matras instead of 11 as in the usual dUhA, the metre is called ahUThiyA dUhA ie a dUhA in which the fourth line is only a half of the usual line. 3 = ardhacaturtha. The meaning of the adjective avasahUtarA preceding ahUThiyA dUhA in the text is not clear. v. 471-475 are called (3). It has 24 Matras in each half, divided as 11 + 13, in which the 11 Matra part of both the lines is linked with rhyme. Thus the order of the lines in dUhA is reversed in soraThA. Reference. PP. 1 170. nArAca v. 331-334, 442. It has 8 pairs of can substitute per line. Lines 331 a, 332 c, d are irregular. Reference PP. II 168.

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[35] aragorion v. 284, 286, 338, 443. It has 16 Matras per line which are divided as 4 + 4 + 4 + 4, but a Guru can substitute any two adjacent Laghus. Earlier it was called Vadanaka. Reference : PP. 1 129. In the Ms. of LR. It is mistakenly called Duha (vv. 284, 286) or no designation is given (v. 443). Tecst v. 32-39, 93-99, 101, 105-113, 182-185, 187,190-195, 261-264, 274-287, 299-302, 304-305, 317-329, 353-365, 397-409, 448456, 476-482, 486-496, 519-525, It has 16 Matras per line, divided a 4 + 4 + 4 + u-u.. Reference. PP. I 124. SR. Introduction, p. 56-59. yait aut v. 381-385. This is what with STUTET 375 added in the beginning of the fourth line. Each line of wiat:14 has 21 Matras divided as 6 + 4 + 4 + 4 + --. Each line usually ends in -u Reference : PP. I 186. moi see cat atu. atsit (1415) v. 161. This seems to be a combination of the two lines of pAdAkulaka (= 73454) and one line of rhymed prose. But the text of the second line seems to be somewhat corrupt. The designation $141 means that the alcit contains a question expressed by the word is 'what. acit (31f5cir) v. 162. This seems to be a combination of two lines of 3775m and one line of rhymed prose. atsit (440) v. 445-447. Here Th means simply H. Its form is not different from that of the passage no. 163. For the discussion of the type of Old Gujarati texts in rhyming

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[ 36 ] prose, called see. Gujarati Sahitya-no Itihas, 2, 1976, p. 668. bhujaGgaprayAta v 18-21. -- It has 4 Yaganas (~ Reference, PP. 2, 124. maDila See aDilla. rasAulA v. 57, 551. It is a combination of rAsaka and karpUra. rAsaka has 21 Matras per has 28 Matras per line divided www. line, divided as 6 +4 +4 +4 + as 15+ 13. Reference CK. 29; SR. Introduction, p. 53-56, Velankar, p. 337. rAsAvalaya (= rAsaka, AbhANaka), v. 261-264. 21 Matras in each of its four lines divided as 6 + 4 +4 +4 + with a caesura after the 12th or 11th Matra. It was the standard metre of the earlier s. Reference SR. Introduction, pp. 53-56. In by mistake. the Ms. it is called roDillA. v. 376-379, 440-441. in -) per line. It has four lines. The first three lines have 11 Matras each ending and they rhyme. The fourth line has 6 or 7 Matras. Actually the passage numbered as 376-379 is made up of sixteen stanzas, which are divided into four parts each of which has a common last line as the burden. The passage numbered 440-441 is made up of 6 six stanzas. adv. 72, 102, 176, 238, 297, 510-511. It is called in the earlier tradition. It is of the fat type i.e. made of two metres combined to form a unit. The first constituent is known as which has five lines with 15 11 or 13+ 15 +13 + 15 Matras respectively. In the first line made up of 7 + 8 Matras, the first part is repeated. The H is followed by a el. Reference: SR. Introduction, p. 66-68. zArdUlavikrIDita Sce sATaka. 24. v. 8, 22, 27, 82, 116, 178, 196, 223, 266-268, 290, 293-298, 335, 380.

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[37] 212 It is the Dvibhangi type with tool and 74 as the two constituents forming a unit. For kAvya see under kuMDaliyA. For kapUra see under Thell. When it is used to sum up a topic which is treated in a group of preceding stanzas in a different metre it is called kalaza-SaTpada (v. 22, 82, 335) (like the $781 on the pinacle of a temple). Hicoh or piecaralahlfsa v. 9. The Ms. itself remarks that He is another designation of zArdUlavikrIDita. It is a qurat. Each line has the TTUTS + + J + + + a followed by a Guru, with yra after the 12th qui. Reference. PP. 2, 186. FACIT v. 307-312. It is a qurqa. It has eight aufs per line. Refernce : SC. 3, 7; Velankar, p. 289. frauit v. 346-350. It has four 4547s per line, with the third Matra as Laghu in each E. Reference : Velankar, p. 295. Instead of its usual form as a varNavRtta, here it is a mAtrAvRtta, but it preserves the rhythm of the four ragaNas, in which cach or both of the [5s can be be substituted by two mes. Co v. 74, 76, 78, 80. It has 29 Matras per line divided as 10 + 8 + 11 and ending in --. This is the same as Hagl defined at PP. 1, 208. In the case of vv. 80, 170, 190, 223, 443 the designation is wanting in the Ms. of LC. At several places in the Ms. of LC. the designation of the metre is given as simply sia e.g. in the case of vv. 76-78 (the metre is a stot), 285 and 287 (the metre is Tha). At several places mistaken designation is given. Rhymed Prose ... 5. The passage numbered 163. It consists of 15 pairs of rhym ing prose lines

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[ 38 ] 1. The passage numbered 265. yamaka - bolI. The passage numbered 445-447. The distinction between them, if any, is not clear. defined as a type of musical composition in musicological texts like the HIER is quite different. In several Old Gujarati texts like the years of mANikyacaMdrasUri (A.C. 1422) rhymed prose is used and it is called boli. In LC. also bolI occurs in the designations kAMyAI bolI and aDillAI bolI. Classical Ragas . v. 465-466. The metre is el. HR. v. 526. The metre is el. f. v. 467-470. The metre is R. v. 471-475. The metre is . Language, Style and Literary Assessment The language of the verses in Gatha is Prakrit. The language of the verses in other metres besides that of the rhyming prose passage is Old Gujarati. But this latter statement is to be qualified somewhat. As remarked ealier, the author is guided is his composion of various metres by the works of Bardic tradition chiefly represented by the prAkRta paiMgala. Hence in the language of various metres there is a touch of the fi and DiMgala dialects. As to the style, the author shows his skill in poetic descriptions and drawing realistic pictures as and when required. He himself has said in his introduction that the LC. is sAlaMkAra, samArtha, sacchaMdasa, sarasa, saguNa and fed (echoing Abdal Rahanana's characterization of good poetry in the Samdesarasaka as adorned with lakkhaNa-chaMdAharaNa). Besides his comendable metrical skill Isvarasuri aquits himself very well in descriptions and delineation of sentiments. He takes full advantage of homonyms in Prakrit, Apabhramsa and Old Gujarati to weave zleSas as required by aDillA, yaDillA and also in a number of cAli passages.

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[ 39 ] Works on the Story of Lalitanga The Story of Lalitamga is one of the several versions of the taletype designated as The Two Travellers (Type 613), which has a long history of more than fifteen hundred years and is found in Buddhist, Jain and Hindu literatures of India and in Arabian and European medieval literary works. The general line of development of the oral versins was worked out by R. Christiansen (The Tale of the Two Travellers or The Blinded Man. F.F. Comnitications No. 24, 1916). S. Thompson has treated this tale-type in The Folktale, p. 80-81. In the Jain tradition one version we find in santisuri's Puhavicamdacariya written in 1105 A.C. There it is given as an illustrative tale in the account of the fifth bhava of Prthvicandra. Dhana and Dharana were two brothers. Dhana was religious-minded, while Dharana was evil-minded and crafty. The latter gets the former involved in a debate about the superiority of Dharma or Adharma, and managing to defeat him blinds him as per condition of the debate. Latefon when Dhana gets miraculously cured and achieves great success and fame, Dharana tries to ruin Dhana by spreading scandals, but is himself killed in a plot he had laid. (Sec H.C. Bhyani, Lokkatha-na Mul ane Ku!.. 1990, p. 85-87). Again this tale-type is also familiar from Medieval Gujarati pocms like the Dharmabuddhi-rasa, Dharma-Pariksa-rasa (IGK. 7, p. 96). Two other Jain writers in Middle Gujarati occupied themselves with the life of Lalitamga, as we know froin the Jain Gurjar Kavio : Kramakalasa of Agama Gaccha wrote Lalitamgakumara-rasa in V.S. 1553 (=1497 A.C.) at Udayapura (JGK. revised edition, I, p. 201; no. 294). Danvijaya of the Tapa Gaccha wrote Lalitamga-rasa in V.S. 1761 (=1705 A.C.) at Jambusara. It has 27 Dhalas and 689 verses. The author says that his source was the biography given by Bhavadevasuri in the first Sarga of his Parsvanathacaritra (IGK., 5, p. 162-163, no. 3657). Ksamakalasa's Lalitamgakumara-rasa was edited and published by K. Sheth and D. Shal in 1982. For the summary see Madhyakalina Gujarati Kathakosa, ed. H. C. Bhayani, 1997, p. 251-252.

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[ 40 ] Acknowledgement of help The editor is grateful to the trustees of the Samgha Bhamdar and the Curator of the Bhandarkar Research Institute for supplying the xerox copy of the LC. Ms. Pandit Lakshmanbhai Bhojak of the L. D. Institute of Indology helped in acquiring the copies of LC. and SSR. The editor is also grateful to the Bhamdar authorities to allow the use of their Ms. for editing - H. C. Bhayani Reference Works and Abbreviations 31f5aefata Fifcouchat (=Appendix III to afacut) fagyu. Ed. H. D. Velankar, 1959 (KD.) FC: 191 r echart Ed. H. D. Velankar (CK.) (=Appendix II fagfu) EIGTIPICHA 2421-595 Ed. H. D. Velankar 1961 (Ch.; Velankar) to look afa311., . g. 81 na 19 F TU (Jpia atarit) (JGK.) una tra Ed. Bholashankar Vyas (PP.). 1959. arcaital-Th (LC.) #f1-9799982-farei ohia. Ed. A. D. Velankar. 1962. HTTGTT - TH (SSR.) FGERUH 370GMEHR-a. Ed. Jinavijay Muni 1945 (SR.) Kapiyice Facinha Ed. H. D. Velankar, 1962. Apabhraisa Lauage and Literature by H. C. Bhayani. 1989.

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IsarasUri-kRta lalitAMga-caritra apara-nAma yasaka-cUDAmaNi prathama adhikAra (1-xx) gAthA "vimala-kara-kamale"parimala-gilaMta-rolaMba-maMgalArAvaM / ayiya-kamaMDalu- pANiM, paNamAmi sarasvaiM devi (1) paDhamaM paDhama-jiNidaM, paDhama-nivaM paDhama-dhamma-dhura-dharaNe / vasahaM vasaha-jiNesaM, namAmi sura-namiya-paya-desaM // 1 siri-AsaseNa-naravara-visAla-kula-[kamala]- bhamara-bhogido / bhogiMda-sahiya-pAso, disau siriM tumha pahu-pAso // 2 siri-sAlisUri-pAyA, niccaM me hojja gurua-supasAyA / annANa-tama-tamo-bhara-haraNe'ruNa-sArahi-vva samA // 3 sAlaMkAra-samatthaM, sacchaMdaM sarasa-suguNa-saMjuttaM / laliaMgakumara-cariyaM lalaNA-laliyaM va nisuNeha // 4 daDha-dugga-mUla-kosIsa-patta-nara-rayaNa-bhamara-pakkhiliyaM / rehai kaya-siri-vAsaM sirivAsaM nayara-tAmarasaM // 5 dUhau tiNi puri pura-jaNa--raMjavaNa, rANI-kamalA-kaMta / naravAhaNa-niva naya-niuNa, ahiNava-kamalA-kaMta // 6

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[42] gAthA tapputto savvutto, savva-kalA-kosaleNa saMpuNNo / laliyaMga-nAma-kumaro, laliyaMgi-vilAsa-vara-bhamaro // 7 SaTpada sakala-suyaNa-guNa-vaTTi-patta bahu-nehaha~ pUriya duha-dUriya-riu-vagga-magga-tama-bhara-saMcUriya / bhAsura-teya-suditta jitta jiNi ravi-sasi-maMDala payaDa-payAva-payaMDa suhavi kiri lahu AkhaMDala acchariya ehu jasu dehu navi, pAva-paMka-kajjalu kirai jasa kitti jhatti niya-kula-bhavaNi, kula-paIva jima vipphurai // 8 sATaka (=zArdUlavikkIDita) bhattI deva-gurummi jamma-pabhiI pII parA pANiNo, sammANaM maya-NANa-tANamamalaM attANa sattANa ya / saccaM sIlamaNidiyaM suviulaM bhiccesu vacchallayaM, evaM tassa guNodao-vi lahuNo kappUra-gaMdhassa vA // 9 gAthA evaM bhUri guNassa vi, tassAsI vasaNamuttamaM dANe / kassa maNo kattha vi puNa, raiM kuNai jaha suyaM loe // 10 dUhA kuNahI-nai kA~I rucai, kuNahI-nai kA~i suhAi / bhamaru kamaliNi rai karai, dadduru kaddami jAi // 11 // gAthA jo jassa jANai guNA0 // 12 ji bahuphalehi phalIu0 // 13 haMsA raccaMti sare0 // 14 dahA jiNi navi pujjiu titthayaru, patti na diddhau dANu / tiNi kari kari siu bappaDau, karisyai naru ahimANu // 15

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[43] dhammi rAga sua-ciMtavaNa, dANa-vasaNa jasu hoi / mANusa-bhava-surataru-taNau, e nizcala phala hoi / / 16 gAthA iya citaMta kumAro, dANa- vasaNa-vihiya-sahala-saMsAro / mannaMto sunnaM to, teNa viNA tArisaM nayaraM // 17 . bhujaMgaprayAta jihA~ satta bhU-pIDha-AvAsa-sAlA, jihA~ gayaNa-saMlagga-duggA visAlA / sarArAma vara kUva vAvI rasAlA, viNA dANamegaM pi saMsAra jAlA // 18 jihA~ gayaha gajjati rajjati rAyA, hayA heli hiMDaMti jv-jitt-vaayaa| dharA-maMDale dhIra dhasamasai~ dhAyA, viNA dANamegaMpi saMsAra mAyA // 19 jihA~ kavva koUhalANaMda-kaMdA, mahA-gIya-nAeNa raMjiya nariMdA / mahA-paMDiyA jattha pADhaMti chaMdA, viNA dANamegaM pi saMsAra niMdA // 20 mahA-rUva-lAvaNNa-lIlA-vilAsA, mahA-bhoga-saMyoga-saMsAra-AsA / piyA-mAya-bhAyaMgaNA pema pAsA, viNA dANamegaM pi savve nirAsA // 21 kalaze-SaTpada te maMdira giri-vivara nayara nava raNaha likkhai, dANa-dhamma-viNa dhamma sahU tima suNNau~ pikkhai / 1 xx xx xx xx te lakkhaNa samUha taM divasa nisi giNaiM, je Na jaNa-siuM hasi milaI (?) // 22 gAthA aha bahu-dANa-samAgaya-sajjaNa-rolaMba-DuMba-jhaMkariNo / tasseva kumara-kariNo, Asi sahA sajjaNo nAma // 23 so savvattha nirajjala(ma)? kumara-nariMdassa pahANa-puruso-vva / suha-asuha-kajja-karaNe, nivArio dhArio (?) loe // 24 sajjaNa- nAmeNa puNo, pagaIe dujjaNo-vi kumareNa / bahu-dANa-mANa-puTTho, jalahI jalaNaM va paDikUlo // 25

