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[37]
212
It is the Dvibhangi type with tool and 74 as the two constituents forming a unit. For काव्य see under कुंडलिया. For कपूर see under Thell. When it is used to sum up a topic which is treated in a group of preceding stanzas in a different metre it is called कलश-षट्पद (v. 22, 82, 335) (like the $781 on the pinacle of a temple). Hicoh or piecaralahlfsa v. 9.
The Ms. itself remarks that He is another designation of शार्दूलविक्रीडित.
It is a qurat. Each line has the TTUTS + + J + + + a followed by a Guru, with yra after the 12th qui.
Reference. PP. 2, 186. FACIT v. 307-312.
It is a qurqa. It has eight aufs per line.
Refernce : SC. 3, 7; Velankar, p. 289. frauit v. 346-350.
It has four 4547s per line, with the third Mātrā as Laghu in each
E.
Reference : Velankar, p. 295. Instead of its usual form as a वर्णवृत्त, here it is a मात्रावृत्त, but it preserves the rhythm of the four रगणs, in which cach or both of the [5s can be be substituted by two mes. Co v. 74, 76, 78, 80.
It has 29 Mātrās per line divided as 10 + 8 + 11 and ending in --. This is the same as Hagl defined at PP. 1, 208. In the case of vv. 80, 170, 190, 223, 443 the designation is wanting in the Ms. of LC.
At several places in the Ms. of LC. the designation of the metre is given as simply sia e.g. in the case of vv. 76-78 (the metre is a stot), 285 and 287 (the metre is Tha). At several places mistaken designation is given.
Rhymed Prose ... 5. The passage numbered 163. It consists of 15 pairs of rhym
ing prose lines
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