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with b, and c with d. The instances of fel in SR. conform with this definition. But the LC. instance does not have clearly discernible caesuras, nor internal rhymes. Each of its line is made up of 8 HS Reference PP. 1, 197, SR. Introduction, p. 66-67.
v. 6, 11, 15-16, 40-41, 60-62, 70-71, 92, 114-115, 123-127, 170-174, 177-179, 188-189, 243-244, 259, 298, 303, 316, 413, 429-433, 460, 470, 485, 526-527.
It has 13 11 Mātrās in each half. They are divided as 6 + 4 and 64+ Reference: SR. p. 62-64.
v. 462 and 463 are called सहि-नामा दूहा, because the words सहिनाम occurs at the end of their first line. (1) v. 245-246. The text seems to be irregular. Each line seems to have 19 Mātrās divided as 13 + 6.
v. 457-459 are called दूहा ( अहूठिया).
The first half contains 24 Mātrās (13+ 11), The second line contains 20 Mātrās (13+ 7). As the fourth line has 7 Mātrās instead of 11 as in the usual दूहा, the metre is called अहूठिया दूहा ie a दूहा in which the fourth line is only a half of the usual line. 3 = अर्धचतुर्थ. The meaning of the adjective अवसहूतरा preceding अहूठिया दूहा in the text is not
clear.
❤
v. 471-475 are called
(3).
It has 24 Mātrās in each half, divided as 11 + 13, in which the 11 Matrā part of both the lines is linked with rhyme. Thus the order of the lines in दूहा is reversed in सोरठा.
Reference. PP. 1 170.
नाराच v. 331-334, 442.
It has 8 pairs of
can substitute
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per line. Lines 331 a, 332 c, d are irregular.
Reference PP. II 168.
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