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__ [44] sakala-sarUva-suvitto, dUbhijjaMto jaNehi~ taM kumaro / navi chaMDai jaha caMdo kalaMkamasuheNa kammeNa // 26 SaTpada kammi kIu dAsatta satta haricaMdi nIca-ghari kammi haNiu haya kaMsa kesi cANUra haraNa hari / kammi rAma gaya dhAma sIya lakkhaNa vaNi vAsiya, kammi sIsa dasa vIsa bhuaha laMkesa viNAsIya / kiyA-kammi caMda sUrija naDiya, bhiDiya kammi bhArathi suhaDa, ima bhaNai Isa dIsaha disAM, koi samatha vi Na kamma bhaDa // 27 gAthA jaM vijja apatthAsI, jamuttamo nIya-saMgao hoi / taM puvvakammajaNiyaM, duciTThiyaM sayala jIvANaM // 28 aha anna-diNe rAyA, jAyANaMdo kumAra-guNa-tuTTho / disai bahu-mulla-hAraM, kumarassa gale susiMgAraM // 29 dANaM atthu pahANaM, kiM kittima-bhUsaNANa bhAreNa / ia ciMtito kumaro, hAra-ccAyaM kuNai sigdhaM // 30 iya jANiUNa turiyaM turiyagaIe sa sajjaNo vijaNaM / gaMtUNa rAya-purao, savisesaM viNNavai evaM // 31 __ paddhaDI mahArAya nisuNi vinnatiya ega, laliyaMga-kumaravara-gaya-vivega / ai-TANa-vasaNi rattau rasAla, viNa-dANa gaNai sahu AlamAla // 32 navi jANai pattApatta-bheu, jaM icchA~ Avai dii teu / viNa-dhaNa kima callai rajju-kajja, saMsArisu vallaha appa kajja // 33 jaM jIvaha vallaha hoi davva, kima kijjai viyaraNa tAsu savva / / ajjijjii aNudiNu mahAdukkhi, te mUDha na jANai jatani rakkhi // 34 // kula vijjA vANi vivega rUva, jIha viNa navi salahai koi bhUva / saba-sarisa purisajIha viNa kahaMti, jiNi asthi aNattha suvilaya jaMti // 35

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[45] ai dANihi~ bali ghalliu payAli, ai- mANihi~ kaurava-khaya agAli / ai- lobhihi~ laMkApati- viNAsa, sura-dANava-pati paya namai~ jAsa // 36 ai vajjiya devahi~ gIya-naTTa, e payaDa pahuvi gi nIi-vaTTa / jaM lahai lahu-vi para appa-bhAu, te rAya-haMsa nara guru-sahAu // 37 jaM avasari dijjai appa-dANa, taM labbhai para--bhavi phala amANa / avasara-viNa dinnau~ koDi-mAni, taM jANa virunau~ sunnarAni // 38 avasara-viNa vuTThau ghaNa aNi?, avasara-viNa milliu na bhalau~ iTTha / avasara viNa je jagi karai~ kAma, he lahai~ parisa-vara muDha nAma // 39 dahA je avasara navi olakhaiM, lakhai~ na chega-chailla / te nara-rUva nisiMga jima, ahiNava jANi bailla // 40 ima tasu vayaNa vayaNa suNavi, kuppiu naravai ema / bhAla bhiuDi bhIsaNa nayaNa, phukkiya huavaha jema // 41 kuMDaliyA citti camakkiya ciMtavai, nIi-niuNa-naranAha jovvaNae tasu putta piNa, mitta-sarisa guNa-gAha mitta-sarisa guNa-gAha vAha jima milhiya vaggihi~ magA kumagga navi gaNai navi neha savaggihi~ dhaNa-juvvaNa-maya-matta ratta visa-vasaNa nisaMkiya ima ciMtaMta nariMda nIi niya-citti camakkiya // 42 gAthA jAo harai kalattaM, vaTuMto vajjiyaM harai davvaM / x x x x x x putta-samo verio natthi // 43 hakkAriUNa kumaraM, niya-piya-payakamala.. bhatti- bhara-bhamaraM / pacchannaM puhavIso, pabhaNai mahurAe~ vANIe // 44 cAli suNi sikkha kumara naresa, tuM acchai suguNa suvesa /

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/ [46] vaDacitta vasuhA~ vIra, guruapaNi guNa-gaMbhIra // 45 taha kima vihii uvaesa, tujha diau~ vaccha asesa / jANai na tuM siu~ putta, niva-dhamma-mammaha sutta // 46 aimalina bhaNIi rajja, sahu karai niya niya kajja / jiha~ giNa puNNa na pappa, mannai ti appai appa // 47 dhaNi dhaNaha ciMtai ducitta, para bhamai~ puhavii ducitta / hiMDai ti hisimisi heli, piya-mAyaguru avaheli // 48 haThi haNai~ hasi niya bappa, koNIu jema sabappa / ji bappa hoi kubappa, jANi ti karaMDaha sappa // 49 bahu-visaya-para dhaNihi~ aMdha, piya-mAya-bhAya giNai na aMdha / jugabAhu maNiraha jema, siddhati suNiA tema // 50 piya-mAya giNai na putta, jima culaNi calaNIpatra / navi bhajja sUriyakaMta, jima haNiu niya piya-kaMta // 51 sahu-sayaNa-pariyaNa-gutta, cANakka jima sasigutta / ima rajja-kajjahi~ luddha, kuNa kuNa bhayau na-vi muddha // 52 gaya-kanna-caMcala-lacchi, sa-visesa rajju kulacchi / narakaMta-rajja-pasiddhi, suNi satthi eha pasiddhi // 53 tau vaccha eha avastha, jANai na ema vivattha / jaM rahai rayaNihi dIsa, nizciMta jima jagadIsa // 54 cAlai na caturima cAi, te turiya paDaI apAi / ima visama rajjaha dhamma, cAhIi paMDiya mamma / / 55 bahu phaliya phaliya sukhitta, rakkhIi jima niva khitta / sIMcIiM jima ArAma, navi huI tema harAma // 56 // rasAulau kosa-mUlaha~ kaliya, puhavi-pai khaMdha-liya, sua-susAkhihiM miliya, suyaNa-vitthara-valiya, rayaNa-vasu-kuMpaliya,

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[47] jasa-kusuma suM bhiliya / / nara-- bhasala-bhiMbhaliya, bhoga-phala- sauM phaliya, erisau rajja -pAyava kaliya, vasaNa- nadI-jali khalabhaliya, naravAhaNa-sua ima saMbhaliya, bhaMti sayala harihiM Taliya // 57 gAthA putta pahANo vi sayA, jai eso mahiyalammi dANa-guNo / taha vi- hu attA-sattI, tattha tumaM sohaNo navaraM // 58 savvesu sukajjesu, vi majjhattha-guNo suhAvaho [ho]i / aikappUrAhAro, mahavai kiM dasaNa-paDaNassa // 59 dahA atihi namaMtA jAi~ guNa, thaDDima neha na hoi / majjhima guNa sevaMtayA~, kuMbha bharaMtau joi // 60 aisIihi~ taruvara dahai~, ai-ghaNa-vuTThi dukAla / aidAnihi~ aNucitapaNauM, ai sahu Ala-jhamAla // 61 atihi na bhallA varasaNA, atihi na bhallA dhuppa / atihi na bhallA bullaNA, atihi na bhallI cuppa // 62 gAthA iNameva supaMDiccaM jaM AyAo vau vi viseseNa / jaha putta putta-puvvaM, pabhaNaMti visArayA evaM // 63 kuMDaliyA viNa- ajjaNa je vaya kara, viNa- sAmiya bahu rosa / aturapaNi avasara visari, jaM viyarai~ niya kosa, jaM viyara niya kosa sosa bahu karai~ ikallau, te ittara aNucitta mUrikha dhuri jANa pahillau, khajjaMtAM khaya jaMti mera mahiyara sama bahu-dhaNa, paidiNi daMDa-samANa jeu viyaraNa viNa-ajjaNa // 64 gAthA

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[48] piya mAya bhAya jAyA, jAyAi~ jaNANa tAva sammA / jA vipphurai suvittaM, viulaM viulAlae niyae // 65 vittaM pi tammi kAle, vihi-vasao vasaNaDhukkie puriso / gaya-teyaM piva puriso, paDibhAsai jaha ya iMgAlo // 66 tA putta niyaya kula-rajja-sAra-nivvAha-khama-guNaM / (suguNaM) sAhAraNaM samANaM, samAyarasu savva suhakaraNaM // 67 aha suNiya rAya-sikkhaM, kumaro ciMtai hiyaya-majhami / dhaNNohaM puNNohaM, jeNamimaM sikkhae tAu / / 68 guru-piyara-sikkhaNAo, natthi paraM amiyamiha jae pavaraM / tassopekkhA samamavi natthi paraM kAlakUDa-visaM ||69 dUhA eka niyajaNaya ani valI, sikkha dIi guru jema / saMkha anii khIrai bhariu, ika surahau ni hema // 70 amiya-rasAyaNa-aggalI0 // 71 vastu ima pasaMsiya, ima pasaMsiya, pujja piya-pAya, rAyaha~ ghari ramali-rasi, rAyahaMsa-samavaDi kumara hari, tigi caccari cahuTai ramai, bhamai khillai supari pariyari taNu viyaraNa-vasi vitthariu, puNu jhuNi tasu avavAu muhi tinhA buMThA parai, maggaNa eha sahAu // 72 aDilla maggaNa jaNa jaMpaMti kumaravara, tua sama kovi nahI~ jagi naravara / dANi dalida-DAraNa dANesara, aDhalika akala aMgi alavesara / / 73 hATaka alaveara aNupama avani anaggala acala-dANa guNavIra, jasu kara kiri aMba sadA-phala kalarava maggaNa koila kIra,

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[49] kappataru jamali huI jaga majjhihi huau su kema karIra, laliyaMga- kumara vara suNi viNNattiya samaratha sAhasa-dhIra // 74 ciMtAmaNi patthara kima tullai kaha, kima haMsakAya bhama bhullai, sAyara hoi kema chillara chali, raMka su kema tulai bhUvai bali // 75 chaMda bhUvaI bala tulai kema bala raMkaha paMka hui kima vAri, sahasakara-kari kima uppama dijjai bhaddava nisi aMdhAri, gaddaha kima nAga mmamA kama UvaTa kAyara kima naravIra, laliyaMga-kumaradhara suNi viNNattiya samaratha sAhasa-dhIra // 76 sasahara-kAra kima ghammaha uppama, amiyakuMDa kima hAlA-sama jiNavara-jAkha bihu bahuaMtara, pittala hema jema ghaNa aMtara // 77 aMtara ghaNa suyaNa anai dujaNa-jaNa aMtara sarasava mera, aMtara jima mugati mahAsukhasaMpati bahubhava saMbhava phera, aMtara jima bahu lavaNa kappUraha aMtara jima paya khIra, laliyaMga-kumaravara suNi viNNattiya samaratha sAhasa-dhIra // 78 aDila aMtara jima paMDiya-jaNa mukkhaha, aMtara jima nArayagai mukkhaha, aMtara jema dAsi kula-vahuaha, aMtara ikka ani bahu-bahuaha / / 79 chaMda bahu aMtara bahuia ikka jima aMtara baMbhaNa jima sovAga, aMtara AyAsa dharaNi jima aMtara aMtara sallari sAga, aMtara jima sAdhu ani sAvayajaNa aMtara sAyaratIra, laliyaMga-kumaravara suNi viNNattiya samaratha sAhasa-dhIra // 80 kalaza SaTpada sAyara savi jhalahalai~ calai~ java aTTha kulAcala, dharaNi dharai AkaMpa kappi kaMpai~ visurAcala / caMda navia aMgAra sUra sirajai tamabhara (?) dhArAdhara navi jharaI dharai navi sesa sayala dhara, supurisa sasatti toi navi calai~, niya-aMgIkiya-guNavaguNi laliyaMga-kumaravara vInatI eha amha vali vali nisuNi // 81

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[50] gAthA paripAliuNa suciraM, dANaguNaM guNa-dumassa mUlaM ca / kiviNa-kuDhAreNaM, kiM chaMdasi cheya chala bhatthe / 82 dhIrattaM sUrattaM suyara-kolAiesu jIvesu salahijjai kiM na puNo, dANaM doghaTTa-rAesu / / 82 yataH sUrosi paradala-bhaMjaNo si guruosi bhaddajAusi / dANeNa viNA suMdari, na sohae daMta nikkaraDI / / 84 (bhaddakule uppanno, uttuMgo raay-baar-sohnno| dANeNa viNA suMdari, na sohae daMta nikkaraDI // 85 uDDAha-tiriya-bhuvaNe, kittiM paripesiUNa dANeNa / saMpai saMpai-luddhassa, kovi tuma pagai pallaTTho // 86 saMgaha-paro samuddo, rasAyalaM pAviUNa sNtuttttho| dAyAro puNa uvari, gajjai bhuvaNassa jalaharo // 87 evaM nisamma kumaro, dUmiya-hiyao haovva bANeNa / maggaNa-muha-kodaMDaya-niggaya-avavAya-rUveNa // 88 ciMtai hA kIsa ahaM, paDIo khalu vaggha-duttaDI-nAe / ahavA kiri sappeNaM gahiyA chucchaMdarI vva jahA / / 89 / / aha gilai gilai UaraM0 // 90 ikkatto ruai piyA, annatto samaratUranigghoso / pimmeNa raNa-raseNa ya, bhaDassa dolAiaM hiyayaM // 91 dUhau bharau~ ta bhArI hoi, Adhau~ karau~ ta jhalahalai / bihu~ pari visamau~ joi, navi letI navi melhatI // 92 paddhaDI citavai kumara niya citti ema bihu~ gami guru-saMkaDi karau~ kema, ikkai disi naravai-ANabhaMga, ani-vi disi viNasai kitti caMga // 93

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[51] bhaMjai je bhujavali bhUva-ANa, khaMDai khala khitti je gurua-mANa / chaMDai chali chottie kulaha nArI, viNa-satthi kahijjai tinni mAri / / 94 AjJAbhaGgo narendrANAM0 // 94(a) piNa kijjai kAraNi ucca kajja, jiha karatA~ nAvai loya lajja / sakkara khaMtA~ nai paDai~ daMta, tiha~ jaDiya na mUlIya maMta taMta // 95 jiNi pasaraI cihu~ disi cAya-kitti, tiNi vaMchai mUDha su kuNa akitti / jaMdANa bhaNijjai jaga-pahANa, tihi karai kisau~ nararAya ANa // 96 jaM ditA~ hoi suhu au(i?) amha, rUsau jaNa dujjaNa karau namma / khajaMta diyaMtA~ jAi lacchi, sA jAu sujinI vali na pucchi // 97 ima ciMtavi cAliu catura kumAra, dii puNaravi dutthiya dANa-sAra / dhaNa kaMcaNa kappaDa ai apuvva, jaM caDai hatthi taM diyai savva // 98 * jaM jIvaha jArisa sahaja bhAu, navi milhai~ te tima niya-sahAu ukkAliya jala jima sIya hoi, jagi nahIM sahaja paDiyAra koi // 99 jai vAsa sayaM govAlIyA, kusamANiya baMdhai maaliyaa| tA kiM sahAva-dhiya-gaMdhiyA, kusamehi~ hoi sugaMdhiyA / / 100 paddhaDI ima jANi vali kupiu naresa, diddhau DasiAhari tasu videsa / rakkhiya rosaggali rAya-bAra, jiha~ huMtau aNudiNa navi nivAra // 101 vastu kumara pikkhiya kumara pikkhiya rAya kupasAya, ciMtai ima niyaha mani, karau~ kema aha mANa-kajjihi, jau Aiya mujha vasaNa, navi kAvi nahIM mujha Iha rajjihi, aviNaya anayattaNa rahiya, jai emusuNa dosa (emvai~ puNa?) lau mai~ iha rahivau~ nahIM, Ai na hoi na josa? // 102 gAthA vAhi-dalidda-malinnA, vi mANa-vasaNAgame maNassINaM nanattha suhaM sayalaM, desaMtaraM-gamaNa-vimaNANaM / / 103 yataH dIsai vivihaccariyaM / / 104

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[52] paddhaDI calliu kumara nisi ema ciMti, kamalujjala-komalakAya-kaMti / pakkhariu pavaNa-java vara-pavaMga, tasu uppari AsaNa-ThANa-raMga // 105 caDi calliu caMcali turaya-vega, maNa pavaNa suyaNa bala hUa anneg| dii deviya devI vAma sadda, laliyaMgakumara tumha hoi bhadda // 106 bhairava bhaya vArai dahiNaMgi, civariya catura paNi cavai aNgi| rAyA rAyattaNa kahai vAma, lAliya savi TAlai veri ThAma // 107 dAhiNi disi hui haNumaMta hakka jANi ki jaya kumara payANa-Dhakka / sAraMga nAma bahu attha hoiM, te sayala sabala dAhiNai joi // 108 haNamaMta hariNa cAtaka cakora, baga sArasa sAraya haMsa mor| sAvaDa suNaya-vi bhalA ea, jima-bulliya Agama-graMthi jea||109 kari kariya kumara karavAla mitta, je sabala sayA ujjoya-citta / bhaya-bhIDaI sArai bahu a kAma, jiNi kari sUrattaNa lahai nAma // 110 te samaratha sudaDha sahAya eka tasu vala-dali calliu kumara chek|| tasu gamaNa maNiMgiya buddha jAma, sajjaNa puNa puTThihi thiyau tAma // 111 appA guNa dosa muNai sa appa, jima bujjhai sappa hatthi siNa sappa / tima sajjaNa dujjaNa niya-suhAiM, supurisa sacchaha chiNa-kaccha chAi // 112 uttama navi karai viyAra ema, para-appa-vigati navi rosa pema / sama-sattu-mitta uttama caritta, sama-visama-samaya para-kajji citta // 113 dahA sajjaNa atihi parAbhaviu, manihi~ na-ANai DaMsa / chediu bhediu dUhaviu, madhurau vAjai vaMsa // 114 uvayAraha uvayAraDau, savvaha loya karei0 / / 115 __ SaTpada navi jaMpai paradosa appa para-jaNu-guNa vaccai~ dhaNa-juvvaNa-guru-mANa-dANa-mANihi~ navi maccai~ appa dharai~ saMtosa tosa mannai~ para-riddhihi~ parapIDai parajalai~ Talai~ para kUDa kubuddhihi~ uvayAra karai~ uvayAra viNa, appa pasaMsa na niMda para,

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[53] ima bhaNai suttamuttAvalI, erisa, supuri[sa]-cariya vara // 116 gAthA supurisa-cariya pavitto, kavaDujjhiya-sattu-mitta-sama-citto / aNugaya-vacchallAo, na nivArai taM tahA kumaro / / 117 jaM jeNa kiyaM kammaM, anna-bhave iha-bhave suhaM asuhaM / taM teNa bhoiavvaM, nimitta-mittaM paro hoi // 118 aha teNa kAraNeNaM, kumaro pucchei tamaNugaya-bhiccaM / sAhasu suha-paMtha-kai, kamavi kahaM savaNa suha-heuM // 119 tA jhatti suyaNa nAmo, niya sahaja-guNAu viyariya-virADo / jaMpai kaha deva tumaM, ki pi varaM puNNa pAvAo // 120 tA sahasA laliyaMgo, vimhiya-hiyao suvajjarai evN| re muddha mUDha tumae kiM bhaNiyaM bhuvaNa payaDamimaM / 121 abalA-bAla-guAlaya-hAliya-pamuhANa jaM phuDaM loe / jaM dhammAu jau puNa, khau tahA Nava pAvAo // 122 dahA suyaNa payaMpai sacca puNa, je mUrikha deva (?) / piNa dhammAdhammaha taNAM, kahi kima jANai bheva // 123 kumara bhaNai suNi re suyaNa, vayaNa abhiya mi mujjha / jaM tujha Agali phuDa kahau~, dhammaha eha ji gujjha // 124 jIva-dayA jiNa-dhamma puNa, uttama-kuli avayAra / suha-guru-caraNakamala valI, dullaha rayaNa ciyAri // 125 puNya-hINa je jagi purisa, puNa navi pAmaI eha / rajju riddhi sahu suaNajaNa, rUva-ramaNi guNa-geha / / 126 sacca-vayaNa guru-bhatti puNa, nai dutthiya-jaNa-dANa / dhamma eha jiNavara taNau, bahu-phala phalai amANa // 127 yataH dhammeNa dhaNaM va 0 // 1281 1. 129thI 151nI gAthAnA pUrvArdha sudhIno khaMDa nthii|

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[54] dvitIya adhikAra (1xxx -254) lalitAMga-sajjana-pApa-puNNa-prazaMsAbhivAda-lalitAMga-dukhAvasthA-varNana .atthamaNa mattha divasa blo| rayaNabala vasagga suddA, avi tArA vipphuraMti jae / / 151 samaya-valAo kAle, ahamma-karaNaM suhAvahaM hoi| tassa balAbhAveNaM, dhammo'rammo hui asukao // 152 aDillamaDillA dhammavaMta tua eha avatthaha, chaMDi kumara tiNi dhamma vivatthaha / samaya eha tua karaNa ahammaha, ajji bahula dhaNa karaNa ahammaha // 153 kumara bhaNai suNi suyaNa supAvaha, vayaNa suNau~ navi eha supAvaha / vali vali bulli ma aliya supAvaha, jaM dhammihi khaya jaya puNa paavh||154 dhamma karatA~ jitta na hoi, ji tiha~ aMtarAya phala koi / kiM na hoi khajjaMtA~ sakkara, dasaNa-pIDa vici Avii kakkara // 155 nAya-sarisa ajjijjai lacchI, taM niyANi jima hoi kulacchiya / paratiya-pema jema jasu ajjaNa, kula-kalaMka avajasa jaNa lajjaNa // 156 sunnarAni-rUnau~ kuNa kajjihi~, kajja ki kaliyali kijjihi / gAma-buDDa nara pucchau koi, bhaMjaI vAya nAya guNa kei // 157 jau ima kahai puNa jagi rUDau~, tau tai lavIu~ sahU jaM kuudduN| tAsu pAva chuTTaNa chala dakkhau~karisi kisuu~ paNi jhuNi tua akkhuN||158 suyaNa bhaNaiM suNi naravara-vaMdaNa, amha vayaNa sIyala jima caMdaNa / bhallau~ bhaNiu~ mujha paNa ima jAMNau~, huM sevaka iNi bhavi tuM rANau // 159 jai vivarIya vayaNa iha sAmiya, tau tuM nicca bhicca huM sAmiya / ima vivadaMta patta ika gAmihi~, bhuMcha loya phala haNiya kuThAmihiM / / 160

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* OM 3 [55] kAMyAI bolItau te tiNi sthAnaki beu AvyA, te bhuMcha lokA~ mani na suhAvyA kahau udezana pUchA~ kAMI eka apUrva vAta bhalau~ siu~ puNya kiM pApa // 161 aDillAI mizra bolI tau te bolai~ bhuMcha muchAlA, mANasa rUpi jANi kari chAlA / kahau bApa kisiu~ mAgu jApa aha siu~ jANau~ puNya kai pApa / 162 atha sUDa mhai karasaNa karA~, khetra pANI-su~ bharA~. kAsa bAlA~, DuMgari dava parajAlA~, vAlarA~ vAvA~, ghaNA dina ku~ lUNI tavAvA~, bhaisi cUSA, bolA~ gADhA~, jimmA kaddana tADhA~, moTA draha talAva sosA~, bilAi kUkara posA~, Dhora cAroM, sApa mArA~, vaDa-pIpalA bhakhA~, lUNA~ nIlA~, karA~ sUDA bolA~, kUDa gAMDA vAhaNi khaDA~, anaDa saMDAdika naDA~, ApA paNI kSetra pAlA~ kAji jhaMbi jhaMbi paDA~, madhumINa saMcA~, vAchaDAM pADA~ dUdhi vaMcA~, 11. sAMDa gAi-taNA karNakambala chedA~, te bayali hali gADai~ vAhaNi bhAra-su~ gADhA~ khedA~, kusi kuddAla hala hathIyAra vahA~, rAti dIha kheta khale mAle rahA~, 13. pIyA~ para dhala chAsi, vasA~ ApaNai sAsi, 14. dharamau ku~ na jANA~ nAma, karA~ sadA kAma, . . khAu~ khIca, Talai ghA~ca, ima sukhai bharA~ peTa, mhA~ki pUchau re bholA~, pApa-puNya-kI neTa // 163 // ) & gAthA ia nisuNiUNa kumaro, pAmara-vayaNAi~ arudd-brddaaiN|

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[56] ciMtai aho kimevaM, purao eANa jaM nAo // 164 jaM puNNa-pAva-lakkhaNa-lakhaNa rahiyANa naaypddivttii| taM kaNaya-bhalla-bhallI, jaMbAle joiyA vihiNA // 165 jai bahu araMsu tillaM tA kiM lippei girivare mUDho / jai bahuvIyaM sagihe, tA kiM ko Usare vacai // 166 jai caMdaNaM ghaNaM, tA kiM koi dahai kadanna-vAgassa / jai khIraM bahuaaraM, pAijjai kiM bhuaMgassa // 167 (jai) kaNaya-rayaNa-mAlA, tA ko baMdhei kAyakaMThammi / jai bahu-duggala payaro, kiM kijjai vADi-parihANaM // 168 kiM bahu-buhajaNa-nAo, jai kijjai mukkha-pAmara-jaNehi~ / tA vuccattaparattaM, jAyaM uvahANayaM saccaM // 169 dUhA jihi~ kappiya kappUra-taru, kijjaI kayaraha vaaddi| sahiya ti nigguNa-desaDai~, kiM na paDai nitu dhADi // 170 jihA~ lIlA kAeNa-sa~, koila kalirava mor| sahiya ti nigguNa-desaDai~ kiM na paDai nitu cora // 171 jiha~ mayagala-maya-matta-sama, kArijjai khara-kajja / sahiya ti nigguNa-desaDai~, kiM na paDai ghaNa-vijja // 172 jiha~ samasari tolai tulai~, kaNaya kpaaskpuur| sahiya ti nigguNa-desaDai~, kima uggai nitu sUra / / 173 jiha~ koila-kulakaliyalaha, karai ti kAya parikkha / te vaNa vaNadava kavalisuM, kavaliya kiM na sarikkha // 174 gAthA iya ciMtiuNa kumaro, jAvaliuM turiyaturayamArUDho / tappiTThi-saMThio puNa, sagavvameyaM bhaNai suyaNo // 175 vastu : tava payaMpi tava payaMpi suyaNa suvahAsa,

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[57] kAsu jala kitti vara, kumara sacca dhaNa dhamma kAmiya, dhammapabhAvihi~ sahu valI. rajja-riddhi tai~ turIya pAmiya, milhi turaya mujha huu turiya, sevaka ji Ajamma, kumara bhaNai siu~ re valI huai~ uvariA kamma // 176 dUhau rajja ramA rAmA sudhaNa pANaha-suM jai jAi~ / tau paNi vAcA ApaNI, supurisa UraNa thAi~ // 177 SaTpada vacani chaliu balirAu vacani kurava kula khoyu. // 178 dUhau gaya ghoDA thoDA nahIM, raha pAyaka bahu saMkha / ghaNIvAra iNi jIvi saha pAmyA vAri asaMkha // 179 gAthA zrI upadezamAlAyAM pattA ya kAmabhogA0 / 180 jANIya jahA bhogiMda saMpayA0 / 181 paddhaDI ghoDAnuM kahi suM gajauM mUDha, saMbhalai vatta jai bahu-a gUDha / iNi jIva aNaMtIvAra eha, pattAM dhaNa juvvaNa sayaNa geha / 182 naha daMta maMsa kesaTThirattaM, girimeru sarisa iNi jIvi catta / himavaMta-malaya-maMdara-samANa, dIvodahi-dharaNi-sarisa-pamANa // 183 AhAri na puTThau jIva ehi, bhavi bhavi bahu pari nava-navai dehi / thaNa-khIra-nIra piddhAM jakevi, sAyara sari sariya na pAra te vi // 184 bahu kAmabhoga sura naravilAsa, kevalI na jANai pAra tAsa / kiNi kAraNi tau dukha dharai jIva, bahu paDiya avasthA hoi kIva // 185 gAthA jaM ciya vaiNA lahiyaM0 // 186 pandraDI

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[58] saMpai jasu harisa na hoi citti, vihaliya-velA~ navi sogaditti / raNa saMkaDi lii navi puTThi ghAu, jaNaNI jaNi parisa purisa-rAu // 187 dUhau jiNuNA jiNA ma gavva kari0 // 188 sIhiNi eka ji sIha jiNa cha0 // 189 paddhaDI liu suyaNa turaMgama eha tujjha diu deva seva-Aesa mujjha mujha jAu mala jima sahu asAra, rahu rasa jima sama-dama-satta-sAra // 190 ima kahiya su appiu turaya tAsu, puTThihi~ thiu kumara su jema dAsa / callaMtau caMcali caDiu soi, haThi hasaiti pacchali joi joi / / 191 milhaMtau je navi puhavi pAu, bisatu bahua-vici-jamali raau| pahiratau paTaMbara pavara cIra, suhasayaNa seja vAmaMga vIra / / 192 mANasu aDAgara bahua pAna, gAvatA~ sugAyaNa gIyaMgAna / karatA~ bahu-maggaNa jaya-susadda, vajjaMtA Dholla-nIsANa-nadda // 193 caDatau varacaMcalatara-turaMgi, naccaMtA~ niuNa nava patta rNgi| cAlaMtA~ caturatara patti-ghaTTa, hIsaMtA~ hisimisi hayaha thaTTa // 194 tiga-caccari-cau vaTa-jUa-ThAmi, ima ramatu je lai kumaranAmi / te pisuNa-puTThi pulatau palAi, jaM karai daiva su ji hoi joi / / 195 SaTpada yataH-kiNihi kAli vara turaya milhi caDIiM sukhAsaNi0 // 196 gAthA aNudhAvamANa-kumaraM, magga-samAvesa-seya-mala-vigalaM / paccArato pai pai, pabhaNai suyaNo puNo evaM / / 197 kiM kumara tae diTuM paccakkhaM dhamma-pakkhavAya-phalaM / to ajja--vi caya cAhiya, dhammassa kayaggahaM vihalaM // 198 vaMcasu loge vahabaMdhaNesu mA kuNasu kivaM kivAluvva / no asthi katthavi tumaM, ko anno jIvaNovAo // 199 -

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[59] tA jhatti kumara- rAo jaMpai re duTTha dhiTTha pAviTTha / tuha sajjaNAbhihANaM, abhiyakkhA jaha visasseva // 200 kiMcevaM ducchuddhi, ciMto vaha-baMdhaNAIesu punno| vAhAo-viya ahio, pAveNaM jaha suyaM loe / / 201 pAvassa kAragAo, suniMdaNijjo kubuddhi-dAyAro / ittha kahemi kahaM so, suNai suimaM savvahA suhiyaM / / 202 jaha kovi vaNe vAho, knnnnNtaakitttth-didddd-kodNddo| ghAyagga-gayAe puNa, hariNIe patthiyo evaM // 203 khaNametta meva ciTThasu, vAha vayAmatti tAva niya ThANe / lahu-lahua-apaccAI chuhAe bAhijjamANAi~ / 204 tesiM thaNa-pANamahaM, kArittA jAva tua samIvammi / no emi tao paTThA, puNaravi teNeva vAheNaM / / 205 jai no jai esi tao, kiM tA baMbha-tthIya-pamuha-vaha-jaNiyaM / pAvaM pavaNamANA, no mannai taM tahA vAho // 206 tA puNaravi sA hariNI, jaMpai no emi jai tau suNasu / vIsatthassuvaesaM, jo dei, naro ahiya-kAraM // 207 pAveNa tassa turiyaM lippAmi putti sA gayA turiyaM / niya-vayaNa luddhA, samAgayA puNa bhaNai evaM // 208 chuTTAmi kahaM supurisa, tuh-baann-phaar-maar-vaaraao| to luddhau viciMtai, kiM eyAe purA bhaNiyaM // 209 vIsatthAe imAe, pasu nihaNi jaM ca demi kuvaesaM / tA pAvAo pAvo chuTTemi khN....||210 catubhiH kalApakam / ia ciMtiUNa vAho, vimhiya-hiyao payaMpae evaM / bhadde maM dAhiNao, gacchasi tA gaccha... ... // 211 evaM tahatti bhaNiyA, gayA gihaM so-vivaah-avyNso| tA tujjha kahemi imaM, kiM desi kupAva pAvamaiM / / 212 iti hariNI-dRSTAntaH / /

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[60] cAli ika-nIkkAraNi eka, ai-karai~ pAva anek| hiMsaMti jIva aNAha, te husai~ kema aNAha // 213 jaMpaMti ika bahu kUDa, te hui duh-giri-kuudd| haThi hara para-dhaNa lobhi, lajjavi appa-kulobhi // 214 lopai~ ti laMpaTa zIla, tiha~ kisiya niya-guruzIla / ai-karai~ bahu AraMbha, tiha~ dharai~ dhuri saMraMbha // 215 mani dharai~ bahua kasAya, tasu chehi kaDua kasAya / vaMcai ti piyagurumAya, jasu mAya kiha~ navi mAi / / 216 ima achai~ bahuara pApa, jIha~ taNau kali bahu vyApa / na kara ti kAraNi dharma, jodii savi ziva-zarma // 217 achai nigguNa deha, tasu taNau lAhusu eh| kijjai ji para-uvayAra, saMsAri ituM sAra / / 218 vihaliya vivihi vasi sAhu, navi karai kamma asAhu / chahapIDa-pIDiya-haMsa, navi karai kIDiya hiMsa // 219 kApurisa kuvasaNa kUDi, lijjai su lahu pr-kuuddi| chali chalai koi na cheka, sujilahai dhamma-viveka // 220 suNi suyaNa saccaha sAra jagi dhamma ikka ji sAra / navi muNaiM gAma gamAra, tau dhamma siu~ ti asAra // 221 mahu mahura dADima dAkha, bahu--phaliya suma saya-sAkha / tiha~ karaha gaya muha moDi, tau laggasiu~ tiNi khoDi // 222 SaTpada bahirai~ gIya navi suNiu bhamara caMpaki na baiThThau, sola kalA-saMpanna caMda aMdhalai~ na ditttthu| kara-hINa. paMgulai~ kaDhiNa kodaMDa na tANiu, taruNI-kaMTha vilaggi tuMDa-rasabheya na mANiu /

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[61] kiva haNi kujANa - kuvilakkhaNaha, kaviyaNa jANai~ jaM na maNa / ima kahi gadda guNavaMtayaha, jaga- uppari kima jANai guNa // 223 cAli ikka dhamma avihas mitta, jasu suhiya nimmala citta / jiha~ thaku hui subhadda, nidIi te kima bhadda // 224 ima suNiya niva sua-vayaNa, tava suyaNa vihasiyavayaNa / bullai ti bola kubola, jANi kiM paDai giri-Tola // 225 dIsaMti tua bahu bhadda, saMpai na milhasi vadda / jai mUDha tuM navi hoi, pahANa saccau~ soi // 226 jaha kevi gAma - gamAra, jaNaNI- bhaNiu ikavAra / gahiyattha kahamavi putta, milhaviu navi kula- putta // 227 abhayA jaNaNia pucchi vilagau~ ti saMDaha pucchi / kari dhariya niya-bala-mANi, tiha~ loya miliya amANi // 228 tasu matta-latta - pahAri, paDiyA su daMta vicAri / milhi na puccha sahUDha tima tuma - vi hoisi mUDha // 229 kulaputrakathA pucchai suyaNa kahi deva, siu~ karisi paNi puNi heva / viNa nayaNa - kamala na atthi, tua kiMpi satthi suatthi ||230 amarisa - bhariyaha tI vayaNi, hiM kumaravara tINi / tasu vayaNa aMgikAra, kiya jema karavata-dhAra // 231 paDivanna vAcAvIra, laliyaMga sAhasa-dhIra / suha suNa ikkihiM gAmi, pannau ti sAkhA - nAmi // 232 bhaviyavva-kamma-niyogi, pucchai ti gAma niyogi / puNa kahiu tima tiNi vAra jima puvva-gAma-gamAra // 233 aha caliya puNa dui maggi, jaMpii suyaNa tasu aggi / suNi sacca kumara nariMda, tuM puhavi jANa ki iMda // 234 bahu sacca sIla nihANa, tua samau jagi koi na jANa / niya- appi appa nihAli, paDivanna vAcA pAli // 235

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[62 ] ullaMTha vayaNihi~ tAsa jhalahaliya teya-payAsa / jiNa sANa ghasiya kavANa, dippau sukumara pahANa / / 236 tasu ramma raNNaha kUli, lahu jAi vaDa-taru-mUli / bhua-daMDa ubbhavi bevi, vinavai kara joDevi // 237 vastu kumara jaMpai kumara jaMpai, suNau sasi sUra, vaNadevati savi suNau, suNau tAra gaha-gaNa viNAyaga, dhamma eka jayavaMta jagi, dINa-duhiya-jaya-jaMtu-nAyaga, tAsu kajjihiuM niya nayaNa, vayaNa virAma visesa, bijjau~ bhaya-tama-pamuha navi, kAraNa kiMpi asesa // 238 cAli ima kahiya rahiya kurosa, giNatau na sajjaNa dosa / romaMca-aMciya gatta, jANi ki pamoyaha patta // 239 kaDDiyasu kari karavAla, ahiNava ki vijja jhamAla / uppADi tiNi nIya nayaNa, diddhaM, sahatthihiM suyaNa // 240 siri nAsa phullaviyAsa, tua dhamma dummaha yAsa / aMdhatta kala bahumANi, kiya kamma taNai~ pamANi // 241 paccAri ima te duThTha, laliyaMgakumara visitttth| giu turiya turayArUDha, kiNi disihi disi vA mUDha // 242 dUhA aha ciMtai niya-maNi kumaru nayaNa bAha-bahu-ruddha / phiTa re daiva kisu~ ki au~ jaM evaDa duha diddha // 243 rajja-bhaMsa raNNihi~ vasaNa, nicalaya(?) cakkhu-viNAsa / evaDa duha kima sahisi re, hiyaDA phuTTi hayAsa // 244 choTaDA dUhA ima jANIi piNa kIjai kisuuN| jai joIi tu ApaNau~ karma isau~ // 245

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[63] tau ima jANI- nai rahIi sNtosiN| je suha saMtosai~ te nahI~ bahu sosai~ // 246 cAli ima ciMti citti kumAra, rUpihi~ ki ahiNava mAra / navi karai eha vivattha, muM paDiya isiya avattha / / 247 pahiratu je paTakUla, te vasai vaNataru-kUla / mANatu jasa varapAna, kari dharai te vaDa-pAna / / 248 jasu veNu vINasurAva, te suNai pakkhiya raav| karatu kutUhala-keli, su ji phirai vici vana-keli // 249 dekhatu nATaka-raMga, dekhai na te niya aNg| caDatu ji caMcalivAhi, tasu aMgi Ahi ki vAhi / / 250 karatu ji kara karavAli, te karai kari karavAli / sUtau ji seja-palaMka, su ji raDai jima jagi raMka / / 251 ramatau ji haya- vAhiyAli x x x x x bisatu cAuri caMgu, bisai su taru-saTTaMga / / 252 vajjaMtA Dhulla mRdaMga, su ji paMDu paMDu mRdNg| suNatau ji jaya jaya bulla, su ji suNai vAyasa-hulla / / 253 jasu mANa ditu bhUpa, su ji cakkhu hua maru-kUva / / ima dukkhi duhilau hoi, laliaMga nayaNa-vijoi // 254 iti zrI vidyA-kalpa-vallI-mahAnanda-kanda, praNatAnekarAya-vajIra-nara-nAyaka-mukuTa-koTi-ghRSTa-pAdAravinda zrI--zrIbhAlIvaMzAvataMsa, aneka-suviveka-cheka-chatrAdhipati-mahAnarendra-kRta-prazaMsa kUrcAla sarasvatI birudadhara, puraSa-ratna-vara SaTdarzanIgurvAzAkalpitAnalpa-dAna-kalpa-druma, agaNya-dAna-puNya-prasAranirjitAzeSa bali-karNa-vikramArka-bhoja-pramukha bhUpAla,

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[64] zrImadarhaddevagurucaraNa-tAmarasa paricaryA - marAla, malikarAja zrIpuJjarAja-kArite, saMDesaragacche, zrI IzvarasUri viracite puNyaprasaMsAprabaMdhe, prAkRtabaMdhe, zrIlalitAMga-caritre rAsakacUDAmaNau, zrIlalitAMga- sajjana pApa-puNya - prasaMsAbhivAda - lalitAMga- duHkhAvasthAvarNana prakAro nAma dvitIyo'dhikAraH // 2 //

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[65] tRtIya adhikAra ( 255 - 350 ) lalitAMgakumAra- vipaduccha- puSpAvatI- pANigrahaNa - rAjyArdha - prApti-varNana gAthA iha duha- dutthAvatthA - naipUri nichuTTamANaso kumaro / citai aho kimevaM mama dhammarayassa saMjAyaM // 255 taM ceva suyaNavayaNaM, kaha supamANaM vaDaM jugaM me vi / na uNo nAyaM siddhI, kaiM tariyA havai dhamme // 256 jaha aMgamala visuddhI, khali-tillayA - pamuha - vatthu - satthehiM / kijjai puvvamapuvvaM, tara tasa dhammassa dhuvasiddhI // 257 dhiddhI me mohamaI, jeNerasi ciMtaNaM vilomassa / dhammo dhuvaM jagattiya jaya heU tannahI hoi // 258 dUhau rUsau sajjaNa hasau jaNa, niMda karau sahu loi / jiNavara - ANa vahaMtaDA~, jima bhAvai tima hoi // 259 gAthA ia niamaNo suveragga-saMkaliyAe nijaMtiUNa puNo / calamaghuDu-vva kumaro ai- vahai vAha bahula - diNaM // 260 rAsava saMjha - samaya su pahuttau, tihi~ itthaMtarihi~ / tasu duha duhiya ki giu ravi, pacchima-aMtarihi~ / niya - niya-nIDa- nilINa ke puNa mahAsarihi~ pakkhiya savi kaMdaMti sujaMta mahAsarahi~ // 261 dahadisi huI ki tiNi duhi, kajjala-kAla- muha tAraya- gaNa dujjaNa jaNa dakkhai appa - suha / paramiNi-saMDa visaMDiyamANa ki piya virahi

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[66] mahuaru-misa-visa gilaI, ki suhamaraNa- virahi // 262 caMdanaMda cirakAlasuryaNihiM rAyatu a kumaNi di AsIsa ti viha sIya jalahi sua / sasa saMbara sIyAla susaddihiM gayaNadhaNa gajjai nisi aMdhAra ki Aviya ghoraghaNa || 263 lahu lahu dhaMtasudaMta ki sasaharakarapasara dIsa dIsaha jANi ki bhaMjaI karapasara sui vimalaNi aMgaviraMgihi niyasuvaNi bahu phala phaliya subahuara taruara vINavaNi // 264 bhASaNa tiNi prastAvi te lalitAMga kumara, abhinavau tINi vani jANi ki bhogi bhramara // jima lavaNarahita rasavatI, chaMdo rahita sarasvatI // gaMTha-rahita gAna, artha-rahita abhimAna // guru-vihIna jJAna, yoga-rahita dhyAna // lAvaNya- rahita rUpa, jala-rahita kUpa // deva-rahita prAsAda, rasa- rahita nAda // nAzikA -rahita mukha, puNya-rahita sukha // ucchava-rahita ghara, guNa-rahita nara // dayA - rahita dharma, kAraNa rahita narma // dAna-rahita dhana, tima dRSTi-rahita kumara jANai te te havauM apUrva upavana // 265 te vana kehuM apUrva chiI ? SaTpada aMbu jaMbu jaMbIra kIra kaMthAra karIraha kAluMbari kRtamAla kauThi kevaDi kaNavIraha || kadalI kiMsua kamala kiMba kalhAra ki bhaNIiM khIraNi khIra khajUra khIrataru khArika suNIiM //

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[67] gaMgeTi gulla giriNI gurua, jAhi jUhi jAI-phalai~ jAsUaNa jhIMjha bahu jhADi tiha~ bhayaha bhIya rakkira Tala' / / 266 TiMbaru tAla tamAla tAra tAlIsa tagara puNa dADima damaNau devadAru dakkhaha maMDava ghaNa // dhAmiNi dhava dhAhuDI dhaneDa bahunAmihi~ taruvaru nAga sAga punnAga caMga nAriMga su-phala-bhara / / paDDalaya pArijAtaka pavara, piSphali piMpali sAkhi sahu phophali suphAMgi-kUDa phaNasa, bala bIli bori bAuliya bahu // 267 bIjaurI bahuphalI bhaMga bhallAtaka bhaMgiya mirica mayaNahala marua muMja mahu muruDA siMgiya / / rAiNi rohiNi rayaNisAra rattaMjaNi rAsami caMpaka cAru lavaMga hiMgu haraDaI sami sIsami / / vaDa varuNa vaula vaula siriya, kiri vasaMta saMpai~ variya navanavai bhAri vaNasai tihA~, bahua su-phala-phullihi~ bhariya // 268 cAli ima bhamai te vaNasaMDa, maya-matta gaya vnn-sNdd|| bahu vAgha vi ruhua sIha, tiha~ phirai akala abIha // 269 tihA~ ghUa ghU ghU sadda, suNIi ti kinnara-nadda / vAsaMti mahu-ravi mora, kala kIra catura cakora // 270 koila su-kalaravi rAga, Alavi paMcamarAga / ahiNava ki varasai meha, saMbharai paMthiya geha // 271 mahamahai malayasu-vAi, bahu-gaMdha caMpaya jaai| giri jharaI nirjhara vAri, jANIi sara taravAri // 272 ima thuNi vaNi laliaMgi, bahu rayaNi vdd-tiidd-sNgi| suttai suNiu nara-sadda, bhAraMDa-pakkhi-vivadda / / 273 paddhaDI itthaMtari tasu niggoha-ThAmi, bahu miliya pakkhi bhAraMDa-nAmi /

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[68] annonna cavai te mnnua-bhaakhi| niya-niya-mAlai Thiya vaGa-su-sAkhi // 274 kachu diThau~ jaM jiNi ai-apuvva / koUhala kiMpi suNiu ti savva / / tasu majjhihi~ bulliu ikka pakkhi / savi suNau ti kaliyala sadda rakkhi // 275 jaM kahau~ vatta apuvva ea mai~ diTThI jaNa muhi suNiya jea / ima suNiya te-vi nipphaMda-nayaNa hua suNai~ savva tasu pakkhi-vayaNa // 276 aha acchai amarAvai-samANa disi puvvi apuvva su-nayari-ThANa / gaya-kaMpa-caMpanayari hi~ pasiddha bArasama su-jiNavara jiha~ su-siddha // 277 tiha~ dhamma-nAi-niuNegarajja sAhasiya sUrasuMdara sakajju / vihi-diddha siddha saccattha-nAmi rehai ni-rAya jiyasattu-nAmi // 278 guNadhAraNi dhAraNi nAma tAsa bahurUva-kala tu-kalA-nivAsa / tasu puttiya pupphAvai su-nAma piya-mAya su-pariyara pema-dhAma // 279 rUpihi~ kari jANi ki raMbha eha nava-vesa kalAgama-guNa-sugeha / bahu-bharaha-bhAva-saMgIya-sAri sAraya kiM manAvI tINi hAri // 280 ika jIhi su-kaviyaNa tAsu rUva vaNNavai vibuha bahu-sama-sarU va /

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[69] taM taha-vi tAsu siMgAra vesa vaNNavi suvisesi hi guNa asesa // 281 aDilla jasu kama-kamala vimala-kamaluppama uru Uratthala raMbha-thaMbha-sama / taNutaru-sAha bAhu kimi dippai miu miNAla macchara-bhari jippai // 282 gaganagati (= harigIta) jippaMti kaNaya ki kuMbha thaNahara hAra nimmagi sohae kaDi-laMka kiri hari kaNaya-kiMkiNi--nAdi tihuaNa mohae / majjhaMga khINi ki pINa uravara bhamara bhogi ki bhaMgiyA / bahu hAvi bhAvi ki ramai nava-rasi navala pari nava-raMgiyA // 283 vadanaka rimijhimi rimijhimi neura-saddahi~ kiri aNaMga nissANa vinaddahi~ / calaMtI caturaMga camU- bali maMDai mayaNa mahA-rasi rai-kali // 284 kaliyalai koila jema kalarava haMsa-gai maya-loaNI kalakIra nAsA-vaMsa nirupama kusumasara-bhara-bhoiNI / dippaMti ahara pavAla-kuMpala dasaNa dADima-paMtiyA muha-kamala vimala ki puNa sasahara kamala-komala-kaMtiyA // 285 kara asoga-nava-pallava-samasari kuMkuma-karala-lola aMgula vari / kararuha kaMti tatvatara taMbaha sama sarIri karavIra ki kaMbaha / / 286 gaganagati (= harigIta) karavIra-kaMba ki kaMbu kaMThiya savaNa sara hiMDolayA / calavalaMti kuMDala caMda-ravi-jima pahiri pavara su-colayA / kaDi kasaNa kaMcua kavaca kAma ki bhamuha guNa-kodaMDIyA tiNi vedhi sarasari samari suranara kavaNa kivaNa na khaMDiyA // 287

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[70] aDillA veNi-daMDa visahara kiri vAsuki hari-vAhaNa-bhaya kiya-nava-vAsa ki / bharaNi-bhUa-bhaya-bhIya ki sasahari sAmI-saraNa liddha jima sasahari // 288 gaganagati (= harigIta) hara-hAsa kuMda kapUra vi hasiya hasiya lahu nava-juvvaNA tia tikka tikkha kaDakkha caMcala caDiya cAvAsavvaNA / siMgAra-sAra suvesa-sajjiya jANi suravai-suMdarI lahu samarasIha-kisora kAmuya vasai jANi ki kaMdarI // 289 SaTpada nAgiNi navi pAyAli isiya sura-logi na suMdari ramaNi-rayaNa nimmANa jaNi vihi ghaDiya sayala-dhuri // ikajIhi huM pakkhi dakkhaguNa vajjiya muddhahaM tAsu laDaha-lAvaNNa-vaNNa kima muNau~ sumuMdhaha // erisI nAri nararAya ghari, vihi-dosai~ dUsiya niuNa jaccaMdha-nayaNi juvvaNa-samai, diTTha sabhaMti ti-visauNi // 290 gAthA taM bhava-rUva-sujuvvaNa-ubbhaDa-vesaM nivo ya bbhu-visesaM / daTThaNa nayaNa-vajjiya--vayaNaM vayaNaM bhaNai evaM / / 291 ahaho parisaya-purisA, pAsaha vivarIya-vilisiyaM vihiNo / jamiNaM rUvaM nimmiya, viDaMbiyaM aMbaehi~ viNA // 292 SaTpada vihu vihi-vasi sakalaMka kamala-nAlihi~ kaMTaya puNa sAyara-nIra apeya pavara paMDia-jaNa niddhaNa / / daiahaM diddha vioga rUva dohaggihi~ diddhau dhaNavai kiyaM kivaNattu rudda bhikkhattaNa kiddhau // brahmA kulAla-kammihi~ viNadigala daha-rUva huo

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[71] ikriyaNa vihi- dosa- vasii~ ikka-ikka- doseNa jua ||293 caMda kIu sakalaMka kAya na na diddhI mayaNaha suyaNaha daddha daridda lacchile diddhI kivaNaha || loyaNa diddha kuraMga loNahINacchI nArI nAgavalla phalahINa avara phala rakkha asArI // soraMbhahINa kanakaha kIu tiyasaloya vibbhama bhuyau hA hA ji daiva karatA purisa, ThAmi ThAmi bhullavi gayau // 294 gAthA iha tAva nisaggeNaM, ciMtAe puttiyA havai puNo / savisesa - kuvihi NI dUsiya- dehA imA jayaha // 295 jAmaM ( jammaM) tIe sogo va MtIe vaDDhae ciMtA0 // 296 vastu ima vimAsiya ima vimAsiya vasuha vara- - buddhi / jasu saMvara kAraNihi~, nayara majjhi paDahu vajjAviya / nayara ra- loya nissoya savi, suNau vayaNa niya-maNi suhAviya // jeu karai kumarI - taNAM, nayaNa-kamala lahu sajja varai teu tIha kaNNasiuM lacchisamiddhaha rajja || 297 dUhau koi naccAviu navi gayau chaviu na paDahau kINi / vihANai hauM jAisu tihA~, pakkhiya-kAraNi tINi // 298 paddhaDI hama kahiya pakkhi java rahiu mUni pucchiu tava pakkhira ikka jUni / kahu tAya tIi jaccaMdha-- diTThi, kima hosyai ahava na nayaNa--siddhi // 299 tava bulliu vaDa- bhAraMDa - rAu, tau~ kiM pi na jANai lahua jAu / maNi - maMta- mahosahi bahu- pabhAva, jagi achai~ nava nava - guNa sahAva // 300 jau puNNa jogi guru joga hoi, tava lahai na tasu guNa-pAra koi / ima suNiya sauNi vali puTTha ema, kahu kAmiya-gAmu asoja kema ||301 vali kahai vihaMgama - rAu muddha, jau pucchasi tau vali kahau~ suddha //

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[72] piNa rayaNi ikka vali sunna raNNa, bullaMtA~ vADai hoi kanna // 302 dUhau diyaha disi joi karI, rayaNi hi~ puNa navi bheu bullai bahu-jaNa-saMcarai, dhutta-dhuraMdhara keu // 303 paddhaDI tava valatau~ bullai khayara-pAga siu~ achai iha piya-rajja-mAga / para pemihi~ pUchau~ tAya tujjha / vija aMga avara kuNa kahaI mujjha // 304 ima pucchiya tiNi tasu kamma-jogi viNa punnihi kima hui jogi jogi / laliyaMga suNatA~ tAsu vayaNi ima jaMpai tava bhAraMDa sauNi // 305 siloga divva-nANa-ppahAjoso, pakkhi-rAutti jNpe| . vaccha AmUlau esA, vaDa-veDhi puja ThiyA // 303 vallI jAcaMdha-dosA pu(?)-mUla-bhallI viyAhiyA / rasa-segAu eyAe, nava-cakkhU naro bhave // 307 nAya-paccUsa-kAlammi, kattha gaMtAsi jaM puNo / putta tattheva jatthatthi, koUhalamiNaM ghaNaM // 308 annamannatti biMtANaM, tANaM niddA samAgayA / kumAro-vi vaDa-hettho, soccA ciMtei kiM imaM // 309 saccaM vA kimu vA bhaMtI, kAvi esA mamaM jao / dhammo jaggei jaMtUNaM, savva-dukkha-nikaMdaNo // 310 nANassa paccao sAra-maho vA kiM viciMtaNaM / ia nicchittu taM valliM, muNittA hattha- phAsao // 311 chittUNa churighAeNaM, vaTTittA patthareNa ya / cakkhu-kUve rasaMtIe, nihittA suttao khaNaM // 312

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[73] gAthA aha takkhaNaM susajjuya, nIluppala-nayaNa-vayaNa pasicaMgo / kumaro pAsai savvaM, nANI va visesa-diTThi-juo // 313 tatto vimhiya-citto pamuiaMgatto maNammi ciMtei / / dhamma-taru-saMsa--jaNi phulaM khalu jAyamiNamasamaM // 314 aha caMpAe jiyasattu rAya-puttIi kara-gaheNa phalaM / bhAvi bhavammi Iheva-ya tamuvakkamakaraNa maha jhatti // 315 dUhau muMna karatA~ nahu kalaha0 // 316 paddhaDI isa ciMtiya cittihi~ kumara-vIra, tasa pakkhi-pakkhi saMlINa dhIra / vAhiya tiha~ suhi rayaNi sesa, paccUsi patta caMpaha paesa // 317 pakkhAliya saravari hattha-pAu, tasu uvavaNi liya phala-phulla-sAu / calliya caMpApuri puvva-bAri, paDu-paDaha-ghosa-vayaNANusAri // 318 tiha lahiya ikka vAcai siloga, jiha ubbhA bahuara rajja-loga / je purisa suporisa rAya-kaNNa, jaccaMdha nyaNa sajjai su dhanna // 319 tasu diai rAya addhaMga-rajja, tasu hoi sAvi addhaMga-bhajja / ima vacciya macciya puvva-pemi, pattau pura-bhiMtari kumara khemi // 320 taM jANiya rAya-niutta-puMsa, ima bullai~ jaya jaya niva-vayaMsa / / tua maNaha maNoraha puNNadeva, maggai ti purisa-vara ikka seva // 321 ima suNiya rAya harasiya apAra, tasu diddhau bahua pasAu phAra / ukkaMThiya niva-daMsaNihi~ tAsu, sahasakkha jema mannai~ niyAsa // 322 taM pikkhiya bahu-guNa-rUva-rUva, mani camakiu ciMtau ema bhUva / kiM suravara kiM vijjAhariMda, kai Isa baMbha goviMda caMda // 323 AliMgaNa-raMga-suraMga - bhUva, niya muNai sahasa-bhua jima sarU va / iNi kAraNi teDai niya-supAsi, laliaMga-kumara-vara dIviyAsa // 324 kiM naMdI kiM puNu nalanaresa, kiM vikkama vikkama-guNa-asesa / kiM mayaNa rUvadhara diThTha eu, jaM dijjai uppama lahai teu // 325

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[74] ima rAya kumara-aNurAya-giddha, dhAI dhuri tasu pariraMbha kiddha / ucchaMgi leI pucchai nariMda, tuma acchai kuzala ti kumara-iMda // 326 ihu desa nayara vara gAma ThAma, bahu rujja-riddhi-bhara-bhariya dhAma / / maha savva eha niya-calaNa-ThANa, ditai ti kiddha tai saphala-mANa // 327 kahu kavaNa kumara tumha kavaNa desa, piya mAya bhAya parighara- nivesa / kuNa nayari vasau tumha suha-nivAsa, sahu akkhau akkhaya-guNa-nivAsa // 328 ima suNiya kumara-vara rAya-vANi, bahu-viNaya-namaNa-puvvaMga-dANi / kaha deva sukaya Aesa heva, pucchai jaM hosyai muNisi teva / / 329 gAthA iya nisuNiUNa rAyA, jAyAtullANurAga-vacchallo / ciMtai saMtANamaho, parovayArikkacavalattaM // 330 nArAca ema ciMti citti bhUva dhUabhUribhaggasaMgao kumArasAra-putta-pema-pANi-vANi-saMgao / kumAri-gehi citta-rehi rehiyammi vaccae sutIi pIi daMsaNijja daMsaNeNa vaccae // 331 suputti jhatti tujjha satti-puNNa-puppha-tANio kumAra esa guNa-nivesa tumha kajji ANio / saMbhaliya ema vayaNa khema niya subappa-vayaNao sA diai mANa catta-ThANa AsaseNa jayaNau // 332 tau turaMta tIi nayaNa sajja-kajja-kAraNe kumAra-rAya rAya-loga-paccayAvahAraNe / sugaMdha davva savva ANi maMDalagga maMDae sunANajhANa... ... DaMbareNa taMDae // 333 suchanna valli cUri pUri tAsu cakkhu-kUvayA paloyamANa rAyarANa raisa rUva bhUvayA / bhaNaMta ema pattapema patta deva saMdarA

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[75] narA aNega bahu vivega jayasu devi iMdirA // 334 kalaza SaTpada jayasudevi maMdira rAya - kula hara vara-dIviya | jaya laliyaMga-diNesa -pAya-kamaliNi-saMjIviya // jaya dhAraNi dhara kucchi rayaNa bahu-guNa- gaNa - khANiya / jaya surasuMdari rUvi bhUvi bhogiMda sumANiya // jaya jaya bhaNata ima bahua jaNa, nayaNa- kamala vihasiya kumari / zrIvAsa- nayara, vara-- rAya-sua variu vIra vAmaMga - vari // 335 gAthA aha sayalo nivapura jaNa - vaggo laggo kumAra- payamUle / kara--kamala-maula-hattho, viNNattiM kuNai puNa evaM // 336 sAmiya niya jaNa - kAmiya- kappaduma kaya- kayattha - niya- rajjo / pupphAI puttIe pasIya pANiggaheNa samaM // 337 chaMda ima patthiya laliyaMga - kumAraM, hakkAriya- bahu- jaNa --saMbhAraM / maMDiya- meha- mahA- jhar3a jaMgaM, pamuia - sajaNa-maNa- bahuraMgaM // 338 tribhaMgI bahu-raMga- suraMga kAriya-caMgaM caMpA - daMgaM sayalaMgaM bahu dhayavaDa phAra toraNa- sAraM naravai - bAraM siMgAraM / dijjaMta - sudANaM ghaNa- sammANaM vihaliya-- mANaM kiviNaM-jaNaM jiyasattu - nariMdaM dhariANaMdaM kayasucchaMdaM suyaNa - maNaM // 339 kAriya- pupphAvai - siMgAraM, siNagAra (ri)ya laliyaMgakumAraM / cADa gari dhari sari chattaM, bihuM pakhi camaraDhalaMta saMjuttaM // 340 cAmara- saMjuttaM nava-nava-pattaM nava-navarasa - bhari naccataM / jaya maMgala- sadaM biMdiNivaddaM haya-gayaruha-bhaDa - saMmaddaM / pahiriya- nava- vesaM suguNa-nivesaM sayala - naresaM saha pesaM rAmA rasi rAsaM bahua - ulhAsaM dhavala - subhAsaM dita- rasaM / / 341 S

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[76] oM oM maMgala saMkha-sabaI, dho dho dhapamapa-maddala-sadaM / bhAM bhAM bheri bharara-bhAMkAraM drumama drumama duDabaDiya apAraM / / 342 duDabaDiya apAraM do doM kAraM jhAgaDadagi jhallari-kaMkAraM vara-veNu-suvINaM, nAda-pavINaM sura-nara-pannaga-saMlINaM / tala-tAla-kaMsAlaM jhAka-jhamAlaM kalarava-pUriya-bhuvaNAlaM mahamahata-kapUraM mRgamada-pUraM kuMkuma-caMdaNa-paMkAlaM / / 343 bhoyaNa-bhatti-jugati-anivAraM, kappaDa-kaNaya-dANa-siMgAraM / posiya-sayala-suyaNa-jaNa-vaggaM samaya-samaya-vara-taMta-sulaggaM // 344 vara-taMta-sulaggaM kumara-varaggaM vahuara-kari-kara-saMlaggaM maMgala-jayakAraM vAra-ciyAraM cauriya-bAraM cau-bAraM / hua-varasura-sakkhaM josiya-dakkhaM vesa-vayaNa-ghaNa-akkhaMtaM ima hUu vIvAhaM sayala-saNAhaM bahua-ucchAhaM dakkhaMtaM // 345 sragviNI bahua-ucchAha naranAha jiyasattuu / sahu-sayaNa-sahiya tattheva saMpattau / diai rajjaddha kumarassa kara-moyaNe patta-bahu-loya-koUhalAloyaNe // 346 desa-dala-sesa-bahu-gAma-pura-paTTaNAM kheDa tasu reDa rayaNAi~ Agara ghaNA / gaya-turiya-sAhaNA puvva-raha-vAhaNA bahua-dhaNa-dhanna-bhaMDAra bhaMDaha taNA // 347 bahuatara-rAya-pAyakka-pariyaNa-jaNA puNNa-sovaNNa-ruppAi-kuppaM ghaNA / sattabhUpIDha... ... bahu-maMdirA ghaNa-kaNaya-ruppa-ratthAi~ aisuMdarA // 348 ema sattaMga-rajjaddha-riddhi-juu puvva-puNNeNa sirivAsa-pura-nivasuu / pupphavai-jutta-nara-bhoga kalamANa e

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[77] maNuabhavi a(su?)ra doguMda jima jANae // 349 ahiNavau iMda goviMda kai caMdao kumara laliaMga laliaMga para naMdao / ditu AsIsa ima loya saha niya-gihaM kumara-rAo vi gaMtUNa bhuMjai suhaM // 350 iti zrI SaTRtu-bhoga-cakravarti-cakrakoTIra-sakala-guNa-ratna-sindhumalikarAja-zrImuJjarAja-sabandhu-putra pavitra-zrIlakharAjAdi-sakala-parikara-zaMkarasaMsevita-zubhavannIra 2 nijAmalakulakamala-subodhAnakamArtaNDAvatAra 3 jJAtizRGgAra 4 saMsAra-devi-rAjI-ramaNa rohiNIjIviteza 5 mahAnareza 6 paraduHkhaika-mahAsindhu-sammuttAra-yAna-pAtra 7 upalakSitavidyA--guNa-pAtra 8 anaNu-guNi-janaguNa-mano-mAnasa-rAjahaMsa 9 malika-mApharendra zrIpuMjahaMsa-kArite zrIIsvara-sUriviracite prAkRta-bandhe puNya-prazaMsA sambandhe zrIlalitAGga-caritre rAsaka-cUDAmaNau lalitAGga-kumAra-vipaduccheda-puSpAvatI-pANigrahaNa--rAjyArdha-prApti-varNana-prakAro nAma tRtIyo-'dhikAraH // 3 // gAthA aha annayA kumAro, vAyAyaNa-saMThiu sa-lIlAe / kavva-kahAi-viNoyaM, kuNamANo saha kalatteNaM / / 351 jA ciThai tA purao, pAsaMto nivaya-diTThi-pasAreNa / nayaraM savvamapuvvaM, tatthegaM pAsae damagaM // 352 // paddhaDI AjANu-rulaMta-palaMba-kesa, lilliriya-gaNAhiva-sarisa-vesa / galiyacchi- nAsa-vIbhaccha-rUva, ghaNa-ghaTTha-paMDu-naharoma-kUva // 353 buhaSAma(?)payaMDa sira-jAla-mAla, muha-kuhara-Uara-kaMdara-karAla / mala- maliNa deha-duggaMdha-gaMdha, vaNa-sUI-pUi-bahu-paTTa-baMdha // 354 dINaMga- khINa-ghaNa-jaNaya- ghora, ahiNava-kiri jANi dukAla-rora /

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[78] uttama-jaNa-nayaNa-sudinni-rikkha, khappara-kari ghari ghari liMta bhikkha // 355 pakkhAliya-paiM-paba-pINa-pAya, asarisa-jaNa-niMdiya-rINa-kAya / bahAcA bhAvaha dukkha-sesa, uddhariya ki nAraya-piMDa esa // 356 uvalakkhiya erisa-rUvamitta, laliyaMgakumara supavitta-citta / maNi-ciMtai hA haya-vihi-vilAsa, jiNi kAriya suravara kmmdaas||357 nara ghaDiya sughaDa vihaDai~ vihatta, aNajoDiya joDai~ jutti-jutta / taM karai devanara citti jeu, navi bujjhaiM nANI jIhabheu // 358 ima ciMti kumara karuNadda-citta, aMsuya-jala-viluliya-tarala-nitta / suyaNatta-visesihi~ suyaNa-nAma, hakkArai niyajaNa pesi dhAma // 359 teDAviya pucchai kumara-rAya, tau~ kavaNa kavaNa hau~ muNasi bhaay| ima jaMpai kiMpiya taNubhayatta, su ji suyaNa sughiNighiNi-sadda-jutta // 360 ninnAsiya tama-bharapUrasUra, navi jANai uggiya koi sUra / bahu-naravai-nAmiya-sIsaIsa, koi acchahi bahuguNa tau~ khitIsa // 361 hau~ raMka rora-bhara-bhariya-deha, siu~ pucchasi naravai vatta eha / tava bullai kumara na bhaNasi sacca na, ajja-vi jai tau mujha eha vacca // 362 navi dharau~ haNau~ navi kahuuM kiMpi, jima acchai taM- taha-savva jaMpi // navi jANau~ sAmiya kiMpi tatta, tava bulliu kumara-nariMda vatta // 363 vaNa-bhiMtari aMtari Isa-sAkhi, tiha~ dhamma-ahammaha vigati dAkhi / uvayAra-sAra tai~ kiddha suyaNa, liddhA~ laliyaMgakumAra-nayaNa // 364 tau~ hui suyaNa hau~ kumara teu, milhiu vaNa nibbhara rayaNi jeu / ima suNiya suyaNa tasu vayaNa joi, ulakkhiya aho-muhi duhiu joi / / 365 kuMDaliyA aha laliyaMgakumAra tasu diddhau bahua pasAu / avaguNa kiddhai guNa karai~ garuA eha sahAu / /

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[79] garuA eha sahAu cAu-caturima-guNa-- caMgA / sAu jala susamattha sadA guNiyaNa-jaNa-saMgA // nhANa dANa bahumANa bhatti bhoyaNa-suyaNaha saha / kAriya bahua pasAu-rAu laliyaMgakumAraha // 366 uttama uttama sahaja niya milhai~ navi-maraNaMti ninADiya tAviya toliya vi kaNaya samujjala--kaMti / kaNaya samujjala--kaMti ghasiya jima caMdaNi parimala icchu-daMDa kiyakhaMDa sughaNa pallaMta sura sahalaM / / / bahua vAsa saha Asi diddhaM kaNhAga-rAya tihi uttama uttama navi sahAva milhaI maraNaMtihi~ // 367 kumara bhaNai suNi suyaNanara dhaNNa divasa mujha ajja / rajja-riddhi savvaMga puNa huI sahala kaya-kajja / huI sahala saha riddhi milyau java dukkhi sahAI tiNi bahu dhaNi siu~ kajja jaM ca jANai~ navi bhAI // suyaNa anai ariyaNaha jeu suha duha navi dii nara / te dhaNa dhUli- samANa jANi isa bhaNai kumara-vara // 368 gAthA ia bahumANa- pahANo, pahANa-purisa vva kumara navi rajje / laddha-samaya-bala-niuNo, suyaNo puNa jaMpae evaM // 370 sAmiya ahaM ahaNNo jayA gao turaya-rayaNa--saMjatto / muttuM tumaM va puNNaM magge milliyA tayA corA / / 371 tehiM daDha muTThi-jiTThI-pahAra-mAreNa gahiya-pavarAso / dAso haM tu nirAso, jIvaMto mukkio tatto // 372 itthAgaeNa samae, mae tumaM puvvapuNNa-jogeNaM / pattosi deva saMpai, saMpaisuha kAraNaM paramaM // 373 tA jhatti saMvisajjasU, dUraM desaM tao bhaNai-kumaro / mA khijjasu khitta-ghaNaM nibbhaMtaM bhuMja suhamasamaM / / 374 aha atrayA kumArI tassAgAriMga-ciTTha-duTThattaM /

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[80] mana moTa jike lANa, Agaha haricaMda sati nAUNa niuNa-maIe~ payaMpae pai paI evaM / / 375 roDillA suNau prItama prANa-AdhAra, vidyA-kalA-bhaMDAra, rUpi jiNi jItau mAra, sayala guNaM / / premapIrati-piyAre sAMI, tumha taNA hita tAMI kahu vAta eka kAIM saNehi ghaNaM / / iha duyaNa suyaNa-nAma, rahai nitu tumha dhAma, karai sadA sahu kAma, avi suyaNaM / / ima jaMpai rAyakumAri, prANi priya avadhAri, mana zuddhi-suM-vicAri, amha vayaNaM // 376 moTA moTA jike rAyarANa caUda-vidyA-nihANa, bahutari-kalA-sujANa, Agaha huA / nala vikama bhoja bhUpati hari haricaMda sati, haya-gaya-raha-patti-pAyaka-jua / chAMDiu chAMDiu tehe nIce saMgaH, pataMga-sarisa-raMga, chehi dAkhai niya aMga, bahua-jaNa / ima jaMpai rAyakumAri / / 377 jima suNIi Agai sarUva, haMsa-rUva kAya bhUvi hiNiya hasata bhUva, jaMpaMta buhaM / ima tAhuM kAya mahArAya, bhaNIju su paMkhirAya, nIca-saMga-supasAi, pAmiya duhaM / tima bIjau I jiko-vi muddha duyaNa-saMgati-luddha dhavalati sahu duddha, jANata ghaNaM / ima jaMpai rAyaku gAri // 378 vari bhalau vaNi nivAsa, para-ghari kamma-dAsa, visahara-suu~ saMvAsa, bahua varaM / vari bhalau visa-AhAra, jalaMta-jalaNi cAra, uvari khaDaga-dhAra cAla varaM /

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[81] piNa bhalI na khala-prIti, hui nitu buha-cIti, paDai pisuNa-chIti, pavarajaNaM / ima jaMpai rAyakumAri / / 379 SaTpada amha vayaNa aNukUla kaha-vi manni jai sAmiya, devi sadda jima vAma rAma desaMtaragAmiya / kulaha nAmi AcAra eha navi sikkha sa-kaMtaha / dijjai kAraNi kavaNi su puNa priyatama ekaMtaha / pariharau prIa khala jala suyaNa, saMkha jema bahi dhavala guNi ima bhaNai vara vInatI suhiya, hiyaiM avadhAri suNi / / 380 pUrvI-vayaNa vAlaMbha vayaNa suNau ikavali liuM dUkhaDA jisaMcauM amieNa ki niMbaharUkhaDA / to vi kUDau jaNa sAuna sAuna milhai appaNA phuNihA~ ai jAtai jAti-sahAva ki dujjaNa-jaNa taNA // 381 jai ropau thuDathUla ki thANai~ thira karI jai sIMcau thaNa-dUdhi ki sUdhai mani dharI / tAvi kumUla babUla ki kaMTA bhajjaNA phuNihA~ ai jAtai jAta sahAva0 // 382 kuMkama kUra kapUra kijjaI ghaNa lAIi / mRgamada-gaMdha sugaMdha ki divvihiM ThAIi / tAvi lhasaNa navi milhai gaMdha ki appaNA phuNihA~0 // 383 jai va hIi siri ghAli karaMDihi~ dehasiuM ji posau nisadIsa ki dUdhai teha-siuM / tAvi bhuaMgama saMgami hoi na appaNA phuNihA~ ai jAtai jAti-sahAva0 // 384 dharama su-guNi dhaNi Akhai dAkhai nehulau

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[82] tAsu vayaNa-rasi jANi ki vUThau mehulau / jai vi kumara mana-mora mahA-rasi taMDIyA phuNihA~ ai tAvi sarala-kumareNa kusaMga na chaMDiyA // 385 grahIta-muktaka-AliMganaka chaMda atha annadiNammi maNammi vitakkiya kiMpi chalaM chala-sesa-visesa-gavesaNa dujjaNa suyaNa-naraM / nara-rAya su pucchiya nicchiya ema su-pema-paraM para-loya-vivajjiya desa-masesa kumAra-guNaM // 386 guNiyaNa-jaNa-saMgaya saMgai kema kumAra tua tua satthi mahA-suha-saMpai kAraNi kavaNi hua / hua jamma suramma kumAraha kiNi puri kavaNa kuli kulavaMta su Akhita dAkhita suha maha kahiya vali // 387 tava bulliya sajjaNa dujjaNa vayaNa virAsajuaM maharAya ma pucchasi vaMchisi jai bahu Aya-suhaM / maNi saMkiya tAma naresa visesihiM duTTha puNa lahu jaMpai suyaNa ti sAmiya kAmiya Isa suNi // 388 gAthA ikkato tuha ANA, ikkato kumara-rAya nisseho / ia jaha pavitti kahaNe, aho viyaDasaMkaDaM majjha // 389 taha vi hu bahu hea naresara, sirima mahiMda naMda cira-kAlaM / jaha taha kumAra-cariyaM, acchariyaM puNa su maha eyaM / / 390 sirivAsa-nayara-sAmiya, naravAhaNa-naMdaNo ahaM deva / / amha ghara-koriyassa u, suo mahArAya esa lahu // 391 pagaIe rUva-guNo, kutto cciya patta-bahula--vijjadhaNo / niya-kula-tavAi-gehaM, ciccA desaMtaraM patto || 392 itthAgayassa tassa ya, naravara tumhANurAgajogAA / puvvajjiya-puNNeNaM jaM jAyaM taM tae muNiyaM // 393 // vizeSakam / /

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[ 83] piuNo parAhavAo, ahamavi desaMtaraM tao kamaso / patto ihovalakkhiya, mammaNo esa kumareNa // 394 iya ciMtiya dAUNaM, bahu-mANaM majjha nAmaM suyaNa / ugghADesu naresara--purao, kahiUNa saMThavio // 395 // yugmam eeNa kAraNeNaM laliyaMga kumAra vujja (?) pAyassa / nAha kahami kahavi, kahaM, paraM parA sAmi tuha ANA // 396 paddhaDI ima suyaNa-vayaNa-visa-ghAriyaMga, maNi ciMtai bhUvai ai-viraMga / phiTa phaggu bhaggu bhara amha deva, kima kAriya uttama nIya-seva / / 397 paNa baddha laddha jaI kaNNa INi, kiya maliNa rajjamaha deu kINi / jai carai pirAI kharasudakkha, navi hoi kiMpi hiyaDai aNakkha // 398 vari bhalau visAnari suha-pavesa, navi bhalau kula(lu)jjiya jaNa pves| vari bhalau kiddha paragehi dAsa, navi bhalau kulujjiya saha nivAsa // 399 vari bhalau bhAvi saha vesa raMga, navi bhalau kula(lu)jjiya purisa-saMga vari bhaliya rAyati suNNa sAla, Navi pUriya puNaravi cora-mAla // 400 jai tApau mahAtavi taNu kilAmi, ThAIi siu~ ti visataru-ku-ThAmi / pAmIi jai-vi ghaya sAli dAli, kAmIi siu~ timaru-lahua-sAli // 401 sAhIi subuddhihi~ appa-kajja, uppajjai jema navi loya-lajja / / khAIi cori niya-guDa niyANi, ima kahiya loya uhANi jANi // 402 ciMtAviya citti ima naravaresi, laliaMga kumAra kumAra-resi / paTTaviya pesiyara channa ratti, gama-niggama aha-vici-majjha ghatti // 403 sAmI suha-saMgama seja lINa, nava-gAha-geya-guNa ramaNa-pINa / laliaMgi raMgi laliyaMga jAma, tava acchai rayaNi samaddha jAma / / 404 navi pesiya parisara mayi(?) koi, laliaMga-bhuvaNa vara patta soi / ugghADiya lahu saMpuDa-kavADa, viNNavai viNaya--guru-vayaNa-cADa // 405 jaya vijayavaMta cira jIva deva, bullAvai tumha nararAya heva / para pemi kiMpi pucchai suvatta, para-Tu laTTha giha-rajja-sutta // 406 pAdhArau pahu piya paMtha majjhi, nitamaMta jema navi paDai vajji /

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[84] sasi-juNha jUamiva maMta cora, jiya divasa gutta ghaNa karai jora / / 407 ima suNivi savaNi uTThiu payaMDa, kari karavi kumara karavAla-daMDa / khalakaMti cUDi cala-pANi pANi, tava jhallavi pallavi kumara rANi // 408 ima jaMpai nAha ma hosi muddha, ima jAi kovi saMpai abuddha / tava bullai kumara suNIi-mamma, kima palai ramaNi ima sAmi-dhamma // 409 gAthA ( zrI mahAna(ni)sIthe / ) AesamavI sANaM, pamANa-puvvaM tahatti nAyaghaM / maMgalamamaMgala vA, tattha viyAro na kAyavvo / / 410 iNameva jIviyavvaM, niccaM sua-bhicca-sIsa-rayaNANaM / jaM pujja-piyara-sAmia-gurUNa muha vAya-kArittaM // 411 nANamavahIlaNaM jaM, suMdari taM tANa sattimisarUvaM / vihiyaM viDaMbaNaM vihi-kAraNadoseNa puvveNa // 412 dUhau ima nisuNiya piya vayaNa tava, bullai rAya-kumAri / rAya-nIi niuNekka-vara, vijjhati(?) avadhAri / kuMDaliyA jiNa-sAsaNi jiNi navi kahI siddhi pakkhi egati / jima dhaNu-guNa bihaM saralapaNi, sara milhaNA na jaMti // sara milhaNA na jaMti saralapaNi guNa-kovaMDaha niccAnicca-payAra sAra jaga jima maya-bhaMDaha / jiNavara-bhAsiya-vayaNa kahavi annaha ima vAsaNa taM egaMta sualiya ema jaMpai jiNa-sAsaNa // 413 tiNi kAraNi egaMtapaNi, niva-dhammaha vIsAsa / / navi kijjai saralattaguNi, jima dorI viNa pAsa / / jima dorI viNa pAsa, bhAsa ima suNIi satthihi~ suNiu ahava kiha~ diTTha rAya mittatti paramatthihi~

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[85] anna vayaNi maNi anna kajja sacchaMdaha cAriNi / vesa dhamma jima dhammarAya rAyaha tiNi kAraNi // 414 viNa avasari je kajjaDAM, viNa patthAvihi~ mANa / viNa avasari taru phulla phala, e triNhai suniyANa // e triNhai suniyANa jANa ima jANi na cittihi~ hasai koi navi niuNa bahua koUhala-vittihi~ / hakkAraNa-misi heua vara bujjhi na avasari iNi kajjaha kajja-viNAsa jeu kijjai avasara-viNa // 415 siu~ jaMpiu~ bahuara virasa, sAra vayaNa suNi sAmi / jima dajjhaNa-bhai dAru kara, liddhau suha pariNAmi // liddhau suha pariNAmi ghAya-rakkhaNa jima ujjaNa tima patthAvi pasattha pavara paMDiya sevaya-jJaNa / pesiya rAya samIvi suyaNa sacvau tumha aNuyara kijjai appaNa-kAma sAmi.siu~ jaMpau~ bahuara / / 416 cAli ima suNavi savaNi udAra, tasu vayaNa amiya kumAra ciMtai ti niyamaNi tu?, aha ramaNi guNaha gari? // 418 dhana dhanna mujha avayAra, saMsAri purisa-payAra dhana dhanna iha mujha rajja, jasu suhiya erisa bhajja // 419 dhana dhana sulaliya vANi, bahu-viNaya-guNa-guru-mANi / dhana dhana sucariya sIla, duha-valli-mUlani kIla // 420 Asanna-raNa-rasa-raMgi, bahu-mUDha-maMta-kusaMgi / joIi jasu suha vayaNa, su ji purusa-itthiya-rayaNa // 421 maNi dhariya ima tasu sIkha, avasariya ikka dui vIkha / bullAvi suyaNa sasabaMdhu, sahu kahiya kumari nibaMdhu // 422 paTTaviya pahu chala-resi, tasu duTu kamma-visesi / ahamayi patta su jAma, niva mutta jaNi guNi tAma // 423 havi haNiu khagga-pahAri, tasu pAva-buddhi viyAri /

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[86] hua savvaloya-uhANi, para-citti appaNa hANi // 424 tava hua kaliyala sadda, ghaNa ghora kAhala-nadda / dhAyA ti dhasamasa dhIra, koi haNiu ghAyagi vIra / / 425 taM suNiya suyaNa-viNAsa, laliaMga puNNa-payAsa / / galayaliya-kaMThi kumAri, ima bhaNai piya avadhAri / / 426 kahi pANa-piya tama heva, jai kahiuM karata na deva / kima huMta abalA bAla, viNa kaMta kAma-rasAla / / 427 viNa-nAha nArI hINa, jima hui dutthiya dINa / navi karai koi tasu sAra, viNa pANanAha-AdhAra // 428 dahA nAha-pakhai nArI jisI, jima dava-dAdhI veli / nIrasa niSphala nigguNa i, daivi viDaMbI melhi // 429 deva ki diu siri mAharai, jau khara-khagga-pahAra / vallaha-viraha-vichohiyAM, tau tauM jANai sAra / / 430 daivaha dAkhauM vATaDI, jai dekhauM niya-aMkhi / viraha-vichohyAM mANasAM, kAMi na sirajI paMkhi // 431 deva dayA kari mAharI, navi bhAjI jima Asa / / tima taruNI tAruNNa-rasa, Dholi ma Dholi nirAsa // 432 nAha-sarisa guNa goraDI, nava-raMga nAgara-veli / jai sirajI phala-hINa-guNa toi sa kuMpala melhi / / 433 gAthA ia pupphavai pemaM, khemaM nAUNa pANa-nAhassa / / puNaravi piya-hiya-kajjaM, gaya-lajja bhaNai suNi nAha / / 434 mama sUisi niccaM to, kaMta kayaMta vva tumha pANaharo / paccUse piya eso nararAo kUDa-vikkhAo || 435 tA addha-rajja-sinnaM, haya-gaya-raha-suhaDa-sAra-saMkiNNaM / melittu jhatti ciTThasu, caMpApura bahiya-ujjANe // 436 aha suNiya tIi vayaNaM, sudiTTha-nayaNaM kumAra-sAra-balo /

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[ 87 ] kovAkula- - -cala- citto, jutto sineNa saMcalio || 437 dumilA pasaraMta utaMga-turaMgama-saMgama-tuMga-taraMga-car3aMta-ghaNaM maya-matta mahAgiri - suMdara - siMdhura-baMdhura- setu - subaMdha bhaNaM / vara - nakka-suyakka - mahAraha- saMkula- maccha-sukaccha- va sUra-naraM kumariMda nariMda mahAbala - sAyara - dIsata kAyara - pANa- haraM / / 438 aDilla pANa- haraNa- pakkhara - ghaggharI- rava hahahahaNa - haya hiMsA - rava / khura-rava- khehi sUra - kara DhaMkiya gaha- gaNa iMda caMda sura saMkiya // 439 roDilA saMkyA sayala sura-naresa, pAyAli nAga asesa, melhaMti dharaNi sesa, sUbhara-bharaM / calai caudisi diggaya - cakka, huaMti su hakkohakka, bhajjati kAyara phakka, nAsata naraM // kaMpai sayala kula - giriMda, cAlaMta mattagayaMda, DhalaMta DhAlasu-viMdha, sohata ghaNaM / ima milaMti kumara - senna, phiraMti aMbari sena, DaraMti duyaNa ke na, dekhata khaNaM // 440 khaNi khaNi miliya mahA-dala samahari vilasaI vIra mahAbali samahari / siMha -- nAdi sAmatthima dakkhaI niya - kula - ThAmi sAmi chala rakkhaI // 441 nArAca -saMvarA rahaMti nAma caMda jAma tAsu sagga- varaMti jINi heu tINi jujjha - kajja - suMdarA /

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[88] sujoDa jINa jarada aMgi jIva-rakkha-sohiyA milaMti sUra samara-tUra-sadda-nadda-khohiyA / / 442 khuhiya khitti nIsANa-ninadihiM DhamaDhama-Dhakka-Dhulla-ghaNa-saddihiM / bharara-bheri-bhaMkAra ti vajjai~ jANi ki pAvasa ghaNa ghaNa gajjai~ // 443 gaganagati gajaMti meha ki gayaNi gaDayaDa gurua-gayavara-maMDalaM bahu chatta-dhayavaDa-sIsa-sIkidi-channa-ravi-sasi-maMDalaM / taravAri-tIra-sutarala-tomara-cakka-kuMta-susatthayaM khaNa-khitti ima dui sinna samavaDi annamanna supatthiyaM // 444 yamaka-boli tiNi prastAvi te zrIlalitAMgakumAra ApaNau ___ sakala dala melI rAjA sAmuhau Aviu, Avatau ji zrIjitazatru-rAjAI bolAviu / / kA~i re korI !, taiM ApaNA kula taNI vAta corI; mAharI putrikA-taNauM pANi-grahaNa kIdhauM, tau~ iNi vAtaI taiM mAharu siu~ kAma sIdhauM / piNa hiva joI mAharI vAta, karauM ji tAharu ghAta, tau ima jANe, e bhalau mahArAta' // 445 tivArai isyA~ maharAya-taNA~ vacana zravaNa-saMpuTi dharI, dakSiNa-hAthi khaDga sajja karI / {chi vala ghAli, sAmahau cAlI / valatuM zrIlalitAMga-kumari rAjA bolAviu // 'mahArAja ! sA~bhali rAjanIti, uttama puruSa kadApi na paDai chIti / piNi jai sUra sUra-Agali bhAjai, tau ApaNau uttama vaMsa lAjai // 446

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[89] saMgrAmi caDyA kSatriya na giNaiM sagapaNa na sagAI, piNa eka vAra mujha siu~ saMgrAma kIdhA viNa tumhe evaDI vAta kAMi phuramAI' / ima kahI- ni anyonya rAjA nai~ kumara hasyA, sa-daMDAyudha leI parasparai subhaTa subhaTa prati sAmhA dhasyA huvA lAgauM jUjha, kisa~ varNavi abUjha / vAta kahatAM romAMca Upajai aMgi, te rAuta bhalA je jhUjhi raNAMgaNi raMgi // 447 paddhaDI gaya gajavara hayavara haya juDaMti, raha pAyaka pAyaka-siuM bhiDaMti / jhalahalai khagga khara kari karAla, jANIi ki ahiNava vijju-jhAla // 448 khaDakhaDai khagga kheDaya khaTakka, truTuMti sarala dhaNu guNa taDakka / ki-vi karai dhaNuha-TaMkAra-nadda, phuTRti koDi baMbhaMDa sadda / / 449 siMgiNi-guNa vajjai tarala-tIra, kara phalaha phuTTi vidhai sarIra / ki-vi karaiM vIra muhi sIha-nAda, ika ikka ghAi guNa liti vAda / / 450 jhaDi paDai suhaDa dhaDa uvari muMDa, ghaNa-ghAi ke-vi kijjai du-khNdd| khalahali khoNi-tala ratta khAla, saMpuNNa-palala-jaMbAla-jAla / / 451 ika ikka ke-vi nAmaiM na sIsa, mArata ikka maNi saraI Isa / ika caDai turaMgami assavAra, bhedijjai bhaDa ikka bhalla-dhAra // 452 saMbharai ikka ghara-gharaNi vIra, phurakaMti pavaNi bhaDa-moli-cIra / ikka caDai suhaDa raNa daMti-daMti, ki-vi dharai kivaNa aMguliya daMti // 453 nAsaMti ikka niya jIva levi, sajjaMti suhaDa sannAha ke-vi / bulaMti suhaDavara birada baMda, pikkhaMti gayaNi sura iMda caMda // 454 causaTThi caMDa cAmuMDa nAra, bhari khappara ruhira piyaMti vIra / vajjaMti mahA raNa tUra ghora, jasu savaNi sUra uppajai jora // 455 ima hua bihuM dali raNa bahua vAra, ikaikka ke-vi jANai~ na sAra / bhajjata bhUva-dali diTTha puTThi, joaMti kumari tava sahiya puTThi / / 456

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[90] vIrarasa / madhye zRMgArAntarbhAva / sadbhUtarA ahUThiyA dUhA // sahie devi na dAhiNai, kari karavAla karaMta / o jhUjhai laliyaMgi vara, nAnA kaMta // 457 kaMta koi bhaDa bhIma vari kima pujjaI va suresa / aliya ma jaMpisi bahini tau~, nAnA maresa // 458 kumara nathI rAyaha bhaNai, tU-viNa avara na koi / muMdhi mayaNa samarUpi tu, nAnA soi // 459 sohi samaratha sAmI sakala, rUpihi~ ahiNava kAma / vali vali pUchauM he sahI, (tAsa taNauM (siuM) nAma / / 460 nAma liuM sakhi tasu taNauM, jai huai hiyaDA-dUri / / uvAlaMbha vara amha taNau~, (ramai ti) raNa-rasa-pUri // 461 sahinAmA dUhA // rAgA~ savihi~ jeu dhuri, tiNi nAmii sahi nAma / tasu aggali aMgeNa siu~, sahiya suNAve sAmi / / 462 rUDA nAmai acchai jasu, tasu nAmai sahi nAma tasu aggali aMgeNa, siuM sahiya su0 // 463 (duhA) hayavari caDiu tihA~ su laI, hakkaI ariyaNa-thaTTa / huM balihArI priya-taNa', dUri naDaMtI naTTha // (gaga nATa) naTTa-bhaMjaNa ripu-jalaNa, sahiya hamArA kaMta / raNi sUrA~ ghari mAgatA~, hasi hasi prema milaMti / / 465 maha kaMtaha dui dosaDA, avara ma jhaMpu Ala / dijjaMtaiM hau~ UgarI, jujjhaMtai karavAla // 466 (rAga siMdhUDau) pAya vilaggI aMtaDI / / 467 vAI pharakai mUMchaDI, mukhihika bIDyA daMta /

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[91] sUtauM selAM mAthauM karI, marau~ suhAvA kaMta / / nisi bhari nakha java deatI, tava kuNaNatau kaMta / khagga-jhaTukkA kima sahyA, kima sahiyA gaya-daMta // 469 kaMtaha karauM ti bhAmaNA, jima jima dekhau~ aMkhi / ikka laDai asivara dharai, vayarI gayA ti jhakhi // 470 soraThiyA dUhA // rAga soraThI // (sakhI Aha) e kINai sahu koi, sahu kINai e ko nahIM / kaTaka nihAlI joi, sUnau soraThIu bhaNai / / 471 bhalauM bhaNAviuM bhAmi, bhArathi jima mUvai sarisa / rAyaha ehI sIma, jai jAmAI- siuM kalaha // 472 sahiyara sAmhauM dekhi, o asavAra tihAM sutaI / rAkhai rAuta-rekha, raNa-rasi ramatAM rAyasuM / / 473 ima karatAM suvihANa, sahiyara-suM guNa-goThaDI / kuMarI bi-puharAM jAMNa, kilau hUu kuru-kheta jima // 474 jotA~ bahu jaNa teNi, jhaDapaDa lIdhA jhATake / rAyaha dali navi keNi, nAsata navi kADhI churI // 475 paddhaDI uDuMti pavaNi jima akka-tUla, vikkharaiM vasuhi jima ghAsa-pUla / taNu kaMjiya gaMjiya jema khIra, nAsaviya kumari tima rAya-vIra // 476 bhajjaMta suhaDa ima diTTha jAma, bihu maMti bihuM dali miliya tAma / ausariya kaTaka dui diddha--ANa, saha patta jhatti bhU-vaia-thANa / / 477 kahi sAmiya bhAmiya keNa tumha, kiNi kAraNi evaDa jhujjha-kamma / avimAsiuM ma ma kari deva heva, iNi vatti tatti tUa paDai kheva // 478 avimAsiya je nara karai kAma, te huI purisa bahu dukkha-dhAma / vali lahaiM loi aviveya-kitti, tasu chaMDaI lahu lahu jalahi-putti // 479 jAmAya-sarisa jaM tumha jhUjha, taM jANi jANi bahireNa gujjha / ropIi jai vi visataru niyANi, chedijjaiM niya-kari kima viyANi / / 480

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[92] joiMi tilla tillaha ki dhAra, navi hoi rAya avicAra-sAra / cAhIi caturapaNi mUla mamma, animAsiya kijjai navi sukamma // 481 saMbhaliya vayaNa ma patijja koi, iki huaiM akAraNa duyaNa loi / para-viggha-tuTThi nAradda nAmi, bahu acchaI suranara bhuvaNa-ThAmi // 482 gAthA taM natthi gharaM0 // 483 suNIyaMmApata jasi // 484 dUhau sajjaNa thoDA haMsa jima, uDheMke dIsaMti / dujjaNa kAlA kAga jima, mahiyali ghaNA bhamaMti // 485 paddhaDI tiNi kAraNi appai appa joi, maNi ciMtiya kittima heu koi / jai rAya-rAya jima paDasi dAvi, guru aMba-sutaru guNa pacchatAvi // 486 pucchai nariMda diThaMta tAsu, su ji kahai maMti bahu mativilAsu / sahu suNiya sabhiMtari cariya citta, jiyazatru-rAya maNi bhayau citta / / 487 uppanna vega saMvega bhUva, pucchAvai tasu kula jAi rUva / laliaMga-kumara hasi bhaNai maMti, tumhi kiu saccau ohANa aMti // 488 giha pucchau siuM pIevi nIra, na kahaMti ema niya-vaMsa vIra / jitu kahai suyaNa su ji hariu devi, aha pesi nayari sirivAsa ke-vi / / 489 hosyaiM ji rAya tihaM koi dakkha, naravAhaNa-nAmaI laddha-lakkha / / kamalA kamalA-guNi tAsu bhajja, jiNi mannai bhUvai sahala rajja || 490 laliaMga kumara tasu putta hoi, jiyasattu-putti-vara vIra soi / / ima suNiya savaNa suha vayaNa maMti, maNi harasiya vihasiya-vayaNa jaMti / / 491 viNNaviu viNaya-suM naravariMda, jiyasattu satta cirakAla naMda / pari kijjai kumari su kahiya jeva, paTThavau purisavara nayari teu / / 492 tava sAsiya bhAsiya bahu a-bhANa, callaviya catura nara ki-vi sujANa / avilaMba payANi supatta tINi, nara vAhaNa-naravara-nayara jINi // 493 tiNi avasari putta-viyoga-daddha, naravAhaNa sua-saMgama-visuddha / saha dAra-sAra-parivAra-jutta, nitu rahai rayaNi diNi soga-tatta // 494

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[93] pattA pura-bhiMtari tava duAri, paDihAri paesiya kiya-juhAri / viNNaviya vasuha-dhava kumara vatta, ima suNiya tattha avaroha patta / / 495 ukkaMThiya jima nava-mehi mora, kaMddhadhura-baMdhura sayala pora / vAcaMti viulamai rAya-leha, naravAhaNa-niva guNa-gAha-geha // 496 lekha-gAthA satthi siri siri-nivAse, sirivAsa-purammi pujja-piya-pAe / naravAhaNa-nararAe, suputta-pottAra-pariyarie / 497 gaya-kaMpa-caMpa-nayaraha sAmI, nAmi tthu sIsa maNugAmI (?) / mauliya-kara-kamala-juo, jiyasattU viNNavai evaM // 498 sAmiya tumhANa suo, laliyaMgo nAma vissuo loe / kaya-pANiggaha-rUvo, bhUvo caMpaddharajjassa // 499 ia sahasA-vayaNeNaM teNaM bhega(bhiggo?) nava-jalaya-sitto / ujjIviya-vva saMpai jaMpai naravAhaNo evaM // 500 teNa sama(ma) mahaM niccaM, subhicca-bhAvaM karemi jaha tumhaM / kAyavvaM taha naravai, jaiavvaM suhiya-hiya-karaNe // 501 aha hoiha bhuvaNayale, jiyasattu samo na kovi mama baMdhU / jeNeso laliaMgo, saMThavio niya-samIvammi / 502 jIviya-savvassamiNaM vissa-jaNasseva amha kula-kalaso / kumaro disaMta-bhamiroha savvaDiyo (?) saMThaviyo (?) niyaTThANe // 502 yathA velA-mahalla-kallola-pilliyaM jai-vi giri-naI-pattaM / aNusarai magga-laggaM, puNo-vi rayaNAyare rayaNaM / 503 cAli salahittu ima nararAya, tasu diddha bahua pasAya / bahu bhatti bhoyaNa-vAra, dhaNa kaNaya kappaDa phAra / / 504 bahu-dANa-mANihi~ posi, callaviya guru saMtosi / tasu satthi pesiya maMti, laliyaMga-teDaNa-maMti // 506

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[94] ghaNa sughaTa sovana ghATa, vara-rayaNa-pUriya-thATa / bahu-mulla hIra-sucIra, miya-nAbhi-kala-kasamIra // 507 jiyazatru-naravara-resi, sirivAsa-nayara-naresi / / mukkaliya ima bahu bheTa, kami patta caMpaha theTa / / 508 te jANi maNi mahiMda, laliyaMga-kumara-nariMda / saMmuhiya saMmuha-kajji, haya-gaya-suraha-bhaDa sajji // 509 vastu bahua ucchavi, bahua ucchavi miliya samudAya / naravAhaNa-maMtIsa-vara, kumara-rAya jiaari su-pariyari nayara-mAhi niya maMdirihiM, liddha te vi ucchava su-pariyari / pucchiya sahu vittaMta tasu lajjiu niya maNi bhUva ciMtai ahaha ki mAharauM e kahu kavaNa sarUva // 510 leiya aMkihi, leiya aMkihi~, rAya niya-putti jhatti jhaData aMsuya nayaNa, vayaNa ema jaMpai narAhiva tau~ ji panUtI punna-lagi, jAsa eha bahu guNa su sAhiva // dhiddhi mujha mai-moha bahu, jasu erisa aviyAra vacche kAraNi tiNi amhe, lesiu~ saMyama-bhAra // 511 cAli ima kahiya rahiya-viyAra, bahu laddha dhamma-viyAra / thappai su kumara-nariMda, niya sayala-rajji nariMda // 512 samuhutta divasa-visesi, kiya tAsu rajjabhisesi / sahu khamiya khAmiya rosa, tasu suyaNa kAriya dosa // 513 laliaMga-rAyakumAri, siu~ sahua niya-parivAri / mukalAvi niva jiyasattu, jiya-moha-mayaNa-dusattu // 514 lahu patta tava vaNa-aMti, bahu taviya tava ekaMti / khaNa catta pAva pamAya, hua saggi suravara-rAya // 515

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[95] gAthA aha rAyA laliaMgo, laliaMga caMpa-nayari-vara-rajjaM / kuNamANo kayasukayaM, jAo loyANa suha-heU / / 516 aha egayA su pucchiya, suparikkhiya nAmayaM niaM saivaM / sakalatto saMcalio, saha parivAreNa sAreNa || 517 niya-nayara-piyara-daMsaNa-ukkaMThiya-niyaya-hiyaya-sANaMdo / laliaMga-naravariMdo, patto sirivAsa-pura-tIraM / / 518 / / paddhaDI java patta nayara-parisari naresa, ullasiya citti pura-jaNa asesa / vaddhAvai ke-vi nararAya-vIra, tasu diai kaNaya-kekANa cIra / / 519 jima sarai surahi niya-vaccha-neha, paMthiya jima pAvasa-samayi geha / jima sarai bhasala paccaya(?) jAi, jima sarai DiMbha khuha-khiNNa mAi / / 520 jima sarai sarovara rAjahaMsa, jima sarai purisavara niya suvaMsa / / kulavaMti jema samarai bhatAra, jima sarai sAhu saMsAra-pAra // 521 jima sarai viMjha-vaNa vAraNiMda, jima sarai susAyara puNNa-caMda / jima sarai cakka paccUsa-kAla, jima sarai sukoila taru rasAla // 522 tima samariya naravai putta-pema, jala-siMciya jala-nAleri jema / avilaMba aMba-piya-pujja-pAya, lahu namai nehi laliaMga-rAya // 523 tava harasiya niya-maNi jaNaNi tAsa, cira jIva putta tauM koDi vAsa / ima ditI bahu AsIsa jAma, naravAhaNi bhua-vici liddha tAma // 524 bihu miliya mahAsuha kaMTha-desa, AliMgaNa-raMga-suraMga-vesa / tiNi khaNi sua-saMgami patta-sukkha, naravAhaNi pAmiya jema sukkha // 525 dUhA (rAga malhAra) agaliya-neha-nivaTTAhaM, joaNa-lakkhu vi jAu / varisa saeNa-vi jo milai, sahi so sukkhaha~ ThAu / / 526 mehA morA dAdurAM0 // 527

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[96] gAthA ia jANiUNa rAyA, jAyAmaMdANarAga-hiya-hiyao / jaMpai kahu putta tumaM, kahaM Thiu vimharittu amhaM || 528 so paharo pAva-haro, sA ghaDiyA sukai kamma sAghaDiyA / sA velA suha velA, jaM dIsai putta-muha-kamalaM // 529 cAli dhana dhanna sua diNa ajja, dhana dhanna iha mujha rajja / dhana dhanna jIviya deha, jiha miliu tauM guNa-geha // 530 kima jANa jANiya magga, niya piyara saMgama sagga / kima kiddha amha bahu sAra, jaM milhi giu niradhAra // 531 jaM kiu amha kuNa dosa, taM khami na khami bahu-rosa / tuM putta guNahi gariThTha, niya-puNNi tihuyaNi iTTha // 532 hiva huU pAva-virAma, sonai ma laggi sAma / amha miliu pema-piyAra, tauM putta bahu-guNa-sAra / / 533 java rosi rakkhiya bAra, amhi tumhi kiu avicAra / / tava kiddha kima amha-resi, niya citta kaThiNa videsi // 534 ma ma karisi mani bahu bhaMti, amha achai eha ji khaMti / tumha deha ihu sahu rajja, haUM karisi para-bhavi kaja / / 535 ima suNiya naravai-vayaNa, laliaMgaha saaMsuyanayaNa / vali vali su laggai pAya, viNNavai suNi nararAya // 536 mana dharisi piya ema citti, amha hui eha ajutti / navi hui tAya kutAya, jai jAya hoi kujAya / / 537 hauM huu tumha kula-kaTThi, ghuNa jema gaya-suha-siTThi / ita divasa viNa pahu-seva, niggamiya jaM amhi deva // 538

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[97] siuM bahua jaMpiuM Ala, muNi sAmi bahu-guNa-sAla / hauM tumha bahu-duha-heu, hua ajja-diNa-lagi jeu / / 539 taM khamiya mujha avarAha, tauM sayala bhuuv-vraah| kiya bheu caMpaha rajja, Aisiya koi tasu kajja // 540 mujha diu tumha paya-vAsa, ma ma karisi tAya nirAsa / e achai tumha guNa-dosi, tumha lahua vahua suhAsi / / 541 tasu disau jaM bahu vajja, niya-kulaha maggasu kajja / ima bhaNiya kumara-naresa, dhari rahiu mUna asesa // 542 // kAlamuha kumara su pikkhi, dikkhaMta niya niva pakkhi / naravAhi niya kari vANi (?), uvavesi niya-paya-ThANi // 543 vaddhAri tilaya subhAli, vici vimala akkhaya-sAli / siri dhAri niva niya chatta, naccaMta nava nava patta // 544 bahu dhavala maMgala nAri, savi suhava diti viyAri / vajjaMti bahuara tUra, bahakati agara kapUra // 545 bahu bhatti bhoyaNa caMga, taMbola-pAna suraMga / pahirAvi savi nararAya, bahu-mulla cIra pasAya // 546 ghaNa kaNaya-kappaDa dANa, appIi bahu kekANa / maggaNaha pujjai Asa, duha rora jAMi nirAsa // 547 ghari ghari suucchava-raMga, ghari ghari sumaMDiya / ghari ghari sutoraNa bAri, ghari ghari sumaMgalacAri // 548 ubbhaviya dhayavaDa poli, bahu nAri milaI suToli / gAyaMti mahu-sari gIta, vihasIi sAjaNa-cIta // 549 savi sahuya diiM AsIsa, vaddhAri tilaya susIsa / laliaMga koDi varIsa, pUravau jagaha jagIsa // 550

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[98] rasAulau naravAhaNa sua miliya dukkha dUrahi~ Taliya / suyaNa-AsA phaliya niya-surajja-bhara kaliya / pisuNa pavaNihiM puliya, kitti cihuM disi caliya vasaNa sayala gaya galiya ariyaNa savi nirdaliya / laliaMga-rAya atulabbaliya, sattu sayala paya-tuli luliya munirAu devasuMdara raliya, jasu jasa jaMpai vali caliya / / 551 cAli ima tAsu diddha naresa, niya rajja-riddhi asesa / mukalAvi sahu niya-loya, mani dhariya bahuya pamoya / / 552 sikkhaviya sahu niva rIti, calliu cokhima cIti / naravAha sahi-guru-pAsi, liya caraNa mana-ulhAsi // 553 duddhara-mahavvaya-dhAra, pAlaMti paMcAcAra / nitu samiti gupati sujANa, guNa garua mera-samANa / / 554 lahu khaviya ghAia kamma, kiya sahala jiNa-muNi-dhamma / pAmiu ti tijaya-pahANa, risi-rAi kevala-nANa // 555 tihaM thakA bahu-parivAri, sirivAsa--nayara-majhAri / navakappa karai vihAra, bujjhavai bhaviya apAri / / 556 laliaMga raMgihi tAma, saha bhajja sruha-pariNAma / paDivajai sAvaya-dhamma, dhuri bodhi sodhi suramma / / 557 vali namiya niya-guru-pAya, bahu-dhamma-laddha-pasAya / pattau sagehiNi gehi, rasi ramaI dui bahu-nehi / / 558 bhogavai bahua vilAsa, pUravai jaga sahu Asa / pAlaMti niratIcAra, niya-desa-virai-viyAra / / 559 kAravai vara prAsAda, giri-mera-siuM lai vAda / vittharai jagi jasa-sAda, nava-khaMDai naravai-nAda / / 560 dii satta-khittihiM dANa, niya deva guru bahumANa / laliaMga puNya-pasAi, huya rajja dunniha rAya / / 561

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[99] bahu divasa pAliya dhamma, aNusariya aNasaNa ramma / laliaMga saggi vimANi, huya devaloki puNya pramANi // 562 vali bahuya puNya payAsi, suhi lahiya narabhava-vAsa / mahAvidehaI deva, lahasyai ti siddhi su heva // 563 puNyai ti dhaNa-kaNa-riddhi, puNyai ti payaDa prasiddhi / / puNyai ti rANima rAja, puNyai saraI sahu kAja // 564 puNyai ti sagga-vimANa, puNyai ti paMcama-ThANa / jagi payaDa puNya pavitta, laliyaMga-rAya-caritta // 565 mahi mahati mAlavadesa, dhaNa-kaNaya-lacchi-nivesa / tihaM nayara maMDava-dugga, ahiNavau jANi ki sagga // 566 tihaM atula-bala guNavaMta, zrIgyAsa-suta jayavaMta / samaratha sAhasa dhIra, zrIpAtasAha-nisIra // 567 tasu rajji sakala pradhAna, guNa-rUva-rayaNa-nidhAna / hiMdUA rAya-vajIra, zrImuMja-mayaNaha vIra // 568 sirimAla-vaMsavayaMsa, mAninI-mAnasa-haMsa / sonI rAya-jIvana-putta, bahu putta-pariyara-jutta // 569 zrImalika mAphara paTTi, haya-gaya suhaDa-bahu-thaTTi / zrIpuMja puMja nariMda, bahu-kavita-keli-suchaMda // 570 navarasa-vilAsau lola, nava-gAha-geya-kalola / / niya-buddhi-bahua-vinANi, guru dhamma-phala bahu jANi / / 571 iha puNyacariya-prabaMdha, laliaMga-nRpa-saMbaMdha / / pahu-pAsa-cariyaha citta, uddhariya eha caritta // 572 dasapuraha nayara-majhAri, zrI saMgha-taNai AdhAri / zrI zAMtisUri supasAiM, duha-duriya dUri palAiM // 573 jaM kima vi aliya asAra, guru lahua varNavicAra / kavi kaviuM Izvara-sUri, taM khamau bahu-guNa sUri // 574

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[ 100 ] sasi-rasa-suvikkama-kAla, e cariya raciuM rasAla / jAM dhUa ravi sasi mera, tAM jayau gaccha saMDera / / 575 vAcaMta vIra-caritta, vittharau jagi jaya-kitti / tasu maNua-bhava dhana dhanna, zrI-pAsanAha prasanna / / 576 nA // iti zrIlalitAMganarezvaracaritraM samAptaM / tasmin samApte samApto'yaM rAsaka-cUDAmaNi puNyaprabandhaH // tathA'tra rAsake zrIlalitAMgacaritre prathama-gAthA, (1) dUhA, (2) sATaka, (3 paTpada, (4) kuMDaliyA, (5) rasAulA, (6) vastu, (7) iMdravajropendravajrA (8) kAvya, (9 aDilla, (10) maDilla, (11) kAvyAddhabolI, (12) aDillArdha bolI,, (53) sUDabolI (14) varNanabolI, (15) yamakabolI, (16) choTaDA dUhA, (17) soraThA 1

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